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Cape Traditional Singers & Igugu Le Kapa

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Cape Traditional Singers & Igugu Le Kapa Cape Traditional Singers & iGugu Le Kapa INHOUD INFO CONTENT WOE 17.6 WED 17.6 CREDITS 02 aanvang starting time CAPE TRADITIONAL SINGERS 03 20:00 8 pm IGUGU LE KAPA 08 locatie venue Koninklijk Theater Carré LIEDTEKSTEN SONG TEXTS 14 duur running time 2 uur 15 minuten, inclusief een pauze HOLLAND FESTIVAL 2015 59 2 hours 15 minutes, including one interval WORD VRIEND taal language BECOME A FRIEND 62 Nederlandse boventiteling with Dutch surtitles COLOFON COLOPHON 64 inleiding introduction 19:15 7:15 pm met with Anwar Gambeno, Phumelele Tsewu 1 Qhashu Qhashu - Strauss (Die Fledermaus) CREDITS PROGRAMMA (soloists: Amanda Meke, Zukiswa Tsewu & PROGRAMME Thamsanqa Lamani) CAPE TRADITIONAL SINGERS IGUGU LE KAPA PAUZE INTERVAL muzikale leiding musical direction muzikale leiding musical direction Cape Traditional Singers Cape Traditional Singers Anwar Gambeno Phumelele Tsewu Daar kom die Alibama Nuwe jaar medley (Ghoema liedjie) (Kaapmaleis Afrikaans volkslied Die koeke (Moppie) coordinator coördinator iGugu le Kapa coordinator Cape Malay Afrikaans Folksong) Bloemstraat (word gezongen als sung as Muneeb Gambeno iGugu le Kapa Die Polka dans (Ghoema liedjie) Boomstraat) (Ghoema liedjie) Zukiswa Tsewu Rosa (Nederlandse lied Dutch song) Sy het geloof in my (ballad) frontzang lead singers Oom Jakkals (Ghoema liedjie) (Zij gelooft in mij - André Hazes) Mustapha Adams, Anwar Gambeno, sopranen sopranos Al is ons Prinsie nog so klein (Nederlands Die Son die skinne koerant (Moppie) Muneeb Gambeno, Marcelino Maurice Amanda Zoleka Meke*, Zukiswa Zelpha volkslied Dutch folksong) Die Boude (Moppie) Jacobs, Jonathan Andre Lombard, Tsewu*, Nokuthula Alzena Sidambe*, Ag Rosa Lem (Nederlandse lied Dutch Beeste Poote (Ghoema liedjie) Mogamat Ismial Majiet Busiswa Priscilla Ndlebe*, Phumeza song) Ma ek wil die Oxford dra (Ghoema liedjie) Dlayedwa*, Busisiwe Somi Die patertjie (Nederlands volkslied Dutch zang vocals folksong) Cape Traditional Singers & iGugu le Kapa Durell Daniel Africa, Faried Morrison alten altos Die Toyi-Toyi (Moppie) Meadowlands Nicholaas Arendolf, Jageja Davids, Ntombelanga Ndlovu, Fezeka Vuyelwa Ek trog daar seer laas Nederlandse lied Pata-Pata Irufaan Kamaldien, Peter Jacob Skunana, Danielle Speckman*, Makaziwe Dutch song) Piet Hein (Dutch folksong) Gambeno, Gavin Van der Berg, Mogamat Msuthu, Viwe Lorraine Magopeni, Baie Teramakasi (Ghoema liedjie) Sedick Manuel, Riedwaan Solomons, Makaziswe Msuthu, Sandiswa Juliet Cassiem Woodman, James Jacobs, Sodayise iGugu le Kapa Cheslyn Samuel Lombard Emv’ekhaya abazali bayalila tenoren tenors traditional, in Bb musici musicians Bathandwa Gubesa, Nkululeko Lenin Plea for Africa - John Knox Bokwe Ismail Adams, gitaar guitar Ndziba*, Xolisile Jeffrey Yali, Zukisa solisten soloists: Nokuthula Sidambe & Frank William Hendricks, gitaar guitar Nyaba, Litha John Jali*, Mbundu Loyiso Danielle Speckman) Mogamat Yusuf Petersen, gitaar guitar Heimwee - J.R.L Bruggen, S. Le Roux Mogamat Adeeb Majiet, ghoema drums bassen basses Marais (solisten soloists: Zukiswa Tsewu, Melvyn Edward Matthews, percussie Phelo Ray Nodlayiya, Sibulele Sibeko, Busiswa Ndlebe & Amanda Meke) percussions Sikampula Thamsanqa Emlanjeni (volkslied folksong) Clive Samuels, basgitaar bass guitar Ruri Ruri - Mothuba Ridhwaan Trompeter, banjo baritons