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Educational Materials to Go with the Video & Extra Materials For
Educational Materials to go with the Video & extra materials for preparation and extension of the concert Prepared by Valerie Trollinger ([email protected], or [email protected] ) October 2012 Discovery Concert Series The Science of Sound Reading Symphony Orchestra Discovery Concert Series October, 2012 The Thrill of Resonance (Grades 4 , and above; Grade 3 with help) Teacher Quick-Start Guide The video is the second one in our sequence about the Science of Sound. There are three (3) ways to use this series at this point: 1) For students to get the full benefit of the science behind the sounds, then viewing the first video “The Science of Sound” is strongly recommended. a. Show the first video in the sequence (The Science of Sound) with the accompanying worksheet, go over the worksheet as needed. When the students are familiar with the meaning of the words Frequency, Amplitude, Time, Dynamics, and the rest of the terms on the worksheet, then go on to the second video (The Thrill of Resonance) with that accompanying worksheet. From there you can continue with activities that are relevant to your curriculum. There are a lot of other activities that go with both of these videos, addressing STEM technology ( adding the arts ) and building on creative thinking, problem solving, critical thinking, reading, writing, and even engineering. 2) If you don’t have time for the first video at this point and want to only show the second-- a) The students still need to be familiar with the terms Frequency, Amplitude, and Time. Definitions will follow in the teacher pack. -
Dalton Document Final Draft 4/25
! ! WIND MUSIC FOR THEATER: CAVE, COMPOSED BY RUSSELL PECK ! ! by! ADAM FITZGERALD! DALTON KENNETH B. OZZELLO,! COMMITTEE CHAIR STACY L. ALLEY RANDALL O. COLEMAN LINDA PAGE CUMMINS SHELLY D. MYERS THOMAS ROBINSON! ! A MANUSCRIPT! ! Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the School of Music in the Graduate School of The University! of Alabama ! ! TUSCALOOSA,! ALABAMA ! 2014! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Copyright Adam Dalton 2014 ALL RIGHTS RESERVED ABSTRACT! This DMA manuscript is composed of two parts. The first is an essay focusing on Russell Peck (1949-2005) and his piece Cave. The written essay begins with a discussion of wind music for theater and the different techniques that composers use in this genre. It also looks more in-depth at a small sample of these pieces and the purpose, place, and intention of these works. The majority of this essay, however, focuses on Russell Peck and his piece Cave. The essay looks at technical, musical, and performance considerations of the piece and how they enhance the performance. Recommendations for future performances are discussed. Interviews with friends and family members of Russell Peck provides greater insight into him as a person as well as his compositional style and thought process when composing this piece. The second part of this DMA manuscript is a professional quality DVD of a full performance of Cave with the University of Alabama Symphonic Band on their April 14, 2014, concert. ! ! !ii ! ACKNOWLEDGMENTS There are many people I would like to thank who helped me along this journey. I would like to start with my committee. -
Beneath a Canvas of Green a Conductor's Analysis and Comprehensive Survey of Related Works for Percussion Ensemble and Winds B
i BENEATH A CANVAS OF GREEN A CONDUCTOR’S ANALYSIS AND COMPREHENSIVE SURVEY OF RELATED WORKS FOR PERCUSSION ENSEMBLE AND WINDS BY TONYA PATRICE MITCHELL Submitted to the graduate degree program in the School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ____________________________________ Chairperson Paul W. Popiel ____________________________________ Matthew O. Smith ____________________________________ Sharon Toulouse ____________________________________ Forest Pierce ____________________________________ Martin Bergee Date Defended: April 18, 2018 ii The Lecture Recital Committee for TONYA P. MITCHELL certifies that this is the approved version of the following document: BENEATH A CANVAS OF GREEN A CONDUCTOR’S