DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 122, 2002-2003

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

2 00 2-2 003 SEASON JAMES LEVINE MUSIC DIRECTOR DESIGNATE BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR SEIJI OZAWA MUSIC DIRECTOR LAUREATE OSTON SYMPHONY ORCHESTRA « Bring your Steinway: With floor plans from 2,300 Phase One of this magnificent to over 5,000 square feet, property is 100% sold and you can bring your Concert occupied. Phase Two is now Grand to Longyear. being offered by Sotheby's Enjoy full-service, single- International Realty and floor condominium living at its Hammond Residential Real absolute finest, all harmoniously Estate. Priced from $1,500,000. located on an extraordinary eight-acre Call Hammond Real Estate at gated community atop prestigious (617) 731-4644, ext. 410. Fisher Hill LONGYEAR at Eisner Jiiii BROOKLINE :-,,. '-.;.:.: .-,. .- . ..'... ...-. .- . ...... ..... CORTLANd sothebys iinTirnTTTrrinmniifw PR< >l I RTIESENC. International Realty REAL ESTATE : .... .,,,. M':A.H'ITY'>' AT E L I E R 5 05 rely does a residential building combine this level architecture, service, and location, in one of Boston's tost vibrant neighborhoods. Even rarer still is the opportunity to be a part of it. Located at Atelier is a 505 Tremont Street at the corner of Berkeley Street, | 505 limited edition of luxury condominiums by The Druker Company, Ltd., developer of the award-winning The Heritage On The Garden. Opening pricing from $550,000 - $3,000,000. Sales Center now open. For appointment and preview call 617.451.5050 www.Atelier505.com James Levine, Music Director Designate Bernard Haitink, Principal Guest Conductor Seiji Ozawa, Music Director Laureate 122nd Season, 2002-2003 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Julian Cohen, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Harlan E. Anderson William R. Elfers R. Willis Leith, Jr. Edward I. Rudman Gabriella Beranek Nancy J. Fitzpatrick Ed Linde Hannah H. Schneider Jan Brett Charles K. Gifford Richard P. Morse Roger T. Servison Paul Buttenwieser Avram J. Goldberg Mrs. Robert B. Newman Thomas G. Sternberg James F. Cleary Thelma E. Goldberg Robert P. O'Block Stephen R. Weber John F. Cogan, Jr. Julian T. Houston Peter C. Read Stephen R. Weiner Eric D. Collins Edna S. Kalman Donna Riccardi, Dr. Nicholas T. Zervas Diddy Cullinane, George Krupp ex-officio ex-officio Life Trustees Vernon R. Alden Abram T. Collier Mrs. George I. Kaplan Mrs. George Lee David B. Arnold, Jr. Mrs. Edith L. Dabney George H. Kidder Sargent J. P. Barger Nelson J. Darling, Jr. Harvey Chet Krentzman Richard A. Smith Leo L. Beranek Archie C. Epps Mrs. August R. Meyer Ray Stata Deborah Davis Berman Mrs. John H. Fitzpatrick William J. Poorvu John Hoyt Stookey Jane C. Bradley Dean W. Freed Irving W. Rabb John L. Thorndike Other Officers of the Corporation Thomas D. May and John Ex Rodgers, Assistant Treasurers Suzanne Page, Clerk of the Board Board of Overseers of the Boston Symphony Orchestra, Inc. Diddy Cullinane, Chair Helaine B. Allen JoAnne Walton Martin S. Kaplan Millard H. Pryor, Jr. Joel B. Alvord Dickinson William M. Karlyn Patrick J. Purcell Marjorie Arons-Barron Harry Ellis Dickson Steven E. Karol Carol Reich Diane Austin Francis A. Doyle Stephen Kay Alan Rottenberg Caroline Dwight Bain Alan Dynner Douglas A. Kingsley Michael Ruettgers Maureen Scannell Jane C. Edmonds Robert Kleinberg Kenan Sahin Bateman George M. Elvin Dr. Arthur R. Kravitz Arthur I. Segel George D. Behrakis John P. Eustis II Mrs. William D. Ross E. Sherbrooke Milton Benjamin Pamela D. Everhart Larkin, Jr. L. Scott Singleton George W Berry Judith Moss Feingold Robert J. Lepofsky Gilda Slifka Mark G. Borden J. Richard Fennell Alexander M. Levine Mrs. Micho Spring Alan Bressler Lawrence K. Fish Christopher J. Lindop Charles A. Stakeley Robin A. Brown Myrna H. Freedman Shari Loessberg Jacquelynne M. Samuel B. Bruskin Dr. Arthur Gelb Edwin N. London Stepanian William Burgin Mrs. Kenneth J. Diane H. Lupean Samuel Thorne Dr. Edmund B. Cabot Germeshausen John A. MacLeod II Wilmer Thomas Rena F. Clarke Jack Gill Carmine Martignetti Bill Van Faasen Mrs. James C. Collias Robert P. Gittens Joseph B. Martin, M.D. Loet A. Velmans Margot Connell Paula Groves Robert J. Mayer, M.D. Paul M. Verrochi Ranny Cooper Michael Halperson Barbara E. Maze Larry Weber Martha H.W. Ellen T. Harris Thomas McCann Robert S. Weil Crowninshield Deborah M. Hauser Joseph C. McNay David C. Weinstein Joan P. Curhan Carol Henderson Dr. Martin C. Mihm, Jr. James Westra Robert W. Daly Richard Higginbotham Molly Beals Millman Mrs. Joan D. Wheeler Tamara P. Davis Phyllis S. Hubbard Robert Mnookin Reginald H. White Mrs. Miguel de F. Donald Hudson Robert T O'Connell Robin Wilson Braganca Roger Hunt Norio Ohga Robert Winters Disque Deane Ernest Jacquet Louis F Orsatti Kathryn