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“Never Was I So Depressed”
The Army of Northern Virginia in the Gettysburg Campaign “Never Was I So Depressed” James Longstreet and Pickett’s Charge Karlton D. Smith On July 24, 1863, Lt. Gen. James Longstreet wrote a private letter to his uncle, Augusts Baldwin Longstreet. In discussing his role in the Gettysburg Campaign, the general stated: General Lee chose the plan adopted, and he is the person appointed to chose and to order. I consider it a part of my duty to express my views to the commanding general. If he approves and adopts them it is well; if he does not, it is my duty to adopt his views, and to execute his orders as faithfully as if they were my own. While clearly not approving Lee’s plan of attack on July 3, Longstreet did everything he could, both before and during the attack, to ensure its success.1 Born in 1821, James Longstreet was an 1842 graduate of West Point. An “Old Army” regular, Longstreet saw extensive front line combat service in the Mexican War in both the northern and southern theaters of operations. Longstreet led detachments that helped to capture two of the Mexican forts guarding Monterey and was involved in the street fighting in the city. At Churubusco, Longstreet planted the regimental colors on the walls of the fort and saw action at Casa Marta, near Molino del Ray. On August 13, 1847, Longstreet was wounded during the assault on Chapaltepec while “in the act of discharging the piece of a wounded man." The same report noted that during the action, "He was always in front with the colors. -
STEVE MEISNER BIO 01/22/2004 Born: April 17, 1961 1966, Began
Steve Meisner Bio, page 1 205 N. Hazel Street, Whitewater, WI 53190-2119 (262) 473-7184 (e-mail) "[email protected]" web page at "www.stevemeisner.com" STEVE MEISNER BIO 01/22/2004 Born: April 17, 1961 1966, Began study of Piano Accordion at age 5 and performing on stage at age with father Verne Meisner. 1967-68, Won 1st place 2 years at Whitewater 4th of July talent contest ages 6 & 7. 1970, Began study of Cornet at age 9 and performing with the Washington Grade School Band. 1973, Began study & performing on Bass Guitar at age 12. 1974, Began study & performing on Button (diatonic) Accordion at age 13 performing with Verne Meisner. 1975, Featured on first recording with Verne Meisner "Autumn Leaves" and won 1st place 2 years at the Chicago & Milwaukee Button Box Competitions at age 14 & 15. 1976, Performing full time at age 15 with the Verne Meisner Orchestra and the New Frontier Dance Group. Began study of Tuba at age 15 performing with the Whitewater High School Band. 1977-78, Performing at age 16 with the Spike Micale Band, and age 17 with the Joey Klass Band. Won 1st place in Solo and band competition and at age 16. Began formal Piano lessons & music theory at age 16 performing on recordings. 1978, Organized and orchestrated the Steve Meisner Band at age 17 performing together for more than 25 years. Regular performances with Verne Meisner. 1985, Married Barbara Lindl May 19th at age 24. 3 Children: Whitney, Lindsey, Austin 1988, Began study of Drums at age 27 performing on stage and recordings. -
Our Meeting on Wednesday, April 10, 2019 at 7 Pm Will Be the MOTTS MILITARY MUSEUM, 5075 South Hamilton Road,Groveport, Ohio 43125
My Fellow Roundtable Members: Our meeting on Wednesday, April 10, 2019 at 7 pm will be the MOTTS MILITARY MUSEUM, 5075 South Hamilton Road,Groveport, Ohio 43125. Please come early and enjoy the great museum that our fellow Roundtable member Warren Motts has created. Please seewww.mottsmilitarymuseum.org for more information. Our Speaker will be author and guide Dan Welch, whose topic is “Gettysburg Campaign, June 3-July 1.” This talk will focus on the question “How Did They Get There?” and will follow the Union and Confederate armies northward across Virginia, Maryland, and into Pennsylvania during the weeks leading up to the battle of Gettysburg and examine the many battles and events that impacted both armies before the first shot of July 1, 1863. Dan currently serves as a primary and secondary educator with a public school district in northeast Ohio. Previously, Dan was the Education Programs Coordinator for the Gettysburg Foundation, the non-profit partner of Gettysburg National Military Park, and continues to serve as a seasonal Park Ranger at Gettysburg National Military Park. Please see our website at www.centralohiocwrt.wordpress.com for more information about Dan Welch. I have attached Tom Ayres’ report on our March Meeting, where Tom gives us a great follow-up discussion of the defense of the Fredericksburg riverbank by William Barksdale, as related by Frank O’Reilly at the meeting. Here is our Treasurer’s Report from Dave Delisio: Treasurer's Report for March 2019 Beginning checking account balance 3/1/2019 = $2,238.93 March receipts = $234.00 ($125.00 from dues, $109.00 from meeting book raffle) March expenses = $455.00 ($325.00 to Frank O’Reilly for speaker fee and $130 to Mike Peters for speaker expenses) Ending checking account balance 3/31/2019 = $2,017.93 Please pay your 2019 dues to Dave or me at the next meeting! And keep participating in the book raffle. -
