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The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J. -
Why Is the Only Good Orc a Dead Orc Anderson Rearick Mount Vernon Nazarene University
Inklings Forever Volume 4 A Collection of Essays Presented at the Fourth Frances White Ewbank Colloquium on C.S. Article 10 Lewis & Friends 3-2004 Why Is the Only Good Orc a Dead Orc Anderson Rearick Mount Vernon Nazarene University Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Rearick, Anderson (2004) "Why Is the Only Good Orc a Dead Orc," Inklings Forever: Vol. 4 , Article 10. Available at: https://pillars.taylor.edu/inklings_forever/vol4/iss1/10 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER, Volume IV A Collection of Essays Presented at The Fourth FRANCES WHITE EWBANK COLLOQUIUM ON C.S. LEWIS & FRIENDS Taylor University 2004 Upland, Indiana Why Is the Only Good Orc a Dead Orc? Anderson Rearick, III Mount Vernon Nazarene University Rearick, Anderson. “Why Is the Only Good Orc a Dead Orc?” Inklings Forever 4 (2004) www.taylor.edu/cslewis 1 Why is the Only Good Orc a Dead Orc? Anderson M. Rearick, III The Dark Face of Racism Examined in Tolkien’s themselves out of sync with most of their peers, thus World1 underscoring the fact that Tolkien’s work has up until recently been the private domain of a select audience, In Jonathan Coe’s novel, The Rotters’ Club, a an audience who by their very nature may have confrontation takes place between two characters over inhibited serious critical examinations of Tolkien’s what one sees as racist elements in Tolkien’s Lord of work. -
Orc Hosts, Armies and Legions: a Demographic Study
Volume 16 Number 4 Article 2 Summer 7-15-1990 Orc Hosts, Armies and Legions: A Demographic Study Tom Loback Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Loback, Tom (1990) "Orc Hosts, Armies and Legions: A Demographic Study," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 16 : No. 4 , Article 2. Available at: https://dc.swosu.edu/mythlore/vol16/iss4/2 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Calculates the likely population of Orcs in Middle-earth at various times based on Tolkien’s use of the military terms host, army, and legion. Uses The Silmarillion and several volumes of The History of Middle- earth to “show a developing concept of Orc military organization and, by inference, an idea of Orc demographics.” Additional Keywords Tolkien, J.R.R.—Characters—Orcs—Demographics; Tolkien, J.R.R.—Characters—Orcs—History; Tolkien, J.R.R.—Characters—Orcs—Military organization This article is available in Mythlore: A Journal of J.R.R. -
A Study of Musical Affect in Howard Shore's Soundtrack to Lord of the Rings
PROJECTING TOLKIEN'S MUSICAL WORLDS: A STUDY OF MUSICAL AFFECT IN HOWARD SHORE'S SOUNDTRACK TO LORD OF THE RINGS Matthew David Young A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC IN MUSIC THEORY May 2007 Committee: Per F. Broman, Advisor Nora A. Engebretsen © 2007 Matthew David Young All Rights Reserved iii ABSTRACT Per F. Broman, Advisor In their book Ten Little Title Tunes: Towards a Musicology of the Mass Media, Philip Tagg and Bob Clarida build on Tagg’s previous efforts to define the musical affect of popular music. By breaking down a musical example into minimal units of musical meaning (called musemes), and comparing those units to other musical examples possessing sociomusical connotations, Tagg demonstrated a transfer of musical affect from the music possessing sociomusical connotations to the object of analysis. While Tagg’s studies have focused mostly on television music, this document expands his techniques in an attempt to analyze the musical affect of Howard Shore’s score to Peter Jackson’s film adaptation of The Lord of the Rings Trilogy. This thesis studies the ability of Shore’s film score not only to accompany the events occurring on-screen, but also to provide the audience with cultural and emotional information pertinent to character and story development. After a brief discussion of J.R.R. Tolkien’s description of the cultures, poetry, and music traits of the inhabitants found in Middle-earth, this document dissects the thematic material of Shore’s film score. -
The Geology of Middle-Earth
Volume 21 Number 2 Article 50 Winter 10-15-1996 The Geology of Middle-earth William Antony Swithin Sarjeant Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Sarjeant, William Antony Swithin (1996) "The Geology of Middle-earth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 21 : No. 2 , Article 50. Available at: https://dc.swosu.edu/mythlore/vol21/iss2/50 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract A preliminary reconstruction of the geology of Middle-earth is attempted, utilizing data presented in text, maps and illustrations by its arch-explorer J.R.R. Tolkien. The tectonic reconstruction is developed from earlier findings yb R.C. Reynolds (1974). Six plates are now recognized, whose motions and collisions have created the mountains of Middle-earth and the rift structure down which the River Anduin flows. -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25 -
