Mankiewicz Quelque Part L’Aventure Dans La Nuit De Madame Muir

Total Page:16

File Type:pdf, Size:1020Kb

Mankiewicz Quelque Part L’Aventure Dans La Nuit De Madame Muir DÉCEMBRE 2019 Cinéma Institut JOSEPH L. de l’image MANKIEWICZ QUELQUE PART L’AVENTURE DANS LA NUIT DE MADAME MUIR Somewhere in the Night The Ghost & Mrs Muir (USA, 1946) 1h50 – copie 35 mm (USA, 1947) 1h44 – DCP Réal. Joseph L. Mankiewicz Réal. Joseph L. Mankiewicz Int. John Hodiak, Nancy Guild… Int. Gene Tierney, Rex Harrison, George Sanders… Au lendemain de la Seconde Guerre mondiale, George Taylor, soldat En Angleterre, au XIXe siècle, Lucie amnésique, tente de reconstituer son Muir, une jeune veuve, s’installe au passé. Pour tout indice, il dispose de bord de la mer avec sa fille et sa deux lettres : l’une signée par une servante dans un cottage réputé JOSEPH L. MANKIEWICZ femme, l’autre par Larry Cravat, un hanté par le fantôme du Capitaine détective véreux accusé de meurtre... Gregg. Loin d’être terrorisée, elle est 11 DÉCEMBRE 2019 – 5 JANVIER 2020 au contraire fascinée à l’idée d’habiter « Cette histoire d’un homme à la avec un fantôme… « En vingt films, et autant de chefs-d’œuvre, Joseph L. Mankiewicz recherche de la vérité et, à travers s’est installé au panthéon des plus grands réalisateurs hollywoodiens. elle, de sa propre identité, ne pouvait « Premier grand chef d’œuvre de Après avoir été dialoguiste et producteur, il met en scène ses propres que passionner le futur cinéaste de Mankiewicz, L’Aventure de Mme Muir scénarios, écrits d’une plume vive et acérée. Il fait tourner les plus (…) La Comtesse aux pieds nus, qui fait partie de ces grands classiques qui grands – Ava Gardner, Marlon Brando, Humphrey Bogart, Bette a toujours souhaité découvrir la vérité ont marqué l’histoire du mélodrame au-delà des apparences. » d’après-guerre. » Davis, Henry Fonda... –, décortique les rapports humains et moque Patrick Brion Clément Graminiès, Critikat.com avec finesse les différences sociales. Mais surtout, deL’Aventure de madame Muir à La Comtesse aux pieds nus (…), il filme ses actrices, Mercredi 11 décembre à 16h20 / Mercredi 11 décembre à 20h30 / les femmes, la Femme, avec virtuosité et élégance, dans un style si Samedi 14 à 14h30 / Mercredi 18 Dimanche 15 à 14h30 / mercredi 18 à 18h30 / Vendredi 20 à 16h10 / à 16h30 / Lundi 23 à 18h20 / parfait qu’il en devient invisible. » Lundi 23 à 16h15 / Jeudi 26 à Jeudi 26 à 16h / Vendredi 27 à 20h30 Murielle Joudet (programme de la Cinémathèque française) 20h30 / Lundi 30 à 14h / Samedi 4 janvier à 16h LA MAISON L’AFFAIRE CICÉRON JULES CÉSAR LA COMTESSE DES ÉTRANGERS Five Fingers Julius Caesar AUX PIEDS NUS (USA, 1951) 1h48 – DCP (USA, 1952) 2h – copie 35 mm House of Strangers The Barefoot Contessa (USA, 1954) 2h11 – DCP (USA, 1949) 1h41 – DCP Réal. Joseph L. Mankiewicz Réal. Joseph L. Mankiewicz, Int. James Mason, Danielle Darrieux, d’après Shakespeare Réal. Joseph L. Mankiewicz Réal. Joseph L. Mankiewicz Michael Rennie… Int. Marlon Brando, James Mason, John Int. Edward G. Robinson, Susan Hayward, Int. Ava Gardner, Humphrey Bogart, Gielgud, Deborah Kerr… Richard Conte, Debra Paget… En 1944, Diello sert un ambassadeur Edmond O’Brien, Valentina Cortese… anglais à Ankara, en Turquie. Il en Rome en 44 avant J.