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Spitfire Audio Hans Zimmer Percussion User Manual

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SPITFIRE AUDIO HZPC HANS ZIMMER PERCUSSION USER MANUAL CONGRATULATIONS Thank you for purchasing Hans Zimmer Percussion. Spitfre Audio joins forces with the biggest name in flm scoring to produce the ultimate drum sample library for cinematic percussion. Featuring the ensembles and solo instruments used by Hans Zimmer in his blockbuster scores, we’ve drawn upon his years of creativity and studio experimentation to compile all you’ll need to get started in epic drum composition. From tombeks to taikos, playing from whisper quiet to thunderously loud, we’ve worked alongside his GRAMMY Award-winning team (including engineer Geoff Foster) to capture the highest quality recordings in the same studio with the same players, all mixed and produced by the man himself. Quick Specs Table Of Contents CONGRATULATIONS 2 • 12225 samples WELCOME 3 • 48.5GB of Uncompressed WAV DOWNLOADING & INSTALLING 4 • 19.6GB Disk space required NATIVE INSTRUMENTS KONTAKT 5 • 45GB Disk space required during install FOLDER STRUCTURE 6 • NKS Ready THE ‘KICKSTART’ INTERFACE 7 • Compatible with Native Instruments hardware OPTIONS + CONTROLLERS 10 • Free Kontakt Player Included APPENDIX A - RECOMMENDED TECH SPECS 12 • New intuitive GUI with inline help APPENDIX B - KONTAKT vs KONTAKT PLAYER 12 • Essential microphones (CRS) APPENDIX C - HITS + TECHNIQUES LIST 13 • Detailed sampling: APPENDIX D - MIC ACRONYMS 14 - Multiple Instruments APPENDIX E - FAQS & TROUBLESHOOTING 15 - Multiple Hits and techniques - Multiple dynamics - Multiple round robins - Release Triggers PAGE 2 HZPC - USER MANUAL WELCOME PRODUCED BY THE LEGEND HANS ZIMMER THE BLOCKBUSTER SOUND Hans Zimmer is one of the most successful, infuential and As per many of Hans’ scores, this library is recorded at Air Stu- prolifc flm composers of his generation. He’s won countless dios via an impressive signal chain: 96 rarefed microphones into awards (including an Oscar) and his scores for flms like Gladi- Neve Montserrat preamps, into the world’s biggest Neve 88R ator, Inception, Interstellar, The Dark Knight and Dunkirk mark desk (which was exhaustively re-gained at every dynamic layer him out as one of the greatest living flm composers. Hans has for optimum signal quality), via a dual chain to HDX and Prism defned not only a compositional style, but also a production converters running at 192k. We have recorded the drums and approach and sonic innovation that has infuenced a generation articulations each with up to 9 round robins and 6 dynamic lay- of composers. ers per hit; there’s well over 30 TB of raw material from these sessions alone. Spitfre Audio are delighted and honoured to present this library in conjunction with him and his team of GRAMMY-winning en- The library consists of close, room and ambient perspectives gineers, musicians and technicians. Where Hans Zimmer’s style mixed by Hans Zimmer himself. and approach to sonic creation is often copied or emulated, we’re proud to be the ones to release the authorised take on his trailblazing approach to cinematic percussion production. Herein lies not an emulation or synthesis of his approach, but a recreation; the same studio, musicians, instruments, signal chain and talented engineers, sitting alongside a decade of experience, innovation and refnement, overseen in every detail by Hans himself; the same excruciating attention to detail and perfection but, most importantly, the endless choice for tweakability and customisation you’d expect of the greatest of sound-smiths. LONDON ENSEMBLES AND SOLOS Hans Zimmer Percussion combines the output from two ex- traordinary recording blocks. Material from the “London En- sembles” block features four of Hans’ go-to percussionists - Frank Ricotti, Gary Kettel, Stephen Henderson, Paul Clarvis - performing a variety of instruments and styles, in what is es- sentially a distillation of over a decade’s worth of musical exper- imentation and innovation. This includes his classic selection of drum ensembles and key solo instruments: Low Booms, Low Boom Gallery, Taiko Ensemble, Tamtam En- semble, Boobams Ensemble, Hi Taiko Solo, Low Taiko Solo, Large Taiko Solo, Bass Drum Gallery Solo, Gong Drum Gallery Solo, Surdu Ensemble, Dohl Ensemble, Tombek Ensemble, Bombo En- semble, Buckets & Snares Ensemble, Buckets & Crushers En- semble, Bucket Top & Darbuka, Paper Djun, Piatti, Anvils, Timpani Ensemble. The remainder of the library features long term Hans collab- orator and percussion legend, Paul Clarvis (Spectre, The Dark Knight, Harry Potter, Star Wars) who plays a beautiful selection of solo instruments that offer added bite, detail, focus, clarity and nuance to this epic series. Hans loves the quiet layers more than any other so as well as the bitey thunder you’d expect, there are lower layers which offer up the potential for engaging delicate drum programming to help tick your