“Above All Shadows Rides the Sun”: Resurrection and Redemption in J.R.R Tolkien's the Lord of the Rings and C.S. Lewis's
“ABOVE ALL SHADOWS RIDES THE SUN”: RESURRECTION AND REDEMPTION IN J.R.R TOLKIEN’S THE LORD OF THE RINGS AND C.S. LEWIS’S THE CHRONICLES OF NARNIA by Jaye Dozier, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of the Arts with a Major in Literature May 2016 Committee Members: Robert Tally, Chair Steven Beebe Nancy Grayson COPYRIGHT by Jaye Dozier 2016 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Jaye Dozier, refuse permission to copy in excess of the “Fair Use” exemption without my written permission. ACKNOWLEDGEMENTS I dedicate this to my family, friends, and all who have supported this endeavor and believed in the importance of fantasy as a revelation of deeper truths. To my committee members, Dr. Grayson and Dr. Beebe, who have stretched my mind and passion for literary studies from the Inklings to the Romantics, and to my chair Dr. Tally, who allowed a scatterbrained graduate student to explore the intersecting realms of fantasy and spirituality with enthusiasm and guidance. I am honored and blessed to know you all. The peculiar quality of the ”joy” in successful Fantasy can thus be explained as a sudden glimpse of the underlying reality or truth. -
Tolkien's Recovery of Englishness Through Walking
University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations Theses, Dissertations, and Major Papers 2017 There and Back Again; Tolkien’s Recovery of Englishness Through Walking Chris Scott Cameron University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/etd Recommended Citation Cameron, Chris Scott, "There and Back Again; Tolkien’s Recovery of Englishness Through Walking" (2017). Electronic Theses and Dissertations. 5969. https://scholar.uwindsor.ca/etd/5969 This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. There and Back Again; Tolkien’s Recovery of Englishness Through Walking By Christopher Cameron A Thesis Submitted to the Faculty of Graduate Studies through the Department of English Language, Literature, and Creative Writing in Partial Fulfillment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario, Canada 2017 © 2017 Christopher Cameron There and Back Again; Tolkien’s Recovery of Englishness through Walking by Christopher Cameron APPROVED BY: ______________________________________________ R. -
Tolkien's Inspirations and Influences in His Book, Intentionally It Seems
Last updated 9 March 2008 Tolkien’s inspirations and influences on his works An alphabetical entry list compiled by Ardamir of the Lord of the Rings Fanatics Forum (http://www.lotrplaza.com/forum/) While reading J.R.R. Tolkien: A Biography by Humphrey Carpenter about 2½ years ago, I noticed that he mentions many of Tolkien's inspirations and influences in his book, intentionally it seems. I took the opportunity to start listing these inspirations along with their sources, and have since then used many other sources for my list. I am listing elements in Tolkien's works in alphabetical order, along with their respective inspirations, and the sources I have used. Many of the inspirations are (very) speculative, and those I have marked with a '?', but some are obvious. The list is not meant (at least not yet) to be a detailed investigation of Tolkien's inspirations but rather to include just the relevant information and gather all the inspirations in one place for each entry. I know that it has many defects, and it is somewhat lacking in sources and references, but I am constantly improving it while adding more and more inspirations. I would greatly appreciate it if other people would take a look at it and tell me what they think about it, and also suggest additions and improvements. I am not making the list just for the benefit of myself, but for everyone. I update the list almost every day. Bolded (emphasized) parts of quotes by me. Entries that are names are in italics. Entries for text passages can be found in a separate section at the end. -
Defense Keyword, Players Cannot Place Progress on the Quest (Or Active Location) by Questing Successfully