-C. Lorsque New York, 1939. Max Monetti est libéré Lors des funérailles de la comtesse profite pour livrer des photographies Jules César tombe sous les coups de après une peine de sept ans purgée à Torlato-Favrini, le réalisateur Harry de documents secrets alliés aux Nazis Brutus, une guerre fratricide s’engage la place de son père. Il se réfugie dans Dawes se souvient de la défunte, sous un nom de code : Cicéron... entre les partisans de celui-ci et ceux depuis le jour où il l’a rencontrée alors la maison familiale où il se remémore de Marc Antoine… le passé tout en préparant sa revanche « Petit bijou finement ciselé, L’Affaire qu’elle dansait dans un cabaret sous le sur ses frères... Cicéron a toutes les qualités de la Mankiewicz révèle Marlon Brando nom de Maria Vargas… plupart des films de Mankiewicz : en tant que grand acteur shakes- Un film Noir sur fond de tragédie L’un des titres mythiques de élégance et précision de la mise en pearien : un véritable pari tenté – et familiale, dont le personnage Mankiewicz, Ava Gardner dans l’un de scène, brio, dialogues sophistiqués et brillamment réussi – par Mankiewicz, d’Edward G. Robinson s’inspire, ses plus beaux rôles, et un film désen- ironiques, etc. » avec cette adaptation à la presti- selon Patrick Brion, de la vie de l’un chanté sur le rêve hollywoodien. J-B Morain, Les Inrockuptibles gieuse distribution. des plus grands banquiers améri- cains. Mercredi 11 décembre à 18h30 / Samedi 14 décembre à 20h / Lundi Vendredi 13 décembre à 14h30 / Vendredi 13 décembre à 17h / Jeudi Jeudi 12 à 20h30 / Dimanche 16 à 14h / Dimanche 22 à 16h50 / Mercredi 18 à 20h30 / Dimanche 19 à 17h30 / Vendredi 20 à 20h30 / 15 à 16h40 / Vendredi 20 à 14h / Lundi 23 à 20h30 / Vendredi 27 à 22 à 14h30 / Samedi 28 à 17h15 / Mardi 24 à 14h30 / Samedi 28 à Vendredi 27 à 16h15 / Lundi 30 18h20 / Lundi 30 à 16h10 / Jeudi 2 Lundi 30 à 18h15 / Samedi 4 janvier 20h / Vendredi 3 janvier à 14h30 / à 20h30 janvier à 14h30 à 20h30 dimanche 5 à 17h BLANCHES COLOMBES UN AMÉRICAIN SOUDAIN, GUÊPIER ET VILAINS MESSIEURS BIEN TRANQUILLE L’ÉTÉ DERNIER POUR TROIS ABEILLES Guys And Dolls The Quiet American Suddenly, Last Summer The Honey Pot (USA, 1955) 2h30 – DCP (USA, 1958) 2h – DCP (USA, 1959) 1h54 – DCP (USA, 1967) 2h11 – DCP Réal. Joseph L. Mankiewicz Réal. Joseph L. Mankiewicz, Réal. Joseph L. Mankiewicz, Réal. Joseph L. Mankiewicz, Int. Marlon Brando, Frank Sinatra, d’après un roman de Graham Greene d’après Tennessee Williams d’après le roman de Fred Knott Jean Simmons... Int. Audie Murphy, Michael Redgrave, Int. Elizabeth Taylor, Katharine Hepburn, Int. Rex Harrison, Susan Hayward… Nathan Detroit, propriétaire d’un Claude Dauphin, Giorgia Moll… Montgomery Clift… Le très riche Cecil Fox puise dans la tripot new-yorkais, doit trouver de Durant la guerre d’Indochine, un Le docteur Cukrowicz exerce la représentation de «Volpone», pièce de l’argent au plus vite. Il propose à un citoyen américain est retrouvé mort. neurochirurgie dans des conditions Ben Jonson, l’idée de se moquer de joueur invétéré un pari extravagant : Les soupçons