baritones Mankanisi - J.P. Mohapeloa Paul Malgas, Lubabalo Mbili Hambani Madoda - Folk Song Della - M.M. Moerane *solisten soloists Unongqawuse (traditional) Ihele - S.B.P. Mnomiya (solist soloist: Litha met speciale dank aan Jali) with special thanks to Askwazi Kuhamba (traditional) Professor Denis-Constant Martin, Back Of The Moon - Matshikiza (solist Josephine Markovits soloist: Busiswa Ndlebe & Phumeza Dlayedwa) 2 3 stemmige harmonisaties componeren. get the best out of the singers he trains CAPE CAPE Hij weet het beste te halen uit de zangers (sometimes from a very young age) and die hij opleidt – soms al vanaf heel jonge how to attract highly talented soloists, TRADITIONAL TRADITIONAL leeftijd – en solisten van grote kwaliteit both for the moppies and the nederland- SINGERS aan zich te binden, of het nu gaat om de sliedjies. Anwar Gambeno is also very SINGERS moppies of de nederlandsliedjies. Anwar involved in the community; his choir is a Gambeno is ook zeer betrokken bij zijn safe haven for kids who want to avoid De Cape Traditional Singers zijn opgericht Anwar Gambeno founded the Cape gemeenschap: zijn koor is een veilige drugs and gangs, and he participates in door Anwar Gambeno met de bedoeling Traditional Singers with the idea of per- haven voor jongeren die drugs en bendes various charitable activities. As an ‘ama- het kenmerkende koorrepertoire van forming both types of choral repertoire willen vermijden, en hij neemt deel aan teur’ musician in all senses of the word, he Kaapstad te laten horen: enerzijds typically heard in Cape Town: on the one verschillende liefdadigheidsactiviteiten. does not reject modernization but does de liederen die de zogenoemde hand, the songs that the Klopse (Afri- Als ‘amateurmusicus’ in alle betekenissen try to preserve the strongest elements of Klopse (Kaaps-Afrikaans voor ‘clubs‘ kaans for ‘clubs’ or ‘societies’) sing during van het woord wijst hij in zijn concept mo- what he calls ‘the tradition’. of ‘verenigingen’) zingen tijdens de their traditional procession on Tweede dernisering niet af, maar streeft hij er wel traditionele optocht op ‘Tweede Nuwe Nuwe jaar (second New Year’s Day, on naar de sterkste elementen te bewaren jaar’ (2 januari), en anderzijds de 2 January), and on the other hand, the van wat hij ‘de traditie’ noemt. gezangen van de Malay Choirs die hun songs of the Malay Choirs, who hold their concoursen houden meteen na die van contests immediately after the Klopse INTERVIEW de Klopse. festival. WITH ANWAR Twee liedgenres zijn bij uitstek kenmer- Two genres of songs are especially char- kend voor de Kaap: de moppies en de acteristic for the Cape: moppies and GAMBENO nederlandsliedjies. Moppies zijn liedjes in nederlandsliedjies. Set to an amalgam INTERVIEW MET het Afrikaans met komische teksten op of melodies, moppies are songs in Afri- ANWAR The Cape Traditional Singers were found- een amalgaam van melodieën en een kaans (South African Dutch) with comical ed by Anwar Gambeno in 1981 as The solist die met vrolijke humor en gebaren lyrics and a soloist who emphasizes or GAMBENO Tulips, under which name they participate het verhaal onderstreept of aanvult. embellishes the story with merry humour in the contests of the Malay Choirs every Nederlandsliedjies worden vooral gezon- and gestures. The nederlandsliedjies are Anwar Gambeno richtte in 1981 The Tulips year and sing at community festivals. gen door de Malay Choirs. De oorspron- mainly sung by the Malay Choirs. A