Westminster World Heritage Site Management Plan Steering Group
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LTN Winter 2021 Newsletter
THE LUTYENS TRUST To protect and promote the spirit and substance of the work of Sir Edwin Lutyens O.M. NEWSLETTER WINTER 2021 A REVIEW OF NEW BOOK ARTS & CRAFTS CHURCHES BY ALEC HAMILTON By Ashley Courtney It’s hard to believe this is the first book devoted to Arts and Crafts churches in the UK, but then perhaps a definition of these isn’t easy, making them hard to categorise? Alec Hamilton’s book, published by Lund Humphries – whose cover features a glorious image of St Andrew’s Church in Sunderland, of 1905 to 1907, designed by Albert Randall Wells and Edward Schroeder Prior – is split into two parts. The first, comprising an introduction and three chapters, attempts a definition, placing this genre in its architectural, social and religious contexts, circa 1900. The second, larger section divides the UK into 14 regions, and shows the best examples in each one; it also includes useful vignettes on artists and architects of importance. For the author, there is no hard- and-fast definition of an Arts and Crafts church, but he makes several attempts, including one that states: “It has to be built in or after 1884, the founding date of the Art Workers’ Guild”. He does get into a bit of a pickle, however, but bear with it as there is much to learn. For example, I did not know about the splintering of established religion, the Church of England, into a multitude of Nonconformist explorations. Added to that were the social missions whose goal was to improve the lot of the impoverished; here social space and church overlapped and adherents of the missions, such as CR Ashbee, taught Arts and Crafts skills. -
Palace of Westminster and Westminster Abbey Including Saint
Palace of Westminster and Westminster Abbey including Saint Margaret’s Church - UNESCO World Heritage Centre This is a cache of http://whc.unesco.org/en/list/426 as retrieved on Tuesday, April 09, 2019. UNESCO English Français Help preserve sites now! Login Join the 118,877 Members News & Events The List About World Heritage Activities Publications Partnerships Resources UNESCO » Culture » World Heritage Centre » The List » World Heritage List B z Search Advanced Palace of Westminster and Westminster Abbey including Saint Margaret’s Church Description Maps Documents Gallery Video Indicators Palace of Westminster and Westminster Abbey including Saint Margaret’s Church Westminster Palace, rebuilt from the year 1840 on the site of important medieval remains, is a fine example of neo-Gothic architecture. The site – which also comprises the small medieval Church of Saint Margaret, built in Perpendicular Gothic style, and Westminster Abbey, where all the sovereigns since the 11th century have been crowned – is of great historic and symbolic significance. Description is available under license CC-BY-SA IGO 3.0 English French Arabic Chinese Russian Spanish Japanese Dutch Palace of Westminster and Westminster Abbey including Saint Margaret’s Church (United Kingdom of Great Britain and Northern Ireland) © Tim Schnarr http://whc.unesco.org/en/list/426[04/09/2019 11:20:09 AM] Palace of Westminster and Westminster Abbey including Saint Margaret’s Church - UNESCO World Heritage Centre Outstanding Universal Value Brief synthesis The Palace of Westminster, Westminster Abbey and St Margaret’s Church lie next to the River Thames in the heart of London. With their intricate silhouettes, they have symbolised monarchy, religion and power since Edward the Confessor built his palace and church on Thorney Island in the 11th century AD. -
Westminster Abbey a Service for the New Parliament
St Margaret’s Church Westminster Abbey A Service for the New Parliament Wednesday 8th January 2020 9.30 am The whole of the church is served by a hearing loop. Users should turn the hearing aid to the setting marked T. Members of the congregation are kindly requested to refrain from using private cameras, video, or sound recording equipment. Please ensure that mobile telephones and other electronic devices are switched off. The service is conducted by The Very Reverend Dr David Hoyle, Dean of Westminster. The service is sung by the Choir of St Margaret’s Church, conducted by Greg Morris, Director of Music. The organ is played by Matthew Jorysz, Assistant Organist, Westminster Abbey. The organist plays: Meditation on Brother James’s Air Harold Darke (1888–1976) Dies sind die heil’gen zehn Gebot’ BWV 678 Johann Sebastian Bach (1685–1750) The Lord Speaker is received at the East Door. All stand as he is conducted to his seat, and then sit. The Speaker of the House of Commons is received at the East Door. All stand as he is conducted to his seat, and then sit. 2 O R D E R O F S E R V I C E All stand to sing THE HYMN E thou my vision, O Lord of my heart, B be all else but naught to me, save that thou art, be thou my best thought in the day and the night, both waking and sleeping, thy presence my light. Be thou my wisdom, be thou my true word, be thou ever with me, and I with thee, Lord; be thou my great Father, and I thy true son, be thou in me dwelling, and I with thee one. -