ANALYSIS AND COMPREHENSIVE SURVEY OF RELATED WORKS FOR PERCUSSION ENSEMBLE AND WINDS ____________________________________ Chairperson Paul W. Popiel Date Approved: April 18, 2018 iii ABSTRACT This document functions as an examination of Aaron Perrine’s (1979) Beneath a Canvas of Green (2018), a work for percussion ensemble and wind band. Included in this paper are sections outlining the composer’s background, the conception and commissioning process of the piece, a conductor’s analysis, rehearsal considerations, final thoughts regarding the necessity of new commissions and their impact on the development of band repertoire, as well as a historical overview of the percussion ensemble and list of similar works for this medium. iv ACKNOWLEDGEMENTS I would like to thank Aaron Perrine for collaborating with me on the production of this beautiful composition. I’d also like to thank Michael Compitello for assisting with the percussion design and set-up. I thank the members of the University of Kansas Wind Ensemble for enacting our vision. -
Boston Symphony Orchestra Concert Programs, Summer, 1965-1966
TANGLEWOOD Festival of Contemporary American Music August 14, 15, 16, 17, 18, 1966 Sponsored by the Berkshire Music Center In Cooperation with the Fromm Music Foundation I " STMVINSKY tt.VlOW agon vam 7/re Boston Symphony SCHULLER 7 STUDIES ox THEMES of PAUL KLEE BOSTON SYMPHONY ORCHESTRA/ERICH lEINSDORf under Leinsdorf Leinsdorf expresses with great power the vivid colors of Schuller's Seven Studies on Themes of Paul Kiee and, in the same album, Stravinsky's ballet music from Agon. Forthe majorsinging roles in Menotti's dramatic cantata, The Death of the Bishop of Brindisi. Leinsdorf astutely selected George London, and Lili Chookasian, of whom the Chicago Daily Tribune has written, "Her voice has the Boston symphony ecich teinsooof / luminous tonal sheath that makes listening luxurious. menotti Also hear Chookasian in this same album, in songs from the death op the Bishop op BRSndlSI Schbnberg's Gurre-Lieder. In Dynagroove sound. Qeonoe ionoon • tilt choolusun s<:b6notec,/ou*«*--l(eoeo. sooq of the wooo-6ove ac^acm rca Victor fa @ The most trusted name in sound ^V V BERKSHIRE MUSIC CENTER ERICH LeinsDORF, Director Joseph Silverstein, Chairman of the Faculty Aaron Copland, Chairman of the Faculty Emeritus Louis Speyer, Assistant Director Victor Babin, Chairman of the Tanglewood Institute Harry J. Kraut, Administrator FESTIVAL of CONTEMPORARY AMERICAN MUSIC presented in cooperation with THE FROMM MUSIC FOUNDATION Paul Fromm, President Alexander Schneider, Associate Director FELLOWSHIP PROGRAM Contemporary Music Activities Gunther Schuller, Head Roger Sessions, George Rochberg, and Donald Martino, Guest Teachers Paul Zukofsky, Fromm Teaching Fellow James Whitaker, Chief Coordinator Viola C Aliferis, Assistant Administrator The Berkshire Music Center is maintained for advanced study in music sponsored by the BOSTON SYMPHONY ORCHESTRA Erich Leinsdorf, Music Director Thomas D. -
MAT TYPE 001 L578o "Levine, Lawrence W"
CALL #(BIBLIO) AUTHOR TITLE LOCATION UPDATED(ITEM) MAT TYPE 001 L578o "Levine, Lawrence W" "The opening of the American mind : canons, culture, and history / Lawrence W. Levine" b 001.56 B632 "The Body as a medium of expression : essays based on a course of lectures given at the Institute of Contemporary Arts, London / edited by Jonathan Benthall and Ted Polhemus" b 001.9 Sh26e "Shaw, Eva, 1947-" "Eve of destruction : prophecies, theories, and preparations for the end of the world / by Eva Shaw" b 001.942 C841u "Craig, Roy, 1924-" UFOs : an insider's view of the official quest for evidence / by Roy Craig b 001.942 R159p "Randle, Kevin D., 1949-" Project Blue Book exposed / Kevin D. Randle b 001.942 St97u "Sturrock, Peter A. (Peter Andrew)" The UFO enigma : a new review of the physical evidence / Peter A. Sturrock b 001.942 Uf7 The UFO phenomenon / by the editors of Time- Life Books b 001.944 M191m "Mackal, Roy P" The monsters of Loch Ness / Roy P. Mackal b 001.944 M541s "Meredith, Dennis L" Search at Loch Ness : the expedition of the New York times and the Academy of Applied Science / Dennis L. Meredith b 001.96 L891s "Lorie, Peter" Superstitions / Peter Lorie b 004 P587c "Pickover, Clifford A" Computers and the imagination : visual adventures beyond the edge / Clifford A. Pickover b 004.16 R227 2001 Reader's Digest the new beginner's guide to home computing b 004.1675 Ip1b3 2013 "Baig, Edward C" iPad for dummies / by Edward C. Baig and Bob Dr. Mac LeVitus b 004.1675 Ip2i 2012 "iPhone for seniors : quickly start working with the user-friendly -
