A Choral Christmas

Total Page:16

File Type:pdf, Size:1020Kb

A Choral Christmas Sunday 3 December 2017 7–9pm Barbican Hall LSO SING A CHORAL CHRISTMAS A CHORAL Simon Halsey conductor Howard Goodall presenter Eva Gheorghiu soprano LSO Brass Ensemble London Symphony Chorus LSO Community Choir LSO Discovery Choirs CHRISTMAS David Lawrence conductor, LSO Community Choir & Discovery Senior Choir Emily Dickens conductor, LSO Discovery Junior Choir The LSO Discovery Choirs are supported by the John S Cohen Foundation and Slaughter and May Charitable Trust Welcome LSO News Coming Up I am delighted that tonight's performance STEP INSIDE THE ORCHESTRA SIR SIMON RATTLE will be conducted by Simon Halsey, the WITH LSO PLAY LSO and LSC's Choral Director, with sterling Wednesday 13 December 2017 7.30pm preparation of the LSO Community and Our digital platform LSO Play has been Sunday 17 December 2017 7pm Discovery Choirs by David Lawrence and re-designed by original developers Sennep Barbican Hall Emily Dickens in the months leading up to the and can now be viewed on smartphones and concert. We are also very pleased to welcome tablets. Watch the Orchestra’s performances Strauss Metamorphosen presenter Howard Goodall, Patron of the LSC, in exquisite detail, choose between multiple Mahler Das Lied von der Erde and soloist Eva Gheorghiu, a postgraduate camera angles, and learn more about the student at the Guildhall School. Orchestra and the music at play.lso.co.uk. Sir Simon Rattle conductor Simon O’Neill tenor A warm welcome to the LSO's annual Choral I would like to thank all those who support DESIGN TEAM FOR CENTRE FOR MUSIC Christian Gerhaher baritone Christmas concert. We are delighted to begin our singing activities, including the John the festive season with an uplifting evening S Cohen Foundation, and Slaughter and The Barbican, LSO and Guildhall School, 13 Dec 6pm Barbican Hall of music, including some traditional carols May Charitable Trust, who generously backed by the City of London Corporation, LSO Platforms: Guildhall Artists for everyone to join in. support the LSO Discovery Choirs. have announced that design studio Diller Free pre-concert recital Scofidio + Renfro, in collaboration with The Barbican stage will be filled with I hope that you enjoy the performance. In the architecture firm Sheppard Robson, have been Thursday 21 December 2017 6.30pm over 300 singers of all ages tonight, many run-up to Christmas, the LSO will give five appointed to develop a concept design for a Barbican Hall from the local community – the London more concerts at the Barbican, conducted by new Centre for Music in the City of London. Symphony Chorus, LSO Community Choir Nikolaj Znaider and Sir Simon Rattle. If you HALF SIX FIX and LSO Discovery Choirs, accompanied by are not able to join us, I wish you a very happy 2018 PANUFNIK COMPOSERS SCHEME Bernstein Wonderful Town (concert version) the LSO Brass Ensemble. This performance Christmas, and I look forward to welcoming rounds off a fantastic year for our choirs and you back to a performance in the new year. Applications for the 2018 Panufnik Sir Simon Rattle conductor for our choral programme, LSO Sing. In July Composers Scheme are open until Danielle de Niese Eileen our Discovery and Community Choirs were 13 December, offering six composers Alysha Umphress Ruth part of the UK premiere of Andrew Norman's the chance to work with the Orchestra David Butt Philip Lonigan children's opera, A Trip to the Moon, and the and composition director Colin Matthews. Nathan Gunn Bob Baker LSC has given many notable performances Duncan Rock Wreck in recent months, including Berlioz's The Kathryn McDowell CBE DL Read our news online London Symphony Chorus Damnation of Faust with Sir Simon Rattle. Managing Director • lso.co.uk/news Simon Halsey chorus director 2 Welcome 3 December 2017 A Choral Christmas Tonight's Programme SUSSEX CAROL 3 And by the light of that same star, Traditional arr David Willcocks Three wise men came from country far; London Symphony Chorus, LSO Community Choir, LSO Discovery Choirs To seek for a king was their intent, And to follow the star wherever it went: ESTA NOCHE (BE JOYFUL TONIGHT) Nowell etc Traditional arr John Rutter, instrumental arr Lee