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Traditions and Innovations in the Study of Medieval English Literature
Traditions and Innovations in the Study of Medieval English Literature THE INFLUENCE OF DEREK BREWER Edited by Charlotte Brewer and Barry Windeatt d. s. brewer prelims.indd 3 07/05/2013 14:03:27 © Contributors 2013 All rights reserved. Except as permitted under current legislation no part of this work may be photocopied, stored in a retrieval system, published, performed in public, adapted, broadcast, transmitted, recorded or reproduced in any form or by any means, without the prior permission of the copyright owner First published 2013 D. S. Brewer, Cambridge ISBN 978-1-84384-354-2 D. S. Brewer is an imprint of Boydell & Brewer Ltd PO Box 9, Woodbridge, Suffolk IP12 3DF, UK and of Boydell & Brewer Inc. 668 Mt Hope Avenue, Rochester, NY 14620-2731, USA website: www.boydellandbrewer.com A CIP catalogue record for this book is available from the British Library The publisher has no responsibility for the continued existence or accuracy of URLs for external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate Papers used by Boydell & Brewer Ltd are natural, recyclable products made from wood grown in sustainable forests Typeset by Frances Hackeson Freelance Publishing Services, Brinscall, Lancs Printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon, CR0 4YY prelims.indd 4 07/05/2013 14:03:27 Contents List of Contributors vii Acknowledgements viii Note on References ix Introduction: A Modern Medievalist’s Career 1 1 Derek Brewer: Chaucerian Studies 1953–78 18 Derek Pearsall 2 Brewer’s Chaucer and the Knightly Virtues 34 Alastair Minnis 3 Class Distinction and the French of England 48 Christopher Cannon 4 Time in Troilus and Criseyde 60 A. -
View 2019 Edition Online
Emmanuel Emmanuel College College MAGAZINE 2018–2019 Front Court, engraved by R B Harraden, 1824 VOL CI MAGAZINE 2018–2019 VOLUME CI Emmanuel College St Andrew’s Street Cambridge CB2 3AP Telephone +44 (0)1223 334200 The Master, Dame Fiona Reynolds, in the new portrait by Alastair Adams May Ball poster 1980 THE YEAR IN REVIEW I Emmanuel College MAGAZINE 2018–2019 VOLUME CI II EMMANUEL COLLEGE MAGAZINE 2018–2019 The Magazine is published annually, each issue recording college activities during the preceding academical year. It is circulated to all members of the college, past and present. Copy for the next issue should be sent to the Editors before 30 June 2020. News about members of Emmanuel or changes of address should be emailed to [email protected], or via the ‘Keeping in Touch’ form: https://www.emma.cam.ac.uk/members/keepintouch. College enquiries should be sent to [email protected] or addressed to the Development Office, Emmanuel College, Cambridge CB2 3AP. General correspondence concerning the Magazine should be addressed to the General Editor, College Magazine, Dr Lawrence Klein, Emmanuel College, Cambridge CB2 3AP. Correspondence relating to obituaries should be addressed to the Obituaries Editor (The Dean, The Revd Jeremy Caddick), Emmanuel College, Cambridge CB2 3AP. The college telephone number is 01223 334200, and the email address is [email protected]. If possible, photographs to accompany obituaries and other contributions should be high-resolution scans or original photos in jpeg format. The Editors would like to express their thanks to the many people who have contributed to this issue, with a special nod to the unstinting assistance of the College Archivist. -
Joy Davidman Lewis: Author, Editor and Collaborator
Volume 22 Number 2 Article 3 1998 Joy Davidman Lewis: Author, Editor and Collaborator Diana Pavlac Glyer Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Glyer, Diana Pavlac (1998) "Joy Davidman Lewis: Author, Editor and Collaborator," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 22 : No. 2 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol22/iss2/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Biography of Joy Davidman Lewis and her influence on C.S. Lewis. Additional Keywords Davidman, Joy—Biography; Davidman, Joy—Criticism and interpretation; Davidman, Joy—Influence on C.S. Lewis; Davidman, Joy—Religion; Davidman, Joy. Smoke on the Mountain; Lewis, C.S.—Influence of Joy Davidman (Lewis); Lewis, C.S. -
The Satanic Bible Anton Szandor Lavey
