Clamor Magazine

Total Page:16

File Type:pdf, Size:1020Kb

Clamor Magazine WHvmhZWI bor Resistance Bush's Legalized Sweatshops Inmate Labor* Jane Foi The Revolution ryday Life May/June 2004 • Issue 26 over a^> ^aJa^^^^i prML0\M p/ Ifiliipi kiKil ; ,'i inAmer ica ' 4 / who is working? 7 , i^^^ltJ > fer <^^L . V US/ $6.95 Canada '252 74 "96769 1 DLIFE I3U UI|lJHiai7iH»L"lI W CURSIVE AZURE RAY il'Jl'l'Jll^li^lVJ"! 1W ™„„ SADDLE CREEK ffiRWSSKKS SSffi'N20M K||1IIWI«««1«I«"1»I I Pick one of these free title from one of these great independent labels when you subscribe to Clamor now or renew your current subscription early! Ward Churchill Various Artists Various Artists Greg MacPherson Flying Luttenbachers Life In Occupied America Bloodshot Sampler III Rock Against Bush Maintenance Retrospective IV AK Press Bloodshot Fat Wreck Chords G-7 Welcoming Committee Mtn. Coop, of Indep. Artists Ultimate Fakebook Christiansen Hamell On Trial Addicted 2 Fiction New Radiant Storm Kings Before We Spark Stylish Nihilists Tough Love Zero EP Leftover Blues 1991-2003 Initial Revelation Righteous Babe Heartcore Contraphonic p iJFtcV.: aS|' S :Rl5f Eyedea & Abilities The Sinister Quartet Broken Spindles From Ashes Rise Various Contributors E&A The Pink Guillotine Fulfilled/Complete Nightmares Radio Clamor Volume 1 Epitaph Exotic Fever Saddle Creek Jade Tree Clamor Magazine " Name: Address: City: State: Zip: Email: This is a onew subscription o renewal My FREE CD —> First choice: Second choice: O I've enclosed $18 for my subscription (make checks payable to Clamor and send to PO Box 20128, Toledo, OH 43610) O Please charge my Visa or Mastercard card no. exp : LCL26 I Offer good with this coupon only. Please feel free to photocopy it before you send it in. EDITORS/PUBLISHERS Jen Angel • Jason Kucsma CONSULTING EDITOR Joshua Breitbart from your editors CULTURE EDITOR PEOPLE EDITOR Who is working in America? And if you are working, maybe the questions should be - what Sarah Palmer Keidra Chaney kind of job are you working? Like the woman on the cover, slinging donuts for Krispy ECONOMICS EDITOR POUTICS EDITORS Kreme, are you working a service-industry job? Do you have medical benefits? Are you Arthur Stamoulis Madeleine Baran & represented by a union? Do you even like your job? So you see. without getting too deep Amanda Luker into economic analysis and speculation (hey, that's what we have the Economist and MEDIA EDITOR Catherine Komp REVIEW EDITOR Dollars & Sense for), there's plenty to talk about on the subject of "work.'' Keith McCrea PROOFREADERS As soon as we sat down to write this letter, song lyrics we wanted to quote easily came to Belinda Brown. Elliot Adams. Hal Hixson. Scott mind. We could have turned to the IWW labor songs for something like: Puckett. Kristen Schmidt Why do you work for 8 hours or more? Two of us could have jobs if you'd only work 4. LAYOUT & DESIGN Jason Kucsma Or we could have gone with Aesop Rock's more contemporary "9-5ers Anthem": NEW MASTHEAD CONSULTATION We the American working population hate the fact that 8 hours a day are spent Robin Hendrickson, Derek Hogue chasing the the dream of someone that isn't us. We may not hate our jobs, but we COVER PHOTO: hate jobs in general that don't have to do with fighting our own causes. Jim West - www.iimwestphoto.com Or maybe some of you are more familiar with the classic: WEB DESIGN: Workin'9to5 Derek Hogue What a way to make a livin' ADVERTISING Barely gettin' by Rates and deadlines available upon request. It's all takin' Please call 419-243-4688 or visit Andnogivin' www.clamormagazine.org/advertismg.pdf They just use your mind PRINTING: And they never give you credit Westcan Printing Group, It's enough to drive you Winnipeg. Manitoba, Canada