In Pursuit of Social Justice at the Postmodern Turn: Intersectional Activism Through the Lens of the Ecosexual Movement

Total Page:16

File Type:pdf, Size:1020Kb

In Pursuit of Social Justice at the Postmodern Turn: Intersectional Activism Through the Lens of the Ecosexual Movement UNLV Theses, Dissertations, Professional Papers, and Capstones 8-1-2019 In Pursuit of Social Justice at the Postmodern Turn: Intersectional Activism through the Lens of the Ecosexual Movement Jennifer Jean Reed Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Sociology Commons, and the Theatre and Performance Studies Commons Repository Citation Reed, Jennifer Jean, "In Pursuit of Social Justice at the Postmodern Turn: Intersectional Activism through the Lens of the Ecosexual Movement" (2019). UNLV Theses, Dissertations, Professional Papers, and Capstones. 3747. http://dx.doi.org/10.34917/16076289 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. IN PURSUIT OF SOCIAL JUSTICE AT THE POSTMODERN TURN: INTERSECTIONAL ACTIVISM THROUGH THE LENS OF THE ECOSEXUAL MOVEMENT By Jennifer J. Reed Bachelor of Arts – Psychology University of Mount Union 1992 Master of Arts – Sociology University of Akron 2000 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Philosophy – Sociology Department of Sociology College of Liberal Arts The Graduate College University of Nevada, Las Vegas August 2019 Copyright 2019 by Jennifer J. Reed All Rights Reserved Dissertation Approval The Graduate College The University of Nevada, Las Vegas May 22, 2019 This dissertation prepared by Jennifer J. Reed entitled In Pursuit of Social Justice at the Postmodern Turn: Intersectional Activism through the Lens of the Ecosexual Movement is approved in partial fulfillment of the requirements for the degree of Doctor of Philosophy – Sociology Department of Sociology Barbara Brents, Ph.D. Kathryn Hausbeck Korgan, Ph.D. Examination Committee Chair Graduate College Dean Ranita Ray, Ph.D. Examination Committee Member Robert Futrell, Ph.D. Examination Committee Member Marcia Gallo, Ph.D. Graduate College Faculty Representative ii ABSTRACT In this study, I examine the development of the ecosexual movement, a social movement that begins at the intersection of environmental and sexual struggles, from its inception in the late 1990s/early 2000s. Previous research suggests intersectionality in social movements often ends up being divisive because it emphasizes difference. Using a mixed qualitative methods design including ethnographic field work, interviews, and content analysis of related web and print materials, I analyze how the ecosexual movement negotiates intersectionality. I found the ecosexual movement links processual notions of environmental justice and sexual justice through a dominant collective action frame of queer, erotic, “irreverent environmentalism” (Seymour 2012; 2018) and “eco-camp” (Whitworth 2019) that resonates in a time of mainstream apocalyptic narratives. The use of disruptive strategies incorporating a celebratory style of collaborative experimental art, radical performance, and other absurd, creative, sensual, emotive, visceral tactics facilitates moving away from modern binary or dichotomous “either/or” ideology starting with the human/nature division. The ecosexual movement not only challenges modern hierarchical dualisms that frame issues as a struggle between two opposing sides, it opens participatory space for creating potential alternative models that demonstrate an embodied example of the postmodern alternative cultural discourse and social organization that situates all humans in “humanity” and humans in nature, the dialectic of humanity-in-nature (Moore 2015). iii ACKNOWLEDGEMENTS Large, long-term projects require significant teamwork to be successful. I feel grateful for the little ecology that was my dissertation advisory committee. I am indebted to my advisor and committee chair, Dr. Barb Brents for facilitating my doctoral career, from admission into the program to my dissertation defense. While you sometimes initially laughed at my wacky ideas, you always listened and ultimately supported and even championed my follow-through of several. I am thankful for the thoughtful mentorship of my committee members, Drs. Robert Futrell, Ranita Ray, and Marcia Gallo. I also want to thank my former committee member who moved during the process for her early guidance, Dr. Shannon Monnat. Furthermore, I extend my appreciation to the University of Nevada, Las Vegas (UNLV) Graduate College and Marjorie Barrick for their generous financial