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Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
STEVE MEISNER BIO 01/22/2004 Born: April 17, 1961 1966, Began
Steve Meisner Bio, page 1 205 N. Hazel Street, Whitewater, WI 53190-2119 (262) 473-7184 (e-mail) "[email protected]" web page at "www.stevemeisner.com" STEVE MEISNER BIO 01/22/2004 Born: April 17, 1961 1966, Began study of Piano Accordion at age 5 and performing on stage at age with father Verne Meisner. 1967-68, Won 1st place 2 years at Whitewater 4th of July talent contest ages 6 & 7. 1970, Began study of Cornet at age 9 and performing with the Washington Grade School Band. 1973, Began study & performing on Bass Guitar at age 12. 1974, Began study & performing on Button (diatonic) Accordion at age 13 performing with Verne Meisner. 1975, Featured on first recording with Verne Meisner "Autumn Leaves" and won 1st place 2 years at the Chicago & Milwaukee Button Box Competitions at age 14 & 15. 1976, Performing full time at age 15 with the Verne Meisner Orchestra and the New Frontier Dance Group. Began study of Tuba at age 15 performing with the Whitewater High School Band. 1977-78, Performing at age 16 with the Spike Micale Band, and age 17 with the Joey Klass Band. Won 1st place in Solo and band competition and at age 16. Began formal Piano lessons & music theory at age 16 performing on recordings. 1978, Organized and orchestrated the Steve Meisner Band at age 17 performing together for more than 25 years. Regular performances with Verne Meisner. 1985, Married Barbara Lindl May 19th at age 24. 3 Children: Whitney, Lindsey, Austin 1988, Began study of Drums at age 27 performing on stage and recordings. -
Robert Glasper's In
’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
0457 Bank Americard & Master Charge Accepted
102 Years Old ... and NEW E^eiy Thursday VOL CIl NO. 31 NEPTUNE TIMES, TOWNSHIP OF NEPTUNE, NEW JERSEY, THURSDAY, AUG. 4, 1977 IPTEEN CENT 8 Dayison-Chtirton Ganvithen In Youth Concert New Neptune Black and White’s Asks Halt In Nuptials -Held: ■ In Auditorium ' Half Way Houses Festival of Music 12,13 'RKD BANK —[ The F irst Presbyterian Church here was OCEAN' GROVE — Robert Car- NEPTUNE TWP. — William. withen, weU4aspwit organist, w i 11 OCEAN GROVE — Something is Greers, president of the Ocean the setting for the wedding of Mar beginning, to develop, here in garet Conover Davison and John present a Festival of Mu?ic on the Grove' Home Owners Association, famous Hope-Jones Orgin~|n the Ocean Grove that you-should know (Burnside Ohurton, Jr., on Sunday, about. People are doing strange asked the township committee Tribute to die late July 3. Associate Minister the (Rev. great Auditorium, Ocean Grove, Tuesday night to take steps against New Jersey, on .Wednesday, Aug things - like the little Scottish lady Blanchard iRoriiaine performed the who 'stopped a .man on Main Ave any further expansion of boarding G. L. Hergesheim er ceremony,’ assisted by the Rev. ust 17, at 8 P.M. .. -This event will be co-sponsored nue and told him, in' a shocked homes with mentally and physical Howard Milkman, minister of the voice, that she had heard there is by REV. HAROLD D. FLOOD Watehuns; Presbyterian Church by tte Hannah-Crosman Post 2233, ly handicapped persons in the Veterans of Foreign Wars of the a pied piper going up and djiwn Grove. -
ROGER Mcguinn