Restoration and Renewal Study
RESTORATION AND RENEWAL OF THE PalaCE of westMinster: PRE-FEASIBILITY STUDY AND PRELIMINARY STRATEGIC BUSINESS CASE OCTOBER 2012 Contents About this study 3 1. Executive summary 5 2. History and context 9 3. The condition of the Palace in 2012 17 4. The strategic case for change 28 5. Decant strategy and issues 29 6. Economic case 35 7. Commercial case 42 8. Financial case 44 9. Management case 45 10. Next steps 48 Annexes 1. Document review 50 2. “Parliament 2030” and scenario planning 59 3. Experience of other parliaments 60 4. Consultations with external professionals 65 5. Lessons learned from the Medium-Term Mechanical and Electrical Programme 67 6. Successful Project Governance and Leadership 71 3 About this study This report is the output of the Study Group appointed by the Management Boards of both Houses in January 2012 to: review previous documentation relating to the modernisation of the building services of the Palace of Westminster; and describe the preliminary strategic business case for a general modernisation of the Palace In papers approved by the House of Commons The Group consisted of Commission and the House of Lords House Committee the Dr Richard Ware (Study Director) Group’s task was specified in the following terms: Mel Barlex (Parliamentary Director of Estates) Mary Ollard (Lords Representative) “Document review A great deal of directly relevant Tim Ainger2 (Industry input) documentation already exists, including a Building Services Infrastructure Vision produced by the The Group was assisted by 4 Members, Principal Engineer and various engineering reports two from each House: and study reports, dating back over a number Lord Brabazon of Tara of years. -
The Industrial Revolution: 18-19Th C
The Industrial Revolution: 18-19th c. Displaced from their farms by technological developments, the industrial laborers - many of them women and children – suffered miserable living and working conditions. Romanticism: late 18th c. - mid. 19th c. During the Industrial Revolution an intellectual and artistic hostility towards the new industrialization developed. This was known as the Romantic movement. The movement stressed the importance of nature in art and language, in contrast to machines and factories. • Interest in folk culture, national and ethnic cultural origins, and the medieval era; and a predilection for the exotic, the remote and the mysterious. CASPAR DAVID FRIEDRICH Abbey in the Oak Forest, 1810. The English Landscape Garden Henry Flitcroft and Henry Hoare. The Park at Stourhead. 1743-1765. Wiltshire, England William Kent. Chiswick House Garden. 1724-9 The architectural set- pieces, each in a Picturesque location, include a Temple of Apollo, a Temple of Flora, a Pantheon, and a Palladian bridge. André Le Nôtre. The gardens of Versailles. 1661-1785 Henry Flitcroft and Henry Hoare. The Park at Stourhead. 1743-1765. Wiltshire, England CASPAR DAVID FRIEDRICH, Abbey in the Oak Forest, 1810. Gothic Revival Architectural movement most commonly associated with Romanticism. It drew its inspiration from medieval architecture and competed with the Neoclassical revival TURNER, The Chancel and Crossing of Tintern Abbey. 1794. Horace Walpole by Joshua Reynolds, 1756 Horace Walpole (1717-97), English politician, writer, architectural innovator and collector. In 1747 he bought a small villa that he transformed into a pseudo-Gothic showplace called Strawberry Hill; it was the inspiration for the Gothic Revival in English domestic architecture. -
Annual Report 2018/2019
Annual Report 2018/2019 Section name 1 Section name 2 Section name 1 Annual Report 2018/2019 Royal Academy of Arts Burlington House, Piccadilly, London, W1J 0BD Telephone 020 7300 8000 royalacademy.org.uk The Royal Academy of Arts is a registered charity under Registered Charity Number 1125383 Registered as a company limited by a guarantee in England and Wales under Company Number 6298947 Registered Office: Burlington House, Piccadilly, London, W1J 0BD © Royal Academy of Arts, 2020 Covering the period Coordinated by Olivia Harrison Designed by Constanza Gaggero 1 September 2018 – Printed by Geoff Neal Group 31 August 2019 Contents 6 President’s Foreword 8 Secretary and Chief Executive’s Introduction 10 The year in figures 12 Public 28 Academic 42 Spaces 48 People 56 Finance and sustainability 66 Appendices 4 Section name President’s On 10 December 2019 I will step down as President of the Foreword Royal Academy after eight years. By the time you read this foreword there will be a new President elected by secret ballot in the General Assembly room of Burlington House. So, it seems appropriate now to reflect more widely beyond the normal hori- zon of the Annual Report. Our founders in 1768 comprised some of the greatest figures of the British Enlightenment, King George III, Reynolds, West and Chambers, supported and advised by a wider circle of thinkers and intellectuals such as Edmund Burke and Samuel Johnson. It is no exaggeration to suggest that their original inten- tions for what the Academy should be are closer to realisation than ever before. They proposed a school, an exhibition and a membership. -
