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Palace of Westminster and Westminster Abbey Including Saint
Palace of Westminster and Westminster Abbey including Saint Margaret’s Church - UNESCO World Heritage Centre This is a cache of http://whc.unesco.org/en/list/426 as retrieved on Tuesday, April 09, 2019. UNESCO English Français Help preserve sites now! Login Join the 118,877 Members News & Events The List About World Heritage Activities Publications Partnerships Resources UNESCO » Culture » World Heritage Centre » The List » World Heritage List B z Search Advanced Palace of Westminster and Westminster Abbey including Saint Margaret’s Church Description Maps Documents Gallery Video Indicators Palace of Westminster and Westminster Abbey including Saint Margaret’s Church Westminster Palace, rebuilt from the year 1840 on the site of important medieval remains, is a fine example of neo-Gothic architecture. The site – which also comprises the small medieval Church of Saint Margaret, built in Perpendicular Gothic style, and Westminster Abbey, where all the sovereigns since the 11th century have been crowned – is of great historic and symbolic significance. Description is available under license CC-BY-SA IGO 3.0 English French Arabic Chinese Russian Spanish Japanese Dutch Palace of Westminster and Westminster Abbey including Saint Margaret’s Church (United Kingdom of Great Britain and Northern Ireland) © Tim Schnarr http://whc.unesco.org/en/list/426[04/09/2019 11:20:09 AM] Palace of Westminster and Westminster Abbey including Saint Margaret’s Church - UNESCO World Heritage Centre Outstanding Universal Value Brief synthesis The Palace of Westminster, Westminster Abbey and St Margaret’s Church lie next to the River Thames in the heart of London. With their intricate silhouettes, they have symbolised monarchy, religion and power since Edward the Confessor built his palace and church on Thorney Island in the 11th century AD. -
The Industrial Revolution: 18-19Th C
The Industrial Revolution: 18-19th c. Displaced from their farms by technological developments, the industrial laborers - many of them women and children – suffered miserable living and working conditions. Romanticism: late 18th c. - mid. 19th c. During the Industrial Revolution an intellectual and artistic hostility towards the new industrialization developed. This was known as the Romantic movement. The movement stressed the importance of nature in art and language, in contrast to machines and factories. • Interest in folk culture, national and ethnic cultural origins, and the medieval era; and a predilection for the exotic, the remote and the mysterious. CASPAR DAVID FRIEDRICH Abbey in the Oak Forest, 1810. The English Landscape Garden Henry Flitcroft and Henry Hoare. The Park at Stourhead. 1743-1765. Wiltshire, England William Kent. Chiswick House Garden. 1724-9 The architectural set- pieces, each in a Picturesque location, include a Temple of Apollo, a Temple of Flora, a Pantheon, and a Palladian bridge. André Le Nôtre. The gardens of Versailles. 1661-1785 Henry Flitcroft and Henry Hoare. The Park at Stourhead. 1743-1765. Wiltshire, England CASPAR DAVID FRIEDRICH, Abbey in the Oak Forest, 1810. Gothic Revival Architectural movement most commonly associated with Romanticism. It drew its inspiration from medieval architecture and competed with the Neoclassical revival TURNER, The Chancel and Crossing of Tintern Abbey. 1794. Horace Walpole by Joshua Reynolds, 1756 Horace Walpole (1717-97), English politician, writer, architectural innovator and collector. In 1747 he bought a small villa that he transformed into a pseudo-Gothic showplace called Strawberry Hill; it was the inspiration for the Gothic Revival in English domestic architecture. -
Hawksmoor's Churches: Myth and Architecture in the Works of Iain Sinclair and Peter Ackroyd