Gettysburg: Three Days of Glory Study Guide
GETTYSBURG: THREE DAYS OF GLORY STUDY GUIDE CONFEDERATE AND UNION ORDERS OF BATTLE ABBREVIATIONS MILITARY RANK MG = Major General BG = Brigadier General Col = Colonel Ltc = Lieutenant Colonel Maj = Major Cpt = Captain Lt = Lieutenant Sgt = Sergeant CASUALTY DESIGNATION (w) = wounded (mw) = mortally wounded (k) = killed in action (c) = captured ARMY OF THE POTOMAC MG George G. Meade, Commanding GENERAL STAFF: (Selected Members) Chief of Staff: MG Daniel Butterfield Chief Quartermaster: BG Rufus Ingalls Chief of Artillery: BG Henry J. Hunt Medical Director: Maj Jonathan Letterman Chief of Engineers: BG Gouverneur K. Warren I CORPS MG John F. Reynolds (k) MG Abner Doubleday MG John Newton First Division - BG James S. Wadsworth 1st Brigade - BG Solomon Meredith (w) Col William W. Robinson 2nd Brigade - BG Lysander Cutler Second Division - BG John C. Robinson 1st Brigade - BG Gabriel R. Paul (w), Col Samuel H. Leonard (w), Col Adrian R. Root (w&c), Col Richard Coulter (w), Col Peter Lyle, Col Richard Coulter 2nd Brigade - BG Henry Baxter Third Division - MG Abner Doubleday, BG Thomas A. Rowley Gettysburg: Three Days of Glory Study Guide Page 1 1st Brigade - Col Chapman Biddle, BG Thomas A. Rowley, Col Chapman Biddle 2nd Brigade - Col Roy Stone (w), Col Langhorne Wister (w). Col Edmund L. Dana 3rd Brigade - BG George J. Stannard (w), Col Francis V. Randall Artillery Brigade - Col Charles S. Wainwright II CORPS MG Winfield S. Hancock (w) BG John Gibbon BG William Hays First Division - BG John C. Caldwell 1st Brigade - Col Edward E. Cross (mw), Col H. Boyd McKeen 2nd Brigade - Col Patrick Kelly 3rd Brigade - BG Samuel K. -
“We Were Now Complete Masters of the Field”
“We were now complete masters of the field” Ambrose Wright’s Attack on July 2 Matt Atkinson As the sun dipped below the mountains, 1,400 Georgians from Gen. Ambrose Wright’s brigade emerged from the acrid smoke of the battlefield screaming the Rebel yell. For a moment, a fleeting moment, victory stood within their grasp. In vain did the men peer to the west in search of succor, and in the growing darkness atop Cemetery Ridge, victory slipped away. The aftermath brought repercussions and recriminations from fellow Confederate officers, and today historians still search for answers as to what exactly took place that fateful day, July 2, 1863. Born April 26, 1826, at Louisville, Georgia, Ambrose Wright rose from poverty through the ranks of Southern society. He studied law under the distinguished Georgia governor and senator Herschel V. Johnson and later became his brother-in-law. Politically, Wright proved to be a moderate Southerner. He ran unsuccessfully for the Georgia legislature and Congress. Nevertheless, he served as a Fillmore elector in 1856 and supported the John Bell and Edward Everett ticket in 1860. Upon Abraham Lincoln’s election, Wright became an ardent supporter of Southern independence. When Georgia exercised its constitutional right to secession, he traveled in company with the state delegation that attempted to woo Maryland. No doubt Wright’s appearance struck many Marylanders as the quintessential backwoods Georgia wild man: He had a long, flowing, dark-brown beard and hair coupled with piercing eyes. In almost every crowd, Wright managed to stand out.1 In May, 1861, Wright enlisted as a private in the 3rd Georgia Infantry, but his fellow soldiers quickly elevated him to colonel. -
Download the Florida Civil War Heritage Trail
Florida -CjvjlV&r- Heritage Trail .•""•^ ** V fc till -/foMyfa^^Jtwr^— A Florida Heritage Publication Florida . r li //AA Heritage Trail Fought from 1861 to 1865, the American Civil War was the country's bloodiest conflict. Over 3 million Americans fought in it, and more than 600,000 men, 2 percent of the American population, died in it. The war resulted in the abolition of slavery, ended the concept of state secession, and forever changed the nation. One of the 1 1 states to secede from the Union and join the Confederacy, Florida's role in this momentous struggle is often overlooked. While located far from the major theaters of the war, the state experienced considerable military activity. At one Florida battle alone, over 2,800 Confederate and Union soldiers became casualties. The state supplied some 1 5,000 men to the Confederate armies who fought in nearly all of the major battles or the war. Florida became a significant source of supplies for the Confederacy, providing large amounts of beef, pork, fish, sugar, molasses, and salt. Reflecting the divisive nature of the conflict, several thousand white and black Floridians also served in the Union army and navy. The Civil War brought considerable deprivation and tragedy to Florida. Many of her soldiers fought in distant states, and an estimated 5,000 died with many thousands more maimed and wounded. At home, the Union blockade and runaway inflation meant crippling scarcities of common household goods, clothing, and medicine. Although Florida families carried on with determination, significant portions of the populated areas of the state lay in ruins by the end of the war. -