A. Wong Betsy P. Demirjian Mrs. Robert M. Jaffe May H. Pierce Richard Wurtman, M.D. Paul F. Deninger Charles H. Jenkins, Jr. Dr. Tina Young Michael Joyce Poussaint Overseers Emeriti Sandra Bakalar Mark R. Goldweitz David I. Kosowsky Mrs. Peter van S. Rice William M. Bulger Mrs. Haskell R. Robert K. Kraft John Ex Rodgers Mrs. Levin H. Campbell Gordon Benjamin H. Lacy Mrs. Jerome Rosenfeld Earle M. Chiles Susan D. Hall Hart D. Leavitt Roger A. Saunders Johns H. Congdon John Hamill Frederick H. Lynda Anne Schubert Phyllis Curtin Mrs. Richard D. Hill Lovejoy, Jr. Francis P. Sears, Jr. Phyllis Dohanian Glen H. Hiner Mrs. Charles P. Lyman Mrs. Carl Shapiro Goetz B. Eaton Marilyn Brachman Mrs. Harry L. Marks Mrs. Arthur I. Strang Harriett Eckstein Hoffman C. Charles Marran Robert A. Wells Edward Eskandarian Lola Jaffe Nathan R. Miller Mrs. Thomas H.P. Peter H.B. H. Eugene Jones Hanae Mori Whitney Frelinghuysen Leonard Kaplan Mrs. Hiroshi H. Nishino Margaret Williams- Mrs. Thomas Mrs. S. Charles Kasdon John A. Perkins DeCelles Galligan, Jr. Richard L. Kaye David R. Pokross Mrs. Donald B. Wilson Mrs. Garivaltis James Mrs. Gordon F. Daphne Brooks Prout Mrs. John J. Wilson Jordan Golding Kingsley Robert E. Remis Business Leadership Association Board of Directors Charles K. Gifford, Chairman Leo L. Beranek, James F. Cleary, and Michael J. Joyce, President Harvey Chet Krentzman, Chairmen Emeriti Robin A. Brown John P. Hamill Thomas J. May Roger T Servison Michael J. Costello Ernest K. Jacquet J. Kent McHose Malcolm L. Sherman Robert W Daly Steven E. Karol Joseph C. McNay Ray Stata Francis A. Doyle Edmund F. Kelly Louis F. Orsatti William C. Van Faasen William R. Elfers Christopher J. Lindop Patrick J. Purcell Paul M. Verrochi Lawrence K. Fish Carmine A. Martignetti Lynda A. Schubert Lawrence Weber Ex-Officio Peter A. Brooke • Diddy Cullinane • Nicholas T Zervas Officers of the Boston Symphony Association of Volunteers Donna Riccardi, President Melvin R. Blieberg, Executive Vice-President/ Audley Fuller, Executive Vice-President/ Tanglewood Administration Olga Turcotte, Secretary Ann Philbin, Executive Vice-President/ William A. Along, Treasurer Fundraising Una Fleischmann, Nominating Committee Chairman Joyce Anagnos, Symphony Shop Howard Cutler, Resource Lisa Mafrici, Special Projects Staffing Development Ellen Mayo, Public Relations Judy Barr, Hall Services Ursula Ehret-Dichter, Patty Blais, Education and Dorothyann M. Callahan, Tanglewood Outreach Membership Table of Contents A Brief History of the Boston Symphony Orchestra 9 On Display at Symphony Hall 11 A Brief History of Symphony Hall 15 Opening Night at Symphony 2002 21 This Week's Boston Symphony Orchestra Program 27 Featured Artists 55 Future Programs 68 Symphony Hall Information 71 The Saturday-night Pre-Concert Talk is given by Marc Mandel, BSO Director of Program Publications. Programs copyright ©2002 Boston Symphony Orchestra, Inc. Cover design by Sametz Blackstone Associates, Boston/Cover photograph by Constantine Manos Administration Mark Volpe, Managing Director Eunice and Julian Cohen Managing Directorship, fullyfunded in perpetuity Tony Beadle, Manager, Boston Pops Kim Noltemy, Director of Sales and Marketing J. Carey Bloomfield, Director of Development Caroline Taylor, Senior Advisor to the Anthony Fogg, Artistic Administrator Managing Director Marion Gardner-Saxe, Director of Human Resources Ray F. Wellbaum, Orchestra Manager Ellen Highstein, Director of Tangle-wood Music Center Thomas D. May, Director of Finance and Business Affairs ADMINISTRATIVE STAFF/ARTISTIC Karen Leopardi, Artist Assistant/Secretary to the Music Director • Vincenzo Natale, Chauffeur/Valet • Suzanne Page, Assistant to the Managing Director/Manager of Board Administration * Alexander Stein- beis, Artistic Administration Coordinator ADMINISTRATIVE STAFF/ PRODUCTION Christopher W. Ruigomez, Operations Manager Felicia A. Burrey, Chorus Manager • H.R. Costa, Technical Supervisor • John Demick, Senior Stage Technician • Keith Elder, Production Coordinator • Stephanie Kluter, Assistant to the Orchestra Manager • Jake Moerschel, Stage Technician • Julie G. Moerschel, Assistant Chorus Manager • Mark C. Rawson, Stage Technician • Timothy Tsukamoto, Orchestra Personnel Coordinator BOSTON POPS Dennis Alves, Director of Programming Jana Gimenez, Operations Manager • Sheri Goldstein, Personal Assistant to the Conductor Julie Knippa, Administration Coordinator • Margo Saulnier, Artistic Coordinator BUSINESS OFFICE Sarah J. Harrington, Director of Planning and Budgeting Pam Wells, Controller Lamees Al-Noman, Cash Accountant • Shira Beckerman, Budget Assistant • Yaneris Briggs, Accounts Payable Supervisor • Michelle Green, Executive Assistant to the Director of Finance and Business Affairs • Y. Georges Minyayluk, Senior
Recommended publications
  • POWDER-HER-FACE.Pdf