State Opening of Parliament State Opening of Parliament 1
State Opening of Parliament State Opening of Parliament 1 The State Opening of Parliament marks the Start of Parliament’s year start of the parliamentary year and the Queen’s The Queen’s Speech, delivered at State Opening, is the public Speech sets out the government’s agenda. statement of the government’s legislative programme for Parliament’s next working year. State Opening is the only regular occasion when the three constituent parts of Parliament that have to give their assent to new laws – the Sovereign, the House of Lords and the House of Commons – meet. The Speech is written by the government and read out in the House of Lords. Parliamentary year Queen’s Speech A ‘parliament’ runs from one general Members of both Houses and guests election to the next (five years). It is including judges, ambassadors and high broken up into sessions which run for commissioners gather in the Lords about a year – the ‘parliamentary year’. chamber for the speech. Many wear national or ceremonial dress.The Lord State Opening takes place on the first Chancellor gives the speech to the day of a new session. The Queen’s Queen who reads it out from the Speech marks the formal start to the Throne (right and see diagram on year. Neither House can conduct any page 4). business until after it has been read. Setting the agenda The speech is central to the State Contents Opening ceremony because it sets out the government’s legislative agenda Start of Parliament’s year 1 for the year. The final words, ‘Other Buckingham Palace to the House of Lords 2 measures will be laid before you’, give How it happens 4 the government flexibility to introduce Back to work 5 other bills (draft laws). -
A Journey Through Sacred Space: Medieval Tree and Cross Symbolism in the Apse Mosaic and Floor of San Clemente in Rome Joe Hartm
1 A Journey through Sacred Space: Medieval Tree and Cross Symbolism in the Apse Mosaic and Floor of San Clemente in Rome Joe Hartman PhD candidate, Art History, Southern Methodist University Introduction: Cross, Tree, and Vine Symbolism in the Church of San Clemente In medieval Rome, the cross – also called the lignum vitae (tree or wood of life) – represented a Christian belief that the sins of humankind, associated with the tree of knowledge, were overcome through Christ’s sacrifice.1 The cross and vine in the apse mosaic of the twelfth- century church of San Clemente in Rome are a case in point (Figs. 1-2). In the center of the mosaic, on top of a gold inlaid background, Christ appears crucified on a black cross. A lush, green acanthus plant grows beneath him. Sinuous vines surround the cross on either side. The mosaic’s theme follows a typical fourth- or fifth-century configuration, which likens the emblematic cross to the paradisiacal “Tree of Life.”2 The visually literate laity of the twelfth century would have understood the image as a symbol of redemption and renewal. As such, the apse mosaic also depicts the cross as the Vine of Christ that abundantly provides the wine of the Eucharist and represents Christ’s sacrificial blood.3 The ornament and furnishings of San Clemente emphasize this central tree and vine motif. For example, San Clemente’s iconographic 1 All translations are the authors’ own. For more on the semiotics of the Tree of Life and the Tree of Knowledge, see Gerhart Ladner’s influential article “Medieval and Modern Understanding of Symbolism: A Comparison.” Speculum 54/ 2 (1979), 223-256. -
Travels of a Country Woman
Travels of a Country Woman By Lera Knox Travels of a Country Woman Travels of a Country Woman By Lera Knox Edited by Margaret Knox Morgan and Carol Knox Ball Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE iii Travels of a Country Woman © 2007 by Newfound Press, University of Tennessee Libraries All rights reserved. Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit <http://creativecommons.org/licenses/by-nc/3.0/us/>. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-1-8 ISBN-10: 0-9797292-1-1 Library of Congress Control Number: 2007934867 Knox, Lera, 1896- Travels of a country woman / by Lera Knox ; edited by Margaret Knox Morgan and Carol Knox Ball. xiv, 558 p. : ill ; 23 cm. 1. Knox, Lera, 1896- —Travel—Anecdotes. 2. Women journalists— Tennessee, Middle—Travel—Anecdotes. 3. Farmers’ spouses—Tennessee, Middle—Travel—Anecdotes. I. Morgan, Margaret Knox. II. Ball, Carol Knox. III. Title. PN4874 .K624 A25 2007 Book design by Martha Rudolph iv Dedicated to the Grandchildren Carol, Nancy, Susy, John Jr. v vi Contents Preface . ix A Note from the Newfound Press . xiii part I: The Chicago World’s Fair. 1 part II: Westward, Ho! . 89 part III: Country Woman Goes to Europe . -
Camberwell Grove Conservation Area Appraisal Part 3
