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Artistes Per La Pau” Dins Del Coro Barroco De Andalucia (Sevilla), Històrica
Jordi Savall, violes de gamba & direcció Jordi Savall és una de les personali- tats musicals més polivalents de la seva generació. Fa més de cinquanta anys que dóna a conèixer al món meravelles musicals abandonades en la foscor de la indiferència i de l’oblit. Dedicat a la recerca d’aquestes músiques antigues, les llegeix i les interpreta amb la seva viola de gamba, o com a director. Les seves activitats com a concertista, pe- dagog, investigador i creador de nous projectes, tant musicals com culturals, Lluís Vilamajó, tenor & direcció de ponsable de la direcció artística, amb el situen entre els principals artífexs del amb Montserrat Figueras, varen ser la Jove Capella Reial de Catalunya Lambert Climent i Carlos Mena del fenomen de revalorització de la música investits “Artistes per la Pau” dins del Coro Barroco de Andalucia (Sevilla), històrica. És fundador, juntament amb programa “Ambaixadors de bona volun- Nascut a Barcelona, inicià els seus y del Coro Vozes de “Al Ayre Español” Montserrat Figueras, dels grups musi- tat” de la UNESCO. estudis musicals a l’Escolania de Mont- (Zaragoza). Paral·lelament ha començat cals Hespèrion XXI (1974), La Capella serrat, i després els continuà al Conser- el projecte FONICS per a joves can- Reial de Catalunya (1987) i Le Concert La seva fecunda carrera musical ha vatori Municipal Superior de Música de tants, i és director artístic del Coro de la des Nations (1989) amb els que explora estat mereixedora de les més altes dis- Barcelona. Actualment és membre de la Orquesta Ciudad de Granada i del Joven i crea un univers d’emocions i de be- tincions nacionals i internacionals, d’en- Capella Reial de Catalunya dirigida per Coro de Andalucía. -
EARLY MUSIC NOW with SARA SCHNEIDER Broadcast Schedule — Winter 2019
EARLY MUSIC NOW WITH SARA SCHNEIDER Broadcast Schedule — Winter 2019 PROGRAM #: EMN 18-27 RELEASE: December 24, 2018 Gaudete! Music for Christmas This week's program features Christmas music from several centuries to help get you in the holiday spirit, with hymns and carols by Michael Praetorius and Johannes Brassart, a Christmas concerto by Francesco Manfredini, and a traditional German carol sung by Emma Kirkby. Other performers include La Morra and the Gabrieli Consort and Players. PROGRAM #: EMN 18-28 RELEASE: December 31, 2018 To Drive the Cold Winter Away This week, Early Music Now presents songs to usher out the old year, and welcome the new; plus ditties and dances to bring some cheer to the cold winter days! Our performers include Pomerium, Ensemble Gilles Binchois, and The Dufay Collective. PROGRAM #: EMN 18-29 RELEASE: January 7, 2019 La Serenissima The 16th century Venetian School influenced composers all over Europe- from the polychoral masterpieces of Gabrieli to the innovative keyboard music of Merulo. We'll also hear selections from the Odhecaton: the earliest music collection printed using movable type, published by Petrucci in Venice in 1501. PROGRAM #: EMN 18-30 RELEASE: January 14, 2019 Music at the court of Emperor Maximilian I Maximilian I of Austria employed some of the finest artists and musicians of his time to glorify his reign and create a permanent legacy. He was known for wanting music in his environment constantly, even when he was alone. We'll hear from the composers who served him, like Isaac and Senfl, plus some of the music that shaped his young adulthood at the Burgundian court. -
Certamen Coral De Tolosa 2017