    POWDER-HER-FACE.Pdf

    3 La Fenice prima dell’Opera 2012 3 2012 Fondazione Stagione 2012 Teatro La Fenice di Venezia Lirica e Balletto Thomas Adès Powder ace her f ace er InciprialeF h il viso owder owder p dès a homas t FONDAZIONE TEATRO LA FENICE DI VENEZIA TEATRO LA FENICE - pagina ufficiale seguici su facebook e twitter follow us on facebook and twitter FONDAZIONE TEATRO LA FENICE DI VENEZIA Destinare il cinque per mille alla cultura è facile e non costa nulla. Quando compili la tua dichiarazione dei redditi, indica il codice fiscale della Fondazione Teatro La Fenice di Venezia: 00187480272 Aiuti la cultura, aiuti la musica. Incontro con l’opera FONDAZIONE lunedì 16 gennaio 2012 ore 18.00 AMICI DELLA FENICE SANDRO CAPPELLETTO, MARIO MESSINIS, DINO VILLATICO STAGIONE 2012 Lou Salomé sabato 4 febbraio 2012 ore 18.00 MICHELE DALL’ONGARO L’inganno felice mercoledì 8 febbraio 2012 ore 18.00 LUCA MOSCA Così fan tutte martedì 6 marzo 2012 ore 18.00 LUCA DE FUSCO, GIANNI GARRERA L’opera da tre soldi martedì 17 aprile 2012 ore 18.00 LORENZO ARRUGA La sonnambula lunedì 23 aprile 2012 ore 18.00 PIER LUIGI PIZZI, PHILIP WALSH Powder Her Face giovedì 10 maggio 2012 ore 18.00 RICCARDO RISALITI La bohème lunedì 18 giugno 2012 ore 18.00 GUIDO ZACCAGNINI Carmen giovedì 5 luglio 2012 ore 18.00 MICHELE SUOZZO L’elisir d’amore giovedì 13 settembre 2012 ore 18.00 MASSIMO CONTIERO Clavicembalo francese a due manuali copia dello Rigoletto strumento di Goermans-Taskin, costruito attorno sabato 6 ottobre 2012 ore 18.00 alla metà del XVIII secolo (originale presso la Russell PHILIP GOSSETT Collection di Edimburgo).
  • “Lucrezia Borgia”

    “Lucrezia Borgia”

    PROGRAMACIÓN LÍRICA DE A CORUÑA 2017 ÓPERA (en versión de concierto) “Lucrezia Borgia” Gaetano Donizetti Teatro Colón, 23 de septiembre (20.00 h.) PROGRAMACIÓN LÍRICA DE A CORUÑA 2017 EDITA Amigos de la Ópera de A Coruña DISEÑO Y MAQUETACIÓN Lamarck Publicidad TRADUCCIÓN Roxelio Xabier García Romero IMPRIME Imprenta da Deputación da Coruña Gaetano Donizetti Lucrezia Borgia Ópera en un prólogo y dos actos, con libreto de Felice Romani, basado en el drama Lucrèce Borgia de Víctor Hugo, y música de Gaetano Donizetti, estrenada en el Teatro alla Scala de Milán el 26 de diciembre de 1833. REPARTO Lucrezia Borgia Mariella Devia, soprano Gennaro Celso Albelo, tenor Don Alfonso Luiz-Ottavio Faria, bajo Maffio Orsini Elena Belfiore, mezzosoprano Rustighello Francisco Corujo, tenor Astolfo Axier Sánchez, barítono Jacoppo Liverotto Enrique Alberto Martínez, tenor Apostolo Gazella David Sánchez, bajo Oloferno Vitellozzo Ramón Farto, tenor Ascanio Petrucci Pedro Martínez Tapia, barítono Gubetta Jeroboám Tejera, bajo Coro Gaos Fernando Briones, director Orquesta Sinfónica de Galicia Andriy Yurkevych, director 6 Lucrezia Borgia Ópera en só un prólogo e dous actos, con libreto de Felice Romani, baseado no drama Lucrèce Borgia de Víctor Hugo, e música de Gaetano Donizetti, estreada no Teatro alla Scala de Milán o 26 de decembro de 1833. REPARTO Lucrezia Borgia Mariella Devia, soprano Gennaro Celso Albelo, tenor Don Alfonso Luiz-Ottavio Faria, baixo Maffio Orsini Elena Belfiore, mezzosoprano Rustighello Francisco Corujo, tenor Astolfo Axier Sánchez, barítono Jacoppo Liverotto Enrique Alberto Martínez, tenor Apostolo Gazella David Sánchez, baixo Oloferno Vitellozzo Ramón Farto, tenor Ascanio Petrucci Pedro Martínez Tapia, barítono Gubetta Jeroboám Tejera, baixo Coro Gaos Fernando Briones, director Orquestra Sinfónica de Galicia Andriy Yurkevych, director 7 ARGUMENTO El prólogo se desarrolla en Venecia, y el drama en Ferrara, a comienzos del siglo XVI.
  • Network Notebook

    Network Notebook

    Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
  • Verdi Week on Operavore Program Details

    Verdi Week on Operavore Program Details

    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
  • THE NEW YORK PHILHARMONIC THIS WEEK Broadcast Schedule – Spring 2020