de l’inspecteur Vigot se précaires. Une riche veuve propose ceux qui, sous couvert de l’amitié, n’en emmener dîner le soir même à La portent rapidement sur un journaliste de léguer un million de dollars à veulent qu’à son argent. Pour l’assister Havane une jeune femme œuvrant dont l’épouse s’était éprise de l’Amé- son établissement, à condition que dans sa mystification, il engage un pour l’Armée du salut… ricain… Cukrowicz pratique une lobotomie sur acteur au chômage… sa nièce… Quatre nominations aux oscars pour « Le film le plus étrange et déroutant « Les récits s’emboîtent et le film cette adaptation d’une comédie de Mankiewicz, passionnant comme semble échapper à son créateur, musicale de Broadway, seule incur- un roman à énigme. Mais ce roman lequel, jonglant avec son art, ne sion dans le genre pour Mankiewicz Présenté par Jean-Michel Durafour, reprend le contrôle qu’in extremis. ne contient pas à proprement parler professeur de cinéma à l’Université (et pour Brando). d’énigme : il est lui-même tout entier L’un des délices de spectateur est de d’Aix-Marseille, se perdre dans ce dédale de narra- une énigme. » vendredi 13 décembre à 19h30 Jacques Lourcelles tions. » N.T. Binh Jeudi 12 décembre à 14h30 / Autres séances Samedi 14 à 17h / Mardi 17 Lundi 16 décembre à 16h10 / Jeudi Lundi 16 à 18h30 / Mardi 17 à Mardi 17 décembre à 16h45 / à 19h30 / Samedi 21 à 14h30 / 19 à 20h / Mardi 24 à 17h / Vendredi 14h30 / Samedi 21 à 17h30 / Lundi Samedi 21 à 20h / Jeudi 26 à 18h / Dimanche 29 à 14h30 / 27 à 14h / Vendredi 3 janvier à 20h / 23 à 14h / Dimanche 29 à 17h20 / Samedi 28 à 14h30 / Jeudi 2 janvier Vendredi 3 janvier à 17h Samedi 4 à 18h10 Jeudi 2 janvier à 19h45 à 17h / Dimanche 5 à 14h30 Notre coup de cœur du mois LA VIACCIA (Fr./It., 1961) 1h46 – DCP Réal. Mauro Bolognini Int. Jean-Paul Belmondo, Claudia Cardinale, Pietro Germi… Le jeune Amerigo quitte sa campagne natale pour la ville, où il travaille chez son oncle. Tombé follement amoureux de la prosti- tuée Bianca, il fait tout pour subvenir à ses besoins, allant même jusqu’à voler son oncle… Un drame passionnel, l’une des grandes réussites du cinéma italien des années 60 aujourd’hui rééditée en copie neuve restaurée. La Comtesse aux pieds nus Lundi 16 décembre à 20h40 Mercredi 18 à 14h Vendredi 20 à 18h20 Jeudi 26 à 14h Samedi 4 janvier à 14h Avec le Festival tous courts Histoires de cinéma : À table ! Manger au cinéma Mercredi 4 décembre à 13h30 Mardi 10 décembre à 18h30 NOS DÉFAITES 18h30 20h (Fr., 2019) 1h34 – DCP Conférence-dégustation proposée par Les Grandes SALÉ, SUCRÉ Réal. Jean-Gabriel Périot tables : Pascal-Alex Vincent, Yin shi nan nu (Taïwan, 1994) 2h03 – DCP Nos défaites dresse un portrait de nos rapports à la politique « L’Asie des délices » par un jeu de réinterprétation par des lycéens, d’extraits Réal. Ang Lee issus du cinéma post-68, associé à des interviews de ces Tarif conférence : Int. Lung Sihung, Yang Kuei-mei… jeunes acteurs. Comment appréhendent-ils le monde dans 10 € + tarifs habituels pour le film M. Chu est le plus grand chef cuisinier de lequel ils grandissent et surtout, auraient-ils envie de le Tarif fidélité Institut de l’image : Taipei.