Antolatzailea Organizador Tolosako Ekinbide Etxea Centro de Iniciativas de Tolosa Babesleak Patrocinadores Laguntzaile bereziak Ohorezko lehendakaria Excmo.Sr.D. Iñigo Urkullu Colaboradores especiales Presidente de honor Eusko jaurlaritzako lehendakaria Ohorezko batzordea Excmo. Sr. D. Markel Olano Comité de honor Gipuzkoako foru aldundiko aldun nagusia Excmo. Sr. D. Bingen Zupiria Eusko jaurlaritzako kultura kontseilaria Ilmo. Sra. Dña. Olatz Peon Tolosako alkatea Laguntzaileak Agua de Insalus Colaboradores Colegio Hirrikide Jesuitinak Comunidad Convento Santa Clara Distribuciones Mendieta Batzorde exekutiboa D. Julián Lacunza Euskalherriko abesbatzen elkartea Comité ejecutivo D. Luis Miguel Espinosa Harizpe D. Xabier Ormazabal 4 5 Kaiz Lorategia Dña. Idoya Otegui P.P. Franciscanos Sociedades populares de tolosa Udaberri dantza taldea Batzorde teknikoa D. Enrique Azurza Comité técnico D. Jon Bagües D. Javier Busto D. José Antonio Sainz Alfaro D. Xabier Sarasola tolosako abesbatza lehiaketa · certamen coral de tolosa · concours choral de tolosa · tolosa choral contest tolosako abesbatza lehiaketa · certamen coral de tolosa · concours choral de tolosa · tolosa choral contest Lehiaketako batzordeak / Comités del certamen Batzorde artistikoa Luis Miguel Espinosa Musika artxiboa Zerkausiko bazkariak Mónica Alfaro Abesbatza laguntzaileak Imanol Aramendi Xabier Ormazabal Comité artístico (Director) Archivo musical Comidas Zerkausi José Luis García Acompañantes coros Raquel Etxabe Xabier Ormazabal Janariak S.A. Aitor Imaz CD-aren edizioa Aitor -
2-11 Juin 2011
e Cathédrale XXVIII de Maguelone 2 -11 JUIN 2011 musiqueancienneamaguelone.com Le XXVIIIe Festival de Musique à Maguelone est organisé par l’Association “Les Amis du Festival de Maguelone” Direction du Festival : Philippe Leclant avec le concours du Ministère de la Culture et de la Communication du Département de l’Hérault des Villes de Palavas-les-Flots et de Villeneuve-les-Maguelone du Réseau Européen de Musique Ancienne (REMA) en collaboration avec l'Association des Compagnons de Maguelone en partenariat avec e-mecenes.com partenaires média Un regard sur les saisons passées English Concert Ensemble 415 Hespèrion XXI Eric Bellocq Chichester Cathedral Choir Paul O’Dette Ensemble Concordia Ensemble William Byrd La Grande Ecurie Alla Francesca Françoise Masset Stéphanie-Marie Degand et la Chambre du Roy Gérard Lesne Ensemble XVIII-21 Violaine Cochard Concerto Rococo Daedalus Hélène Schimtt Ensemble Amarillis Chœurs Orthodoxes Pascal Montheilhet Dialogos Amandine Beyer du Monastère de Zagorsk Jérome Hantaï Céline Frisch Chœur du Patriarcat Russe Olivier Baumont Marianne Muller Jordi Savall The Tallis Scholars La Simphonie du Marais Les Paladins L’Arpeggiata Musica Antiqua de Cologne Ensemble Huelgas Ensemble Faenza Blandine Rannou Chœurs Liturgiques La Colombina Guido Balestracci Ensemble Marin Mersenne Arméniens d’Erevan Pierre Hantaï Neapolis Ensemble Les Sacqueboutiers de Toulouse Ensemble Organum Les Talens Lyriques Ensemble Jachet de Mantoue Paolo Pandolfo La Fenice Patrizia Bovi, Gigi Casabianca Fretwork Quatuor Madrigalesca A Sei -
MUSICA MUNDI WORLD RANKING LIST - TOP 1000 Choirs 1 / 38
MUSICA MUNDI WORLD RANKING LIST - TOP 1000 Choirs 1 / 38 Position Choir Conductor Country Points 1 Jauniešu Koris KAMER.. Maris Sirmais Latvia 1221 2 University of Louisville Cardinal Singers Kent Hatteberg USA 1173 3 Guangdong Experimental Middle School Choir Ming Jing Xie China 1131 4 Stellenbosch University Choir André van der Merwe South Africa 1118 4 Elfa's Singers Elfa Secioria Indonesia 1118 6 Stellenberg Girls Choir André van der Merwe South Africa 1113 7 Victoria Junior College Choir Nelson Kwei Singapore 1104 8 Hwa Chong Choir Ai Hooi Lim Singapore 1102 9 Mansfield University Choir Peggy Dettwiler USA 1095 10 Magnificat Gyermekkar Budapest Valéria Szebellédi Hungary 1093 11 Coro Polifonico di Ruda Fabiana Noro Italy 1081 12 Ars Nova Vocal Ensemble Katalin Kiss Hungary 1078 13 Shtshedrik Marianna Sablina Ukraine 1071 14 Coral San Justo Silvia Francese Argentina 1065 Swingly