Wenshan Review of Literature and Culture.Vol 5.2.June 2012.1-23. Hawksmoor's Churches: Myth and Architecture in the Works of Iain Sinclair and Peter Ackroyd Eva Yin-I Chen ABSTRACT The works of contemporary British writers Iain Sinclair and Peter Ackroyd demonstrate an intense preoccupation with the spatial symbols and ruins of London’s East End, which to them stand not just for the broken pieces of a vanishing past but also as symptoms of an underlying force of mythological and cultural significance, a force that collapses contemporary ideology and resists consecutive attempts at control and order. Of these, the Hawksmoor churches built by the architect Nickolas Hawksmoor after the 1666 London fire, some already demolished and others standing dark and brooding with looming spires and shadowy recesses, take on a particular preeminence. Both writers view the churches as forming an invisible geometry of lines of power in the cartography of the city, calling forth occult energies that point to the deeper, though half-erased and repressed truth of London. Sinclair’s early poetry collection Lud Heat first toys with this idea, and Ackroyd’s bestselling novel Hawksmoor popularizes it and enables it to reach a wider public. This paper investigates the spatial and mythological symbolism of the Hawksmoor churches as reflected in the works of the two writers, arguing that this recurrent spatial motif holds the key to understanding an important strand of contemporary British literature where architecture, textuality and London’s haunting past loom -
Wren and the English Baroque
What is English Baroque? • An architectural style promoted by Christopher Wren (1632-1723) that developed between the Great Fire (1666) and the Treaty of Utrecht (1713). It is associated with the new freedom of the Restoration following the Cromwell’s puritan restrictions and the Great Fire of London provided a blank canvas for architects. In France the repeal of the Edict of Nantes in 1685 revived religious conflict and caused many French Huguenot craftsmen to move to England. • In total Wren built 52 churches in London of which his most famous is St Paul’s Cathedral (1675-1711). Wren met Gian Lorenzo Bernini (1598-1680) in Paris in August 1665 and Wren’s later designs tempered the exuberant articulation of Bernini’s and Francesco Borromini’s (1599-1667) architecture in Italy with the sober, strict classical architecture of Inigo Jones. • The first truly Baroque English country house was Chatsworth, started in 1687 and designed by William Talman. • The culmination of English Baroque came with Sir John Vanbrugh (1664-1726) and Nicholas Hawksmoor (1661-1736), Castle Howard (1699, flamboyant assemble of restless masses), Blenheim Palace (1705, vast belvederes of massed stone with curious finials), and Appuldurcombe House, Isle of Wight (now in ruins). Vanburgh’s final work was Seaton Delaval Hall (1718, unique in its structural audacity). Vanburgh was a Restoration playwright and the English Baroque is a theatrical creation. In the early 18th century the English Baroque went out of fashion. It was associated with Toryism, the Continent and Popery by the dominant Protestant Whig aristocracy. The Whig Thomas Watson-Wentworth, 1st Marquess of Rockingham, built a Baroque house in the 1720s but criticism resulted in the huge new Palladian building, Wentworth Woodhouse, we see today. -
J. Max Bond Jr. and the Appropriation of Modernism in a Library Design in Ghana's Hot-Dry Climate Allan Balaara, Errol Haaroff
J. Max Bond Jr. and the appropriation of modernism in a library design in Ghana’s hot-dry climate Allan Balaara, Errol Haaroff and Alessandro Melis Abstract The paper draws on Bond’s architectural influences and critical thoughts on architecture in the context of his design response in the Bolgatanga Regional Library, to advance the idea on hybrid modernism in postcolonial Ghana. Bond considered the Library his first independent work and the most profound. However, as an architect-academic working alongside some of the celebrated modernist practitioners, Bond’s Library appears fairly influenced. Bond’s expression of modernism in the Library reflects the mediation of three cultures: the northern vernacular building culture and the weather; the principles of Western modernism; and his hybrid experiences. His response, much like other socio-climatic responses known to late tropical practices in Ghana, demonstrated how the architecture of the marginalised1 manifesting in concrete, also constitutes a reflection of the postcolonial mediation of space. Bond achieved this through relating to both the ideological2 and experiential3 approach to modernist regionalism. Introduction: The Bolgatanga Regional Library and the scope of current publications The Bolgatanga Regional Library, located in the hot dry conditions of North-East Ghana, is one of many post-independence4 literacy interventions in underprivileged communities. The goal to decentralise the culture of reading by bringing purposed libraries closer to the doorsteps of those in remote areas in Ghana was timely. The development of regional libraries and subsequently district libraries were to augment the challenges faced earlier with access. Mobile van services had sporadically served these communities until then. -