support for this project. I wouldn’t have a research project without the people who welcomed me into their spaces and generously shared their time and thoughts with me. I feel grateful for every person whose impression is found in this manuscript. I hope that I did justice in the narrative provided. Thank you for inspiring me. Returning to graduate school in Las Vegas just as the US market was crashing proved to be an interesting albeit harrowing personal and sociological experience. I will never forget my time spent in graduate student government as the department representative and on the executive board. Thank you to my colleagues who trusted to elect me to serve in these positions during particularly trying times. I will always treasure the collaboration with Michael Gordon, Sharon Smith, and Jenny Liese, under the guidance of Becky Bolton. We were truly a dream team. I will forever cherish those who shared this journey with me and the relationships we built. To my UNLV sociology graduate cohort, Jenny Heineman, Camille Pickett-Beeler, Jenna Findlay, Ezra Needham, Matthew Lust, Brian O’Hara, Robert McKee, and Jacqueline Ragin, each one of you touched my life in unique ways. I look forward to continuing to follow your amazing life stories and the impact you make in the world. Many other sociology graduate students who passed through the halls of UNLV at the same time made the experience a better one including Suzanne Becker, Crystal Jackson (my first co- author), Candace Griffith, Kerie Francis, Andi Dassopoulos, Sarah St. John, Mark Salvaggio, Dan and iv Allison Saul, Dan Hardin II, Brooke Wagner, Anna Smedley, Kimberly Tejchma-Sanford, Josh Kelley, Rachel Macfarlane, Jenni Whitmer, Tyler Schafer, Lori Fazzino Matos, Chris Conner (my road scholar partner), Denise Cook, Jennifer Stevens, Genevieve Minter, Alessandra Lanti, Dan Krystosek, Jason Scott, Tim Melnyk, Erick López, Matthew LeClaire (rest in power, dear comrade), Emily Coombes, Nick Baxter, Nick MacMurray, Jesus Gonzalez, Marta Soligo, Josiah Kidwell, Antoinette Izzo, Nickie Jenkins, Chris Percy, Allyson Garbacz, Ari Mitchum, Davina and Katrina Evans, Maddie Jo Evans, Raeven Chandler, Danielle Ely, and Samantha Wallace. I’d also like to thank the department office staff, Connie Dye, Pam Weiss, Elizabeth Kahre, and Sandra Bailey who were always there to offer invaluable support. Thank you to Valarie Burke for organizing the two super helpful Grad Rebel Writing Boot Camp programs that I attended. Thanks to Andi for letting me crash at your place while attending one of those week-long writing boot camps. Thank you to my sister, Kim for providing me a comfortable alternate space to write. I’d also like to thank Andi and Suzanne for supporting me by attending my dissertation defense. That meant a lot. Denise, thank you for coming through for me at a moment’s notice when a family crisis arose. I’ll never forget your generous support and kindness. Lori, you deserve a special shout out for inviting me to and hosting me in Shanghai, China upon degree completion. What a tremendous gift of friendship! And Sebring Frehner, a special thank you for always believing in me. I would like to acknowledge every professor from whom I took a graduate course and those who offered mentorship over the years. I appreciate you challenging me to be a better scholar. I especially want to thank Dr. David Dickens for his remarkable sociological theory courses that influenced my perspective as a critical postmodern scholar and Dr. Simon Gottschalk for assisting me in publishing my first scholarly book chapter. Likewise, I appreciate my scholarly mentors that I lost too soon, Drs. Brent K. Marshall and Fred Preston. Even though we never had the chance to complete the work we began together, I know you both watched over and cheered me on through the doctoral process. My life has been richer for the short time we knew each other. Last but certainly not least, thank you to my mom for my creative side and my dad for my intellectual side. This project truly challenged me to embrace both. v For my children, Daniel and Brianna; and my grandchildren, Liam, Lowan, Lynk, Legend, and future. To creating a new, inclusive way forward, with compassion, creativity, and humor. vi TABLE OF CONTENTS ABSTRACT ................................................................................................................................................ iii ACKNOWLEDGEMENTS .....................................................................................................................