View PDF Document
Alv1ERIC/\N ffiJETYCf UN~h\SITY CD!1RJSERS WINTER, 1976/Vol. 9, No. 1 BOSTON CONFERENCE The Eleventh Annual National Con Members who need hotel accommoda ference of the Society to be held at the tions may want to stay at the Statler New England Conservatory of Music in Hil ton where 150 rooms have been re Boston February 26-29 will also mark the served. Reservations may be made in first National Conference on Music Theory advance by using the hotel registration (see following article) . The closing form included with the Newsletter. session of the ASUC Conference will There is no pre-registration fee for the coincide with the first session of the Conference, but ASUC members will be Theory Conference to which ASUC members charged the usual five dollar fee at the are invited. This year's Conference time of registration. promises to be one of the most important Since there will not be another in the Society's ten year history and all Newsletter before the Boston meeting, a members are urged to make a special effort final Conference schedule will be mailed to attend. in January or early February. The following is a tentative schedule at this point. Thursday (February 26) : 3:00 p.m. Meeting of Executive Committee and National Council only (Statler-Hilton). 8:00 p.m. Concert: New England Conservatory Wind Ensemble conducted by Frank Battisti. 1Friday (February 27): 9:00 a.m. Greetings and Opening Remarks: Marshall Bialosky (National Chairman, ASUC), Gunther Schuller (New England Conservatory) . 9:15 a.m. Keynote Address. -
Doing Our Part to Preserve Brain Health: an Urgent Call to Action October 8, 2019, 1:00 – 2:00 P.M
Doing Our Part to Preserve Brain Health: An Urgent Call to Action October 8, 2019, 1:00 – 2:00 p.m. EST (Join at 12:55pm to watch the stroke FAST Video) #NatForumStrokeVirtualMtg #WorldStrokeDay #PreserveBrainHealth #PreventStrokeChecklist Purpose: Provide a platform for healthcare professionals to know what can be done to preserve brain health by preventing a stroke and seek their sharing of this information in October 2019 and throughout the year. World Stroke Day (October 29) raises awareness of the serious nature and high prevalence of stroke and how to prevent it. The National Forum’s Virtual Convening shares stories and the latest facts members can use in their own World Stroke Day messaging. Stroke prevention checklists for health professionals and the public will be presented. Host: The National Forum for Heart Disease & Stroke Prevention Presenters: • John Clymer, Executive Director, National Forum for Heart Disease & Stroke Prevention • Bernadette Mazurek Melnyk, PhD, RN, APRN-CNP, FAANP, FNAP, FAAN, Vice President for Health Promotion, Chief Wellness Officer, Dean of Nursing, The Ohio State University • Mark McEwen, Journalist, Health Advocate, Stroke Survivor • Stephanie Mohl, Vice-President, American Stroke Assoc., A division of the American Heart Association • Betsy L. Thompson, MD, MSPH, DrPH, RADM, US Public Health Service Director, Division for Heart Disease and Stroke Prevention • Clinton Wright, MD, MS, FAAN, FAHA, Associate Director, Director, Division of Clinical Research, National Institute for Neurological Disorders -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date: 26-May-2010 I, Thomas J. Kernan , hereby submit this original work as part of the requirements for the degree of: Master of Music in Music History It is entitled: The Percussion Group Cincinnati: A History of Collaboration between Ensemble and Composer Student Signature: Thomas J. Kernan This work and its defense approved by: Committee Chair: bruce mcclung, PhD bruce mcclung, PhD 6/6/2010 796 The Percussion Group Cincinnati: A History of Collaboration between Ensemble and Composer A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Music in Music History