Le Corbusier at Chandigarh
MIT Press Open Architecture and Urban Studies • The Open Hand Le Corbusier at Chandigarh Maxwell Fry Published on: Apr 23, 2021 License: Creative Commons Attribution 4.0 International License (CC-BY 4.0) MIT Press Open Architecture and Urban Studies • The Open Hand Le Corbusier at Chandigarh 2 MIT Press Open Architecture and Urban Studies • The Open Hand Le Corbusier at Chandigarh The city of Chandigarh came first into my recognition in 1948 or 1949 as the whiff of a possible commission wafted via the Royal Institute of British Architects, but remaining without substance. The Punjab Government may have at that time been sending out feelers prior to meeting Albert Mayer, whom they commissioned to make a plan, with the brilliant young architect Matthew Nowicki. However, the sudden death of Nowicki in 1950 necessitated the selection of a new architect for Chandigarh. When Prem Thapar, of the Indian Civil Service and the administrator of the project, with the chief engineer, P. L. Varma, called upon Jane Drew and myself at our office in the closing months of 1950, a complete plan existed for a city of 150,000 people, along with a detailed budget covering every ascertainable item, including thirteen grades of houses for government officials with the accommodation and the estimated cost set against each. There was also a generous infrastructure of social and educational services and provision for the supply of water, drainage, and electricity to every level of dwelling provided, so that an examination of the budget and the well-advanced Mayer plan demonstrated the clear intention of the government to construct a modern city on a site selected to serve the state at the highest level of design and execution and set a new standard for India. -
Architects from Socialist Countries in Ghana (1957–67): Modern Architecture and Mondialisation
4 74 December 2015 Architects from Social- ist Countries in Ghana (1957–67) Figure 1 Vic Adegbite (chief architect), Jacek Chyrosz (design architect), Stanisław Rymaszewski (design architect), International Trade Fair, Accra, 1967 (photo by Jacek Chyrosz, 1967; Jacek Chyrosz Archive, Warsaw; courtesy of Jacek Chyrosz). This content downloaded from 23.235.32.0 on Thu, 3 Dec 2015 04:27:30 AM All use subject to JSTOR Terms and Conditions Architects from Socialist Countries in Ghana (1957– 67): Modern Architecture and Mondialisation łukasz stanek University of Manchester hen seen from Labadi Road, the buildings of were employed by the GNCC on a contract with Polservice, Accra’s International Trade Fair (ITF) appear the so-called central agency of foreign trade, which mediated W among abandoned billboards, scarce trees that the export of labor from socialist Poland.4 At the GNCC, offer shade to resting taxi drivers, and tables where coconuts, they worked together with Ghanaian architects and foreign bottled water, sweets, and telephone cards are sold next to the professionals, many from socialist countries. road.1 The buildings neighbor the La settlement, where streets This collaboration reflected the alliance of Nkrumah’s meander between houses, shops, bars, schools, and shrines, government with socialist countries, which was demon- while on the other side of Labadi Road, at the seashore, a luxuri- strated at the fair by the exhibitions of Czechoslovakia, the ous housing estate is under construction next to upscale hotels German Democratic Republic (GDR), Hungary, and Poland that overlook Labadi Beach. Kwame Nkrumah, Ghana’s leader (Figure 3). At the same time, the Ankrah administration used after the country achieved independence (1957), initiated the the fair to facilitate Ghana’s reopening toward the West. -
Professional Land Surveyors