Reynolds London Symphony Chorus 4 This star drew nigh to the north-west; Eva Gheorghiu soprano O’er Bethlehem it took its rest, And there it did both stop and stay VENI EMMANUEL Right over the place where Jesus lay: Traditional arr Anne Dudley, instrumental arr David Lawrence Nowell etc LSO Community Choir 5 Then enter’d in those wise men three, AUDIENCE CAROL: THE FIRST NOWELL Full rev’rently up-on their knee, Traditional arr David Willcocks And offer’d there in his presence Their gold and myrrh and frankincense: 1 The first Nowell the angel did say Nowell etc Was to certain poor shepherds in fields as they lay; In fields where they lay, keeping their sheep, 6 Then let us all with one accord On a cold winter’s night that was so deep: Sing praises to our heav’nly Lord, Nowell, Nowell, Nowell, Nowell, That hath made heav’n and earth of naught, Born is the King of Israel. And with his blood man-kind hath bought: Nowell etc 2 They lookèd up and saw a star, Shining in the east, beyond them far; LOOK TO THE STABLE world premiere And to the earth it gave great light, Joanna Gill, instrumental arr Lee Reynolds And so it continued both day and night: London Symphony Chorus Nowell etc Eva Gheorghiu soprano Tonight's Programme 3 A Choral Christmas Tonight's Programme continued SHEPHERD’S JOY 2 Christ, by highest heav'n adored, Mark Hayes, instrumental arr Lee Reynolds Christ, the everlasting Lord, LSO Discovery Senior Choir Late in time behold him come Offspring of a virgin's womb: ANGEL’S CAROL Veiled in flesh the Godhead see, John Rutter, instrumental arr Lee Reynolds Hail th’incarnate Deity! LSO Discovery Junior Choir Pleased as man with man to dwell, Jesus, our Emmanuel. GUIDING STAR Hark! The herald angels sing etc Gordon Thornett London Symphony Chorus 3 Hail the heav'n-born Prince of Peace! Hail the Sun of Righteousness! AUDIENCE CAROL: HARK! THE HERALD ANGELS SING Light and life to all he brings, Felix Mendelssohn, arr David Willcocks Ris'n with healing in his wings; Mild he lays his glory by, 1 Hark! the herald angels sing Born that man no more may die, Glory to the newborn King; Born to raise the sons of earth, Peace on earth and mercy mild Born to give them second birth. God and sinners reconciled: Hark! The herald angels sing etc Joyful all ye nations rise, Join the triumph of the skies, With th’angelic host proclaim, Christ is born in Bethlehem. Interval – 20 minutes Hark! The herald angels sing There are bars on all levels; ice cream can be bought at the stands on Stalls and Circle level. Glory to the newborn King. Visit the Barbican Shop on Level -1 and see our new range of Gifts and Accessories. 4 Tonight's Programme 3 December 2017 SLEIGH RIDE 3 MEN ‘Bring me flesh and bring me wine, Leroy Anderson, arr Alan Fernie Bring me pine logs hither: LSO Brass Ensemble Thou and I will see him dine, When we bear them thither.’ IT’S THE MOST WONDERFUL TIME OF THE YEAR ALL Page and monarch forth they went, Eddie Pola and George Wyle, arr Jay Althouse, instrumental arr Lee Reynolds Forth they went together; LSO Discovery Junior Choir Through the rude wind's wild lament And the bitter weather. THE TWELVE DAYS OF CHRISTMAS Traditional, arr Louis Halsey 4 WOMEN ‘Sire, the night is darker now, London Symphony Chorus And the wind blows stronger; Fails my heart, I know not how; AUDIENCE CAROL: GOOD KING WENCESLAS I can go no longer.’ Traditional, arr Reginald Jacques, instrumental arr Lee Reynolds MEN ‘Mark my footsteps, good my page; Tread thou in them boldly: 1 ALL Good King Wenceslas look’d out Thou shalt find the winter's rage On the Feast of Stephen, Freeze thy blood less coldly.’ When the snow lay round about, Deep and crisp and even: 5 ALL In his master's steps he trod, Brightly shone the moon that night, Where the snow lay dinted; Though the frost was cruel, Heat was in the very sod When a poor man came in sight, Which the Saint had printed. Gath'ring winter fuel. Therefore, Christian men, be sure, Wealth or rank possessing, 2 MEN ‘Hither, page, and stand by me, Ye who now will bless the poor, If thou know'st it, telling, Shall yourselves find blessing. Yonder peasant, who is he? Where and what his dwelling?’ O HOLY NIGHT WOMEN ‘Sire, he lives a good league hence, Adolphe Adam arr Craig McLeish Underneath the mountain, LSO Community Choir Right against the forest fence, Eva Gheorghiu soprano By Saint Agnes' fountain.’ Tonight's Programme 5 A Choral Christmas Tonight's Programme continued UNTO US A CHILD IS BORN 3 Sing, choirs of angels, Mark and Helen Johnson, instrumental arr Matt Beckingham Sing in exultation, LSO Discovery Senior Choir Sing all ye citizens of heav’n above; Glory to God THE LAMB In the highest. John Tavener O come, etc London Symphony Chorus 4 Yea, Lord, we greet Thee, AUDIENCE CAROL: O COME, ALL YE FAITHFUL Born on Christmas morning; John Francis Wade, arr David Willcocks Jesu, to Thee be glory giv’n. Word of the Father, 1 O come, all ye faithful, Now in flesh appearing; Joyful and triumphant, O come, etc • O come ye, O come ye to Bethlehem.
Recommended publications
  • Film Music: an Analytical Approach to GCSE Specifications
    With special guest speaker, Howard Goodall CBE Film music: An analytical approach to GCSE specifications A CPD day exploring approaches to analysing music designed to enhance the moving image Monday 2 March 2020 City, University of London > Examine how music paints a picture, from musical elements that provoke emotion to instrumentation that illustrates characters > Discover creative ways to approach composition briefs, including melodic and harmonic writing and writing for a stimulus > Delve into an inspiring film score: discuss and analyse Star Wars (GCSE Set Work) in depth All course Prices (subject to VAT at 20%) Price included materials £195 (PTI members) for PTI Unlimited and lunch £295 (non-members) schools! included £145 (second participant from dept.) Got a question? email us at [email protected] or call 020 3174 2403 This course is for you if: > You want to support your students in listening, analysing, composing and appraising film music from Key Stage 3 to GCSE > You’d like to be inspired by expert speakers and network with colleagues from around the country to share ideas > You want to take a closer look at a commonly used exam score Book now at www.ptieducation.org/events Speakers Putting you in touch with specialist subject knowedge Mr Howard Goodall CBE Howard Goodall is an award-winning composer of choral music, stage musicals, film and TV scores. He is also well known as a TV and radio broadcaster, and his musicals have been produced in the West End and all over the world. His best-known themes & scores include Blackadder, The Gathering Storm, The Borrowers, Red Dwarf, Q.I., Mr Bean, Johnny English and The Vicar of Dibley.
    [Show full text]
  • Folk Roots, Urban Roots
    Thursday 13 December 2018 7.30–9.55pm Barbican Hall LSO SEASON CONCERT FOLK ROOTS, URBAN ROOTS Bartók Hungarian Peasant Songs Szymanowski Harnasie Interval Stravinsky Ebony Concerto Osvaldo Golijov arr Gonzalo Grau Nazareno Bernstein Prelude, Fugue and Riffs ROOTS & Sir Simon Rattle conductor Edgaras Montvidas tenor Chris Richards clarinet Katia and Marielle Labèque pianos Gonzalo Grau percussion Raphaël Séguinier percussion London Symphony Chorus ORIGINS Simon Halsey chorus director In celebration of the life of Jeremy Delmar-Morgan Streamed live on youtube.com/lso Recorded by BBC Radio 3 for broadcast on Tuesday 18 December Welcome Jeremy Delmar-Morgan In Memory 1941–2018 We are also delighted to welcome Katia and Jeremy Delmar-Morgan was a member of Marielle Labèque, who perform Nazareno, the LSO Advisory Council for over 20 years, a double piano suite drawn from Osvaldo a Director of LSO Ltd from 2002 to 2013, and Golijov’s La Pasión según San Marco, thereafter a Trustee of the LSO Endowment arranged by Gonzalo Grau, who appears Trust. He was also Honorary President of alongside Raphaël Séguinier as one of this the Ronald Moore Sickness and Benevolent evening’s percussion soloists. We then close Fund, where he brought invaluable advice with Prelude, Fugue and Riffs by the LSO’s to the LSO musicians on the investment former President, Leonard Bernstein, with strategy for the fund. After studying LSO Principal Clarinet Chris Richards as soloist. medicine at Cambridge he went into the City for a career in stock-broking, latterly elcome to this LSO concert at Tonight’s concert is performed in combining the two in the financing of the Barbican.
    [Show full text]
  • Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
    CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music.
    [Show full text]
  • 20 to 25 March Free Concert Programme Welcome Kathryn Mcdowell
    LSO FUTURES 20 to 25 March Free concert programme Welcome Kathryn McDowell In the third event of the festival on Sunday 24 March, the LSO performs a unique concert, presenting music that spills off the concert stage, into the hall and out to the community beyond. We begin in the foyers with a performance of David Lang’s the public domain given by the London Symphony Chorus and singers from the local community. I would like to take the opportunity to offer a very warm welcome to all those who have joined us to participate in this project, which was developed in collaboration with Culture Mile. Continuing in the Barbican Hall, LSO Principal Guest Conductor François-Xavier Roth conducts the UK premiere of Philippe Manoury’s Ring with the Orchestra distributed elcome to LSO Futures, our triennial throughout all three levels of the concert festival of new and contemporary hall. The world premiere of Donghoon Shin’s music, which this year explores the Kafka’s Dream follows, a commission of the theme of ‘space’ over four boundary-pushing LSO’s Panufnik Composers Scheme, before events. The festival begins on Wednesday 20 Scriabin’s Symphony No 4, ‘Poem of Ecstasy’ March with Getting It Right? New Music/ closes the concert. New Technologies, a creative forum hosted by Guildhall School in collaboration with Monday 25 March brings LSO Futures to a LSO Discovery. The forum starts with a close as François-Xavier Roth joins us once sound installation devised by students more to lead a day of workshops at LSO from the Guildhall School’s Electronic Music St Luke’s.
    [Show full text]
  • Human Requiem (U.S
    Sunday, October 16, 2016, at 7:30 pm Tuesday–Wednesday, October 18–19, 2016, at 7:30 pm Post-performance discussion on Tuesday, October 18 with Simon Halsey, Jochen Sandig, and Patrick Castillo human requiem (U.S. premiere) Rundfunkchor Berlin Simon Halsey , Conductor Marlis Petersen , Soprano Konrad Jarnot , Baritone Angela Gassenhuber , Piano Philip Mayers , Piano Nicolas Fink , Co-Conductor Jochen Sandig , Concept and Scenic Realization Brad Hwang , Spatial Concept Jörg Bittner , Lighting BRAHMS Ein deutsches Requiem for soloists, chorus, and piano four hands (1868/2004) Arranged by Phillip Moll from the original transcription by Brahms Selig sind, die da Leid tragen Denn alles Fleisch, es ist wie Gras Herr, lehre doch mich Wie lieblich sind deine Wohnungen Ihr habt nun Traurigkeit Denn wir haben hie keine bleibende Statt Selig sind die Toten This performance is approximately 70 minutes long without intermission. Please join the artists for a White Light Lounge immediately following the performance. These performances are made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Please make certain all your electronic devices Synod House, are switched off. Cathedral of St. John the Divine WhiteLightFestival.org MetLife is the National Sponsor of Lincoln Center. UPCOMING WHITE LIGHT FESTIVAL EVENTS: Artist Catering provided by Zabar’s and Zabars.com Friday, October 21 at 7:30 pm in the Church of St. Mary the Virgin American Airlines is the Official Airline of Lincoln Immortal Bach Center Rundfunkchor Berlin
    [Show full text]
  • Changing Cultural Paradigms in Choral Programming
    Changing Cultural Paradigms in Choral Programming Ciara Anwen Cheli Advisor: Lisa Evelyn Graham, Music Wellesley College May 2020 Submitted in Partial Fulfillment of the Prerequisite for Honors in Music © Ciara Cheli, 2020 Cheli 2 Table of Contents Acknowledgements .......................................................................................................................... 3 Introduction ..................................................................................................................................... 4 Part One: Reflecting on Our Past ................................................................................................... 7 Chapter One: An Overview of Choral Programming and Historical Trends ........................................... 7 Chapter Two: Modernism and a Choral Identity Crisis ......................................................................... 10 Chapter Three: Historical Perspectives on Concert Programming and Repertoire .............................. 15 Part Two: Looking To Our Future ................................................................................................ 19 Chapter One: Changing Cultures, Changing Choirs ............................................................................. 19 Chapter Two: Representation Matters .................................................................................................... 20 Chapter Three: Culturally Responsive Programming in the 21st Century .............................................. 24 Chapter Four:
    [Show full text]
  • 4 Behind the Scenes Playing in Rep 6 Your Latest School News and Stories
    The Guildhall School Magazine Spring/ Summer 2016 4 Behind the Scenes 26 The Interview Playing in Rep Athole Still 6 Your latest School 30 Then & Now news and stories Debbie Wiseman PLAY32 Class Notes 35 In Memoriam Sir George Martin 12 Guildhall to the World New York, New York 14 My Legacy Gift Kevin Webb 16 Where art meets business 22 Doctor in the House 38 A Day in the Life Philip Venables Sara Lee Editorial Group Welcome to the latest edition of PLAY Short Courses Deputy Head of Development (Alumni & Supporter Relations) Recently, I spent two days meeting with current students who Rachel Dyson 2016 had applied to be involved in our Easter telephone appeal. I Head of External Affairs Jo Hutchinson asked them all the same questions and their responses, regardless of subject or level of study, were astonishingly consistent and Head of Development Summer Arts Camp Duncan Barker often quite touching. New Summer Arts Camp for 11-14 years (in association with the Barbican) Marketing & Communications Officer When asked ‘Why did you choose to study at Guildhall?’, many Drama Summer School Rosanna Chianta students spoke of loving the ‘easy-going’, ‘friendly’, ‘progressive’ Acting in Shakespeare & Contemporary Theatre Writer & Editorial Consultant Acting in Musical Theatre environment at Guildhall; how they felt at home as soon as Nicola Sinclair Drama Summer School for 16-17 years they walked in for an open day, an audition or to visit a friend Art Direction & Design who was here before them. They talked of the collaborative Music Summer School Pentagram New Brass and Percussion Week Jessie Earle opportunities that arise from the combination of conservatoire Advanced Saxophone and drama school, and from the School’s partnerships with New Advanced Viola and Performance Health Contact external organisations such as the LSO, the Barbican and the New Advanced Oboe New Oboe and Cor Anglais Artistry Email Royal Opera House.
    [Show full text]
  • AS SEEN on ITV 1 HOWARD GOODALL B.1958 the Seasons Suite for Strings and Cello Autumn Spring 1 I
    AS SEEN ON ITV 1 HOWARD GOODALL b.1958 The Seasons Suite for strings and cello Autumn Spring 1 I. Russet fall 3.52 10 I. Ripening seed 1.54 2 II. Charcoal burning 4.40 11 II. Emerald dawn 2.12 3 III. Cider harvest 3.21 12 III. Migrants’ return 3.24 4 IV. Poppies 3.40 13 IV. Rebirth 4.57 Winter Summer 5 I. Sepia landscape 2.26 14 I. Cornflower sky 8.40 6 II. Frozen light 6.38 15 II. Racing green 1.41 7 III. Storm warnings 4.58 16 III. End of the pier 1.59 8 IV. Solstice night 1.37 17 IV. Dippers 2.37 9 V. Snow carpet 1.08 60.00 Bozidar Vukotic cello The Tippett Quartet John Mills, Jeremy Isaac violin Maxine Moore viola · Bozidar Vukotic cello with Patrick Savage violin Marianna Szymanowska harp The Seasons Several composers over the centuries have responded to the idea of the changing seasons, notably Vivaldi,Haydn, Spohr,Verdi, Glazunov and Tchaikovsky, but I believe I am the first composer to create my Seasons suite over the period of a year in the respective seasons themselves. I would like to take credit for this approach, but in all honesty the season-by-season time scale was dictated by the filming schedule of the ITV series The Seasons, for which the suite provides a soundtrack. Composing ‘Autumn’ in the autumn or ‘Spring’ in the spring turned out to be more stimulating than I had anticipated, especially as the 12 months from September 2008 to August 2009 were unusually rich in seasonal difference in the British Isles, with a ‘proper’ snowy winter even in the temperate south of England where my family and I live, something that only comes around once a decade or so.