Sondak & Stevine 15 Manado State University Choir (MSUC) Indonesia 1064 Tamahiwu 16 VICTORIA CHORALE Singapore Nelson Kwei Singapore 1060 17 Kearsney College Choir Angela Stevens South Africa 1051 18 Damenes Aften Erland Dalen Norway 1049 19 CÄCILIA Lindenholzhausen Matthias Schmidt Germany 1043 20 Kamerny Khor Lipetsk Igor Tsilin Russia 1042 20 Korallerna Eva Svanholm Bohlin Sweden 1042 22 Pilgrim Mission Choir Jae-Joon Lee Republic of Korea 1037 23 Gyeong Ju YWCA Children's Choir In Ju Kim Republic of Korea 1035 24 Kammerkoret Hymnia Flemming Windekilde Denmark 1034 Elfa Secioria & Paulus Henky 25 Elfa's Singers Indonesia 1033 Yoedianto 26 Music Project Altmark West Sebastian Klopp Germany 1032 27 Cantamus Girls' Choir Pamela Cook Great Britain 1028 28 AUP Ambassadors Chorale Arts Society Ramon Molina Lijauco Jr. -
Jordi Savall Talks About Grief, Memory and Building Bridges
To marry the heart and the head By Julius Purcell . May 12, 2012 1:23 am The prolific Catalan musician Jordi Savall talks about grief, memory and building bridges ©Laia Abrill Jordi Savall at home in Barcelona It was a sound that few who heard it are likely to forget. In January, the church of Santa María del Mar in Barcelona was packed for the memorial concert of the singer Montserrat Figueras, who died last year aged 69. At the front, seated at the viola da gamba, Figueras’s husband Jordi Savall waited motionless as Armenian duduks launched into an opening lament. Then, from a balcony lit by three candles, came the voice of Figueras herself – “smoky, penetrating, flatly expressive”, as the music writer Alex Ross has described it. What we were hearing was one of her recordings of the Chant of the Sybil, a medieval Catalan text that she particularly loved. It was a charged moment, tinged with the realisation that recordings might endure, but the chance to hear this voice in performance had gone for ever. When I meet Jordi Savall a few months later, he is in the middle of producing a new disc that will tell the story, in music, of the humanist thinker Erasmus. The recording session in a chapel had finished at six that morning, Savall having returned only two days ago from an exhausting tour of Mexico and China with Hespèrion XXI, the ensemble he co-founded with Figueras in 1974. Six months after his wife’s death, and having turned 70 last year, Savall won’t, or can’t, slow down. -
Jordi Savall and Carlos Núñez and Friends Thursday, May 10, 2018 at 8:00Pm This Is the 834Thconcert in Koerner Hall
Jordi Savall and Carlos Núñez and Friends Thursday, May 10, 2018 at 8:00pm This is the 834thconcert in Koerner Hall Carlos Núñez, Galician bagpipes, pastoral pipes (Baroque ancestor of the Irish Uilleann pipes) & whistles Pancho Álvarez, Viola Caipira (Brazilian guitar of Baroque origin) Xurxo Núñez, percussions, tambourins & Galician pandeiros Andrew Lawrence-King, Irish harp & psalterium Frank McGuire, bodhran Jordi Savall, treble viol (by Nicholas Chapuis, Paris c. 1750) lyra-viol (bass viol by Pelegrino Zanetti, Venice 1553) & direction PROGRAM – CELTIC UNIVERSE Introduction: Air for the Bagpipes The Caledonia Set Traditional Irish: Archibald MacDonald of Keppoch Traditional Irish: The Musical Priest / Scotch Mary Captain Simon Fraser (1816 Collection): Caledonia's Wail for Niel Gow Traditional Irish: Sackow's Jig Celtic Universe in Galicia Alalá En Querer Maruxiña Diferencias sobre la Gayta The Lord Moira Set Dan R. MacDonald: Abergeldie Castle Strathspey Traditional Scottish: Regents Rant - Lord Moira Ryan’s Mammoth Collection (Boston, 1883): Lord Moira's Hornpipe Flowers of Edinburg Charlie Hunter: The Hills of Lorne Reel: The Flowers of Edinburg Niel Gow: Lament for the Death of his Second Wife Fisher’s Hornpipe Tomas Anderson: Peter’s Peerie Boat INTERMISSION The Donegal Set Traditional Irish: The Tuttle’s Reel Traditional Scottish: Lady Mary Hay’s Scots Measure Turlough O’Carolan: Carolan’s Farewell Donegal tradition: Gusty’s Frolics Jimmy Holme’s Favorite Carolan’s Harp Anonymous Irish: Try if it is in Tune: Feeghan Geleash -