Recommended publications
  • George P. Johnson Negro Film Collection LSC.1042
    http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections.
    [Show full text]
  • Complete Film Noir
    COMPLETE FILM NOIR (1940 thru 1965) Page 1 of 18 CONSENSUS FILM NOIR (1940 thru 1959) (1960-1965) dThe idea for a COMPLETE FILM NOIR LIST came to me when I realized that I was “wearing out” a then recently purchased copy of the Film Noir Encyclopedia, 3rd edition. My initial plan was to make just a list of the titles listed in this reference so I could better plan my film noir viewing on AMC (American Movie Classics). Realizing that this plan was going to take some keyboard time, I thought of doing a search on the Internet Movie DataBase (here after referred to as the IMDB). By using the extended search with selected criteria, I could produce a list for importing to a text editor. Since that initial list was compiled almost twenty years ago, I have added additional reference sources, marked titles released on NTSC laserdisc and NTSC Region 1 DVD formats. When a close friend complained about the length of the list as it passed 600 titles, the idea of producing a subset list of CONSENSUS FILM NOIR was born. Several years ago, a DVD producer wrote me as follows: “I'd caution you not to put too much faith in the film noir guides, since it's not as if there's some Film Noir Licensing Board that reviews films and hands out Certificates of Authenticity. The authors of those books are just people, limited by their own knowledge of and access to films for review, so guidebooks on noir are naturally weighted towards the more readily available studio pictures, like Double Indemnity or Kiss Me Deadly or The Big Sleep, since the many low-budget B noirs from indie producers or overseas have mostly fallen into obscurity.” There is truth in what the producer says, but if writers of (film noir) guides haven’t seen the films, what chance does an ordinary enthusiast have.
    [Show full text]
  • 1 Shakespeare and Film
    Shakespeare and Film: A Bibliographic Index (from Film to Book) Jordi Sala-Lleal University of Girona [email protected] Research into film adaptation has increased very considerably over recent decades, a development that coincides with postmodern interest in cultural cross-overs, artistic hybrids or heterogeneous discourses about our world. Film adaptation of Shakespearian drama is at the forefront of this research: there are numerous general works and partial studies on the cinema that have grown out of the works of William Shakespeare. Many of these are very valuable and of great interest and, in effect, form a body of work that is hybrid and heterogeneous. It seems important, therefore, to be able to consult a detailed and extensive bibliography in this field, and this is the contribution that we offer here. This work aims to be of help to all researchers into Shakespearian film by providing a useful tool for ordering and clarifying the field. It is in the form of an index that relates the bibliographic items with the films of the Shakespearian corpus, going from the film to each of the citations and works that study it. Researchers in this field should find this of particular use since they will be able to see immediately where to find information on every one of the films relating to Shakespeare. Though this is the most important aspect, this work can be of use in other ways since it includes an ordered list of the most important contributions to research on the subject, and a second, extensive, list of films related to Shakespeare in order of their links to the various works of the canon.
    [Show full text]
  • October 4, 2016 (XXXIII:6) Joseph L. Mankiewicz: ALL ABOUT EVE (1950), 138 Min
    October 4, 2016 (XXXIII:6) Joseph L. Mankiewicz: ALL ABOUT EVE (1950), 138 min All About Eve received 14 Academy Award nominations and won 6 of them: picture, director, supporting actor, sound, screenplay, costume design. It probably would have won two more if four members of the cast hasn’t been in direct competition with one another: Davis and Baxter for Best Actress and Celeste Holm and Thelma Ritter for Best Supporting Actress. The story is that the studio tried to get Baxter to go for Supporting but she refused because she already had one of those and wanted to move up. Years later, the same story goes, she allowed as maybe she made a bad career move there and Bette David allowed as she was finally right about something. Directed by Joseph L. Mankiewicz Written by Joseph L. Mankiewicz (screenplay) Mary Orr (story "The Wisdom of Eve", uncredited) Produced by Darryl F. Zanuck Music Alfred Newman Cinematography Milton R. Krasner Film Editing Barbara McLean Art Direction George W. Davis and Lyle R. Wheeler Eddie Fisher…Stage Manager Set Decoration Thomas Little and Walter M. Scott William Pullen…Clerk Claude Stroud…Pianist Cast Eugene Borden…Frenchman Bette Davis…Margo Channing Helen Mowery…Reporter Anne Baxter…Eve Harrington Steven Geray…Captain of Waiters George Sanders…Addison DeWitt Celeste Holm…Karen Richards Joseph L. Mankiewicz (b. February 11, 1909 in Wilkes- Gary Merrill…Bill Simpson Barre, Pennsylvania—d. February 5, 1993, age 83, in Hugh Marlowe…Lloyd Richards Bedford, New York) started in the film industry Gregory Ratoff…Max Fabian translating intertitle cards for Paramount in Berlin.
    [Show full text]
  • House of Strangers (Mankiewicz, 1949): Iconografía Noir Y Violencia Con Un Trasfondo Shakespeariano
    Ambigua, Revista de Investigaciones sobre Género y Estudios Culturales, n.º 7, 2020, pp. 211-228. ISSN: 2386-8708 House of Strangers (Mankiewicz, 1949): Iconografía noir y violencia con un trasfondo shakespeariano House of Strangers (Mankiewicz, 1949): Noir iconography and violence with a Shakespearean background Francisca Portillo Laguna Universidad de Málaga [email protected] Fecha de recepción: 31/07/2020 Fecha de evaluación: 15/09/2020 Fecha de aceptación: 16/11/2019 Abstract: The aim of the present research is to analyse the violence underlying the autocratic proceedings of a father upon his otherwise submissive and resentful sons under the frame of a Shakespearean background. The starting point has been the cinematographic adaptation House of Strangers (1949) by Joseph L. Mankiewicz which is based on one of the most acclaimed tragedies by the English bard, King Lear (1606). The theme of violence acquires relevance when the daughters who despise Lear are transformed into sons by Mankiewicz, revealing how roughness and brutality not only can be inherited and enhanced but, especially, that it can be surmounted and transcended given the proper conditions. These topics are considered not only from a genre perspective but from a very specific cinematographic context, that of noir films, which contribute with a whole set of motifs, characters, and atmosphere. With regards to gender considerations, the main aspects examined include the different treatment given to male and female characters in labour and familiar contexts. While women are traditionally circumscribed within the family environment men are more frequently enclosed as leading roles in a social and working milieu.
    [Show full text]
  • Twentieth Century Fox: 1935-1965
    The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L.
    [Show full text]
  • Film Noir Database
    www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.
    [Show full text]
  • Ape Chronicles #035
    For a Man! PLANET OF THE APES 1957 The Three Faces of Eve ARMY ARCHERD WHO IS WHO ? 1957 Peyton Place FILMOGRAPHY 1957 No Down Payment 1958 Teacher's Pet (uncredited) FILMOGRAPHY (AtoZ) 1957 Kiss Them for Me 1963 Under the Yum Yum Tree Compiled by Luiz Saulo Adami 1957 A Hatful of Rain 1964 What a Way to Go! (uncredited) http://www.mcanet.com.br/lostinspace/apes/ 1957 Forty Guns 1966 The Oscar (uncredited) apes.html 1957 The Enemy Below 1968 The Young Runaways (uncredited) [email protected] 1957 An Affair to Remember 1968 Planet of the Apes (uncredited) AUTHOR NOTES 1958 The Roots of Heaven 1968 Wild in the Streets Thanks to Alexandre Negrão Paladini, from 1958 Rally' Round the Flag, Boys! 1970 Beneath the Planet of the Apes Brazil; Terry Hoknes, from Canadá; Jeff 1958 The Young Lions (uncredited) Krueger, from United States of America; 1958 The Long, Hot Summer 1971 Escape from the Planet of the Apes and Philip Madden, from England. 1958 Ten North Frederick 1972 Conquest of the Planet of the Apes 1958 The Fly (uncredited) 1959 Woman Obsessed 1973 Battle for the Planet of the Apes To remind a film, an actor or an actress, a 1959 The Man Who Understood Women (uncredited) musical score, an impact image, it is not so 1959 Journey to the Center of the Earth/Trip 1974 The Outfit difficult for us, spectators of movies or TV. to the Center of the Earth 1976 Won Ton Ton, the Dog Who Saved Really difficult is to remind from where else 1959 The Diary of Anne Frank Hollywood we knew this or that professional.