    [Show full text]
  • HOWARD GOODALL CHORAL MUSIC AVAILABLE from FABER MUSIC LTD BIOGRAPHICAL NOTES CONTENTS Howard Goodall Is One of Britain’S Most Distinguished and Versatile Composers
    for CONCERT · STAGE · WORLD · DANCE HOWARD GOODALL CHORAL MUSIC AVAILABLE FROM FABER MUSIC LTD BIOGRAPHICAL NOTES CONTENTS Howard Goodall is one of Britain’s most distinguished and versatile composers. Almost everyone knows at least one of Howard's popular TV themes for __LIST OF WORKS: Blackadder, Mr Bean, Red Dwarf, The Catherine Tate Show, Q.I. or The Vicar of Dibley. Film scores Chorus & Orchestra __3 include the BAFTA-nominated The Gathering Storm, Bean: The Ultimate Disaster __4 Upper Voices Movie, Bernard and the Genie, Blackadder Back & Forth and Mr Bean’s Holiday. __8 Mixed Voices In the theatre his many musicals, from The Hired Man (1984) to Two Cities (2006) __10 Male Voices have been performed throughout the English-speaking world, including London’s West End and Off-Broadway, and won many international awards, including Ivor Novello __10 As Presenter and TMA Awards for Best Musical. In 2009 his A Winter’s Tale will be seen around the __10 Selected Discography country performed by Youth Music Theatre: UK, The Dreaming will be produced by National Youth Music Theatre, and in 2010 Love Story will have its professional première. __11 Reviews He is a prodigious writer of choral music, his settings of Psalm 23 and Love Divine are CONTACTS amongst the most performed of all sacred music, his works have been commissioned to mark several national ceremonies and memorials, and he has contributed songs to USA/CANADA: several platinum-selling CDs. Autumn 2008 saw the début UK tour of his (Sales/Marketing) Eternal Faber Music Inc Light: A Requiem by the Rambert Dance Company, a choral-orchestral ballet & concert 16320 Roscoe Boulevard work commissioned by London Musici, simultaneously released on an EMI Classics CD Van Nuys CA 91406 featuring the Choir of Christ Church Cathedral Oxford, Alfie Boe and Natasha Marsh, USA conducted by Stephen Darlington, for which Howard won the 2009 Classical Brit Tel:+1818 891 5999 ex.237 [email protected] Award for ‘Composer of the Year’.
    [Show full text]
  • London's Symphony Orchestra
    London Symphony Orchestra Living Music Thursday 12 May 2016 7.30pm Barbican Hall LSO ARTIST PORTRAIT: LEIF OVE ANDSNES Schumann Piano Concerto INTERVAL Beethoven Symphony No 9 (‘Choral’) Michael Tilson Thomas conductor Leif Ove Andsnes piano Lucy Crowe soprano London’s Symphony Orchestra Christine Rice mezzo-soprano Toby Spence tenor Iain Paterson bass London Symphony Chorus Simon Halsey chorus director Concert finishes approx 9.50pm Supported by Baker & McKenzie 2 Welcome 12 May 2016 Welcome Living Music Kathryn McDowell In Brief A very warm welcome to tonight’s LSO performance BMW LSO OPEN AIR CLASSICS 2016 at the Barbican. This evening we are joined by Michael Tilson Thomas for his first concert since the The fifth annual BMW LSO Open Air Classics announcement of his appointment as LSO Conductor concert will take place on Sunday 22 May at 6.30pm. Laureate from September 2016, in recognition of Conducted by Valery Gergiev, the LSO will perform his wonderful music-making with the LSO and his an all-Tchaikovsky programme in London’s Trafalgar extraordinary commitment to the Orchestra. We are Square, free and open to all. delighted that his relationship with the LSO will go from strength to strength. lso.co.uk/openair This evening is the second concert in our LSO Artist Portrait series, focusing on pianist Leif Ove Andsnes. LSO AT THE BBC PROMS 2016 Following his performance of Mozart’s Piano Concerto No 20 on Sunday, he returns to play Schumann’s The LSO will be returning to this year’s BBC Proms at Piano Concerto. The Orchestra is also joined this the Royal Albert Hall for a performance of Mahler’s evening by the London Symphony Chorus, led by Symphony No 3 on 29 July.