PROFESSIONAL LAND SURVEYORS Abraham, William Spero 02006 Akker, James Alan 02618 Allen, Timothy John 02625 Anglin, John Charles 02865 Universal Ensco Inc GF Young Inc Apache Louisiana Minerals Clearpoint Engineers Survey Supervisor VP/Surveying Asst. Gen. Mgr. Project Engineer 135 Sawmill Ct. 13925 Gull Way 1246 Bayou Blue Road 4741 Hwy 49 Bastrop, TX 78602- Clearwater, FL 33762-4518 Houma, LA 70364 Mt. Olive, MS 39119 (512)581-0558 (727)822-4317 (985)879-3528 (601)261-2609 Achee, Kristie Marlene 02950 Aldred Jr, Lewis Connell 01993 Allen Jr, Thomas Earl 02820 April IV, Archibald Earl 02690 Quad Knopf, Inc Aldred Surveying Co Pritchard Engineering Wink Engineering Associate Surveyor Owner Project Engineer Drafting Manager 5400 Planz Road #25 PO Box 2201 717 Park Circle 2436 Martin Road Bakersfield, CA 93309 Pascagoula, MS 39569-2201 West Point, MS 39773 Biloxi, MS 39531 (661)301-4960 (228)762-7374 (662)324-2205 (228)385-0474 Achee Jr, Lloyd Joseph 02048 Alexander, Glen Wood 02536 Alston, Kenny Lenaz 02529 Armstrong, John 02870 Jackson Cty Port Author Self Employed Self Richard Port Engineer Surveyor President Pickering Firm Inc PO Box 982 2481 Mooresville Pike 4602 Kendall Avenue Proj Surveyor/Assoc Pascagoula, MS 39568-0982 Culleoka, TN 38451 Gulfport, MS 39507 Pickering Firm Inc. (225)769-3400 (931)987-0736 (228)864-2645 6775 Lenox Ctr Court #300 Memphis, TN 38115 Adams, Jonathan Eric 02879 Alexander Jr, George 02052 Anderson, David Larry 02054 (901)726-0810 HL Foley Jr & Assoc Edward State of Mississippi Engrg Technician Alexander Engineering Dir. Bureau of Bldg. Armstrong, Scott 01919 1073 CR 261 610 Highway 44 President Douglas Blue Springs, MS 38828 Sumrall, MS 39482 346 South Gamwyn Engrg Associates, Inc. -
1 the Stones of Science: Charles Harriot Smith and the Importance of Geology in Architecture, 1834-1864 in the Stones of Venice
1 The Stones of Science: Charles Harriot Smith and the importance of geology in architecture, 1834-1864 In The Stones of Venice England’s leading art critic, John Ruskin (1819-1900), made explicit the importance of geological knowledge for architecture. Clearly an architect’s choice of stone was central to the character of a building, but Ruskin used the composition of rock to help define the nature of the Gothic style. He invoked a powerful geological analogy which he believed would have resonance with his readers, explaining how the Gothic character could be submitted to analysis, ‘just as the rough mineral is submitted to that of the chemist’. Like geological minerals, Ruskin asserted that the Gothic was not pure, but composed of several elements. Elaborating on this chemical analogy, he observed that, ‘in defining a mineral by its constituent parts, it is not one nor another of them, that can make up the mineral, but the union of all: for instance, it is neither in charcoal, nor in oxygen, nor in lime, that there is the making of chalk, but in the combination of all three’.1 Ruskin concluded that the same was true for the Gothic; the style was a union of specific elements, such as naturalism (the love of nature) and grotesqueness (the use of disturbing imagination).2 Ruskin’s analogy between moral elements in architecture and chemical elements in geology was not just rhetorical. His choice to use geology in connection with architecture was part of a growing consensus that the two disciplines were fundamentally linked. In early-Victorian Britain, the study of geology invoked radically new ways of conceptualizing the earth’s history. -
The Portcullis Revised August 2010
Factsheet G9 House of Commons Information Office General Series The Portcullis Revised August 2010 Contents Introduction 2 Other uses for the Portcullis 2 Charles Barry and the New Palace 3 Modern uses 4 This factsheet has been archived so the content City of Westminster 4 and web links may be out of date. Please visit Westminster fire office 4 our About Parliament pages for current Other users 5 information. Styles 5 Appendix A 7 Examples of uses of the Portcullis 7 Further reading 8 Contact information 8 Feedback form 9 The crowned portcullis has come to be accepted during the twentieth century as the emblem of both Houses of Parliament. As with many aspects of parliamentary life, this has arisen through custom and usage rather than as a result of any conscious decision. This factsheet describes the history and use of the Portcullis. August 2010 FS G 09 Ed 3.5 ISSN 0144-4689 © Parliamentary Copyright (House of Commons) 2009 May be reproduced for purposes of private study or research without permission. Reproduction for sale or other commercial purposes not permitted. 