    [Show full text]
  • Lear TABLE of CONTENTS
    king lear TABLE OF CONTENTS Preface 1 Art That Lives 2 Bard’s Bio 3 The First Folio 4 Shakespeare’s England 4 The English Renaissance Theater 6 Barbara Gaines Criss Henderson Courtyard-style Theater 8 Artistic Director Executive Director Timeline 9 Chicago Shakespeare Theater is Chicago’s professional theater dedi- Shakespeare’s King Lear cated to the works of William Shakespeare. Founded as Shakespeare Repertory in 1986, the company moved to its seven-story home on Navy Dramatis Personae 11 The Story 12 Pier in 1999. In its Elizabethan-style courtyard theater, 500 seats on three Act-by-Act Synopsis 12 levels wrap around a deep thrust stage—with only nine rows separating Shakespeare, Tragedy and Us 14 the farthest seat from the stage. Chicago Shakespeare also features a Something Borrowed, Something New… 16 flexible 180-seat black box studio theater, a Teacher Resource Center, and Sorting Out the Two Text Controversy 18 a Shakespeare specialty bookstall. This Great Stage of Fools 19 Playnotes: “Too True” 21 Now in its twenty-eighth season, the Theater has produced nearly the en- Playnotes: “Endurance” 23 tire Shakespeare canon: All’s Well That Ends Well, Antony and Cleopa- What the Critics Say 24 tra, As You Like It, The Comedy of Errors, Cymbeline, Hamlet, Henry IV Parts 1 and 2, Henry V, Henry VI Parts 1, 2 and 3, Henry VIII, Julius Caesar, King John, King Lear, Love’s Labor’s Lost, Macbeth, Measure A Play Comes to Life for Measure, The Merchant of Venice, The Merry Wives of Windsor, A A Look Back at King Lear in Performance 29 Midsummer Night’s Dream, Much Ado About Nothing, Othello, Pericles, A Conversation with the Director 32 Richard II, Richard III, Romeo and Juliet, The Taming of the Shrew, The Death and Aging in King Lear 34 Tempest, Timon of Athens, Troilus and Cressida, Twelfth Night, The Two Frank Sinatra and His Music 36 Gentlemen of Verona, The Two Noble Kinsmen, and The Winter’s Tale.