ROGER McGUINN Biography Jim McGuinn, later known as Roger, was already a veteran of the New York and Los Angeles music scene when he co-founded the group that would become the Byrds with Gene Clark and David Crosby in 1964. Prior to forming the Byrds, Roger toured and performed folk music with the Limeliters, Chad Mitchell Trio and Bobby Darin as a guitarist and banjo player. He was also the musical director and guitarist on Judy Collins #3. McGuinn, a Chicago native, studied at the Old Town School of Folk Music and was active on Chicago's folk scene, where he was strongly influenced as a teenager by Bob Gibson. Within a few weeks of finishing high school, McGuinn was working with the Limeliters in California, playing guitar and banjo on their album "Tonight: In Person." McGuinn is also on the Chad Mitchell Trio's albums: "Mighty Day on Campus" and The Chad Mitchell Trio at the Bitter End After touring for awhile with singer Bobby Darin, McGuinn moved to New York at Darin's request to work for his publishing company, TM Music, in the fabled Brill Building as a songwriter. He and Frank Gari co wrote the song "Beach Ball" and performed it with Darin, as the City Surfers, on a very rare single, July 1963. After hearing the Beatles for the first time at the Brill Building, Roger began playing folk songs to a rock beat in the coffee houses of Greenwich Village. His experiments in merging folk and rock didn't please the folk purist, so he moved to Los Angeles to work at the Troubadour. -
Winter Weekend, Feb. 10-12 Hudson Valley Resort & Spa See Flier In
Folk Music Society of New York, Inc. January 2017 vol. 52, No. 1 January Mondays: Irish Traditional Music Session at the Landmark, 8pm (no session Jan. 2) Wednesdays: Sunnyside Singers Club in Woodside, Queens, 8pm 4 Wed Folk Open Sing, 7pm in Brooklyn 8 Sun Stillhouse Serenade; Good Coffeehouse, 4 pm 9 Mon Kevin Crawford; featured performer at the Landmark 13-14: Golden Festival in Brooklyn 14 Sat Chantey Blast & Pub Sing in Mystic, Conn. 1-5pm (Snow date, Jan. 15) 15 Sun Shanty Sing on Staten Island, 2-5 pm 16 Mon Kevin McHugh; featured performer at the Landmark 22 Sun FMSNY Board of Directors Meeting, 11am, Upper West Side; see p. 5 30 Mon Newsletter Mailing, 7pm in Jackson Heights, Queens February Mondays: Irish Traditional Music Session at the Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, Queens, 8pm 1 Wed Folk Open Sing, 7pm in Brooklyn 5 Sun Maritime Music & Song Session; John Street Ch., 2pm 10-12 Winter Folk Music Weekend at HVRS 12 Sun Tim Grimm; Good Coffeehouse, 4 pm 13 Mon FMSNY Board of Directors Meeting, 7:15pm; see p. 5 15 Wed Sunnyside Singers Club; performer Marie Mularczyk O'Connell & the Mountain Maidens, 7:30pm 19 Sun Shanty Sing on Staten Island, 2-5 pm 23 Thur Newsletter Mailing, 7pm in Jackson Heights, Queens 24 Fri Happy Traum, Saint John's Church, Christopher St; 7:30pm. Details on pages 2-3; table of contents on page 3 Winter Weekend, Feb. 10-12 Hudson Valley Resort & Spa see flier in centerfold The Society’s web page: www.folkmusicny.org - 1 - Irish Traditional Music Session: every Mon. -
Chicago Was a Key R&B and Blues
By Harry Weinger h e g r e a te st h a r m o n y g r o u p o p ment,” “Pain in My Heart” and original all time, the Dells thrilled au versions of “Oh W hat a Nile” and “Stay diences with their amazing in My Comer.” After the Dells survived vocal interplay, between the a nasty car accident in 1958, their perse gruff, exp lore voice of Mar verance became a trademark. During vin Junior and the keening their early down periods, they carried on high tenor of Johnny Carter, thatwith sweet- innumerable gigs that connected T the dots of postwar black American- homeChicago blend mediated by Mickey McGill and Veme Allison, and music history: schooling from Harvey the talking bass voice from Chuck Fuqua, studio direction from Willie Barksdale. Their style formed the tem Dixon and Quincy Jones, singing back plate for every singing group that came grounds for Dinah Washington and Bar after them. They’ve been recording and bara Lewis (“Hello Stranger”) and tours touring together for more than fifty with Ray Charles. years, with merely one lineup change: A faithful Phil Chess helped the Dells Carter, formerly ©f the Flamingos reinvigorate their career in 1967. By the (t ool Hall of Fame inductees), replaced end of the sixties, they had enough clas Johnny Funches in i960. sics on Cadet/Chess - including “There Patience and camaraderie helped the Is,” “Always Together,” “I Can Sing a Dills stay the course. Starting out in the Rainbow/Love Is Blue” and brilliant Chicago suburb of Harvey, Illinois, in remakes of “Stay in My Comer” and “Oh, 1953, recording for Chess subsidiaries What a Night” (with a slight variation in Checker and Cadet and then Vee-Jay, the its title) - to make them R&B chart leg Dells had attained Hall of Fame merit by ends. -
Texas Polka News - May 2020 Volume 32 | Isssue 15 INSIDE THIS ISSUE
Texas Polka News - May 2020 Volume 32 | Isssue 15 INSIDE THIS ISSUE Texas Covering Polka Dance Hall Music Since 1987News 2 Bohemian Princess Diary eresa Cernoch Parker e New Polka Normal ALL QUIET ON THE SOCIAL 3 Editor’s Log Gary E. McKee DANCING FRONT Lawrence Welk Was Cool! By Gary E. McKee Story on Page 4 3 From our readers 4-6 Featured Story Social Dancing Hostyn Picnic 2019 6 PoLK of A Report 8 Music Review & DJ Profi le Darrel Appelt 9 Wunnerful Welk Cont'd. 10-13 Dances, Festivals, Live Music 13 Boerne Village Band 14 Village Band & Welk Cont'd. 15 Band ads 16 Polka Smiles Sponsored by Slovacek's 2 Texas Polka News - May 2020 Bohemian Princess canceled and rescheduled. When Texas Polka News Staff in doubt please call the venue or eresa Cernoch Parker, Publisher Diary organization to make sure events Gary E. McKee, Editor/Photo Journalist are still taking place. Je Brosch, Artist/Graphic Designer As for TPN, which relies heavily Contributors: Louise Barcak Mark Hiebert John Roberts on ad revenue from events and Justin Everett Karen Williams Kurtz Will Seegers dance venues, I have made the Lauren Haase Julie Matus Rose Vrazel dicult decision to change the Walt Harfmann Earline Berger Okruhlik George Weber Joe Cool Pavlicek Harvey Wise publishing schedule from monthly to every other month. I don't know Contact how long this will last, possibly By Theresa Cernoch Parker until the end of the year. eresa Parker, Texas Polka News [email protected] 118 Vintage Park Blvd, Suite 443 • Houston, TX 77070 281-836-5362 PRINT SCHEDULE & AD [email protected] | Gary: [email protected] With the onset of the COVID-19 DEADLINES pandemic in our country, I thought No June issue Ads/Media last month's column was hard to July issue, deadline for ads, June 1 Articles, ads, letters to the editor deadline: 1st of the month for the next month write, until I sat down to pen this No August issue Ad Rates 1/3 page: $185 1/8: $65 one. -
TELEVISION Part I of a Survey, by Leonard Feather
::3 TELEVISION Part I Of A Survey, By Leonard Feather FOR THE RECORD—and in the interests of enlightening Another one-shot special was Duke Ellington Swings posterity and giving credit that is seldom acknowledged— through Japan, a segment of the Columbia Broadcasting it should be said that the last few weeks of 1964 and the System's Twentieth Century series, seen just before Christ• first couple of months of 1965 were a fruitful period for mas. television jazz. In contrast with the Condon show, which could have The skeptic may reply: "Yeah? I didn't see Miles take said in a half-hour all it had to say, this was squeezed into over The Lawrence Welk Show." 30 minutes when it could well have run twice as long. Its But in assessing the manner and extent of the use of brevity was the only thing wrong with it; in almost every jazz in this medium it is reasonable to take certain facts other respect it was one of the best shows of its kind ever into consideration. One is that the prime-time evening screened. television program, for the most part, is aimed at securing Produced by Isaac Kleinerman and admirably written the attention of as many as possible of the 192,000,000 by Jack Beck, this was the story of a band on tour. It potential viewers in the United States. did not purport to be a program of music, though there Another is the inescapable logic of the argument that were enough extended excerpts from concerts to give it music per se is not visual, and that classical music, pop meaning on this level also. -