Crazy if you let it! P: 866-669-9914 CLAMOR is a bi-monthly magazine. Whichever of the countless songs out there dedicated to workin' for a living (Huey Lewis Single copies are $4.50 ppd and 6 issue anyone?) you claim as your own anthem of disdain for the work-a-day grind, we all share subscriptions are $18 ppd in the US (Outside one thing in common — we all gotta do it. Many of us love our work. Many of us hate of the US single issues are $6 and a 6-issue subscription is $25 in US Funds). Checks may nothing more than the thought of another day under the thumb of our boss. And thanks be made payable to Become The Media. to the current administration, millions of us would take whatever we could get right now to put some food on our tables. We'll save that last point for discussion later in summer BACK ISSUES: when we get closer to the election, but right now let's take a look at what people around are available for the standard single copy rate ($3.50 + postage). the world are doing to find purpose or just get by. Visit www.clamormagazine.org for more info. Thanks for reading. Now get back to work. DISTRIBUTION: CLAMOR is distributed to stores and -#A distributors by Big Top Newsstand Services, 4 2729 Mission Street Suite 201. San Francisco, CA 94110-3131 [email protected] Jen J Angel and Jason Kucsrrra CLAMOR is also available through these fine distribution outlets: Active Distribution UK, PS: You've undoubtedly noticed the new look on the front cover. We redesigned the AK Press. Armadillo, Desert Moon, Doormouse. website, too. The old look served us well for four years, but it was time to make a Gordon & Gotch. Ingram. IPD. Kent News. change. We're always trying to improve the magazine, to get it into more people's Last Gasp. Media Solutions. Milligan, One hands, to fulfill our mission more completely. None of that is possible without your Source, Small Changes. Stickfigure. Tower, and Ubiquity. support, so thank you! CLAMOR (ISSN 15-34-9489) is published six times a year (Jan/Feb, Mar/Apr. May/Jun, Jul/ Aug. Sept/Oct, Nov/Dec) ©2004 in the US by Become The Media Incorporated. PO Box 20128. Toledo. OH 43610. Telephone: 419 243.4688 CLAMOR'S mission is to provide a media outlet that reflects the reality of alternative politics and culture in a format that is accessible to people from a vanety of backgrounds CLAMOR exists to fill the voids left by Postmaster Send address changes to mainstream media We recognize and celebrate the fact that each of us can and should participate in media, Clamor Magazine politics, and culture We publish wntmg and art that exemplify the value we place on autonomy, creativity, PO Box 20128, Toledo, OH 436 10 exploration, and cooperation CLAMOR is an advocate of progressive social change through acbve creation of political and cultural alternatives Periodicals postage paid at Toledo, OH clam«or 'kla-mer 1 : a loud continuous uproar of many human voices 2 : insistent public expression ECONOMICS SEX & GENDER 9 Union Cab Cooperative 42 Conjuring the Ghosts of Fondas Past Mike Gonzales Jessica Hoffman 12 Freelancers UNITE! Can Writers Get It Together? 45 How Safe Are Your Toys? NickMamatas Jennifer Grant 14 Iraq's Labor Resistance CULTURE Shannon Carson 14 Fighting to Stop the Other War: 48 This is Entertainment? Chimp-sploitation in Hollywood Cheryl Honkala Discusses the War on the Poor Sarah Baeckler with Charles Spano interview by Rachel Gazda 52 Micranots Intelligence: MC I Self Devine 16 Bracero 2004: interview by Samuel Pixley How Bush Plans to Legalize American Sweatshops 54 What's Your Passion? ArtemioGuerra Stella Meredith 55 Compassionate Science: When Two Good Causes Collide MEDIA Emily Sloan 20 A Day in the Life of Democracy Now! Anna Lappe PEOPLE 23 Work in the Age of Reality TV 58 Working It Out: A Prison Work Program That Works Anne Elizabeth Moore Christina Cook 25 TV-piquetera 61 Vulnerability and Resistance: Chris Abani Marie Trigona Tess. Lotta 27 Word on the Streets: 62 Job Relocation: Luo Kai Ming Changes Careers Street Papers Amplify the Voices of the Voiceless Michelle Chen Israel Bayer 64 The Unlikely Striken A Side of Mom She's Never Seen Before 29 The Fixer: Getting the Truth Out About Iraq Leilani Clark Rob Eshelman LAST PAGE POLITICS 66 Clamor Music Festival 2004! 