solo- op, die elk jaar meedoen aan de concour- Outside South Africa, they use the name kelijk Nederlandse melodieën en teksten ist interprets and transforms the original sen van de Malay Choirs. Het koor zingt ‘Cape Traditional Singers’. Gambeno has worden getransformeerd door de inter- Dutch melodies and lyrics, ‘passing on’ ook op gemeenschapsfeesten, en buiten been artistic director and ‘captain’ of pretatie van de solist, die met een ver- subtle embellishments to the choir with a Zuid-Afrika treedt het op onder de naam several Kaapse Klopse. fijnde techniek zijn subtiele versieringen sophisticated vocal technique. The result Cape Traditional Singers. Gambeno was ‘doorgeeft’ aan het koor. Het resultaat is is a surprising contrast between the choir, artistiek leider en ‘kapitein’ van meerdere ‘I was born in Harfield, a suburb in the een verrassend contrast tussen de solist with its Western tonal harmony, and the Kaapse Klopse. southern part of Cape Town. It was an die de Arabische wereld en het Oosten soloist, who evokes the Arab world and enclave in Claremont with a fairly mixed oproept, en het koor met zijn westerse the East. ‘Ik ben geboren in Harfield, een zuide- population – my neighbours were white. tonale harmonie. lijke voorstad van Kaapstad. Het is een My family wasn’t rich; my father was a Anwar Gambeno is a singer and the ar- enclave in Claremont met een tamelijk fisherman, my mother a seamstress. There Anwar Gambeno is zanger en artistiek tistic director of several Malay Choirs and gemêleerde bevolking – mijn buren waren were eight of us kids and my parents had leider van meerdere Malay Choirs en de Klopse. Like almost all South African choir blanken. Mijn familie was niet rijk: mijn to work hard to pay for our schooling. Klopse. Net als vrijwel alle Zuid-Afrikaan- leaders, he cannot read or write music, vader was visser, mijn moeder naaister. After I graduated from high school, I got se koorleiders kan hij geen notenschrift but nonetheless he is perfectly able to We waren met acht kinderen en mijn ou- married and started working. Harfield lezen of schrijven, maar niettemin perfect compose melodies and three- or four-part ders hebben hard moeten werken om ons was one of the first districts where the uit zijn hoofd melodieën en drie- of vier- harmonies in his head. He knows how to te laten leren. Ik ben naar school geweest Group Areas Act was enforced – the law 4 5 tot aan mijn eindexamen, daarna ben ik that made it possible to allocate a par- getrouwd en aan het werk gegaan. Har- ticular urban area exclusively to a specific field was een van de eerste wijken waar ‘racial’ group. Because we were consid- de Group Areas Act wet werd toegepast ered ‘coloureds’, we had to move several – de wet die het mogelijk maakt een times. That was very upsetting, we were bepaald stedelijk gebied exclusief toe te separated from our family, our neigh- wijzen aan een specifieke ‘raciale’ groep. bours, our friends. The Klopse also fell Omdat wij als coloureds (gekleurden) wer- apart because of that, even though they den aangemerkt, hebben we meermalen had been very active in Harfield. moeten verhuizen. Dat was heel verdrie- For us, all of this was even more absurd tig, omdat we gescheiden werden van because my father was born in Sicily, in onze familie, onze buren, onze vrienden. Palermo, but as a fisherman on the Cape, Ook de Klopse vielen daardoor uit elkaar, he suddenly was ‘coloured’.
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