0 Lt2f D !~I~A~?S!!
NON PROFIT RATE U.S. Postage PAID St. Augustine, FL FLAGLER COLLEGE Permit No. 64 Address Correction Requested Gargoyle web site: www.oidcity.com/ gargoyle :. VOL. XXVI, NO. 2 SAINT A.U GUST IN E, FLORIDA September 18, 1996 Flagler ma~es U.S. News list 0 • c.oniestsolfw ...-,s , io_,.,--,onpage,4. Lt2f d !~i~a~?s!!., Col Find outJ.w11>help.11 ~ lege has made U.S. News and World Reports, ...._,. ...... list of colleges th at offer the best value top page 5. niulliple.....,._ quality education at a reasonable cost. • Rm, Q look at the club. GIi page 7. Flagler moved up a notch on the 1997 list to third in the best value for regional lib • Get.Iha IGlast on the art - t111page8. eral arts colleges in the South, according to • Gei 11,e "'5Ults of 1hu~ the magazine's 1997 national college ondvoR.yboll-llarlson JO. rankings. The Sept. 23 issue, on newsstands Sept. 16, ranks institutions of higher ~duca, tion for academi~ quality and for value. U.S. News devised t h e "best value" Writing Center opens rankings in an effort to provide families with The Writing Center opened 'J'ueaday, a "realistic m easure of value by relating the Sept. l '1, in its new location of1'-Sft. Its cost of attending an institution to the qual, hours are Tuesday 10 a.m. to 4 p.m.; ity of education," according to the publica, Wednesday 9 a.m. to 12 p.m. and 2 to 5 tion. Only the top 25 percent of regional p.m.; ~,M.a.m. -
Hit Sheet 83
www.hitsheet.co.uk 7 JULY 2006 ISSUE #85 Looking Good, Sounding Better... The Best Is Yet To Come Parlophone Record of the Week WordsWords JustJust GetGet inin TheThe WayWay Richard Ashcroft Heading up our Parlophone front and back cover double whammy is one of this country’s leading songwriters, the man who put the Northern soul into Wigan. Having just appeared on the soon to be much missed Top of the Pops performing this track and on the back of a recent sold out show at Manchester’s Old Trafford cricket ground the genius (not madness) of King Richard is only too apparent. This is the 3rd hit to be released from the seminal Keys To The World album. Music Is Power and Break The Night With Colour were both hits, Words Just Get In The Way will be the hat-trick. 2 Hello and welcome to issue #85 of the Hit Sheet! So bird flu developed into world cup fever and we’re now left and should make her the superstar she deserves to be. as sick as parrots. If you look at my editorial last month I Meeting her afterwards was also a thrill as she was both predicted that England would lose on penalties in the quarter gorgeous and friendly! 31 The Birches, London, N21 1NJ finals and that Wayne Rooney would be sent off, so I wasn’t Finally, the Who gig in Hyde Park was fantastic, Pete too surprised. In my opinion England were doomed as soon Townshend’s guitar playing was an inspiration to all. -
Open to the Public Report of Comments Received by CPB
Open to the Public: 2014 Programming Comments Closed Captioning Issues Received on January 2, 2014 from LA I'm up late and I watch Nova and other shows that come on and enjoy them. The closed captions are either flashed on the screen for a fraction of a second making it impossible to read. When it does stay on longer, often it is a mess of misspellings, sometimes containing random symbols like, &@??#%, or even what looks like plain gibberish. I am not hearing impaired, but sometimes I need help to follow the dialogue. Could you please correct this? I have tried to find a contact with PBS but never could find an email address. So I'm contacting you. Please correct this. Thank you, Michael XXX Programming Complaint Received on January 6, 2014 from MA I am a Harvard affiliated specialist in Endocrinology. I am a long term contributor to my local station WGBH. I am appalled by your granting Dr. Perlmutter an hour for what was effectively an infomercial, worthy of a back channel cable network. There was a mis-statement in virtually every sentence so I cannot catalog them here, but the fact is that there is ample medical verification that eating sugar does not produce diabetes, that neither eating carbohydrates nor sugar itself is associated with dementia, and that diabetics do not have an amplified risk of diabetes. Gluten sensitivity is the disease du jour, and irrelevant to any of the above. How on earth was this material selected for broadcast ? Am I the only physician to call this to your attention ? David XXX , M.D.