cues along. Instruments played by Paul Clarvis include: Bucket, Snare, Crush- er, Paper Djun, Tombek, Dohl, Darbuca, Surdu, Darbucket. HZPC - USER MANUAL PAGE 3 DOWNLOADING & INSTALLING Thank you for buying this Spitfre product. If you are a total newbie to this kind of thing you can get up to speed here: http://www.spitfreaudio.com/info/basics/ First though, grab our ‘Library Manager’ app from this link: http://www.spitfreaudio.com/info/library-manager/ This app will enable you to download the library Once you’ve selected the location you can proceed with the download. NOTE THAT THE DOWNLOADER WILL CREATE A SUB-FOLDER FOR YOUR LIBRARY IN THE LOCATION SE- LECTED. This is important: if you have a multi part library, or an update, it means that the Library Manager app will look INSIDE the selected location for your library folder. If it’s not there, it will create a new library folder. So, if you mistakenly select the actual library folder itself, when adding content or doing an When you launch the app you will be prompted to login using update, instead of the location (one folder level up) that CON- the same details you use at our site. Then you’ll see your avail- TAINS this library folder, you’ll end up with a nested mess!! able downloads: TOP TIP: You will need approx TWICE the amount of hard drive space as the library uses (see the product page on our site for this info) to download: this is because the zip fles are all downloaded, and then unzipped. This process takes a while so don’t panic if it looks like it’s frozen! TOP TIP 2: If you get in a total mess you can reset the download of either the whole library or just the latest update from the ‘Library’ menu of the app. This is limited to a couple of downloads so please only do this if you actually need to. Once you have selected what you wish to download on the left pane and clicked the ‘download’ button you will have the option to select a location. A default location will be generated but you’ll most likely want to change this. Here’s how! Click on the two little vertical arrow- heads to the right of the default location. You will be presented with the following options, and you’ll want to click ‘CHOOSE’. PAGE 4 HZPC - USER MANUAL NATIVE INSTRUMENTS KONTAKT If you’ve never used one of our libraries before and you don’t own a copy of Native Instruments Kontakt, you’ll need to down- load the free “Kontakt Player” here: https://www.native-instruments.com/en/products/komplete/samplers/kontakt-5/downloads/ If you’d like to fnd out more about the differences between 6. Once you have added this you will be asked to browse to Kontakt and Kontakt Player (we know, very confusing!) go to the folder containing the library. Click on “BROWSE” to direct Appendix B. Kontakt to the correct location. If you’d also like to know what we recommend as an optimal set up please go to Appendix A. 1. Install Kontakt Player and Native Access (skip this step if you already have them) 2. Open the player (or Kontakt 5 full version if you have that) and click ‘add library’ in the library browser window: 7. Navigate to and select the Spitfre Hans Zimmer Percussion library” folder and click “open”. 8. Click “Install” and your library is authorised. If the library does not add to the libraries pane or disappears when you re-open 3. Native Access will open and you will need to log in or create Kontakt, see Appendix E - Troubleshooting and common prob- an account if you do not have one already. lems. If you have never used Kontakt before we wholeheartedly rec- 4. You will be promted to enter the serial number in this format: ommend that you familiarise yourself with the basics of patch (or instrument) loading, multi management, outputting and midi xxxxx-xxxxx-xxxxx-xxxxx-xxxxx routing detailed in the Kontakt user manual and native instru- ments website: ...This can be found in your ‘ready to download’ email. https://www.native-instruments.com/en/products/komplete/ samplers/kontakt-5/downloads/ If you are an established Kontakt user please make sure you absolutely have the latest version of it downloaded via NATIVE ACCESS. Our libraries are frequently updated and often simply won’t work on any previous versions. We cannot describe the multitude of painful symptoms you will experience if you don’t do this! NKS - USE WITH NI HARDWARE For more information about NKS and integration with Native Instruments hardware controllers and keyboards please check- out their online instructions: https://www.native-instruments.com/en/products/komplete/sam- plers/kontakt-5/downloads/ HZPC - USER MANUAL PAGE 5 FOLDER STRUCTURE Looking in the main folder you will see two instruments. Hans Zimmer Percussion.nki is your “all-in-one” patch containing everything but the Timpani with the most popular hits and tech- niques already mapped.
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  • Mick Taylor © Felix Aeppli 07-2020 / 08-2021

    Mick Taylor © Felix Aeppli 07-2020 / 08-2021

    Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb.