Staywoke: the Language and Literacies of the #Blacklivesmatter Movement
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The Trouble We''re In: Privilege, Power, and Difference
The Trouble Were In: Privilege, Power, and Difference Allan G. Johnson Thetroublearounddifferenceisreallyaboutprivilegeandpowertheexistenceofprivilege andthelopsideddistributionofpowerthatkeepsitgoing.Thetroubleisrootedinalegacyweall inherited,andwhilewerehere,itbelongstous.Itisntourfault.Itwasntcausedbysomethingwedid ordidntdo.Butnowitsallours,itsuptoustodecidehowweregoingtodealwithitbeforewe collectivelypassitalongtothegenerationsthatwillfollowours. Talkingaboutpowerandprivilegeisnteasy,whichiswhypeoplerarelydo.Thereasonforthis omissionseemstobeagreatfearofanythingthatmightmakewhitesormalesorheterosexuals uncomfortableorpitgroupsagainsteachother,1eventhoughgroupsarealreadypittedagainstone anotherbythestructuresofprivilegethatorganizesocietyasawhole.Thefearkeepspeoplefrom lookingatwhatsgoingonandmakesitimpossibletodoanythingabouttherealitythatliesdeeper down,sothattheycanmovetowardthekindofworldthatwouldbebetterforeveryone. Difference Is Not the Problem Ignoringprivilegekeepsusinastateofunreality,bypromotingtheillusionthedifferenceby itselfistheproblem.Insomeways,ofcourse,itcanbeaproblemwhenpeopletrytoworktogether acrossculturaldividesthatsetgroupsuptothinkanddothingstheirownway.Buthumanbeingshave beenovercomingsuchdividesforthousandsofyearsasamatterofroutine.Therealillusionconnected todifferenceisthepopularassumptionthatpeoplearenaturallyafraidofwhattheydontknowor understand.Thissupposedlymakesitinevitablethatyoullfearanddistrustpeoplewhoarentlikeyou and,inspiteofyourgoodintentions,youllfinditallbutimpossibletogetalongwiththem. -
Pdfblackmillennialmovement V Trump.Pdf
Case 3:20-cv-01464-YY Document 1 Filed 08/26/20 Page 1 of 61 Per A. Ramfjord, OSB No. 934024 [email protected] Jeremy D. Sacks, OSB No. 994262 [email protected] Crystal S. Chase, OSB No. 093104 [email protected] STOEL RIVES LLP 760 SW Ninth Ave, Suite 3000 Portland, OR 97205 Telephone: (503) 224-3380 Kelly K. Simon, OSB No. 154213 [email protected] ACLU FOUNDATION OF OREGON 506 SW 6th Ave, Suite 700 Portland, OR 97204 Telephone: (503) 227-3986 Attorneys for Plaintiffs Mark Pettibone, Fabiym Acuay (a.k.a. Mac Smiff), Andre Miller, Nichol Denison, Maureen Healy, Christopher David, Duston Obermeyer, James McNulty, Black Millennial Movement, and Rose City Justice, Inc. [Additional counsel for Plaintiffs listed on signature page] UNITED STATES DISTRICT COURT DISTRICT OF OREGON PORTLAND DIVISION MARK PETTIBONE, an individual; Case No.: 3:20-cv-1464 FABIYM ACUAY (a.k.a., MAC SMIFF), an individual; COMPLAINT ANDRE MILLER, an individual; NICHOL DENISON, an individual; (28 U.S.C. § 1332) MAUREEN HEALY, an individual; CHRISTOPHER DAVID, an individual; DEMAND FOR JURY TRIAL DUSTON OBERMEYER, an individual; JAMES MCNULTY, an individual; BLACK MILLENNIAL MOVEMENT, an organization; and ROSE CITY JUSTICE, INC., an Oregon nonprofit corporation, Page 1 - COMPLAINT 107810438.1 0099880-01343 Case 3:20-cv-01464-YY Document 1 Filed 08/26/20 Page 2 of 61 Plaintiffs, v. DONALD J. TRUMP, in his official capacity; CHAD F. WOLF, in his individual and official capacity; GABRIEL RUSSELL, in his individual and official capacity; JOHN DOES 1-200, in their individual capacities; UNITED STATES DEPARTMENT OF HOMELAND SECURITY; and UNITED STATES MARSHALS SERVICE, Defendants. -
Constantly Evolving Music Business: Stay Independent Vs. Sign to a Label: Artist's Point of View
Constantly Evolving Music Business: Stay Independent vs. Sign to a Label: Artist’s Point of View Sampo Winberg Bachelor’s Thesis Degree Programme in International Business 2018 Abstract Date 22.5.2018 Author(s) Sampo Winberg Degree programme International Business Report/thesis title Number of pages Constantly Evolving Music Business: Stay Independent vs. Sign to and appendix pages a Label: Artist’s Point of View 58 + 6 The mark of an artist making it in music industry, throughout its relatively short history, has always been a record deal. It is a ticket to fame and seen as the only way to make a living with your music. Most artist would accept a record deal without hesitating. Being an artist myself I fall into the same category, at least before conducting this research. As we know record labels tend to take a decent chunk of artists’ revenues. Goal of this the- sis is to find out ways how a modern-day artist makes money, and can it be done so that it would be better to remain as an independent artist. What is the difference in volume that artist needs without a label vs. with a label? Can you get enough exposure and make enough money that you can manage without a record label? Technology has been and still is the single most important thing when it comes to the evo- lution of the music industry. New innovations are made possible by constant technological development and they’ve revolutionized the industry many times. First it was vinyl, then CD, MTV, Napster, iTunes, Spotify etc. -
BLACK LIVES MATTER (BLM)Poetry
BLACK LIVES MATTER (BLM)Poetry: By : Janaya Cooper Dr.Saundra Collins, Independent Studies Advisor, Black Psychology and Black Sociology Research Project for Black Psychology and Black Sociology of Black Lives Matter Dr.Zoe Burkholder, Internship Coordinator, MSU Human Rights Education Internship MSU Human Rights Education Internship, Black Lives Matter Movement December 20,2016 Dear Emmett Till I hear it was the whistling towards a white woman, that got you killed, face beaten in like a castrated mummy. They stopped you because they did not want to take the blame. Oh! how they killed you because they hated themselves, used a lie to send you to your grave in the most horrible way. Blood stains the Coliseum doors. Now history repeats, everyone getting killed like Till. Dead Black bodies dropping down on the streets. Shout all of their names 3 times! They were innocent Black people, but 5-0 thought otherwise. Police took away precious black lives of men, women, and children. I know I’m guilty of it too, but not like them. Stop the killing! Stop the racism! Freeze! Black people are no longer enslaved, We no longer wear those chains just to be painted gold. Now once upon a time not too long ago, A nigga like myself had to strong arm a hoe. Hold your golden-black crown high Black woman Black woman What do you see when you look in the mirror? Do you see the strength and heart of the warrior Afrekete? Is your head held up high, for a crown to rest? And be dubbed black queen, mother of life, educator of black intelligence Do you see your dark skin as it dances and befriends the night, kisses the sun and absorbs black power day in and day out? Do you see those wide hips, big bust, big butt and big lips? Never will you say that those precious gifts from descendant Saartjie Baartman are a curse. -
Blacklivesmatter—Getting from Contemporary Social Movements to Structural Change
Georgetown University Law Center Scholarship @ GEORGETOWN LAW 2021 #BlackLivesMatter—Getting from Contemporary Social Movements to Structural Change Jamillah Bowman Williams Georgetown University Law Center, [email protected] Naomi Mezey Georgetown University Law Center, [email protected] Lisa O. Singh Georgetown University, [email protected] This paper can be downloaded free of charge from: https://scholarship.law.georgetown.edu/facpub/2387 https://ssrn.com/abstract=3860435 California Law Review Online, Vol. 12, Reckoning and Reformation symposium. This open-access article is brought to you by the Georgetown Law Library. Posted with permission of the author. Follow this and additional works at: https://scholarship.law.georgetown.edu/facpub Part of the Criminal Law Commons, Law and Race Commons, and the Law and Society Commons #BlackLivesMatter— Getting from Contemporary Social Movements to Structural Change Jamillah Bowman Williams*, Naomi Mezey**, and Lisa Singh*** Introduction ................................................................................................. 2 I. Methodology ............................................................................................ 5 II. BLM: From Contemporary Social Movement to Structural Change ..... 6 A. Black Lives Matter as a Social Media Powerhouse ................. 6 B. Tweets and Streets: The Dynamic Relationship between Online and Offline Activism ................................................. 12 C. A Theory of How to Move from Social Media -
Stay Woke: Creating a Path Towards Critical Consciousness and Self-Awareness Florcy Romero Clark University, [email protected]
Clark University Clark Digital Commons International Development, Community and Master’s Papers Environment (IDCE) 5-2016 Stay Woke: Creating a Path Towards Critical Consciousness and Self-Awareness Florcy Romero Clark University, [email protected] Follow this and additional works at: https://commons.clarku.edu/idce_masters_papers Part of the Curriculum and Instruction Commons, Curriculum and Social Inquiry Commons, and the Educational Assessment, Evaluation, and Research Commons Recommended Citation Romero, Florcy, "Stay Woke: Creating a Path Towards Critical Consciousness and Self-Awareness" (2016). International Development, Community and Environment (IDCE). 