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The Preservation Evolution a Review of Preservation Literature, 1999–2001
47(2) LRTS 59 The Preservation Evolution A Review of Preservation Literature, 1999–2001 JeanAnn Croft The literature representing 1999 to 2001 reveals that the preservation field is absorbed in an evolution. The literature demonstrates that trusted practices are changing to improve outcomes and further advance the preservation field. Simultaneously, in the wake of the digital revolution, preservation professionals dream about merging traditional and digital technologies in the hope that both long-term preservation and enhanced access will be achieved. This article attempts to relate the values of the discipline in order to inspire further research and persuade more work in formulating hypotheses to integrate preservation the- ory and practice. Finally, this overview of the literature will communicate the scope of the preservation problem, clarify misconceptions in the field, and docu- ment areas that warrant further investigation and refinement. he literature representing 1999 to 2001 reveals that the preservation field is Tcontinually absorbed in an evolution. This literature review examines the trends and customs of the preservation field as documented in the literature, and attempts to relate the values of the discipline in order to inspire further research and persuade more work in formulating hypotheses to integrate preservation theory and practice. Finally, this depiction of the literature will communicate the scope of the preservation problem, clarify misconceptions in the field, and document areas that warrant further investigation and refinement. Following up the preceding preservation literature reviews that have been pub- lished in this journal, this work provides a sampling of the preservation litera- ture and will not include book reviews, annual reports, preservation project announcements, technical leaflets, and strictly specialized conservation litera- ture. -
History and Treatment of Works in Iron Gall Ink September 10-14, 2001, 9:30-5:30 Daily Museum Support Center Smithsonian Center for Materials Research and Education
2001 RELACT Series The History and Treatment of Works in Iron Gall Ink September 10-14, 2001, 9:30-5:30 daily Museum Support Center Smithsonian Center for Materials Research and Education Instructors: Birgit Reibland, Han Neevel, Julie Biggs, Margaret Cowan Additional Lecturers: Jacque Olin, Elissa O'Loughlin, Rachel-Ray Cleveland, Linda Stiber Morenus, Heather Wanser, Abigail Quandt, Christine Smith, Maria Beydenski, Season Tse, Elmer Eusman, Scott Homolka This 3-day course (offered twice in one week for 2 separate groups of participants) focuses on one of the most corrosive media problems found on documents and works of art on paper. The 2-day workshop and 1 interim day of lectures cover the production of inks from historic recipes; historic drawing and writing techniques; identification, examination and classification of deterioration; and the execution of treatment options, including the use of calcium phytate solution. The interim day of lectures will feature local and international conservators' research into the history and treatment of works with iron gall ink. The course represents the first time iron gall ink has been the primary focus of an international gathering in the United States. Registration deadline for the full course is July 1 or until the course is filled with qualified applicants; for the interim day of lectures only, participants have until August 29 to register. Limit for Interim Day of Lectures: 30 Lunch and handouts provided Cost: $ 75.00 Registration deadline August 29 The 3-day course is fully enrolled. Places still remain for the Interim Day of Lectures. Please contact Mary Studt, [email protected] or 301-238-3700 x149 for further information and application materials. -
Preserving Your Memories Enjoy Your Favourite Photos Every Day with These Three Crafty Framing Projects
Handmade Preserving your memories Enjoy your favourite photos every day with these three crafty framing projects. Words and styling Sarah Heeringa. Photography Amanda Reelick Photographs top left, centre and bottom middle by Sarah Heeringa Opposite page: Project #1: Hanging photo wall A simple and cost-effective photo display, ideal for when you cannot make multiple holes in the walls. This page, bottom left: Attach your hanging photo wall strings using a large, flat surface. Clockwise from middle right: Project #3: Photo gallery Use accent colours on selected frames; use paper templates when hanging photos; seal frames using picture framing tape. Top left, middle and main image: Project #2: Upcycle an old frame Dissasemble old frames to paint and re-assemble. 74 75 Handmade PROJECT #1 PROJECT #2 PROJECT #3 Hanging Upcycling Composing a photo wall an old frame photo gallery You need: You need: You need: · up to 20 square photographs (all 10cm x · a photograph · a second-hand picture frame · coordinated photo frames · dark thread 10cm) · white card, medium thickness, cut that includes an outer frame, firm backing · Blu-Tack · spirit level · roll of newsprint, into squares (8cm x 8cm) · white string · board and a mat or mounting board · glazier brown paper or newspaper · hammer and spray adhesive or glue stick · scissors and points or tiny nails · masking tape · wide nails · picture hanging hooks or adhesive ruler · A branch or length of bamboo brown picture framing tape · small pliers hanging strips · step-ladder or stool (paint white if you wish) · 1 metre of nylon line · hammer · nylon line · D-ring or small screws · small stones (optional) · Blu-Tack · small paintbrush · dropcloth · Resene Step 1: Pick photos Summer is great for Enamacryl enamel for the frame (I used taking photos, but how many of our images Step 1: Prepare and print images Resene Breathless) and Resene SpaceCote from this season or years past lie dormant on Adjust the photographs before printing to Flat for the mat (I used Resene Black White). -