™ “Nothing that we have endured of late has seemed so grievous as the treason of Isengard. Even reckoned as a lord Component Overview and captain Saruman has grown very strong. He threatens The Lord of the Rings: The Treason of Saruman includes the the Men of Rohan and draws off their help from Minas following components: Tirith, even as the main blow is approaching from the East. • This rules insert Yet a treacherous weapon is ever a danger to the hand. • 165 cards, consisting of: Saruman also had a mind to capture the Ring, for himself, or at least to snare some hobbits for his evil purposes.” - 3 Hero Cards —Gandalf, The Two Towers - 39 Player Cards - 110 Encounter Cards - 10 Quest Cards Welcome to The Lord of the Rings: The Treason of Saruman - 3 Campaign Cards Saga Expansion for The Lord of the Rings: The Card Game! Unlike other The Lord of the Rings: The Card Game Expansion Symbol expansions which explore new adventures set in Middle- The cards in The Lord of the Rings: The Treason of Saruman earth, the Saga Expansions give players the opportunity to Saga Expansion can be identified by this symbol before their directly participate in, or even recreate, the narrative events collector number: described in the classic novels written by J.R.R. Tolkien. The Lord of the Rings: The Treason of Saruman allows players to join Aragorn and his companions as they race across Rohan in order to combat the treachery of Saruman. Web Resources In this follow-up to The Road Darkens, you will find three There is an online tutorial for the game available at: scenarios spanning the first half ofThe Two Towers. -
Concerning Hobbits: Tolkien and the Trauma of England's 19Th/20Th
Q&A How did you become involved in doing research? My research developed out of my final paper for English 598, Mapping London. We were given the freedom to work with any texts which we could use to facilitate an examination of British culture, and so I turned to an area of my own interest, fantasy literature and Tolkien. How is the research process different from what you expected? The research process spread my focus out from the primary texts with which I was working and quickly intermeshed my argument in the larger scholarly community. I was involved in the debate in a much more direct About Ryan Smith manner than I had expected I would be during undergraduate research. HOMETOWN What is your favorite part of doing research? Overland Park, Kan. My favorite part of the research process was the actual writing of the final paper and the way in which I could see a single argument forming from MAJORS the myriad of research strands and ideas which I had examined. English and History ACADEMIC LEVEL Senior RESEARCH MENTOR Mary Klayder University Honors Lecturer in English Concerning Hobbits: Tolkien and the Trauma of England’s 19th/20th Century Transition Ryan W. Smith Fantasy is often purported to be culture of 19th century Midland by the events of the War of the Ring, a contextless genre, defined by farmers placed within the larger and, likewise, the characters, Frodo, escapism, a secondary world of Dark Age setting of Middle-earth. Bilbo, and Sam, who once stood literature springing entirely from Tolkien’s depiction of this hobbit race, as emblematic templates of a 19th the mind of the author and, thereby, in general, amounts to a caricature of century, rural, English ideal, are independent of any historicism; rural Englishness, a warm picture of forever altered and unsettled by their however, despite codifying the very a simple people who love to “laugh… trials. -
Isengard -.:: GEOCITIES.Ws
CREDITS Authors: SCOTT BENNIE, JASON DURALL, SAM JOHNSON, AARON ROSENBERG, AND GEORGE STRAYTON Line DeveLopment: JEFF TIDBALL eDiting: JIM JOHNSON, CARLOS PARADINHA, CHRIS SEEMAN, JANICE M. SELLERS AND JEFF TIDBALL. CreAtive DireCtion: CHRISTIAN MOORE AND OWEN SEYLER proDuCt DeveLopment, toLkien enterprises: LAURIE BATTLE proDuCt DeveLopment, new Line CinemA: JOHN MAYO Asset CoorDinAtion, wetA DigitAL: GLEN SHARAH rpg AssistAnt AnD miDDLe-eArth CAmpAign DeveLopement: TIMOTHY CREESE visuAL CreAtive DireCtion: DAN BURNS Art DireCtion: JESSE CASSEM grAphiC Design: JESSE CASSEM AND KIERAN YANNER proDuCtion Design: OWEN SEYLER AND KIERAN YANNER iLLustrAtion, wetA workshop: WARREN MAHY AND BEN WOTTEN iLLustrAtion: KIERAN YANNER CArtogrAphy: ROB LAZZARETTI enDpApers: DANIEL REEVE speCial thAnks: JEFF TIdbALL AND SCOTT GAETA For ADDitionAL mAteriAL AnD to LeArn About the miDDLe-eArth CAmpAign setting. visit us on-Line At http://Lotrrpg.DeCipher.Com WWW . DECIPHER . COM © MMV New Line Productions, Inc. All Rights Reserved. The Lord of the Rings and the names of the characters, items, events and places therein are trademarks of The Saul Zaentz Company d/b/a Tolkien Enterprises under license to New Line Productions, Inc. Decipher, Inc. Authorized User. TM, ®, & © 2005 Decipher Inc., P.O. Box 56, Norfolk VA, USA 23501. All Rights Reserved. TABLE OF CONTENTS INTRODUCTION: THE ROAD TO ISENGARD 4 CHAPTER ONE: THE HISTORY AND LIFE OF ISENGARD 8 CHAPTER TWO: THE FORTRESS OF IRON 22 CHAPTER THREE: NAN CURUNÍR 58 CHAPTER FOUR: THE WHITE HAND 70 Introduction THE ROAD TO ISENGARD oftiest of all the peaks in Middle-earth are the Misty Mountains, a ‘[B]ut mighty works the men of chain raised in the early days of the world.