Recommended publications
  • Distance and Empathy: Constructing the Spectator of Annie Sprinkle's Post-POST PORN MODERNIST—Still in Search of the Ultimate Sexual Experience
    Spring 1993 177 Distance and Empathy: Constructing the Spectator of Annie Sprinkle's Post-POST PORN MODERNIST—Still in Search of the Ultimate Sexual Experience Angelika Czekay Today, after seventeen years in the porn industry, ex-sex worker Annie Sprinkle is a performance artist. In her recent performance piece "Post-Post Porn Modernist Still in Search of the Ultimate Sexual Experience," Sprinkle talks about her life as a former porn star and ex-prostitute. The show's topic is sex, which Sprinkle "understands as her hobby, politics, spiritual experience, expertise, main subject matter . and the key to her great health and happiness" (Program note, Theatre Oobleck, October 1991). The performance is visually graphic: Sprinkle urinates and douches on stages, invites the spectator to look at her cervix, performs a "bosom ballet," and introduces sex toys for the fulfillment of various sexual desires. In a series of loosely linked segments, her narration moves through the different stages in her life and reveals its changes, both in job and attitude. To complement her stories, Sprinkle uses sets of slides; for instance, the "pornstistics" [sic], showing an image of the Empire State Building as a demonstration of the length of all the penises she "sucked," or a diagram that reveals in percentages her reasons for becoming a sex worker. I had the opportunity to see Sprinkle's performance piece on two separate occasions and in two different cultural contexts in 1991, once in Berlin in July and once in Chicago in October. Although the performance had basically remained the same, my reactions were almost directly opposite.
    [Show full text]
  • Commission Report Final UK
    JOINT COMMISSION ON VEXILLOGRAPHIC PRINCIPLES of The Flag Institute and North American Vexillological Association ! ! THE COMMISSION’S REPORT ON THE GUIDING PRINCIPLES OF FLAG DESIGN 1st October 2014 These principles have been adopted by The Flag Institute and North American Vexillological Association | Association nord-américaine de vexillologie, based on the recommendations of a Joint Commission convened by Charles Ashburner (Chief Executive, The Flag Institute) and Hugh Brady (President, NAVA). The members of the Joint Commission were: Graham M.P. Bartram (Chairman) Edward B. Kaye Jason Saber Charles A. Spain Philip S. Tibbetts Introduction This report attempts to lay out for the public benefit some basic guidelines to help those developing new flags for their communities and organizations, or suggesting refinements to existing ones. Flags perform a very powerful function and this best practice advice is intended to help with optimising the ability of flags to fulfil this function. The principles contained within it are only guidelines, as for each “don’t do this” there is almost certainly a flag which does just that and yet works. An obvious example would be item 3.1 “fewer colours”, yet who would deny that both the flag of South Africa and the Gay Pride Flag work well, despite having six colours each. An important part of a flag is its aesthetic appeal, but as the the 18th century Scottish philosopher, David Hume, wrote, “Beauty in things exists merely in the mind which contemplates them.” Different cultures will prefer different aesthetics, so a general set of principles, such as this report, cannot hope to cover what will and will not work aesthetically.
    [Show full text]
  • Is the Otis 2009 Donghia Designer-In-Residence in the Architecture/Landscape/Interiors Department
    MEDIA RELEASE Ed Ruscha, Every Building on the Sunset Strip, 1966 FOR IMMEDIATE RELEASE: NOVEMBER, 2013 Press Contact: Kathy MacPherson / [email protected] / (310) 665.6909 Binding Desire: Unfolding Artists Books, an exhibition at Otis College of Art and Design’s Ben Maltz Gallery, displays important works from the Otis Artists Book collection, one of the largest in Southern California. LOS ANGELES, CA – October, 2013 – The Ben Maltz Gallery is proud to announce the upcoming exhibition, Binding Desire: Unfolding Artists Books, on view from January 25 – March 30, 2014. Binding Desire: Unfolding Artists Books is a group exhibition featuring approximately 120 works from OTIS Millard Sheets Library’s Special Collection of 2,100 artists books dating from the 1960s to the present. The Otis Artists’ Book Collection is one of the largest in Southern California. It houses a wide range of works representing every genre of artists books by such luminaries as Vito Acconci, Joseph Beuys, and Ed Ruscha, as well as significant works from major centers of production like Beau Geste Press, Paradise Press, Printed Matter, Red Fox Press, and Woman‘s Studio Workshop. A foundational strength of the collection is its holdings of artists books made in the 1960s and 1970s—a time when this material was often not collected by libraries because so much of it was hard to define, catalog and house. The exhibition also includes a reading room showcasing new work produced by OTIS students in the Fall 2013 semester. Work by: Kim Abeles, Sally Alatalo, Ant Farm, Emily
    [Show full text]
  • And in This Corner: Cassius Clay Playbill
    AND IN THIS CORNER... CASSIUS CLAY A PLAY BY IDRIS GOODWIN THE MAKING OF MUHAMMAD ALI PRESENTED BY AT THE NEW Early Childhood Center with Organic Garden & Chickens! Unforgettable. WYDOWN-FORSYTH HISTORIC DISTRICT AGE 3 - GRADE 6 ForsythOnline.com MISSION STATEMENT Inspired by the intelligence and emotional wisdom of young people, we create professional theater, foster inclusive community, and nurture meaningful learning through the arts. BOARD OF DIRECTORS EMERITUS MEMBERS STAFF Jason McAdamis Marlene Birkman Julia Flood (President) Terry Bloomberg Artistic Director Ken Jones Robert Couch Matthew Neufeld (Vice President) Managing Director Suzanne Couch Susan W. Nall, Ph.D. Sarah Rugo Mary Ellen Finch, Ph.D. (Secretary) Production Manager Nancy Garvey John D. Weil David Blake (CFO) Camille Greenwald Technical Director David Bentzinger Marcia Kerz Karen Weberman Shaughnessy H. Daniels Daniel Jay Education Director Gary Feder Ellen Livingston John Wolbers Julia Flood* James R. Moog Resident Teaching Artist Susan Gamble Joseph M. Noelker Renita James Teaching Artist Fellow Aaron Jennings, M.S.W. Peggy O’Brien David Warren Roderick Jones, Ed.D., M.P.A. Janet Schoedinger Development Director Antonio Maldonado Mary Stigall Maria I. Straub Jan Paul Miller Anabeth C. Weil Operations Coordinator Matthew Neufeld* FOUNDERS Ron James Mark Sandvos Marketing and Zaro Weil Barbara Shuman Communications Director Lynn Rubright Amber Simpson Ph.D. Beverly Rombach Development Consultant Candice Smith Taylor Steward David Stiffler Engagement Manager Mary Tonkin Jacqueline Thompson Stephanie Tucker Community Partnerships Manager Deborah Van Ryn *ex officio, non-voting Metro Theater Company is a professional theater for young people and families and a not-for-profit 501(c)3 organi- zation.
    [Show full text]
  • Law, Art, and the Killing Jar
    Digital Commons @ Touro Law Center Scholarly Works Faculty Scholarship 1993 Law, Art, And The Killing Jar Louise Harmon Touro Law Center, [email protected] Follow this and additional works at: https://digitalcommons.tourolaw.edu/scholarlyworks Part of the Entertainment, Arts, and Sports Law Commons, and the Other Law Commons Recommended Citation 79 Iowa L. Rev. 367 (1993) This Article is brought to you for free and open access by the Faculty Scholarship at Digital Commons @ Touro Law Center. It has been accepted for inclusion in Scholarly Works by an authorized administrator of Digital Commons @ Touro Law Center. For more information, please contact [email protected]. Law, Art, and the Killing Jart Louise Harnon* Most people think of the law as serious business: the business of keeping the peace, protecting property, regulating commerce, allocating risks, and creating families.' The principal movers and shakers of the law work from dawn to dusk, although they often have agents who work at night. 2 Their business is about the outer world and how we treat each other during the day. Sometimes the law worries about our inner life when determining whether a contract was made5 or what might have prompted a murder,4 but usually the emphasis in the law is on our external conduct and how we wheel and deal with each other. The law turns away from the self; it does not engage in the business of introspection or revelation. t©1994 Louise Harmon *Professor of Law, Jacob D. Fuchsberg Law Center, Touro College. Many thanks to Christine Vincent for her excellent research assistance and to Charles B.
    [Show full text]
  • Interview with Helen Meyer Harrison and Newton Harrison
    Total Art Journal • Volume 1. No. 1 • Summer 2011 BETH AND ANNIE IN CONVERSATION, PART ONE: Interview with Helen Meyer Harrison and Newton Harrison Helen Meyer Harrison and Newton Harrison, The Lagoon Cycle, 1974-1984. Image Credit: The Harrison Studio Introduction by Elizabeth (Beth) Stephens Helen Meyer Harrison and Newton Harrison are two of the foremost artists practicing in the field of en- vironmental art today. I first met them in 2007 when they moved to Santa Cruz from San Diego where they were emeriti faculty from UC San Diego. In the early ‘70’s, they helped form UCSD’s Art Depart- ment into one of the most powerful centers for conceptual art in the country. They mentored artists such as Martha Rosler and Alan Sekula. Pauline Oliveros, Eleanor and David Antin, Alan Kaprow and Faith Ringgold were colleagues and together they formed a nurturing community for art and teaching. In addi- tion to their primary practice of environmental art, the Harrisons have also participated in a range of other historical and social movements, including the seminal west coast feminist art movement exemplified by works such as the 1972 installation Womanhouse. During that period they interacted with feminist artists and critics such as Arlene Raven, Miriam Shapiro, Judy Chicago and Suzanne Lacy. Even earlier, in 1962, Helen Harrison was the first New York coordinator for Women’s Strike for Peace. Newton Harrison Total Art Journal • Volume 1 No. 1 • Summer 2011 • http://www.totalartjournal.com served on the original board of directors of the Third World College, which Herbert Marcuse and Angela Davis initiated.
    [Show full text]
  • The Role of the United Nations in Combatting Discrimination and Violence Against Lesbian, Gay, Bisexual, Transgender and Intersex People
    The Role of the United Nations in Combatting Discrimination and Violence against Lesbian, Gay, Bisexual, Transgender and Intersex People A Programmatic Overview 19 June 2018 This paper provides a snapshot of the work of a number of United Nations entities in combatting discrimination and violence based on sexual orientation, gender identity, sex characteristics and related work in support of lesbian, gay, bisexual, transgender (LGBT) and intersex communities around the world. It has been prepared by the Office of the UN High Commissioner for Human Rights on the basis of inputs provided by relevant UN entities, and is not intended to be either exhaustive or detailed. Given the evolving nature of UN work in this field, it is likely to benefit from regular updating1. The final section, below, includes a Contact List of focal points in each UN entity, as well as links and references to documents, reports and other materials that can be consulted for further information. Click to jump to: Joint UN statement, OHCHR, UNDP, UNFPA, UNHCR, UNICEF, UN Women, ILO, UNESCO, WHO, the World Bank, IOM, UNAIDS (the Joint UN Programme on HIV/AIDS), UNRISD and Joint UN initiatives. Joint UN statement Joint UN statement on Ending violence and discrimination against lesbian, gay, bisexual, transgender and intersex people: o On 29 September 2015, 12 UN entities (ILO, OHCHR, UNAIDS Secretariat, UNDP, UNESCO, UNFPA, UNHCR, UNICEF, UNODC, UN Women, WFP and WHO) released an unprecedented joint statement calling for an end to violence and discrimination against lesbian, gay, bisexual, transgender and intersex people. o The statement is a powerful call to action to States and other stakeholders to do more to protect individuals from violence, torture and ill-treatment, repeal discriminatory laws and protect individuals from discrimination, and an expression of the commitment on the part of UN entities to support Member States to do so.
    [Show full text]
  • Sixty Morning Walks Andy Fitch
    [Reading Copy Only: facsimile available at http://english.utah.edu/eclipse] Sixty Morning Walks Andy Fitch editions eclipse / 2008 Week One Tuesday 2.15 Before I pulled back the curtain I knew it was raining but then a sparrow called and I knew I’d been wrong. Bright clouds blew across the courtyard shaft. My New Balance had to stay stuffed with paper. My jeans had dried hung in the shower and didn’t even itch. Two women opened Dana Discovery Center. The one driving a golf cart in circles stopped. Silent attraction seemed to flow between us. The other smoked and rinsed rubber floormats. Wind made it cold for khaki ecologist suits. A cross-eyed girl shouted Morning! I couldn’t tell if there was someone behind me. On the way past I said Hello, twice, but she stared off gulping air. The pond at 110th (The Harlem Meer) is so reflective sometimes. Christo’s Gates had been up since Saturday. Last night I finally got to see them (in dismal circumstances: heavy bag, broken umbrella, damp socks and gloves). In all the Conservatory Gardens only one cluster of snowdrops had bloomed. Slender green shoots looked strong. Patchy light came through the trellis. As a jogger emitting techno beats curved beside the baseball fields I thought about vicarious emotional momentum. She had glossy dark hair. So many people use expensive hair products now. Somebody with leashes wrapped around one wrist sat with his face in a Daily News. People must always bug him about what it’s like to be a dog walker.