Camberwell Grove Conservation Area The Character and Appearance of the Area Figure 9 Regency streetscape at Grove Crescent – designated under the London Squares Preservation Act Figure 10 Brick paving and good modern lighting - St. Giles Churchyard Building types 3.1.12 The great majority of buildings in the Conservation Area are residential, particularly in Camberwell Grove and Grove Lane., the predominant type is three and four storey brick or stuccoed terraces of houses, dating from the late 18th/early 19th century and designed on classical principles, In other parts of the area there are two storey brick or stucco villas or pairs from the 19th century. Later, there are many examples of two storey brick houses built with arts and crafts/English revivalist influence, as at Grove Park, for example. 3.1.13 These residential building types provide the basis of the character of the Conservation area. Against their background a few institutional and public buildings are landmarks that stand out in the local context. On Denmark Hill, there is the main frontage of the Maudsley Hospital in early 20th century classical styles using red brick and Portland stone. Giles Gilbert Scott’s 1932 Salvation Army College employs a neo-classical style in dark brown brick. The Mary Datchelor School is in a Queen Anne revival style using red brick and plain tiled roofs, and St. Giles Church is an 1840s Gothic revival design. 3.2 Sub-area 1 - Lower Camberwell Grove St. Giles Church 3.2.1 St. Giles Church is a very important landmark in the Camberwell area, marking the "gateway" to the centre of Camberwell from the Peckham Road. -
Complete Baronetage of 1720," to Which [Erroneous] Statement Brydges Adds
cs CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE CORNELL UNIVERSITY LIBRARY 3 1924 092 524 374 Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/cletails/cu31924092524374 : Complete JSaronetage. EDITED BY Gr. Xtl. C O- 1^ <»- lA Vi «_ VOLUME I. 1611—1625. EXETER WILLIAM POLLAKD & Co. Ltd., 39 & 40, NORTH STREET. 1900. Vo v2) / .|vt POirARD I S COMPANY^ CONTENTS. FACES. Preface ... ... ... v-xii List of Printed Baronetages, previous to 1900 xiii-xv Abbreviations used in this work ... xvi Account of the grantees and succeeding HOLDERS of THE BARONETCIES OF ENGLAND, CREATED (1611-25) BY JaMES I ... 1-222 Account of the grantees and succeeding holders of the baronetcies of ireland, created (1619-25) by James I ... 223-259 Corrigenda et Addenda ... ... 261-262 Alphabetical Index, shewing the surname and description of each grantee, as above (1611-25), and the surname of each of his successors (being Commoners) in the dignity ... ... 263-271 Prospectus of the work ... ... 272 PREFACE. This work is intended to set forth the entire Baronetage, giving a short account of all holders of the dignity, as also of their wives, with (as far as can be ascertained) the name and description of the parents of both parties. It is arranged on the same principle as The Complete Peerage (eight vols., 8vo., 1884-98), by the same Editor, save that the more convenient form of an alphabetical arrangement has, in this case, had to be abandoned for a chronological one; the former being practically impossible in treating of a dignity in which every holder may (and very many actually do) bear a different name from the grantee. -
St M Newsletter No 3 Final
the church on Parliament Square by kind permission of Clare Weatherill NEWS No 3 Winter 2017 news and features from St Margaret’s LENT 2017 PRE-LENTEN ART EXHIBITION AT ST MARGARET’S Lent may originally have followed Sacred Space: drawings and paintings by Lottie Stoddart Epiphany, just as Jesus’ sojourn in the wilderness followed Over the course of 2016 I was given the immediately on his baptism, but it wonderful opportunity to spend an intensive soon became firmly attached to period drawing inside Westminster Abbey. My Easter, as the principal occasion first visit, following in the footsteps of William for baptism and for the Blake, was with the Royal Drawing School, and reconciliation of those who had formed the idea of returning and engaging with been excluded from the Church’s the Abbey's interior for a longer period. My work investigates spaces that evoke the fellowship. sacred. My previous works on this theme have This history explains the included London graveyards, ancient characteristic notes of Lent – self- woodlands and most recently tree veneration examination, penitence, self-denial, in India. Many evocations of Westminster study, and preparation for Easter. Abbey concentrate on the monumental, but I Ashes are an ancient sign of penitence; have sought out the personal and intimate from the middle ages it became the where visual juxtapositions have occurred custom to begin Lent by being marked through time, architectural style and changing in ash with the sign of the Cross. use. The Abbey's central shrine and surrounding chapels have made me consider The calculation of the forty how sacred spaces are glimpsed, hidden and days of Lent has varied considerably in revealed.