2 The Portcullis House of Commons Information Office Factsheet G9 Introduction Since 1967, the crowned portcullis has been used exclusively on House of Commons stationery. It replaced an oval device, which had been in use since the turn of the twentieth century, on the recommendation of the Select Committee on House of Commons (Services). The portcullis probably came to be associated with the Palace of Westminster through its use, along with Tudor roses, fleurs-de-lys and pomegranates, as decoration in the rebuilding of the Palace after the fire of 1512. -
Westminster World Heritage Site Management Plan Steering Group
WESTMINSTER WORLD HERITAGE SITE MANAGEMENT PLAN Illustration credits and copyright references for photographs, maps and other illustrations are under negotiation with the following organisations: Dean and Chapter of Westminster Westminster School Parliamentary Estates Directorate Westminster City Council English Heritage Greater London Authority Simmons Aerofilms / Atkins Atkins / PLB / Barry Stow 2 WESTMINSTER WORLD HERITAGE SITE MANAGEMENT PLAN The Palace of Westminster and Westminster Abbey including St. Margaret’s Church World Heritage Site Management Plan Prepared on behalf of the Westminster World Heritage Site Management Plan Steering Group, by a consortium led by Atkins, with Barry Stow, conservation architect, and tourism specialists PLB Consulting Ltd. The full steering group chaired by English Heritage comprises representatives of: ICOMOS UK DCMS The Government Office for London The Dean and Chapter of Westminster The Parliamentary Estates Directorate Transport for London The Greater London Authority Westminster School Westminster City Council The London Borough of Lambeth The Royal Parks Agency The Church Commissioners Visit London 3 4 WESTMINSTER WORLD HERITAGE S I T E M ANAGEMENT PLAN FOREWORD by David Lammy MP, Minister for Culture I am delighted to present this Management Plan for the Palace of Westminster, Westminster Abbey and St Margaret’s Church World Heritage Site. For over a thousand years, Westminster has held a unique architectural, historic and symbolic significance where the history of church, monarchy, state and law are inexorably intertwined. As a group, the iconic buildings that form part of the World Heritage Site represent masterpieces of monumental architecture from medieval times on and which draw on the best of historic construction techniques and traditional craftsmanship. -
Re-Imagining Methodist Property Living Buildings: Adaptation and Reuse
Re-imagining Methodist Property Living Buildings: Adaptation and Reuse Reimagining Methodist Property i Who we are Founded 60 years ago by Sir Donald Insall, we are an employee-owned team of 120 with offices in London, Birmingham, Chester and Cambridge and studios in Bath, Oxford, Manchester and Conwy. As well as architects, the team includes historians, former Conservation Officers and Historic England Inspectors. Our motto is ‘Living Buildings.’ Most of our work is in the UK but we also advise abroad with jobs in Trinidad and Tobago, Abu Dubai and India. Reimagining Methodist Property Methodist Property Holdings: Heritage Assets “In 2006 there were about 5,312 [Methodist] chapels in England of which 869 (16 per cent) are listed.’”– Historic England, Places of Worship Listing Selection Guide (2017). Listed buildings also include: Central Halls (unique to Methodism), Sunday schools, halls, manses, stables and open sites. Reimagining Methodist Property Types of Heritage Assets • Grade I buildings are of exceptional interest, only 2.5% of listed buildings are Grade I. • Grade II* buildings are particularly important buildings of more than special interest; 5.8% of listed buildings are Grade II*. • Grade II buildings are of special interest; 91.7% of all listed buildings are in this class and it is the most likely grade of listing for a home owner. Often buildings that have had some alterations or important historically rather than architecturally. They are still protected externally and internally. Reimagining Methodist Property Grade I Capel Peniel in Tremadog, Gwynedd. Built 1810-11 and credited with influencing the architecture of later Welsh chapels.