11. https://commons.clarku.edu/idce_masters_papers/11 This Research Paper is brought to you for free and open access by the Master’s Papers at Clark Digital Commons. It has been accepted for inclusion in International Development, Community and Environment (IDCE) by an authorized administrator of Clark Digital Commons. For more information, please contact [email protected], [email protected]. Stay Woke: Creating a Path Towards Critical Consciousness and Self-Awareness for Young Women of Color Florcy Romero MAY 2016 A MASTER’S RESEARCH PAPER Submitted to the faculty of Clark University, Worcester, Massachusetts, in partial fulfillment of the requirements for the degree of Master of Arts in the department of International Development, Community, and Environment And accepted on the recommendation of Laurie Ross, Chief Instructor i ABSTRACT Stay Woke: Creating a Path Towards Critical Consciousness and Self-Awareness for Young Women of Color Florcy Romero This paper examines a social justice based curriculum that was designed to promote a process towards critical consciousness and self-awareness in youth of color. This was done through a participatory paradigm infused with observational data. -
Resources on Racial Justice June 8, 2020
Resources on Racial Justice June 8, 2020 1 7 Anti-Racist Books Recommended by Educators and Activists from the New York Magazine https://nymag.com/strategist/article/anti-racist-reading- list.html?utm_source=insta&utm_medium=s1&utm_campaign=strategist By The Editors of NY Magazine With protests across the country calling for systemic change and justice for the killings of George Floyd, Ahmaud Arbery, Breonna Taylor, and Tony McDade, many people are asking themselves what they can do to help. Joining protests and making donations to organizations like Know Your Rights Camp, the ACLU, or the National Bail Fund Network are good steps, but many anti-racist educators and activists say that to truly be anti-racist, we have to commit ourselves to the ongoing fight against racism — in the world and in us. To help you get started, we’ve compiled the following list of books suggested by anti-racist organizations, educators, and black- owned bookstores (which we recommend visiting online to purchase these books). They cover the history of racism in America, identifying white privilege, and looking at the intersection of racism and misogyny. We’ve also collected a list of recommended books to help parents raise anti-racist children here. Hard Conversations: Intro to Racism - Patti Digh's Strong Offer This is a month-long online seminar program hosted by authors, speakers, and social justice activists Patti Digh and Victor Lee Lewis, who was featured in the documentary film, The Color of Fear, with help from a community of people who want and are willing to help us understand the reality of racism by telling their stories and sharing their resources. -
Our Commitment to Black Lives
Our Commitment to Black Lives June 3, 2020 Dear Friends of the CCE, We are writing today to affirm that we, the staff of the Center for Community Engagement, believe and know that Black Lives Matter. We honor wide-spread grief for the murders of George Floyd, Breonna Taylor and Ahmaud Arbery among the many named and unnamed Black lives lost to racial violence and hatred in the United States. The Black Lives Matter (BLM) movement — co-founded by Alicia Garza, Patrisse Cullors, and Opal Tometi — arose to address ongoing legacies of racialized violence in our country. As BLM leaders have consistently stated, disproportionate violence toward Black communities by law enforcement is one manifestation of anti-Black systemic racism perpetuated across public and private institutions including health care, housing and education. We are firmly and deeply committed to the lives of Black community members, Black youth and their families, and Seattle U’s Black students, faculty and staff. We believe that messages like this one can have an impact, and yet our words ring hollow without action. The Center for Community Engagement is committed to becoming an anti-racist organization. Fulfilling our mission of connecting campus and community requires long-term individual, organizational, and system-wide focus on understanding and undoing white supremacy. We see our commitment to anti-racism as directly linked to Seattle University’s pursuit of a more just and humane world as well as our Jesuit Catholic ethos of cura personalis, care for the whole person. We urge you to participate in ways that speak to you during the national racial crisis that is continuing to unfold. -
A Herstory of the #Blacklivesmatter Movement by Alicia Garza
A Herstory of the #BlackLivesMatter Movement by Alicia Garza From The Feminist Wire, October 7, 2014 I created #BlackLivesMatter with Patrisse Cullors and Opal Tometi, two of my sisters, as a call to action for Black people after 17-year-old Trayvon Martin was post-humously placed on trial for his own murder and the killer, George Zimmerman, was not held accountable for the crime he committed. It was a response to the anti-Black racism that permeates our society and also, unfortunately, our movements. Black Lives Matter is an ideological and political intervention in a world where Black lives are systematically and intentionally targeted for demise. It is an affirmation of Black folks’ contributions to this society, our humanity, and our resilience in the face of deadly oppression. We were humbled when cultural workers, artists, designers and techies offered their labor and love to expand #BlackLivesMatter beyond a social media hashtag. Opal, Patrisse, and I created the infrastructure for this movement project—moving the hashtag from social media to the streets. Our team grew through a very successful Black Lives Matter ride, led and designed by Patrisse Cullors and Darnell L. Moore, organized to support the movement that is growing in St. Louis, MO, after 18-year old Mike Brown was killed at the hands of Ferguson Police Officer Darren Wilson. We’ve hosted national conference calls focused on issues of critical importance to Black people working hard for the liberation of our people. We’ve connected people across the country working to end the various forms of injustice impacting our people. -
Black Lives Matter: Eliminating Racial Inequity in the Criminal Justice
BLACK LIVES MATTER: ELIMINATING RACIAL INEQUITY IN THE CRIMINAL JUSTICE SYSTEM For more information, contact: This report was written by Nazgol Ghandnoosh, Ph.D., Research Analyst at The Sentencing Project. The report draws on a 2014 publication The Sentencing Project of The Sentencing Project, Incorporating Racial Equity into Criminal 1705 DeSales Street NW Justice Reform. 8th Floor Washington, D.C. 20036 Cover photo by Brendan Smialowski of Getty Images showing Congressional staff during a walkout at the Capitol in December 2014. (202) 628-0871 The Sentencing Project is a national non-profit organization engaged sentencingproject.org in research and advocacy on criminal justice issues. Our work is twitter.com/sentencingproj supported by many individual donors and contributions from the facebook.com/thesentencingproject following: Atlantic Philanthropies Morton K. and Jane Blaustein Foundation craigslist Charitable Fund Ford Foundation Bernard F. and Alva B. Gimbel Foundation General Board of Global Ministries of the United Methodist Church JK Irwin Foundation Open Society Foundations Overbrook Foundation Public Welfare Foundation Rail Down Charitable Trust David Rockefeller Fund Elizabeth B. and Arthur E. Roswell Foundation Tikva Grassroots Empowerment Fund of Tides Foundation Wallace Global Fund Working Assets/CREDO Copyright © 2015 by The Sentencing Project. Reproduction of this document in full or in part, and in print or electronic format, only by permission of The Sentencing Project. TABLE OF CONTENTS Executive Summary 3 I. Uneven Policing in Ferguson and New York City 6 II. A Cascade of Racial Disparities Throughout the Criminal Justice System 10 III. Causes of Disparities 13 A. Differential crime rates 13 B. Four key sources of unwarranted racial disparities in criminal justice outcomes 15 IV. -
The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad. -
MOVEMENT and SPACE MOVEMENT and SPACE Creating Dialogue on Systemic Racism from the Modern Civil Rights Movement to the Present
Creating Dialogue on Systemic Racism from the Modern Civil MOVEMENT Rights Movement to the Present AND SPACE ABOUT THE SOUTHERN POVERTY LAW CENTER The Southern Poverty Law Center (SPLC) is a nonprofit civil rights organization founded in 1971 to combat discrimination through litigation, education and advocacy. The SPLC is a catalyst for racial justice in the South and beyond, working in partnership with com- munities to dismantle white supremacy, strengthen intersectional movements, and advance the human rights of all people. For more information about THE SOUTHERN POVERTY LAW CENTER visit splcenter.org © 2021 SOUTHERN POVERTY LAW CENTER LEE / KIRBY AP IMAGES 2 MOVEMENT AND SPACE MOVEMENT AND SPACE Creating Dialogue on Systemic Racism from the Modern Civil Rights Movement to the Present WRITTEN BY CAMILLE JACKSON AND JEFF SAPP EDITORIAL DIRECTION BY JEFF SAPP, TAFENI ENGLISH AND DAVID HODGE AP IMAGES / KIRBY LEE / KIRBY AP IMAGES 4 MOVEMENT AND SPACE TABLE OF CONTENTS Preface .................................................................................................................................................7 What Do We Mean by Movement and Space? .......................................................................8 Objectives, Enduring Understanding and Key Concepts ..................................................9 Audience, Time and Materials ................................................................................................. 10 Considerations .............................................................................................................................