    [Show full text]
  • Sir Colin Davis Anthology Volume 1
    London Symphony Orchestra LSO Live Sir Colin Davis Anthology Volume 1 Sir Colin Davis conductor Colin Lee tenor London Symphony Chorus London Symphony Orchestra Hector Berlioz (1803–1869) – Symphonie fantastique, Op 14 (1830–32) Recorded live 27 & 28 September 2000, at the Barbican, London. 1 Rêveries – Passions (Daydreams – Passions) 15’51’’ Largo – Allegro agitato e appassionato assai – Religiosamente 2 Un bal (A ball) 6’36’’ Valse. Allegro non troppo 3 Scène aux champs (Scene in the fields) 17’16’’ Adagio 4 Marche au supplice (March to the Scaffold) 7’02’’ Allegretto non troppo 5 Songe d’une nuit de sabbat (Dream of the Witches’ Sabbath) 10’31’’ Larghetto – Allegro 6 Hector Berlioz (1803–1869) – Overture: Béatrice et Bénédict, Op 27 (1862) 8’14’’ Recorded live 6 & 8 June 2000, at the Barbican, London. 7 Hector Berlioz (1803–1869) – Overture: Les francs-juges, Op 3 (1826) 12’41’’ Recorded live 27 & 28 September 2006, at the Barbican, London. Hector Berlioz (1803–1869) – Te Deum, Op 22 (1849) Recorded live 22 & 23 February 2009, at the Barbican, London. 8 i. Te Deum (Hymne) 7’23’’ 9 ii. Tibi omnes (Hymne) 9’57’’ 10 iii. Dignare (Prière) 8’04’’ 11 iv. Christe, Rex gloriae (Hymne) 5’34’’ 12 v. Te ergo quaesumus (Prière) 7’15’’ 13 vi. Judex crederis (Hymne et prière) 10’20’’ 2 Antonín Dvořák (1841–1904) – Symphony No 9 in E minor, Op 95, ‘From the New World’ (1893) Recorded live 29 & 30 September 1999, at the Barbican, London. 14 i. Adagio – Allegro molto 12’08’’ 15 ii. Largo 12’55’’ 16 iii.
    [Show full text]
  • PRESS RELEASE City of Birmingham Symphony Orchestra Announces
    PRESS RELEASE 30 July 2018 City of Birmingham Symphony Orchestra announces appointment of new conductor for the CBSO Children’s Chorus ahead of its 25th anniversary in 2019 The City of Birmingham Symphony Orchestra (CBSO) is delighted to announce that Ula Weber has been appointed as the conductor of the CBSO Children’s Chorus ahead of its 25th anniversary in 2019. A trained choral conductor and former primary school teacher, Ula Weber has been involved with many of the CBSO’s Learning & Participation projects and is the regular conductor of SO Vocal, the CBSO’s 200-strong community choir. Within Birmingham and the surrounding areas, she conducts a number of choirs, including the Birmingham City Council Choir, and performs with renowned choir Ex-Cathedra. She has also been one of Ex Cathedra’s lead education vocal tutors and co-created its award-winning Singing Playgrounds project. She is also founder of the National Teacher’s Choir, co-founder of music education organisation Vocal.Point, and Musical Director of Birmingham-based Echo Doliny, the National Polish Folk Choir of Great Britain. Ula Weber was selected following a seven-month search for a new conductor, providing each of the final candidates with the opportunity to work with the CBSO Children’s Chorus to prepare them for a specific performance. Ula’s appointment has been made based on the musical and vocal attainment of the chorus during her trial period. Ula Weber comments: “I’m thrilled to be the new conductor of the CBSO Children’s Chorus and I look forward to working with the children and indeed, the whole of the CBSO family.
    [Show full text]