Called “The Black Pope” by many of his followers, Anton LaVey began the road to High Priesthood of the Church of Satan when he was only 16 years old and an organ player in a carnival: “On Saturday night I would see men lusting after half‐naked girls dancing at the carnival, and on Sunday morning when I was playing the organ for tent‐show evangelists at the other end of the carnival lot, I would see these same men sitting in the pews with their wives and children, asking God to forgive them and purge them of carnal desires. And the next Saturday night they’d be back at the carnival or some other place of indulgence. “I knew then that the Christian Church thrives on hypocrisy, and that man’s carnal nature will out!” From that time early in his life his path was clear. Finally, on the last night of April, 1966– Walpurgisnacht, the most important festival of the believers in witchcraft–LaVey shaved his head in the tradition of ancient executioners and announced the formation of The Church Of Satan. He had seen the need for a church that would recapture man’s body and his carnal desires as objects of celebration. “Since worship of fleshly things produces pleasure,” he said, “there would then be a temple of glorious indulgence. .” The Satanic Bible Anton Szandor LaVey For Diane Dedications To: Bernadino Logara, who knew the value of money Karl Haushofer, a teacher without a classroom Rasputin, who knew the magic of a child Sir Basil Zaharoff, a gentleman Cagliostro, a rogue Barnabas Saul, the link with Mount Lalesh Ragnar Redbeard, whose might is right William Mortensen, who looked . -
The Voice of CS Lewis
Inklings Forever Volume 5 A Collection of Essays Presented at the Fifth Frances White Ewbank Colloquium on C.S. Lewis & Article 25 Friends 6-2006 The oiceV of C.S. Lewis Zan Bozzo Taylor University Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Bozzo, Zan (2006) "The oV ice of C.S. Lewis," Inklings Forever: Vol. 5 , Article 25. Available at: https://pillars.taylor.edu/inklings_forever/vol5/iss1/25 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. The oiceV of C.S. Lewis Cover Page Footnote Undergraduate Student Essay This essay is available in Inklings Forever: https://pillars.taylor.edu/inklings_forever/vol5/iss1/25 INKLINGS FOREVER, Volume V A Collection of Essays Presented at the Fifth FRANCES WHITE COLLOQUIUM on C.S. LEWIS & FRIENDS Taylor University 2006 Upland, Indiana The Voice of C.S. Lewis Zan Bozzo Bozzo, Zan. “The Voice of C.S. Lewis.” Inklings Forever 5 (2006) www.taylor.edu/cslewis The Voice of C.S. Lewis Zan Bozzo I have searched long and hard to find a specific something that no other creature in this world sentence that has always been at the forefront of my possesses. The Bible tells us that Reason and mind. -
University Education
BARRY WINDEATT: PUBLICATIONS LIST Books 10. Julian of Norwich, ‘Revelations of Divine Love’: The Short Text and the Long Text, Parallel-text with commentary (Oxford University Press, 2016); lxviii + 378 pp. 9. Julian of Norwich, ‘Revelations of Divine Love’: A New Translation (Oxford University Press, 2015); lviii + 214 pp. [The Guardian ‘Paperback of the Week’, 9 May 2015]; reprinted by The Folio Society, 2017 with introduction by the Bishop of Norwich. 8. Geoffrey Chaucer: ‘Troilus and Criseyde’, edited with an introduction and notes (Penguin Classics; London, 2003); lxx + 561 pp. 7. The Book of Margery Kempe, Longman Annotated Texts (Pearson; Harlow, 2000); xvii + 474 pp; reprinted in a paperback edition (Boydell and Brewer; Woodbridge, 2004). 6. Geoffrey Chaucer, ‘Troilus and Criseyde’: A New Translation (Oxford University Press, 1998; reprinted 1999); xlvi + 196 pp. Introduction reprinted in The Folio Society reprint of the 1927 Golden Cockerel Press edition of Troilus and Criseyde (2011). 5. English Mystics of the Middle Ages, edited with an introduction and notes (Cambridge University Press, 1994; paperback reprint, 2007); xi + 311 pp. 4. Troilus and Criseyde, in ‘The Oxford Guides to Chaucer’ (Clarendon Press; Oxford, 1992; paperback edition, 1995; reprinted 2002; still in print); xiv + 414 pp. 3. The Book of Margery Kempe, translated, with an introduction and notes (Penguin Classics; Harmondsworth, 1985), 322 pp.; reissued with revised bibliography 1994, 2004); Chinese translation, Taipeh, 2001; Penguin e-book, 2001; reprinted by The Folio Society, 2004; excerpts republished as Margery Kempe: How to be a Medieval Woman (Penguin Little Black Classics 2016); 2nd Revised Edition, with new introduction and commentary, 2019. -
Shadowlands-Digital-Playbill-V4.Pdf