    [Show full text]
  • Filmoteca Terres De Lleida / Cine-Ull “Treballes Per a Mi
    Octubre 2018 / Gener 2019 Lleida All About Mankiewicz Filmoteca Terres de Lleida / Cine-ull “Treballes per a mi. Jo et pago, i això deixa clara una cosa, siguis guionista, director o el porter dels meus estudis: jo mano”. Així es dirigeix l’executiu d’uns grans estudis de Hollywood al director de cinema Harry Dawes (Humphrey Bogart) a La condesa descalza (The Barefoot Contessa, 1954) una de les pel·lícules més significades de Mankiewicz. Joseph Leo Mankiewicz fou un bon coneixedor dels grans estudis del Hollywood clàssic, en ells va créixer i ells el van fagocitar. Va nàixer a Pennsilvània el 1909 en una família d’origen alemany. Molt jove inicia la seva vida professional a la Paramount com a traductor, i aviat comença a col·laborar en l’escriptura de guions. Finalment escriu en aquest estudi els seus propis guions fins que obté una nominació a l’Oscar per Skippy (Norman Taurog, 1931). Això fa que rebi una oferta de la Metro-Goldwyn-Mayer on continua la seva carrera de guionista d’estudi i assoleix una nova nominació per El enemigo público número Dilluns 15/10/2018, 20:30 h Dilluns 22/10/2018, 20:30 h 1 (Manhattan Melodrama, 1934) de W.S. Van Dyke i altres petits èxits. Sondeja als seus caps la Dragonwyck / El castillo de Dragonwyck. The Ghost and Mrs. Muir / El fantas- possibilitat de dirigir un projecte, però la resposta és convertir-lo en productor. Mankiewicz va Joseph L. Mankiewicz, EUA, 1946, ma y la señora Muir. Joseph L. explicar sovint, tot considerant-ho una resposta encertada, que els executius li van suggerir que digital, 137´, B/N, VOSE.
    [Show full text]
  • American Audiences on Movies and Moviegoing
    University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 2001 American Audiences on Movies and Moviegoing Tom Stempel Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Stempel, Tom, "American Audiences on Movies and Moviegoing" (2001). Film and Media Studies. 7. https://uknowledge.uky.edu/upk_film_and_media_studies/7 American Audiences on Movies and Moviegoing This page intentionally left blank American Audiences on Movies and Moviegoing Tom Stempel THJE UNNERSITY PRESS OlF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright© 2001 by Tom Stempel Published by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College ofKentucky, Eastern Kentucky University, The Filson Club Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 05 04 03 02 01 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Stempel, Tom, 1941- American audiences on movies and moviegoing I by Tom Stempel. p. em. Includes bibliographical references.
    [Show full text]
  • Web Paramount Historical Calendar 6-12-2016.Xlsx
    Paramount Historical Calendar Last Update 612-2016 Paramount Historical Calendar 1928 - Present Performance Genre Event Title Performance Performan Start Date ce End Date Instrumental - Group Selections from Faust 3/1/1928 3/7/1928 Movie Memories 3/1/1928 3/7/1928 Movie News of the Day 3/1/1928 3/7/1928 Instrumental - Group Organs We Have Played 3/1/1928 3/7/1928 Musical Play A Merry Widow Revue 3/1/1928 3/7/1928 Musical Play A Merry Widow Revue 3/1/1928 3/7/1928 Musical Play A Merry Widow Revue 3/1/1928 3/7/1928 Dance Accent & Jenesko 3/1/1928 3/7/1928 Dance Felicia Sorel Girls 3/1/1928 3/7/1928 Vocal - Group The Royal Quartette 3/1/1928 3/7/1928 Comedian Over the Laughter Hurdles 3/1/1928 3/7/1928 Vocal - Group The Merry Widow Ensemble 3/1/1928 3/7/1928 Movie Feel My Pulse 3/1/1928 3/7/1928 Instrumental - Individual Don & Ron at the grand organ 3/1/1928 3/7/1928 Movie The Big City 3/8/1928 3/14/1928 Instrumental - Individual Don & Ron at the grand organ 3/8/1928 3/14/1928 Variety Highlights 3/8/1928 3/14/1928 Comedian A Comedy Highlight 3/8/1928 3/14/1928 Vocal - Individual An Operatic Highllight 3/8/1928 3/14/1928 Variety Novelty (The Living Marionette) 3/8/1928 3/14/1928 Dance Syncopated 3/8/1928 3/14/1928 Dance Slow Motion 3/8/1928 3/14/1928 Dance Millitary Gun Drill 3/8/1928 3/14/1928 Comedian Traffic 3/8/1928 3/14/1928 Instrumental - Group novelty arrangement 3/8/1928 3/14/1928 Comedian Highlights 3/8/1928 3/14/1928 Movie West Point 3/15/1928 3/21/1928 Instrumental - Individual Don & Ron at the grand organ 3/15/1928 3/21/1928 Variety
    [Show full text]