    THE NEW YORK PHILHARMONIC THIS WEEK Broadcast Schedule – Spring 2020

    THE NEW YORK PHILHARMONIC THIS WEEK Broadcast Schedule – Spring 2020 PROGRAM#: NYP 20-27 RELEASE DATE: March 25, 2020 Music of Our Time: Liang, Dalbavie, Shepherd, Muhly, and Pintscher Lei LIANG (b. 1972): Verge, for 18 Strings (2009) (Magnus Lindberg, conductor) Marc‐André DALBAVIE (b. 1961): Melodia, for Instrumental Ensemble (2009) (Magnus Lindberg, conductor) Sean SHEPHERD (b. 1979): These Particular Circumstances, in seven uninterrupted episodes (2009) (Alan Gilbert, conductor) Nico MUHLY (b. 1981): Detailed Instructions, for orchestra (2010) (Alan Gilbert, conductor) Matthias PINTSCHER (b. 1971): Songs from Solomon’s garden, for baritone and chamber orchestra (2009; New York Philharmonic Co‐Commission with the Frankfurt Radio Symphony Orchestra) (Alan Gilbert, conductor; Thomas Hampson, baritone) PROGRAM#: NYP 20-28 RELEASE DATE: April 1, 2020 Bernstein Conducts Bernstein BERNSTEIN: Chichester Psalms (World Premiere performance) (Leonard Bernstein, conductor; Camerata Singers, dir. Abraham Kaplan; John Bogart, boy alto) BERNSTEIN: Kaddish, Symphony No.3 (Leonard Bernstein, conductor; Camerata Singers, dir. Abraham Kaplan; Columbus Boychoir, dir. Donald Bryant; John Bogart, boy alto; Felicia Montealegre, speaker; Jennie Tourel, mezzo-soprano) BERNSTEIN: Suites 1 and 2 from the Dybbuk (Leonard Bernstein, conductor; Paul Sperry, tenor; Bruce Fifer, bass- baritone) PROGRAM#: NYP 20-29 RELEASE DATE: April 8, 2020 American Works: Gershwin, Russo, Ellington, and Copland GERSHWIN: Porgy and Bess (selections) (recorded 1954) (André Kostelantetz, conductor) RUSSO: Symphony No. 2, “Titans” (recorded 1959) (Leonard Bernstein, conductor; Maynard Ferguson, trumpet) ELLINGTON/ Marsalis: A Tone Parallel to Harlem (recorded 1999) (Kurt Masur, conductor; Jazz at Lincoln Center Orchestra, Wynton Marsalis, artistic director & trumpet) COPLAND: The Tender Land (abridged) (recorded 1965) (Aaron Copland, conductor; Joy Clements, soprano; Claramae Turner, mezzo-soprano; Richard Cassilly, tenor; Richard Fredricks, baritone; Norman Treigle, bass; Choral Art Society, dir.
  • Viennese Sommerfest 89, Tenth Season, Showcase, August 12

    Viennese Sommerfest 89, Tenth Season, Showcase, August 12

    ) " Minnesota Orchestra Viennese Sommerfest Leonard Slatkin, Artistic Director Festival Concert No. 23 VIENNESE SOMMERFEST '89 is presented by the Minnesota Orchestral Association and weco Television e Saturday, August 12, 1989,8 p.m./Orchestra Hall I FESTIVAL FINALE: AIDA' Leonard Slatkin conducting GIUSEPPE VERDI AIDA (complete concert performance) . Aida LEONA MITCHELL, soprano Radames RUBEN DOMINGUEZ, tenor Ramfis KENNETH COX, bass < \~ Amneris DIANE CURRY, mezzo-soprano Amonasro VERNON HARTMAN, baritone King of Egypt JAMES PATTERSON, bass High Priestess DEBORAH VOIGT, soprano' Messenger BRIAN HILT, tenor \ THE DALE WARLAND SYMPHONIC CHORUS DaleWarland, Music Director Sigrid Johnson, Associate Conductor Karl Sollak, assistant conductor and repetiteur ACT I, Scenes 1 and 2 ACT II, Scenes 1 and 2 Intermission ACT III ACT IV,.'Scenes 1 and 2 Sponsoring assistance by Northland Development Company Performance time: including intermission, is approximately three hours. Synopsis and program notes appear in a supplement. \ This concert is broadcast live throughout the region on Minnesota Public Radio stations, including KSJN (9} .1) in the Twin Cities. 60 SHOWCASE SOMMERFEST 1989 James Patterson Brian Hilt The Dale Warland King of EgVpt Messenger . Symphonic Chorus James Patterson is one of North America's - Winner of the 1988 Singer's Award pre- Soprano most active operatic basses. He performed sented by the Wagner Society of New york Jean Anderson Renee Marie Patricia Arntz Lande extensively with the San Francisco Opera and a recent finalist in the Metropolitan Doris Berget Jeanne Mayer' during the 1988-89 season, appearing as 'Opera Regional Auditions, tenor Brian Hilt Laura.Boe Barbara Nelson Trulove in The Rake's has performed with the Deborah Brude Julie Ann Olson Progress, Titurel in New Rochelle Opera Margaret Burton Shawn Olson Barbara Butcher Martha Otto Parsifal, and as the Old Company, the New Ca- Rachel S.
  • 22Nd December

    22Nd December

    22nd December 2016, 7pm Tosti's Celebration In celebration of the 100th anniversary of the death of a man known as the father of modern Italian song, Francesco Paolo Tosti. A selection of some of his most famous songs: - Aprile - Tristezza - La serenata - Lasciami, lascia ch'io respiri - L’ultima canzone - Ideale - Malia - Sogno - 'A vucchella Jenny Stafford, soprano Luca De Lorenzo, basso Elspeth Wilkes, piano Jenny Stafford, soprano Jenny Stafford was born in Huddersfield and studied at the Royal Academy of Music where she won the Isabel Jay Operatic Prize and Dame Eva Turner Operatic Award. Last year Jenny was a semi-finalist in the Kathleen Ferrier Awards, making her debut at the Wigmore Hall. She previously undertook a BMus at King’s College, London, ENO Opera Works and the prestigious Georg Solti Accademia di Bel Canto, participating in masterclasses with Angela Gheorghiu, Richard Bonynge and Dennis O’Neill. She has also taken part in masterclasses with Edward Gardner, Angelika Kirchschlager, Barbara Bonney and Lillian Watson and is now studying under Susan Roberts in London. Jenny has performed the roles of Vitellia (Mozart’s La Clemenza di Tito) and Dido (Purcell’s Dido&Aeneas) in the Cadogan Hall, Fiordiligi (Mozart’s Così fan tutte) for Opera Lyrica, Mimì (Puccini’s La bohème) for The Merry Opera Company, Musetta (Puccini’s La bohème) and 2nd Woman (Dido&Aeneas) for Silent Opera at The Vaults Festival (Old Vic), First Lady (Mozart’s Die Zauberflöte) for Ryedale Festival Opera, Grimeborn Festival and Young Opera Venture, Soprano (Handel’s Messiah - staged) and Jenny/Rachel (John Ramster’s Kiss me, Figaro!) with The Merry Opera Company and Sāvitri (Holst’s Sāvitri) and Alison (Holst’s Wandering Scholar) at Grimeborn Festival.
  • Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue

    Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue

    CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music.
  • Marie Collier: a Life

    Marie Collier: a Life

    Marie Collier: a life Kim Kemmis A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of History The University of Sydney 2018 Figure 1. Publicity photo: the housewife diva, 3 July 1965 (Alamy) i Abstract The Australian soprano Marie Collier (1927-1971) is generally remembered for two things: for her performance of the title role in Puccini’s Tosca, especially when she replaced the controversial singer Maria Callas at late notice in 1965; and her tragic death in a fall from a window at the age of forty-four. The focus on Tosca, and the mythology that has grown around the manner of her death, have obscured Collier’s considerable achievements. She sang traditional repertoire with great success in the major opera houses of Europe, North and South America and Australia, and became celebrated for her pioneering performances of twentieth-century works now regularly performed alongside the traditional canon. Collier’s experiences reveal much about post-World War II Australian identity and cultural values, about the ways in which the making of opera changed throughout the world in the 1950s and 1960s, and how women negotiated their changing status and prospects through that period. She exercised her profession in an era when the opera industry became globalised, creating and controlling an image of herself as the ‘housewife-diva’, maintaining her identity as an Australian artist on the international scene, and developing a successful career at the highest level of her artform while creating a fulfilling home life. This study considers the circumstances and mythology of Marie Collier’s death, but more importantly shows her as a woman of the mid-twentieth century navigating the professional and personal spheres to achieve her vision of a life that included art, work and family.
  • 1 CRONOLOGÍA LICEÍSTA Se Incluye Un Listado Con Las

    1 CRONOLOGÍA LICEÍSTA Se Incluye Un Listado Con Las

    CRONOLOGÍA LICEÍSTA Se incluye un listado con las representaciones de Aida, de Giuseppe Verdi, en la historia del Gran Teatre del Liceu. Estreno absoluto: Ópera del Cairo, 24 de diciembre de 1871. Estreno en Barcelona: Teatro Principal, 16 abril 1876. Estreno en el Gran Teatre del Liceu: 25 febrero 1877 Última representación en el Gran Teatre del Liceu: 30 julio 2012 Número total de representaciones: 454 TEMPORADA 1876-1877 Número de representaciones: 21 Número histórico: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21. Fechas: 25 febrero / 3, 4, 7, 10, 15, 18, 19, 22, 25 marzo / 1, 2, 5, 10, 13, 18, 22, 27 abril / 2, 10, 15 mayo 1877. Il re: Pietro Milesi Amneris: Rosa Vercolini-Tay Aida: Carolina de Cepeda (febrero, marzo) Teresina Singer (abril, mayo) Radamès: Francesco Tamagno Ramfis: Francesc Uetam (febrero y 3, 4, 7, 10, 15 marzo) Agustí Rodas (a partir del 18 de marzo) Amonasro: Jules Roudil Un messaggiero: Argimiro Bertocchi Director: Eusebi Dalmau TEMPORADA 1877-1878 Número de representaciones: 15 Número histórico: 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36. Fechas: 29 diciembre 1877 / 1, 3, 6, 10, 13, 23, 25, 27, 31 enero / 2, 20, 24 febrero / 6, 25 marzo 1878. Il re: Raffaele D’Ottavi Amneris: Rosa Vercolini-Tay Aida: Adele Bianchi-Montaldo Radamès: Carlo Bulterini Ramfis: Antoine Vidal Amonasro: Jules Roudil Un messaggiero: Antoni Majjà Director: Eusebi Dalmau 1 7-IV-1878 Cancelación de ”Aida” por indisposición de Carlo Bulterini.
  • Palau 100 2016 — 2017 Requiem De Verdi London Symphony Orchestra & Gianandrea Noseda

    Palau 100 2016 — 2017 Requiem De Verdi London Symphony Orchestra & Gianandrea Noseda

    Palau 100 2016 — 2017 Requiem de Verdi London Symphony Orchestra & Gianandrea Noseda CONCERT INAUGURAL DILLUNS, 12 DE SETEMBRE DE 2016 – 20.30 h Sala de Concerts Erika Grimaldi, soprano Violeta Urmana, mezzosoprano Saimir Pirgu, tenor Michele Pertusi, baix Cor Jove de l’Orfeó Català (Esteve Nabona, director) Orfeó Català (Pablo Larraz, sotsdirector) (Simon Halsey, director dels cors de l'Orfeó Català) London Symphony Orchestra Gianandrea Noseda, director Giuseppe Verdi (1813-1901) Messa da Requiem 90' I Requiem (quartet i cor) II Dies irae Dies irae (cor) Tuba mirum (baix i cor) Liber scriptus (mezzosoprano i cor) Quid sum miser (soprano, mezzosoprano i tenor) Rex tremendae (quartet i cor) Recordare (soprano i mezzosoprano) Ingemisco (tenor) Confutatis (baix i cor) Lacrimosa (quartet i cor) III Domine Jesu (Offertorium) (quartet) IV Sanctus (doble cor) V Agnus Dei (soprano, mezzosoprano i cor) VI Lux aeterna (mezzosoprano, tenor i baix) VII Libera me (soprano i cor) Aquest concert forma part de: Tots sou part del Palau Gràcies! Mecenes Protectors Mecenes d’Honor Media Partners Col·laboradors Aena — Aenor — Armand Basi — Autoritat Portuària de Barcelona — Bagués-Masriera Joiers — Coca-Cola — Col·legi d’Enginyers de Camins, Canals i Ports — Col·legi de Farmacèutics de Barcelona — Deloitte — Esteve — Fundació Castell de Peralada — Fundació Metalquimia — Hoteles Catalonia — IATI Seguros — La Fageda — Loteria de Catalunya — Plusfresc — Quadis — Roca Junyent, S.L.P. — Saba Infraestructures, S.A. — Serunion Amics Benefactors Ascensores Jordà, S.A. — Clos Interiors, S.L. — Eurofirms ETT S.L.U. — Fundació Antoni Serra Santamans — Horaci Miras Giner — Teatre Romea — Veolia Serveis Catalunya S.A.U. Biografies Erika Grimaldi Soprano Violeta Urmana Mezzosoprano Nascuda a Asti (Itàlia), es graduà amb honors És una de les veus dramàtiques més importants del al Conservatori Giuseppe Verdi de Torí.
  • 75Thary 1935 - 2010

    75Thary 1935 - 2010

    ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State.