Max McLean Founder & Artistic Director Presents SHADOWLANDS by William Nicholson Max McLean, Founder & Artistic Director Presents by William Nicholson Featuring Daniel Gerroll Robin Abramson John C. Vennema Sean Gormley Dan Kremer Stephanie Cozart Daryll Heysham Eddie Ray Martin Video Editor Original Music & Sound Design Voice & Dialect Casting Director Matthew Gurren John Gromada Claudia Hill-Sparks Carol Hanzel Technical Director Production Manager Sound Editor Casting Consultant Brandon Cheney Lew Mead Daniel Gonko Judy Henderson, C.S.A. Marketing General Management Assistant Director Company Manager Southside Entertainment Aruba Productions Dan DuPraw Tara Murphy Executive Producer Ken Denison Directed by Christa Scott-Reed This production made possible by arrangement with The Agency (London) Ltd. 24 Pottery Lane, London W11 4LZ, [email protected] CAST OF CHARACTERS (in order of appearance) C.S. Lewis ...................................................................................... Daniel Gerroll Dr. Maurice Oakley/Gregg/Clerk/Doctor/Priest/Waiter ......Daryll Heysham Christopher Riley ........................................................................Sean Gormley Rev. Harry Harrington ....................................................................Dan Kremer Major Warnie Lewis ............................................................ John C. Vennema Woman/Registrar/Nurse .................................................... Stephanie Cozart Joy Davidman .........................................................................Robin -
'Epic Theatre'
Fellowship CircleSPRING 2017 COMMUNICATING THE MISSION OF FELLOWSHIP FOR PERFORMING ARTS Gifts from Fellowship Circle members provide FPA the means to produce compelling theatre from a Christian worldview that engages a diverse audience. WHAT’S INSIDE Stirring Imaginations FPA productions engage ‘ ’ audiences in New York EPIC THEATRE nd and London. – PAGE 2 FPA’s 2 New York Season Draws Spiritual Hunger Diverse Audiences and Opinions The Screwtape Letters strikes a chord in a secular society. .S. Lewis took to the stage in New York City as Fellowship for – PAGE 4 Performing Arts continues its second full season of shows in theatre’s world capital. It marked the New York premiere of a Crevamped C.S. Lewis Onstage: The Most Reluctant Convert. From the Desk of Max McLean “We made substantial enhancements in the production throughout The Enduring Relevance the past year to tell the story of C.S. Lewis’ extraordinary journey from of C.S. Lewis – PAGE 6 atheism to faith,” said FPA Artistic Director Max McLean, who tackles the role of Lewis. “We felt ready for a New York premiere after the extensive developmental process and regional productions.” SHOW SCHEDULE The Most Reluctant Convert had enjoyed a developmental production in New York in FPA’s first season; a regional premiere in Washington, D.C.; tour stops in LA, San Francisco, Cincinnati, Indy, Tulsa, Cleveland and a month-long run in Chicago. Continued on page 2 ON STAGE THE MOST RELUCTANT CONVERT “FPA OFFERS SOMETHING NEW YORK CITY Winter/Spring 2017 SORELY MISSING FROM THE NEW YORK THEATER SCENE FOR FAR TOO LONG: HIGH-QUALITY, CHALLENGING U.S. -
Writers in Religious Orders and Their Lay Patrons in Late Medieval England
WRITERS IN RELIGIOUS ORDERS AND THEIR LAY PATRONS IN LATE MEDIEVAL ENGLAND DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Christopher Edward Manion, M.A. ***** The Ohio State University 2005 Dissertation Committee Approved by Professor Karen Winstead, Advisor Professor Lisa Kiser ______________________________ Professor Ethan Knapp Advisor English Graduate Program Copyright by Christopher Edward Manion 2005 ABSTRACT My dissertation explores how writers in religious orders and their readership were responding to changes in religious life in late medieval England. By the beginning of the fifteenth century, lay people were challenging traditional ideological boundaries between secular and religious social spheres. Moreover, religious houses, which had always been caught up in the vicissitudes of politics, found themselves enmeshed in the factional struggles that raged in England during the fifteenth century. In this context, I examine how religious writers represented cloistered forms of life for people who lived in the secular world, and how they represented a literate lifestyle once limited to men for a growing audience of women patrons and readers. Following an introduction that explores how ideological boundaries between religious and secular people were being contested in late medieval England, my first chapter examines how The Book of Margery Kempe presents one East Anglian merchant housewife who provocatively challenges those boundaries. My second chapter turns to the Benedictine monk John Lydgate as he confronts the hostile politics of his regal patrons in his Chaucerian poem The Siege of Thebes and in his Lives of Saints Edmund and Fremund, written for a young King Henry VI. -
Reading Across Languages in Medieval Britain by Jamie Ann Deangelis a Dissertation Submitted in Partial Satisfaction of the Requ