Squeezins June 2014
Volume 13, Issue 12 June 2014 SQUEEZINS "Our squeezin’...is pleasin’" Don Lipovac, an accordionist that extended to the other extraordinaire, passed away on ethnic groups. April 26, 2014. The Kansas Arts He taught and directed over Council described him as a “cultural 200 students of St. John's treasure.” School Tamburitza Orchestra. His career in music started in The Don Lipovac Polka Band childhood playing Slovenian songs on and their records are well- the button accordion that his known and appreciated around grandfather used to sing. Through the world. Don's polka style classical training, he developed into a was inspired by his friend, renowned accordion artist, winning the Frank Yankovic. The band national virtuoso competition at became frequent performers at Carnegie Hall in 1958, going on to local events and festivals represent the United States in the world around the country. Their competition in Brussels, Belgium. Don popularity has earned studied the piano accordion under Alfred recognition and induction in the National Vacca of Kansas City, Missouri, and Cleveland Style Polka Hall of Fame and earned degrees in music theory and music Iron World USA Polka Hall of Fame in education at the Kansas City Chisholm, Minnesota. Conservatory of Music. Don will be remembered for his He also gave solo concerts around the contemporary style of music. However, country and performed as a soloist with his main love was folk music. For his life- the Kansas City Philharmonic Orchestra. long dedication to folk music, he was Don leaves a great legacy in his inducted into the Tamburitza Hall of hometown, where he developed a deep Fame. -
The Florida Historical Quarterly
COVER Downtown DeLand, ca. 1890s. Miller’s Feed & Hardware, corner New York Avenue and the Boulevard. Reproduced from A Pictorial History of West Volusia County, 1870-1940, by William J. Dreggors, Jr., and John Stephen Hess. The Volume LXIX, Number October 1990 THE FLORIDA HISTORICAL SOCIETY COPYRIGHT 1990 by the Florida Historical Society, Tampa, Florida. The Florida Historical Quarterly (ISSN 0015-4113) is published quarterly by the Florida Historical Society, Uni- versity of South Florida, Tampa, FL 33620, and is printed by E. O. Painter Printing Co., DeLeon Springs, Florida. Second-class postage paid at Tampa and DeLeon Springs, Florida. POSTMASTER: Send address changes to the Florida Historical Society, P. O. Box 290197, Tampa, FL 33687. THE FLORIDA HISTORICAL QUARTERLY Samuel Proctor, Editor Canter Brown, Jr., Editorial Assistant EDITORIAL ADVISORY BOARD David R. Colburn University of Florida Herbert J. Doherty University of Florida Michael V. Gannon University of Florida John K. Mahon University of Florida (Emeritus) Joe M. Richardson Florida State University Jerrell H. Shofner University of Central Florida Charlton W. Tebeau University of Miami (Emeritus) Correspondence concerning contributions, books for review, and all editorial matters should be addressed to the Editor, Florida Historical Quarterly, Box 14045, University Station, Gainesville, Florida 32604-2045. The Quarterly is interested in articles, and documents pertaining to the history of Florida. Sources, style, footnote form, original- ity of material and interpretation, clarity of thought, and in- terest of readers are considered. All copy, including footnotes, should be double-spaced. Footnotes are to be numbered con- secutively in the text and assembled at the end of the article. -
Rivers and Plains
Rivers and Plains Papers of the Fortieth Annual DAKOTA CONFERENCE A National Conference on the Northern Plains Compiled by Lori Bunjer, Harry F. Thompson, and Arthur R. Huseboe The Center for Western Studies Papers of the Fortieth Annual DAKOTA CONFERENCE A National Conference on the Northern Plains “Rivers and Plains” Augustana College Sioux Falls, South Dakota April 25-26, 2008 Complied by Lori Bunjer Harry F. Thompson Arthur R. Huseboe Major funding for the Fortieth Annual Dakota Conference was provided by the South Dakota Humanities Council, Loren and Mavis Amundson, Tom and Elaine McIntosh, Richard and Michelle Van Demark, Mellon Fund Committee of Augustana College, Deadwood Historic Preservation Commission, Jamie and Penny Volin, Blair and Linda Tremere, Rex Myers and Susan Richards, and the Center for Western Studies. The Center for Western Studies Augustana College 2008 TABLE OF CONTENTS Preface .......................................................................................................................................................... v Amundson, Loren John Edmund Colton, Founder of Colton.......................................................................................... 1 Anderson, Grant K. South Dakota’s First Presidential Visitor........................................................................................... 5 Browne, Miles A. Riverboating with Abraham Lincoln ................................................................................................ 19 Dalstrom, Harl A. Upstream Metropolis: -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy sutxnitled. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, arxJ improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, tfiese will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black arid white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMÏ NOTE TO USERS This reproduction is the best copy available. UMI THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE INTERNATIONAL MUSIC CAMP; MODEL BAND CAMP FROM AN HISTORICAL PERSPECTIVE A Dissertation SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirement for the degree of DOCTOR OF PHILOSOPHY By JENNIFER LOIE PRAY HALL Norman, Oklahoma 2000 UMI Number 9968100 UMI UMI Microform9968100 Copyright 2000 by Bell & Howell Information and beaming Company. -
Refighting Pickett's Charge: Mathematical Modeling of the Civil
7 Nov 2014 Refighting Pickett’s Charge Refighting Pickett’s Charge: Mathematical Modeling of the Civil War Battlefield* Michael J. Armstrong, Ph.D. Steven E. Sodergren, Ph.D. Associate Professor Associate Professor Goodman School of Business Department of History Brock University Norwich University 500 Glenridge Avenue 158 Harmon Drive St. Catharines, ON, L2S 3A1 Northfield, VT 05663 905 688 5550 x5323 (802) 485-2938 [email protected] [email protected] Direct all correspondence to Michael J. Armstrong, Associate Professor, Goodman School of Business, Brock University, 500 Glenridge Avenue, St. Catharines, ON, L2S 3A1 ([email protected]). The authors will share all data and coding for replication purposes. This research began while the first author was a Fulbright Scholar and Visiting Research Chair in War and Peace Studies at Norwich University. Thanks are due to Fulbright Canada for their funding support. The authors also wish to thank the reviewers at SSQ for their helpful comments. This is the peer reviewed version of the following article: Armstrong MJ, Sodergren SE. 2015. “Refighting Pickett’s Charge: mathematical modeling of the Civil War battlefield”. Social Science Quarterly 96 #4 (Dec), 1153–1168, DOI: 10.1111/ssqu.12178, which has been published in final form at http://onlinelibrary.wiley.com/doi/10.1111/ssqu.12178/abstract. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Self-Archiving. 1 7 Nov 2014 Refighting Pickett’s Charge Refighting Pickett’s Charge: Mathematical Modeling of the Civil War Battlefield Abstract Objective. We model Pickett’s Charge at the Battle of Gettysburg to see whether the Confederates could have achieved victory by committing more infantry, executing a better barrage, or facing a weaker defense. -
February 2006
FREE SAN DIEGO 10 YEARS ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news April 2011 www.sandiegotroubadour.com Vol. 10, No. 7 what’s inside Welcome Mat ………3 Mission Contributors Humphries at Humphrey’s Benefit Concert Passings Full Circle.. …………4 Roger McGuinn Recordially, Lou Curtiss Front Porch... ………6 Laura Roppé The Music Network Panache Orchestra Parlor Showcase …10 Josh Damigo Ramblin’... …………12 Bluegrass Corner The Zen of Recording Hosing Down Radio Daze Stages Highway’s Song. …14 Gregory Page Is Huge in Holland David Wilcox Of Note. ……………17 Tango Nuevo GeoffreyKeezer/Peter Sprague Tom Juravich Steve Krause James Lee Stanley ‘Round About ....... …18 April Music Calendar The Local Seen ……19 Photo Page APRIL 2011 SAN DIEGO TROUBADOUR welcome mat A “Fab” Way to Help Critters passings JOHNNY WALKER , 1921-2011 SAN DIEGO Johnny was a ROUBADOUR singer and teacher Alternative country, Americana, roots, folk, of songs and Tblues, gospel, jazz, and bluegrass music news leader in commu - nity singing, who also helped estab - lish the San Diego Folk Song Society MISSION CONTRIBUTORS in the 1950s. For To promote, encourage, and provide an FOUNDERS most of its years alternative voice for the great local music that Ellen and Lyle Duplessie he was the unoffi - is generally overlooked by the mass media; Liz Abbott cial leader of the Folksong Society (no mat - namely the genres of alternative country, Kent Johnson Americana, roots, folk, blues, gospel, jazz, and ter who the officers were) and only in the bluegrass. To entertain, educate, and bring PUBLISHERS mid- to late sixties did he become more of together players, writers, and lovers of these Liz Abbott an entertainer in folk clubs.