    [Show full text]
  • 5713 Theme Ideas
    5713 THEME IDEAS & 1573 Bulldogs, no two are the same & counting 2B part of something > U & more 2 can play that game & then... 2 good 2 b 4 gotten ? 2 good 2 forget ! 2 in one + 2 sides, same story * 2 sides to every story “ 20/20 vision # 21 and counting / 21 and older > 21 and playing with a full deck ... 24/7 1 and 2 make 12 25 old, 25 new 1 in a crowd 25 years and still soaring 1+1=2 decades 25 years of magic 10 minutes makes a difference 2010verland 10 reasons why 2013 a week at a time 10 things I Hart 2013 and ticking 10 things we knew 2013 at a time 10 times better 2013 degrees and rising 10 times more 2013 horsepower 10 times the ________ 2013 memories 12 words 2013 pieces 15 seconds of fame 2013 possibilities 17 reasons to be a Warrior 2013 reasons to howl 18 and counting 2013 ways to be a Leopard 18 and older 2 million minutes 100 plus you 20 million thoughts 100 reasons to celebrate 3D 100 years and counting Third time’s a charm 100 years in the making 3 dimensional 100 years of Bulldogs 3 is a crowd 100 years to get it right 3 of a kind 100% Dodger 3 to 1 100% genuine 3’s company 100% natural 30 years of impossible things 101 and only 360° 140 traditions CXL 4 all it’s worth 150 years of tradition 4 all to see (176) days of La Quinta 4 the last time 176 days and counting 4 way stop 180 days, no two are the same 4ming 180 days to leave your mark 40 years of colorful memories 180° The big 4-0 1,000 strong and growing XL (40) 1 Herff Jones 5713 Theme Ideas 404,830 (seconds from start to A close look A little bit more finish) A closer look A little bit of everything (except 5-star A colorful life girls) 5 ways A Comet’s journey A little bit of Sol V (as in five) A common ground A little give and take 5.4.3.2.1.
    [Show full text]
  • Catalogo De Canciones 23/02/2015 15:28:34
    CATALOGO DE CANCIONES 23/02/2015 15:28:34 IDIOMA: Inglés CODIGO INTERPRETE TITULO IN92987 £1 FISH MAN ONE POUND FISH IN80017 101 DALMATIONS CRUELLA DE VIL IN80018 10CC DONNA IN92379 10CC DON'T TURN ME AWAY IN80019 10CC DREADLOCK HOLIDAY IN92380 10CC FEEL THE LOVE IN92381 10CC FOOD FOR THOUGHT IN92382 10CC GOOD MORNING JUDGE IN80020 10CC I'M MANDY IN80021 10CC I'M NOT IN LOVE IN92383 10CC LIFE IS A MINESTRONE IN92384 10CC ONE TWO FIVE IN92385 10CC PEOPLE IN LOVE IN92386 10CC SILLY LOVE IN80023 10CC THE THINGS WE DO FOR LOVE IN80024 10CC WALL STREET SHUFFLE IN92387 10CC WOMAN IN LOVE IN80025 1910 FRUITGUM CO SIMON SAYS IN80026 1927 COMPULSORY HERO IN80027 1927 IF I COULD IN89409 1927 THAT'S WHEN I THINK OF YOU IN80028 1999 MAN UNITED SQUAD LIFT IT HIGH (ALL ABOUT BELIEF) IN80029 2 EVISA OH LA LA LA IN80030 2 PAC FEAT DR DRE CALIFORNIA LOVE IN80031 2 UNLIMITED NO LIMIT IN80032 21ST CENTURY GIRLS 21ST CENTURY GIRLS IN91367 2ND BAPTIST CHURCH (LAUREN RISE UP JAMES CAMEY) IN92842 2PAC CHANGES IN92841 2PAC DEAR MAMA IN92399 3 DOORS DOWN HERE WITHOUT YOU IN89406 3 DOORS DOWN KRYPTONITE IN90644 30 SECONDS TO MARS CLOSER TO THE EDGE IN91291 30 SECONDS TO MARS FROM YESTERDAY IN90160 30 SECONDS TO MARS KINGS AND QUEENS IN91290 30 SECONDS TO MARS THE KILL IN93248 30 SECONDS TO MARS UP IN THE AIR (CLEAN VERSION) IN93249 30 SECONDS TO MARS UP IN THE AIR (EXPLICIT VERSION) IN91498 38 SPECIAL HOLD ON LOOSELY IN26754 3OH! 3 FEAT KATY PERRY STARSTRUKK IN89722 3OH!3 DON'T TRUST ME IN90099 3OH!3 FEAT KATY PERRY STARSTRUKK Page 1 CODIGO INTERPRETE TITULO IN90533