Reading Across Languages in Medieval Britain By Jamie Ann DeAngelis A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Comparative Literature in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Jennifer Miller, Chair Professor Joseph Duggan Professor Maura Nolan Professor Annalee Rejhon Spring 2012 Reading Across Languages in Medieval Britain © 2012 by Jamie Ann DeAngelis Abstract Reading Across Languages in Medieval Britain by Jamie Ann DeAngelis Doctor of Philosophy in Comparative Literature University of California, Berkeley Professor Jennifer Miller, Chair Reading Across Languages in Medieval Britain presents historical, textual, and codicological evidence to situate thirteenth- and fourteenth-century vernacular-to- vernacular translations in a reading milieu characterized by code-switching and “reading across languages.” This study presents the need for—and develops and uses—a new methodological approach that reconsiders the function of translation in this multilingual, multi-directional reading context. A large corpus of late thirteenth- through early fourteenth-century vernacular literature in Britain, in both English and Welsh, was derived from French language originals from previous centuries. These texts include mainly romances and chansons de geste, and evidence suggests that they were produced at the same time, and for the same audience, as later redactions of the texts in the original language. This evidence gives rise to the main question that drives this dissertation: what was the function of translation in a reading milieu in which translations and originals shared the same audience? Because a large number of the earliest or sole surviving translations into English from French language originals appear in Edinburgh, National Library of Scotland, Advocates’ MS 19.2.1 (the Auchinleck Manuscript), my study focuses on the translations preserved in this manuscript. -
Alastair James Minnis
1 ALASTAIR JAMES MINNIS Douglas Tracy Smith Professor Emeritus of English at Yale University Professor Emeritus of Medieval Studies and English & Related Literature at the University of York (B.A., M.A., Ph.D, F.E.A., F.M.A.A, Hon.M.R.I.A., Doct. University of York honoris causa) 1. EDUCATION 1970: B. A. degree, Class I, in the Honours examination in English Language and Literature, the Queen's University, Belfast. Macmullan Medal awarded for the best performance in this examination. October 1970: registered as a research student (Ph.D. candidate) at the Queen's University of Belfast. October 1971: matriculated at Keble College, Oxford; worked under the supervision of Dr M.B. Parkes and Dr P.O.E. Gradon in preparation for my Belfast Ph.D (also advised by Drs Beryl Smalley, William Pantin and R.W. Hunt). Summer 1976: Ph.D. degree awarded. Thesis title: 'Medieval Discussions of the Role of the Author: A Preliminary Survey, with particular reference to Chaucer and Gower'. II. CAREER 1. Posts held 1972-81: Lecturer in English at Queen's University, Belfast. 1981-85: Lecturer in Medieval English at Bristol University. 1986: Promoted to Reader in English at Bristol University. 1986-87: Visiting Appointment at the University of York (Reader in English). Spring 1987: appointed Professor of Medieval Literature at the University of York; also Director of the Centre for Medieval Studies. Autumn 1995: appointed Deputy Head of the Department of English & Related Literature at the University of York. As a trained TQA (Teaching Quality Assessment) assessor I played a major part in preparing my Department for our own teaching assessment in 1995 (we were awarded an ‘excellent’). -
October 2009 EPISTLE for WEB.Pub
The Monthly Parish Newsletter of SAINT MARK’S EPISCOPAL CHURCH From the Rector… In a week we con- growing up has made a terrific and structed an Alpha spirited start. Our Youth Center is Latrine that will sporting handmade posters from change the life of a the recent youth kick-off. We single mom and her should start to see new handrails two small children. and exterior lighting around our In a local school we campus in the weeks to come. We d i s t r i b u t e d are hearing news of the new ant-parasite medica- Stephen Ministry program. tion to over 800 children, and on a Yes, things are in full swing; then rural mountaintop again, perhaps by the grace of God 57 patients who they never really stopped. Take a otherwise would moment to say a prayer for our not have been able parish family—and think about to be treated were the new ways God may be asking seen by a doctor. all of us to take part. Bill (center) & Linda (left) Ryan join Angel (right) and a local tenant (foreground) working on an Coming up in No- Loving and gracious God, who has filled the world with beauty: open our eyes to behold UNHO Alpha Latrine in La Labor this August. vember, Saint Mark’s your gracious hand in all your works; that Friends of La Labor rejoicing in your whole creation, we may t seems hard to believe that will host a lunch after the 10 learn to serve you with gladness; and two years have passed since a.m.