in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music by Thomas J. Kernan B.M. University of Missouri-Kansas City May 2005 Committee Chair: bruce d. mcclung, Ph.D. ii Abstract The Percussion Group Cincinnati, an ensemble-in-residence at the University of Cincinnati’s College-Conservatory of Music, celebrated its thirtieth anniversary in 2009. In its first three decades, this trio collaborated with at least fifty composers, several of whom have contributed multiple compositions. The more than seventy works composed expressly for the ensemble comprise the core of its performance repertoire. While the members have amassed a sizable body of chamber percussion compositions, their primary goal has remained the process of collaborating. Whereas comparator ensembles measure success by their number of recordings, performances at specific events, or notoriety among various communities, the Percussion Group Cincinnati can be best understood through a careful consideration of its interactions with composers. -
Kate White Is the Editor-In-Chief of Cosmopolitan, the Best-Selling
2 Sound View Drive, Suite 100 - Greenwich, CT 06830 Tel. (203) 622-4950 Fax (203) 531-4132 [email protected] The FISCHER ROSS GROUP, Inc LECTURE MANAGEMENT Mark McEwen Journalist, author and former CBS news anchor, Mark McEwen was voted one of the most trusted people in America and was a fixture on CBS in the mornings from 1987 until 2002. His wit and warmth made him a welcome guest in millions of homes. During his 15-year tenure at CBS, Mark served in a variety of high-profile positions, including anchor for "CBS This Morning", weather and entertainment reporter for "The Early Show" and correspondent for "48 Hours." He is a stroke survivor and works with the American Stroke Association and the National Stroke Association to educate people on how to make healthy lifestyle changes. His has written Change in the Weather: Life After Stroke. From “The Morning Program” to “CBS This Morning,” Mark was a main- stay on the CBS early news since first joining the network in 1987. He anchored with a unique flair and, over the years, has interviewed many prominent newsmakers, including former Presidents Bill Clinton, George Bush and Gerald Ford. He has also interviewed Steven Spielberg, Tom Cruise, John Travolta, Sidney Poitier, Paul McCartney, Jim Carrey, Garth Brooks, Whoopi Goldberg, Julia Roberts, Denzel Washington, Tom Hanks, Madonna and Joni Mitchell, among others. He has covered almost every imaginable television event including the Oscars, the Cannes Film Festival, the Golden Globe Awards, the Grammy Awards, and the Country Music Association Awards. He covered three Winter Olympics including Albertville, France and Lillehammer, Norway, and anchored the morning broadcast from Nagano, Japan during CBS Sports’ coverage of the Olympic Winter Games. -
FESTIVAL of AMERICAN CONTEMPORARY MUSIC at Rice University
FESTIVAL OF AMERICAN CONTEMPORARY MUSIC at Rice University November 2-7, 1986 FESTNALOF 2 A Message from Michael Hammond AMERICAN Dean, Shepherd School of Music CONTEMPORARY 3 A Message from Nancy Clarke MUSIC Executive Director, AT American Music Center RICE UNNERSilY 4 Schedule of Concerts and Events November 2-7, 1986 tO Biographies of Composers and Performers 18 Performing Organizations 25 A Partial List of Twentieth Century American Compositions Performed from 1975-1986 by the Shepherd School of Music 28 Acknowledgements A Message from Michael Hammond Dean, Shepherd School of Music This week's activities at the Shepherd School constitute one of the most ambitious festivals of new American music in the nation. We are proud to offer these seven programs in observance of American Music Week, and we are grateful to the many colleagues and collaborators who have worked with us over the past year in bringing all these concerts into being. A mutual devotion to fine music by living composers has inspired these efforts. Indeed, a number of the composers heard in this Festival are living among us here in Houston or elsewhere in Texas. We celebrate this fact and look to our own with special pride during this week. The myriad ways in which the music of these composers is woven into the rich fabric of Twentieth Century American writing will be apparent to our audiences. So will the endless links and family resemblances between these pieces and the unbroken tradition of European (and now Asian) music as well. We extend our gratitude too to the performers from beyond the Shepherd School who have joined us in these events. -