The Aquitanian Sacred Repertoire in Its Cultural Context
THE AQUITANIAN SACRED REPERTOIRE IN ITS CULTURAL CONTEXT: AN EXAMINATION OF PETRI CLA VIGER! KARl, IN HOC ANNI CIRCULO, AND CANTUMIRO SUMMA LAUDE by ANDREA ROSE RECEK A THESIS Presented to the School ofMusic and Dance and the Graduate School ofthe University of Oregon in partial fulfillment ofthe requirements for the degree of Master of Arts September 2008 11 "The Aquitanian Sacred Repertoire in Its Cultural Context: An Examination ofPetri clavigeri kari, In hoc anni circulo, and Cantu miro summa laude," a thesis prepared by Andrea Rose Recek in partial fulfillment ofthe requirements for the Master ofArts degree in the School ofMusic and Dance. This thesis has been approved and accepted by: Dr. Lori Kruckenberg, Chair ofth xamining Committee Committee in Charge: Dr. Lori Kruckenberg, Chair Dr. Marc Vanscheeuwijck Dr. Marian Smith Accepted by: Dean ofthe Graduate School 111 © 2008 Andrea Rose Recek IV An Abstract ofthe Thesis of Andrea Rose Recek for the degree of Master ofArts in the School ofMusic and Dance to be taken September 2008 Title: THE AQUITANIAN SACRED REPERTOIRE IN ITS CULTURAL CONTEXT: AN EXAMINATION OF PETRI CLA VIGER! KARl, INHOC ANNI CIRCULO, AND CANTU MIRa SUMMA LAUDE Approved: ~~ _ Lori Kruckenberg Medieval Aquitaine was a vibrant region in terms of its politics, religion, and culture, and these interrelated aspects oflife created a fertile environment for musical production. A rich manuscript tradition has facilitated numerous studies ofAquitanian sacred music, but to date most previous research has focused on one particular facet of the repertoire, often in isolation from its cultural context. This study seeks to view Aquitanian musical culture through several intersecting sacred and secular concerns and to relate the various musical traditions to the region's broader societal forces. -
Orlando Furioso De Ludovico Ariosto Traducido En Verso Castellano
3. - NATIONALE M TESORo autonshiisis TOMO LVI. CDERBITA ANDO FUERBIOSID, DE LUD0VIG0 ARIOST0. TRADUCIDO EN VERSO CASTELLANO PORA D. 24, be (Burgog, BARCELONA. PORD, JUANOLIVERES, IMPRESOR DE S. M. CALLE DE MONSERRATE, N. 10. 1843, (CANTO) XXXI. El caballero negro derriba á Ricardeto. — Combate entre Reinaldo y el caballero negro.- Los guerreros de Claromonte reconocen á Gui don el Salvaje, y todos juntos se dirigen á París, donde se encuen tran á Flordelís hablando con los hijos de Oliveros. - Reinaldo em biste á los sarracenos.—Topa Flordelís con Brandímarte, y marcha con él en busca de Orlando. — Cae Brandimarte en poder de Rodo monte.- Dirígese Agramante áArles. — Disputas entre Gradaso y Reinaldo por ser dueños de Bayardo. ¿Qué suerte mas felíz, mas deleitosa Fuera que la de un pecho enamorado "? ¿Cuál mas plácido estado Hallar que esclavitud tan venturosa , Si á turbar sus dulzuras en martirio No vinieran las cuitas, los recelos , La inquietud, el delirio Y el atroz frenesí que llaman Zelos? De este acíbar natura, sin embargo, Vierte de tiempo en tiempo algunas gotas En la copa de amor. Su dejo amargo A las dulzuras del amor añade Delicias nuevas, hasta entonce ignotas. Causa es la sed que el agua nos agrade ; Del mas simple manjar, uno exquisito Hace largo apetito, Y apreciar de la paz no sabe el goce Quien la guerra y sus males no conoce. Separado de aquel por quien suspira, El corazon lo aguarda con paciencia. Cuanto mas larga y triste fue la ausencia, Tanto es mayor, cuando llegar le mira, Su dicha y su placer. -
Le Fou Et La Magicienne Réécritures De L'arioste À L