Mass Deacidification of Library and Archive Materials
Columbia University Libraries Mass Deacidification of Library and Archive Materials Final Report to the Andrew W. Mellon Foundation September 2009 Principal Investigator: James G. Neal Vice President for Information Services and University Librarian Columbia University 535 West 114th Street New York, New York 10027 212.854.2247 Grant Period: May 1, 2008-July 31, 2009 Reporting Period: May 1, 2008-July 31, 2009 Mass Deacidification of Library and Archive Materials Final Report to the Andrew W. Mellon Foundation Columbia University Libraries received an award of $27,500 in April 2008 from the Andrew W. Mellon Foundation to support a survey and report of the need for the deacidification of newly acquired print volumes in major research libraries. The study group included members from CUR, NYU, Yale, and the Mellon Foundation. In March 2009, the Mellon Foundation approved a no-cost extension through July 31, 2009 to host the originally scheduled March planning meeting in April and to allow additional time for the university's account department to process and pay all expenses charged to the grant. The result is the attached report, Mass Deacidifcation: The Needfor a National Program. The principal investigator, Jim Neal, and Columbia's Offce of the Controller worked together to complete the Financial Report, which was signed and submitted directly from the Office of the Controller. As indicated in the Financial Report, this grant was underspent by $6,647 (including interest income of $198), primarily due to significant savings in travel costs. A check in the amount of $6,647 wil be refunded to the Mellon Foundation. -
Matting and Framing
Matting and Framing Ford Conservation Center 2017 Basics of Matting and Framing Matting and framing is used to display, store, and safeguard works of art of pa- per, archives, and family documents. Proper matting and framing can help to protect these items from deterioration due to changing relative humidity, light exposure, handling, and other sources of damage. The following information is intended to explain the basics of mat- ting, framing, and hanging art or other paper-based items. Consult a conserva- tor for specific questions. See a framer you trust for help with your matting and framing needs. Inside this issue: M a t t i n g Matting 1 Matting, matboard, or mat (all used window mat held together with a Hinging 2 interchangeably) is flat, paper- strip of linen tape. The object is at- based material used to separate art tached to the back mat with hinges Adhesives 2 from a frame. Matboard is used to made of special Japanese tissue securely house works on paper. paper. Hinging is preferred over Framing 3 Matboard comes in various sizes, commercial tapes because it allows colors, weights and types of materi- for easy removal of the object with Hanging 4 al. minimal use of adhesive. The win- dow mat construction allows the A mat for an object is a series of Consulting a Conser- 5 object to be seen while protecting vator pieces constructed to protect the it from handling while the back Additional Resources 5 object. It includes a back mat and mat provides structural support for Matting and Framing the object. -
Sizes and Specifications
Sizes and Specifications Newsprint display sizes & specs ................................2 Newsprint reproduction tips ......................................3 Book of Lists sizes & specs ........................................5 How to submit print ads .............................................6 Online and email advertising ......................................7 Questions? Contact [email protected] Newsprint display advertising sizes Pacific Business News is an untrimmed, cold-set, tabloid newspaper on newsprint that measures approximately 10.5 inches wide x 14 inches tall. 1/2 Vertical 4.5 x 12.5 2 Page Spread Full Island 3/8 Horizontal 3/8 Vertical 19.75 x 12.5 9.25 x 12.5 6.875 x 12.5 6.875 x 6.125 4.5 x 9.325 1/2 Horizontal 9.25 x 6.125 L or Reverse L Triangle Triangle Centerpiece Towers: 2.125 x 11.85 Middle Right 1/4 Vertical 1/4 Strip U-Shape Bottom Strip: 9.25 x 0.85 9.25 x 6.125 6.875 x 8.5 2.125 x 12.5 9.25 x 2.9375 Towers: 2.125 x 11.85 Bottom Strip: 19.75 x 0.85 1/8 Horizontal 1/8 Vertical Centerpiece Towers 4.5 x 2.9375 2.125 x 6.125 2.125 x 11.85 Centerstrip 1/4 Square 1/8 Strip 19.75 x 2.9375 4.5 x 6.125 9.25 x 1.35 PAGE 2 OF 7 PACIFIC BUSINESS NEWS » 2017 SIZES AND SPECIFICATIONS Requirements for newsprint display ads Specifications for submitting your documents for print Camera-ready files • Ads must be submitted as PDF/X-1a files • Files must be prepared in a layout program such as InDesign. -
MUSEUM ARCHIVIST Is Issued Twice a Year by the Museum Archives Section of the Society of American Archivists
MMuusseeuumm AArrcchhiivviisstt Newsletter of the Museum Archives Section Society of American Archivists Volume 16, Issue 1 February 2002 FROM THE CHAIR Dear Section Members: The Museum Archives Section has had a dynamic year, and the following report submitted to SAA Director Susan Fox will show you the length and breadth of our activities. -------------------------- ANNUAL REPORT 2001 Museum Archives Manual At our annual meeting in DC in August (64 members attended), the Archives Manual Committee reported that the second edition should be in press some time next year. A general call for forms and other examples for the Manual's Resource Guide was held. Chapter authors also met in DC for an editorial consultation. Editorial duties have now passed to Deborah Wythe at the Brooklyn Museum of Art. Many thanks to Ann Marie Przybyla for her hard work on the volume. Ann Marie will continue work as a contributor. Laurie Baty of the Publications Committee reported that the section had been given a publication deadline extension to March 2002. (Continued on page 3) Inside This Issue: • SECTION BUSINESS Pages 1-12 • NEWS, NOTES, & ANNOUNCEMENTS Pages 13-15 • EDUCATIONAL OPPORTUNITIES Pages 16-19 • CAREER OPPORTUNITIES Pages 20-26 MUSEUM ARCHIVIST is issued twice a year by the Museum Archives Section of the Society of American Archivists. News items, letters to the editor, and comments from the archives community are welcome. An online version of this newsletter is also available (see page 4 for details). Deadlines for submissions are the 1st of June and the 1st of December. Please send all submissions to the newsletter editor, Sammie Morris, at [email protected]. -
CONNECTING to COLLECTIONS PENNSYLVANIA a Five-Year Preservation Plan for Pennsylvania PROJECT OVERVIEW
CONNECTING TO COLLECTIONS PENNSYLVANIA a five-year preservation plan for Pennsylvania PROJECT OVERVIEW Imagining Our Future: Preserving Pennsylvania’s Collections, published in August 2009, includes an in-depth analysis of conditions and needs at Pennsylvania’s collecting institutions, a detailed preservation plan to improve collections care throughout the state, and a five-year implementation timetable (2010-2015). The analysis concludes that many of Pennsylvania’s most important historic holdings must be considered at risk. Millions of items comprise these collections, and the financial resources available to care for them are limited and shrinking. Pennsylvania is a state vibrant with world-class art museums, libraries, historic sites. Arts and culture play a substantial role in creating business, jobs, and bringing revenue into the state and stewardship of its artifacts is too important —to the state, to the people, to the history of country—to be ignored. This call to action is a rallying cry for all future generations of Pennsylvanians. With generous support from the Institute of Museum and Library Services, and in close partnership with three leading preservation organizations, the Pennsylvania Historical and Museum Commission (PHMC), the Pennsylvania Federation of Museums and Historical Organizations (PFMHO), and LYRASIS, the Conservation Center for Arts & Historic Artifacts organized and led the assessment and planning process. The project was capably guided by a Task Force with representatives from the Office of (PA) Commonwealth Libraries, the Western Pennsylvania Museum Council, the Pennsylvania Caucus of the Mid- Atlantic Regional Archives Conference, Pennsylvania State University, the Philadelphia Area Consortium of Special Collections Libraries, the University of Pittsburgh, and Carnegie Mellon University. -
Master Plan for the Preservation of and Access to Hingham' S Historical Collections
Master Plan for the Preservation of and Access to Hingham’ s Historical Collections December 2010 Cynthia G. Swank, CA, CRM Peter J. Parker INLOOK GROUP Table of Contents Introduction.......................................................1 Master Plan Summary..............................................3 Hingham History Hub.........................................5 Archives and Records Management Services [ARMS]. 7 Funding and Estimated Costs. .................................9 Comments about Summary of Recommendations and Work Plans. 1 1 Table 1 Summary of Recommendations & Participants’ Involvement.. 1 2 Table 2 Work Plan - Hingham Historical Society. 1 8 Table 3 Work Plan - Hingham Public Library. 2 1 Table 4 Work Plan - Hingham Town Clerk, Historical Commission / Historical Districts Commission, School Department. 2 5 Approximate Costs - Detail.........................................3 0 Federal Grant Funding Agencies....................................3 3 Federal Grants for Similar Projects in Massachusetts or Nearby States. ..............................................3 7 Similar Efforts in Other Municipalities. 5 7 Master Plan for the Preservation of and Access to Hingham’s Historical Collections Introduction In 2008 the Hingham Public Library and Hingham Historical Society began a planning effort to ensure the preservation of and access to their collections of historical materials. With the encouragement of the Board of Selectmen, three other participants with significant holdings and interest in the project joined the effort: -
Augusta Newsprint: Paper Mill Pursues Five Projects Following Plant-Wide Energy Efficiency Assessment
Forest Products BestPractices Plant-Wide Assessment Case Study Industrial Technologies Program—Boosting the productivity and competitiveness of U.S. industry through improvements in energy and environmental performance Augusta Newsprint: Paper Mill Pursues Five Projects Following Plant-Wide Energy Efficiency Assessment BENEFITS Summary • Saves an estimated 11,000 MWh of Augusta Newsprint undertook a plant-wide energy efficiency assessment of its Augusta, electricity annually Georgia, plant in the spring and summer of 2001. The objectives of the assessment were to • Saves an estimated $1.6 million identify systems and operations that were good candidates for energy-efficiency improvements, annually from energy reduction and then ascertain specific energy saving projects. The assessment team identified the thermo- other improvements mechanical pulp (TMP) mill, the recycled newsprint plant (RNP), and the No. 1 and No. 2 • Improves system efficiency and paper machines area as the systems and operations on which to focus. The project evaluation reliability process was unique for two reasons, (1) much of the steam is a by-product of the TMP process and, because it is essentially “free,” it precludes opportunities for steam conservation • Produces a more consistent product initiatives; and (2) the company is reportedly Georgia’s largest electricity customer and • Project paybacks range from consequently has very favorable rates. 4.3 to 21.4 months Despite these perceived disincentives, the company found strong economic justification for five projects that would reduce electricity consumption. Four of the five projects, when complete, will save the company 11,000 MWh of electrical energy each year ($369,000 per year). The APPLICATION remaining project will produce more than $300,000 each year in the sale of a process The Augusta Newsprint plant-wide byproduct (turpentine). -
IAQ2010 Th 9 Indoor Air Quality Meeting
IAQ2010 th 9 Indoor Air Quality meeting Chalon-sur-Saône, France 21-23 April 2010 2 Foreword The art and science of conservation We are proud and happy to have been chosen as the location for this 9th edition of the international conference of the IAQ Working Group - IAQ2010 which is taking place in France for the first time. Burgundy is a region which is famous for its heritage, its gastronomy, its wine production and its bucolic landscapes. All in all, a land which invites discovery. Chalon-sur-Saône has all of these. Our town has a strategic geographical position, a past punctuated by illustrious events and personalities, who contributed to a fascinating history. The birthplace of photography, we are quite naturally creating a centre of Higher Education and Research and Development geared towards new technologies of image and sound. We are favouring the establishment of businesses in the forefront of these areas which offer high added value. Conscious of the importance of the links with our cultural and historical past, our policy is to wish to prevent long-term degradation. Safeguarding our heritage is a major challenge for us all. Let us not forget that it constitutes the material of history for future generations. In a way, we are its guardians. By your work you are today contributing to conserve this heritage, to be able to pass it on for tomorrow. To this end you have chosen to work together to share, to make the most of your experience and your knowledge. IAQ is a positive and interactive coming together which is absolutely necessary when we know the irreversible damage which an inadequate environment can cause on collections, objects, works of art, archives or any historic building. -
Deinking of Newsprint by Flotation Method
DEINKING OF NEWSPRINT BY FLOTATION METHOD Bimo Ariadi, B.Sc. (Hons.) , A thesis submitted in fulfilment of the requirements for the degree of Master of Science at the University of Tasmania Department of Chemistry University of Tasmania July, 1995 1 - 3 Rotation removes particles that are too small to be removed by screens and cleaners and yet are too big to be removed by washing. Washing is most efficient at removing the smallest particles of ink. The optimum size range for the different techniques is illustrated in Figure 1.1. Figure 1.1. Optimum particle-size range for the various techniques in ink separation (after Shrinath et. al. [9]) 1.2.2.1. Washing and flotation In contrast to screening and cleaning, which are merely physical separation processes, washing and flotation operations require chemicals to help them perform efficiently. Although washing and flotation are both carried out to remove ink particles, their operating principles are entirely different. Washing systems are most efficient at removing ink particles smaller than 104m, while flotation works best at removing particles in the 10-1004m range. Furthermore, the washing process requires ink particles to remain in the aqueous phase so that they can be removed along with the Deinking of Newsprint: An Overview DEINKING OF NEWSPRINT BY FLOTATION METHOD Bimo Ariadi, B.Sc. (Hons.) A thesis submitted in fulfilment of the requirements for the degree of Master of Science at the University of Tasmania Department of Chemistry University of Tasmania July, 1995 This thesis contains no material which has been accepted for the award of any other higher degree in any tertiary institution.