32 A 40-Hour Workweek? Yes, PLEASE! Kari Lydersen REVIEWS 35 Sabocat Asks: Where in the World is the 40-Hour Week? Madeleine Baran and Amanda Luker 17 Working Class Hero 36 Workin' for the Man 18 Sound Investments Victoria Law 24 60 Second Shout Outs 37 Red, White, and Wal-Mart Blue 28 Plexifilms Joe Diffie 34 War of Independents s 38 Welcome to the Military! May I Take Your Order? 54 Fanning the Flames 3 Madeleine Baran 39 Taking Back Our Health: Ithaca's Health Fund Model for Change Susan Leem Please address letters to [email protected] or write us at PO Box 20128 Toledo, OH 43610 Letters may be edited for length. Not all letters received will be printed. A Mom Seeks Justice contemplating suicide, "takes" and "gives." If I take issue with the characterization of the he meant to say that considering a suicidal act Klein Art Gallery, and her lack of any credit to a I'm Sherman Austin's mom. I wanted to thank all takes a rational thought process but can yield grass roots organization struggling to bring art to of you for printing the story about his case. This an enriched sense of self-awareness, then he the public, beyond the usual elite art-going crowd. case is extremely complex and difficult to navigate should have clearly annunciated that conclusion.
Recommended publications
  • An Autoethnography of Scottish Hip-Hop: Identity, Locality, Outsiderdom and Social Commentary
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository@Napier An autoethnography of Scottish hip-hop: identity, locality, outsiderdom and social commentary Dave Hook A thesis submitted in partial fulfilment of the requirements of Edinburgh Napier University, for the award of Doctor of Philosophy June 2018 Declaration This critical appraisal is the result of my own work and includes nothing that is the outcome of work done in collaboration except where specifically indicated in the text. It has not been previously submitted, in part or whole, to any university or institution for any degree, diploma, or other qualification. Signed:_________________________________________________________ Date:______5th June 2018 ________________________________________ Dave Hook BA PGCert FHEA Edinburgh i Abstract The published works that form the basis of this PhD are a selection of hip-hop songs written over a period of six years between 2010 and 2015. The lyrics for these pieces are all written by the author and performed with hip-hop group Stanley Odd. The songs have been recorded and commercially released by a number of independent record labels (Circular Records, Handsome Tramp Records and A Modern Way Recordings) with worldwide digital distribution licensed to Fine Tunes, and physical sales through Proper Music Distribution. Considering the poetics of Scottish hip-hop, the accompanying critical reflection is an autoethnographic study, focused on rap lyricism, identity and performance. The significance of the writing lies in how the pieces collectively explore notions of identity, ‘outsiderdom’, politics and society in a Scottish context. Further to this, the pieces are noteworthy in their interpretation of US hip-hop frameworks and structures, adapted and reworked through Scottish culture, dialect and perspective.
    [Show full text]
  • Columbia Chronicle (05/21/2001) Columbia College Chicago
    Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 5-21-2001 Columbia Chronicle (05/21/2001) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (05/21/2001)" (May 21, 2001). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/514 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. Sport~ECEIVED The Chocolate Turner Cup bound Messiah resurrects Nt.~· 2 :'! 2001 COLVMJJ!A ·,... Back Pc€')LLEGE LmRA}fy; Internet cheating creates mixed views But now students are finding By Christine Layous new ways to help ease their Staff Writer workload by buying papers o fT the Internet. "Plagiarism is a serious To make it easier for stu­ offense and is not, by any dents, there are Web sites that means, c<,mdoned or encour­ offer papers for a price. aged by Genius Papers." Geniuspapers.com was even A disclaimer with that mes­ featured on the search engine sage would be taken serious. Yahoo. They offer access to but how seriously when it term papers written by stu­ comes from an Internet site dents for a subscription of only that's selling term papers? $9.95 a year.
    [Show full text]
  • Razorcake Issue #09
    PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask.
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • The Winonan - 2000S
    Winona State University OpenRiver The inonW an - 2000s The inonW an – Student Newspaper 11-1-2006 The inonW an Winona State University Follow this and additional works at: https://openriver.winona.edu/thewinonan2000s Recommended Citation Winona State University, "The inonW an" (2006). The Winonan - 2000s. 163. https://openriver.winona.edu/thewinonan2000s/163 This Newspaper is brought to you for free and open access by the The inonW an – Student Newspaper at OpenRiver. It has been accepted for inclusion in The inonW an - 2000s by an authorized administrator of OpenRiver. For more information, please contact [email protected]. Wednesday, Nov. 2006 Volume 85 Issue 9 Fresh Air campaign takes its coalition to the streets INSIDE: What students think about the smoking issue... News = • A student's guide to the 2006 elections • A student's 1,4 i:4141 lat guide to vot- 4 "Having a smoking section in ing: everything a restaurant is like having a you need to peeing section in a pool." know before Michelle Varhol, English major the polls open • Memorial Hall renovation set for March 2007 Arts "Cigarette smoke causes • Roberts gives heart disease, cerecrovascular disease and cancer, all `The Departed' leading causes of death in the the credit it U.S. If you chose to smoke, the least you can do is keep it deserves away from those who chose campaign, a statewide Whatnot asking hospitality not to."—Amanda Knapton, Sarah Brecht! • Getting your grassroots coalition, 13:0-.P.E.----Trorkers if they prefer a Nursing major vehicle pre- WINONAN merrric,ers have formed a "street smoking or non-smoking work team,- whose purpose is to environment.
    [Show full text]
  • God Loves Ugly
    "This Minneapolis indie rap hero has potential to spare, delivering taut, complex rhyme narratives with everyman earnestness." -ROLLING STONE STREET DATE: 1.20.09 ATMOSPHERE GOD LOVES UGLY Repackaged, remastered and uglier than ever, the critically acclaimed third official studio release from Atmosphere, God Loves Ugly, is back after being out of print for over a year. The God Loves RSE-0031 Ugly re-issue also features a FREE bonus DVD. Format: CD+DVD / 2LP+DVD Packaging: Digi-Pak Originally released as the limited Sad Clown Bad Box Lot: 30 File Under: Rap/Hip Hop “A” Dub 4 (The Godlovesugly Release Parties) DVD, Parental Advisory: Yes it features 2 hours of live performance footage, Street Date: 1.20.09 backstage shenanigans, several special guest appearances and music videos for “Godlovesugly”, CD-826257003126 LP-826257003119 “Summersong” and “Say Shh”. Out of print +26257-AADBCg +26257-AADBBj for years, this DVD has been repackaged in a custom sleeve that comes inserted in with the re-issue of God Loves Ugly. TRACKLISTING: 1. ONEMOSPHERE 2. THE BASS AND THE MOVEMENT SELLING POINTS: 3. GIVE ME •Produced by Ant (Atmosphere, Brother Ali, Felt, etc.) 4. F*@CK YOU LUCY God Loves Ugly has scanned over 174,000 RTD. 5. HAIR • 6. GODLOVESUGLY •Catalog sales history of over a million units. 7. A SONG ABOUT A FRIEND •Current release When Life Gives You Lemons, You Paint 8. FLESH That Shit Gold scanned 36,526 in it’s first week and 9. SAVES THE DAY 10. LOVELIFE debuted #5 on the Billboard Top 200. 11. BREATHING 12.
    [Show full text]
  • Shane Dedman, B. 1993
    Shane Dedman, B. 1993 Filmmaker + Writer Education + PA Academy with Linda Burns, Atlanta, 2020 + Audit, Film 4750: Film Theory & Criticism, Daren Fowler, GSU, Atlanta, 2019 + Bachelors of Fine Arts in Photography, Georgia State University, Atlanta, 2016 Solo Exhibition + Fidgette: Watercolor Improvisations, Mammal Gallery, Atlanta, 2018 Select Group Exhibitions + Virtual Remains, Atlanta Biennial, Atlanta Contemporary, Atlanta, 2021 + I'm Looking Forward to Tomorrow, Good News Arts, High Springs, FL 2020 + Mass Hysteria, The Bakery, Atlanta, GA, 2018 + The Gathering curated by Iman Person, WonderRoot, Atlanta, 2018 + Radiopolis, Theater Kefalos, Argostoli, with Craig Dongoski, Kefalonia, Greece, 2017 + Got It For Cheap, Zero Zero LA, Atlanta Contemporary, Atlanta, 2017 + WonderRoots’ Imaginary Million, The Forum at Defoor, Atlanta, 2017 + Dear Atlanta... Artists for Liliana Bakhtiari, Big Tree Arts Atlanta, 2017 + Verde // Clutch, Midtown Player’s Club, Atlanta, 2017 + The Hambidge Center Auction, Colony Square, Atlanta, 2017 + You are Welcome, You're Welcome, Mint Gallery for Hambidge Hive, Atlanta, 2017 + The MANologues, BECOMING hu-MAN, Switchyards Downtown Club, Atlanta, 2017 + Burnaway’s Art Crush, Gallery 874, Atlanta, 2017 + Love and Death, Kibbee Gallery, Atlanta, 2017 + BFA Exiting Show, Fall 2016, Ernest G. Welch Gallery, Georgia State University, 2016 + Percolate, Facing Race Conference, WonderRoot, Atlanta, 2016 + Identity Crisis, Eyedrum Gallery, Atlanta, 2016 + SOUTH Annual Exhibition, Kibbee Gallery, Atlanta, 2016 + Becoming
    [Show full text]
  • Clamor Magazine for Four
    CULTURlJ ECONOMICS | MEDIA | PEOF MARCH/aPRIL 2004 WE'RE ALL GOING TO L S4 50 US/SG.95 CANADA 04> DEATH ROW. GREEN FUNEF SUICIDE, TIBETAN SKY BUP ' JUAREZ MUI.„ 7 '25274"96769' & V (M5^)^cKf) SADDLE CREEK CD S LP S. T-SHIRTS. POSTERS AND MORE AVAILABLE AT WWW SADDLE CREEK COM NOW ITS OVERHEAD Awash in a dark melodic pop sensibility, lush FALL BACK OPEN mustcal soundscapes. and hypnotic vocals. Fall Back Open marks another step In the evolution CD (LBJ-58) and emergence of sonqwrlter/studlo wizard MARCH 9. 2004 Andy LeMaster. Recruitinq the help of his Omaha and Athens musical families. Maria and Orenda from Azure Ray are present throughout and Conor Oberst and Michael Stipe help with backing vocals. AZURE RAY Azure Ray. have perfected the ethereal, lilting vocal style * their honeyed voices blend together perfectly, almost HOLD ON LOVE blurring into one silver thread Paste CD/LP (LBJ-54) W^nm These ladles still sound as heavenly and amazing as THE DRINKS WE DRANK LAST NIGHT ever Hold On Love is a heartrending and romantic album. - Under the Radar CD SINGLE (LBJ-55) lnljf\l Always haunting and always beautiful. Hold On Love shows NEW RESOLUTION Azure Ray s underlying warmth. - CMJ New Music Report CD SINGLE (LBJ-57) (Their) voices intertwine over around, and into each other |aPu4 creating thick textures warm enough to melt the most cynical of hearts - Fahrenheit ALSO AVAILABLE CURSIVE BRIGHT EYES THE UGLY ORGAN OQOO LIFTED or THE STORY IS IN THE SOIL. CD/LP (LBJ-51 KEEP YOUR EAR TO THE GROUND u^pi CD/ZxLP (LBJ-46) NEW RECORDS IN 2004 FROM THE FAINT.
    [Show full text]
  • Dissertation
    DISSERTATION Titel der Dissertation “We’re Punk as Fuck and Fuck like Punks:”* Queer-Feminist Counter-Cultures, Punk Music and the Anti-Social Turn in Queer Theory Verfasserin Mag.a Phil. Maria Katharina Wiedlack angestrebter akademischer Grad Doktorin der Philosophie (Dr. Phil.) Wien, Jänner 2013 Studienkennzahl lt. Studienblatt: A 092 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin / Betreuer: Univ. Prof.in Dr.in Astrid Fellner Earlier versions and parts of chapters One, Two, Three and Six have been published in the peer-reviewed online journal Transposition: the journal 3 (Musique et théorie queer) (2013), as well as in the anthologies Queering Paradigms III ed. by Liz Morrish and Kathleen O’Mara (2013); and Queering Paradigms II ed. by Mathew Ball and Burkard Scherer (2012); * The title “We’re punk as fuck and fuck like punks” is a line from the song Burn your Rainbow by the Canadian queer-feminist punk band the Skinjobs on their 2003 album with the same name (released by Agitprop Records). Content 1. Introduction .......................................................................................................... 1 2. “To Sir With Hate:” A Liminal History of Queer-Feminist Punk Rock ….………………………..…… 21 3. “We’re punk as fuck and fuck like punks:” Punk Rock, Queerness, and the Death Drive ………………………….………….. 69 4. “Challenge the System and Challenge Yourself:” Queer-Feminist Punk Rock’s Intersectional Politics and Anarchism……...……… 119 5. “There’s a Dyke in the Pit:” The Feminist Politics of Queer-Feminist Punk Rock……………..…………….. 157 6. “A Race Riot Did Happen!:” Queer Punks of Color Raising Their Voices ..……………..………… ………….. 207 7. “WE R LA FUCKEN RAZA SO DON’T EVEN FUCKEN DARE:” Anger, and the Politics of Jouissance ……….………………………….………….
    [Show full text]
  • Subscription Television Piracy Sandvine Global Internet Phenomena Spotlight GLOBAL INTERNET PHENOMENACASE SPOTLIGHT STUDY
    Subscription Television Piracy Sandvine Global Internet Phenomena Spotlight GLOBAL INTERNET PHENOMENACASE SPOTLIGHT STUDY Introduction By producing or licensing TV, film, sports, and other premium content, network operators aim to create content libraries that increase the appeal of bundled offers (e.g., triple and quad play services), stand out from the competition, and provide exclusive value to their subscribers, all of which contribute to top-line revenue. For some operators, the video strategy is to deliver TV and video-on-demand (VOD) services exclusively via an app. Television content can be pirated in many ways. BitTorrent can be used to share files with peers, the media player app Kodi can be modified with unofficial add-ons, and even websites can host files that subscribers can easily stream in a browser. A new emergent form of subscription television piracy, that aims to replicate the live television experience offered by cable and satellite providers is seeing increased adoption in developed markets. Left unchecked, we expect this live television piracy trend to grow both due to the ease and relatively low cost of accessing unlicensed content and due to the facilities available on the internet for pirates to leverage. The risk to operators is enormous: continued adoption of pirate TV streaming services could lead to increased cordcutting, significantly impacting top-line revenue, overall profitability, and - by extension - undermining an important aspect of the business model of operators. IDENTIFYING SUBSCRIPTION TELEVISION PIRACY To better understand the problem of live television piracy services, Sandvine worked with several North American fixed access operators to research the adoption of subscription television piracy services on their networks.
    [Show full text]
  • Bouchra Arbaoui [email protected]
    UvA-DARE (Digital Academic Repository) Transformations of television systems: Implications for media content, political parties and political attitudes Arbaoui, B. Publication date 2014 Document Version Final published version Link to publication Citation for published version (APA): Arbaoui, B. (2014). Transformations of television systems: Implications for media content, political parties and political attitudes. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:05 Oct 2021 Transformations of television systems Transformations Transformations of This thesis investigates the transformation of West-European television television systems systems since the onset of the liberalisation process through a systematic com- parison of 17 television systems between 1980 and 2008. The transformation Transformations of television systems Implications for media of West-European television systems is analysed through a dualistic approach content political parties by analyzing the changes in media structures along the related, but distinct and political attitudes dimensions of audience fragmentation and dependency on commercial income.
    [Show full text]
  • (159) [PL5] Sample Some Of
    Sample Some Of This, Sample Some Of That (160) [PL6] ✔ INEZ FOXX / Let Me Down Easy [Volt/Stax (LP)] PHFNG / Nie lubię [phfng (LP)] JOHN COLTRANE w/ Duke Ellington / My Little Brown Book [Impulse! (LP)] KAZIK / Na każdy temat [S.P. Records (LP)] JOHN COLTRANE QUARTET / Feelin' Good [UMG (LP)] FISZ / Bla bla bla [Asfalt (LP)] KRZYSZTOF KOMEDA / Niekochana [Power Bros. (LP)] FISZ / Bla bla bla (DJ 600V w autobusie remix) [Asfalt (LP)] DIONNE WARWICK / The Look Of Love [Duchesse (LP)] PEJA - SLUMS ATTACK / WOS [T1-teraz (LP)] BETTYE LAVETTE & HANK BALLARD / Hello, Sunshine [Charly (LP)] LUCJAN & SYMONO f/ Rico / Bądź luksusowy (remix) [Yaneck (LP)] GEORGE BENSON / The Changing World [CTI (LP)] DJ 600V f/ Tede / Świat zwariował w 23 lata (e?!) [RRX (LP)] PHFNG f/ Dwa Sławy / Teściowa (I used to love h.e.r.) (remix) [phfng (LP)] Sample Some Of This, Sample Some Of That (159) [PL5] ✔ VLADIMIR VYSOTSKY / Dom chrustalnyj [Melodija (LP)] KALIBER 44 / Konfrontacje [S.P. Records (LP)] SHARON REDD / Takin' A Chance On Love [Prelude (LP)] DJ 600V f/ Jajo, Grubas, Gano (HaiHaieR) / Nie jestem kurwa biznesmenem [RRX (LP)] JERZY MILIAN TRIO / Rewelacyjny Luciano [Polskie Nagrania (LP)] DJ 600V f/ Jajo, Grubas, Gano (HaiHaieR) / Nie jestem kurwa biznesmenem (remix) [RRX (LP)] NINA SIMONE / Four Women (DJ OBaH's Recycled Funk remix) [Bstrd Boots Nuggets! (7")] FISZ EMADE / Heavi Metal [Asfalt (LP)] BERNARD PURDIE / Lialeh [Light In The Attic (LP)] SINY f/ Roszja / Aleja życia [Blend (LP)] KLEEER / Tonight [Atlantic (LP)] TRZYHA/WARSZAFSKI DESZCZ / Sobota [RRX (LP)] SÈYFU YOHANNÈS / Mèla Mèla [Buda Musique (LP)] POE (PROJEKT OSTRY EMADE) / Nadzieja [Asfalt (LP)] ENNIO MORRICONE / Main Theme ("A Fistful Of Dynamite", O.S.T.) [Decca (LP)] PEJA - SLUMS ATTACK / Mój rap, moja rzeczywistość [T1-teraz (LP)] Sample Some Of This, Sample Some Of That (158) [PL4] ✔ SILNA GRUPA POD WEZWANIEM / Rozprawa o robokach [Polskie Nagrania Muza (LP)] KAZIK / Wewnętrzne sprawy [S.P.
    [Show full text]