    [Show full text]
  • Sex and Disability
    Sex and diSability Sex and diSability RobeRt McRueR and anna Mollow, editoRs duke univerSity PreSS duRhaM and london 201 2 © 2012 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ♾ Designed by Nicole Hayward Typeset in Minion Pro by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data and republication acknowledgments appear on the last printed page of this book. ContentS Acknowledgments / ix Introduction / 1 AnnA Mollow And RobeRt McRueR Part i: aCCeSS 1 A Sexual Culture for Disabled People / 37 tobin SiebeRS 2 Bridging Theory and Experience: A Critical- Interpretive Ethnography of Sexuality and Disability / 54 RuSSell ShuttlewoRth 3 The Sexualized Body of the Child: Parents and the Politics of “Voluntary” Sterilization of People Labeled Intellectually Disabled / 69 Michel deSjARdinS Part ii: HiStorieS 4 Dismembering the Lynch Mob: Intersecting Narratives of Disability, Race, and Sexual Menace / 89 Michelle jARMAn 5 “That Cruel Spectacle”: The Extraordinary Body Eroticized in Lucas Malet’s The History of Sir Richard Calmady / 108 RAchel o’connell 6 Pregnant Men: Modernism, Disability, and Biofuturity / 123 MichAel dAvidSon 7 Touching Histories: Personality, Disability, and Sex in the 1930s / 145 dAvid SeRlin Part iii: SPaCeS 8 Leading with Your Head: On the Borders of Disability, Sexuality, and the Nation / 165 nicole MARkotiĆ And RobeRt McRueR 9 Normate Sex and Its Discontents / 183 Abby l. wilkeRSon 10 I’m Not the Man I Used to Be: Sex, hiv, and Cultural “Responsibility” / 208 chRiS bell Part iv: liveS 11 Golem Girl Gets Lucky / 231 RivA lehReR 12 Fingered / 256 lezlie FRye 13 Sex as “Spock”: Autism, Sexuality, and Autobiographical Narrative / 263 RAchAel GRoneR Part v: deSireS 14 Is Sex Disability? Queer Theory and the Disability Drive / 285 AnnA Mollow 15 An Excess of Sex: Sex Addiction as Disability / 313 lennARd j.
    [Show full text]
  • Genocide, Memory and History
    AFTERMATH GENOCIDE, MEMORY AND HISTORY EDITED BY KAREN AUERBACH AFTERMATH AFTERMATH GENOCIDE, MEMORY AND HISTORY EDITED BY KAREN AUERBACH Aftermath: Genocide, Memory and History © Copyright 2015 Copyright of the individual chapters is held by the chapter’s author/s. Copyright of this edited collection is held by Karen Auerbach. All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building 40 Exhibition Walk Monash University Clayton, Victoria, 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/agmh-9781922235633.html Design: Les Thomas ISBN: 978-1-922235-63-3 (paperback) ISBN: 978-1-922235-64-0 (PDF) ISBN: 978-1-876924-84-3 (epub) National Library of Australia Cataloguing-in-Publication entry: Title: Aftermath : genocide, memory and history / editor Karen Auerbach ISBN 9781922235633 (paperback) Series: History Subjects: Genocide. Genocide--Political aspects. Collective memory--Political aspects. Memorialization--Political aspects. Other Creators/Contributors: Auerbach, Karen, editor. Dewey Number: 304.663 CONTENTS Introduction ...............................................
    [Show full text]