23Rd Annual Claims Management & Leadership Conference
23rd Annual Claims Management & Leadership Conference GOING THE DISTANCE.... MAKING THE DIFFERENCE Program Brochure & Conference Agenda Hyatt Regency Coconut Point Enjoy the resort’s signature pools, lazy river, pool-side dining, or take a short boat ride to the Hyatt’s private island to enjoy a day at the beach. Greetings: On behalf of the Association of Workers' Compensation Claims Professionals (WCCP) we welcome you to the 23nd Annual Claims Management & Leadership Conference. "Going the Distance, Making the Difference" with three days of interactive Leadership and Technical workshops from the Industries' top executives, medical and legal professionals. WCCP Board of Directors After enjoying a night of catching up with friends and colleagues at our Sunday Evening Chairman’s Reception, Jackie Hilston/Chairperson join us on Monday morning as we announce the recipient of our 2nd Annual WCCP “Rising Star” Award. This The Zenith Insurance Company award recognizes a senior level adjuster or newly appointed supervisor who exemplifies the professionalism to reach that next level in their career to become “Tomorrow’s Leader”. Please also join us on Monday morning as Melanie Stanisic/President we congratulate Christine Pu and Benjamin Wolfe, this year’s Fran Brown Scholarship recipients. Darden After a full day of education, join us on the Cypress Courtyard for a “friendly” game of volleyball at the WCCP’s Bob O’Halloran/Vice President sponsored tournament. Or, join me poolside to cheer for your favorite team while sipping on a frozen concoction Summit Consulting, LLC and listening to our favorite “industry friends” jill’s cashbox. Lorie Dove/Secretary Each year as we begin our planning for next years conference, we are reminded that only through the generous Commercial Risk Management, Inc. -
Boston Symphony Orchestra Concert Programs, Summer, 1965-1966
NGLEWOOD ^Jffl Festival of Contemporary American Music August 15, 16, 17, 18, 19, 1965 Sponsored by the Berkshire Music Center In Cooperation with the Fromm Music Foundation The Boston Symphony PR0K0F1EFF: SYMPHONY No. 5 BOSTON SYMPHONY ORCHESTRA under Leinsdorf ERICH LEINSDORF Prokofieff's Fifth Symphony was given its American premiere by the Boston Symphony, so it was only fitting that Leinsdorf should choose this work to initiate the widely acclaimed Prokofieff series. Like the other performances in this series, this recording is characterized by penetrating insight and drama and sets the standard by which to judge any future interpretations. Hear the magnificence of the Boston Symphony under Leinsdorf captured m^fmm jjgvB&sg in Dynagmove sound on RCA Victor Red Seal recordings. Victor^ ««mThe most trusted name in sound ^»L BERKSHIRE MUSIC CENTER Erich Leinsdorf, Director Aaron Copland, Chairman of the Vacuity Louis Speyer, Assistant Director Victor Babin, Chairman of the Tanglewood Institute Richard Burgin, Associate Chairman of the Faculty (on sabbatical leave, 1965) Harry J. Kraut, Administrator FESTIVAL OF CONTEMPORARY AMERICAN MUSIC presented in cooperation with THE FROMM MUSIC FOUNDATION Paul Fromm, President Alexander Schneider, Associate Director PERFORMANCE DEPARTMENT Contemporary Music Activities Aaron Copland, Chairman Gunther Schuller, Supervisor Elliott Carter, Zoltan Kodaly, and Donald Martino, Guest Teachers James Whitaker, Chief Coordinator David Walker, Administrative Assistant Viola C. Aliferis, Assistant Administrator The Berkshire Music Center is maintained for advanced study in music sponsored by the BOSTON SYMPHONY ORCHESTRA Erich Leinsdorf, Music Director Thomas D. Perry, Jr., Manager BALDWIN PIANO RCA VICTOR RECORDS _ PERSPECTIVES NEWOF MUSIC Participants in this year's Festival are invited to subscribe to the American journal devoted to im- portant issues of contemporary music and the Vt problems of the composer.