AIX MARSEILLE UNIVERSITÉ ÉCOLE DOCTORALE 355 ESPACES, CULTURES ET SOCIÉTÉS CENTRE AIXOIS D’ÉTUDES ROMANES – EA 854 DOCTORAT EN ÉTUDES ITALIENNES Fanny EOUZAN LE FOU ET LA MAGICIENNE RÉÉCRITURES DE L’ARIOSTE À L’OPÉRA (1625-1796) Thèse dirigée par Mme Perle ABBRUGIATI Soutenue le 17 juin 2013 Jury : Mme Perle ABBRUGIATI, Professeur, Aix Marseille Université Mme Brigitte URBANI, Professeur, Aix Marseille Université M. Jean-François LATTARICO, Professeur, Université Lyon 3 – Jean Moulin M. Camillo FAVERZANI, Maître de conférences HDR, Université Paris 8 – Saint Denis M. Sergio ZATTI, Professore, Università di Pisa Je remercie chaleureusement L’École doctorale 355 Espaces, Cultures et Sociétés de l’Aix Marseille Université de m’avoir permis d’achever cette thèse. La Fondazione Cini de Venise de m’avoir accueillie pour un séjour de recherches. Le personnel de la Bibliothèque nationale de Turin de m’avoir aidée dans mes recherches sur les partitions de Vivaldi. Les membres du jury d’avoir accepté de lire mon travail. Ma directrice de recherches, Mme Perle Abbrugiati, pour son soutien indéfectible et ses précieux conseils. Mon compagnon, mes enfants, mes parents et mes beaux-parents, mes amis et mes collègues, pour leurs encouragements et leur compréhension pendant cette longue et difficile période. SOMMAIRE INTRODUCTION 1 I. Origine des réécritures : l’Arioste 2 1. Les personnages 4 2. L’Arioste et les arts 9 3. De l’Arioste au Tasse : le genre chevaleresque, ses réécritures littéraires et sa réception 16 II. L’Arioste à l’opéra 25 Avertissement : choix de traductions et citations 35 Description du corpus : le sort des personnages après l’Arioste 37 PREMIÈRE PARTIE : REPÉRAGES, LA PÉRÉGRINATION DES PERSONNAGES, REFLET DE LA FORTUNE DE L’ARIOSTE ET MARQUEUR DE L’HISTOIRE DE L’OPÉRA 45 I. -
Deutsche Nationalbibliografie 2014 T 09
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2014 T 09 Stand: 17. September 2014 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2014 ISSN 1613-8945 urn:nbn:de:101-ReiheT09_2014-1 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Jordi Savall Hespèrion XX-XXI, La Capella Reial De Catalunya, Le Concert Des Nations
DISCOGRAPHY Jordi Savall Hespèrion XX-XXI, La Capella Reial de Catalunya, Le Concert des Nations 1968 1. Songs of Andalusia (Andalusian Songs) Victoria de Los Angeles & Barcelona Ars Musicae - Dir. Enric Gispert HMV “Angel Series” SAN 194 [LP] 2. Del Romànic al Renaixement - Le Moyen-Age Catalan, de l’art roman à la renaissance Ars musicae de Barcelone - Gispert Edigsa AMC 10/051 [LP] 1970 3. Recercadas del “Tratado de Glosas” Jordi Savall, Genoveva Gálvez, Sergi Casademunt Hispavox HHS 7 [LP] 1971 4. De Guillaume Dufay à Josquin Des Prés - Chansons d’amour du 15e siècle Ensemble d’Instruments anciens “Ricercare” de Zurich - Dir. Michel Piguet Erato STU 70661 [LP] 1972 5. Music for guitar and harpsichord John Williams / Rafael Puyana / Jordi Savall Columbia “CBS Masterworks” M 31194 [LP] 6. Ludwig Senfl Deutsche Lieder Ricercare - Ensemble für Alte Musik, Zurich - Dir. Michel Piguet EMI/Electrola “Reflexe” 1C 063 30 104 [LP] 7. Telemann - Suite & Concerto J. Savall, M. Piguet, Orchestre de chambre Jean-François Paillard - Dir. J.-F. Paillard Erato STU 70711 [LP] 1973 8. Musik des Trecento um Jacopo da Bologna Ricercare-Ensemble für Alte Musik, Zurich - Dir. Michel Piguet EMI/Electrola “Reflexe” 1C 063 30 111 [LP] 1 9. Die Instrumentalvariation in der Spanischen Renaissancemusik Ricercare-Ensemble für Alte Musik, Zurich - Dir. Michel Piguet / Jordi Savall EMI/Electrola “Reflexe” 1C 063 30 116 [LP] 10. Praetorius - Auswalh aus Terpsichore Ricercare- Ensemble für Alte Musik, Zürich - Dir. Michel Piguet EMI/Electrola “Reflexe” 1C 063 30 117 [LP] 11. Jean-Baptiste Lully: Le Bourgeois Gentilhomme, Comédie-Ballet (1670) LWV 43 Various singers & La Petite Bande – Dir.