Artists Please Note, Locations Are Listed According to the Current Name Of

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Artists Please Note, Locations Are Listed According to the Current Name Of Artists Ion Grigorescu Helga Paris Born in 1945 in Bucharest, Romania Born in 1938 in Goleniów, Poland Vyacheslav Akhunov Lives in Bucharest, Romania Lives in Berlin, Germany Born in 1948 in Och, Kyrgyzstan Lives in Tashkent, Uzbekistan Andris Grīnbergs Pavel Pepperstein Born in 1946 in Riga, Latvia Born in 1966 in Moscow, Russia Victor Alimpiev Lives in Riga, Latvia Lives in Moscow, Russia Born in 1973 in Moscow, Russia Lives in Moscow, Russia Aneta Grzeszykowska Susan Philipsz Born in 1974 in Warsaw, Poland Born in 1965 in Glasgow, UK Evgeny Antufiev Lives in Warsaw, Poland Lives in Berlin, Germany Born in 1986 in Kyzyl, Russia Lives and works in Tuva, Russia, and Moscow, Tibor Hajas Viktor Pivovarov Russia Born in 1946 in Budapest, Hungary Born in 1937 in Moscow, Russia Died in 1980 in Szeged, Hungary Lives in Prague, Czech Republic Vladimir Arkhipov Born in 1961 in Ryazan, Russia Petrit Halilaj Dmitri Prigov Lives in Moscow, Russia Born in 1986 in Skënderaj, Kosovo Born in 1940 in Moscow, Russia Lives in Berlin, Germany Died in 2007 in Moscow, Russia Said Atabekov Born in 1965 in Bes-Terek, Kazakhstan Hamlet Hovsepian Anri Sala Lives in Shymkent, Kazakhstan Born in 1950 in Ashnak, Armenia Born in 1974 in Tirana, Albania Lives in Ashnak, Armenia Lives in Berlin, Germany Nikolay Bakharev Born in 1946 in Mikhailovka, Russia Sanja Iveković Michael Schmidt Lives in Novokuznetsk, Russia Born in 1949 in Zagreb, Croatia Born in 1945 in Berlin, Germany Lives in Zagreb, Croatia Lives in Berlin, Germany Mirosław Bałka Born in 1958 in Otwock, Poland Július Koller Thomas Schütte Lives in Otwock, Poland Born in 1939 in Piestany, Slovakia Born in 1954 in Oldenburg, Germany Died in 2007 in Bratislava, Slovakia Lives in Düsseldorf, Germany Irina Botea Born in 1970 in Ploieşti, Romania Jiří Kovanda Simon Starling Lives in Chicago, Illinois, USA Born in 1953 in Prague, Czech Republic Born in 1967 in Epsom, UK Lives in Prague, Czech Republic Lives in Copenhagen, Denmark Geta Brătescu Born in 1926 in Ploieşti, Romania Evgenij Kozlov (E-E) Mladen Stilinović Lives in Bucharest, Romania Born in 1955 in St. Petersburg, Russia Born in 1947 in Belgrade, Serbia Lives in Berlin, Germany Lives in Zagreb, Croatia Anatoly Brusilovsky Born in 1932 in Odessa, Ukraine Edward Krasiński David Ter-Oganyan Lives in Cologne, Germany, and Moscow, Russia Born in 1925 in Łucka, Poland Born in 1982 in Rostov-on-Don, Russia Died in 2004 in Warsaw, Poland Lives in Moscow, Russia Erik Bulatov Born in 1933 in Sverdlovsk, Russia Alexander Lobanov Jaan Toomik Lives in Paris, France Born in 1924 in Mologa, Russia Born in 1961 in Tartu, Estonia Died in 2003 in Yaroslavl, Russia Lives in Tallinn, Estonia Olga Chernysheva Born in 1962 in Moscow, Russia Jonas Mekas Andra Ursuta Lives in Moscow, Russia Born in 1922 in Semeniškiai, Lithuania Born in 1979 in Salonta, Romania Lives in Brooklyn, New York, USA Lives in New York, USA Chto Delat? Founded in 2003 in St. Petersburg, Russia Boris Mikhailov Andro Wekua Based in St. Petersburg and Moscow, Russia Born in 1938 in Karkov, Ukraine Born in 1977 in Sukhumi, Georgia Lives in Kharkov, Ukraine, and Berlin, Germany Lives in Zürich, Switzerland, and Berlin, Germany Phil Collins Born in 1970 in Runcorn, UK Andrei Monastyrski The Workshop of the Film Form (Wojciech Bruszewski, Lives in London, UK Born in 1949 in Petsamo, Russia Józef Robakowski, Ryszard Waśko) Lives in Moscow, Russia Founded 1970 in Łódź, Poland Neil Cummings and Marysia Lewandowska Born in 1947 in Aberdare, UK; Born in 1955 in Deimantas Narkevičius Sergey Zarva Szczecin, Poland Born in 1964 in Utena, Lithuania Born in 1973 in Krivoy Rog, Ukraine Live in London, UK Lives in Vilnius, Lithuania Lives in Odessa, Ukraine Tacita Dean Paulina Ołowska Born in 1965 in Canterbury, UK Jasmila Žbanić Born in 1976 in Gdańsk, Poland Lives in Berlin, Germany Born in 1974 in Sarajevo, Bosnia-Herzegovina Lives in Raba Niżna, Poland Lives in Sarajevo, Bosnia-Herzegovina Stanislav Filko Roman Ondák Born in 1937 in Velká Hradná, Slovakia Born in 1966 in Žilina, Slovakia Anna Zemánková Lives in Bratislava, Slovakia Lives in Bratislava, Slovakia Born in 1908 in Olomouc, Czech Republic Died in 1986 in Prague, Czech Republic Hermann Glöckner Anatoly Osmolovsky Born in 1889 in Dresden, Germany Born in 1969 in Moscow, Russiaa Died in 1987 in Berlin, Germany Lives in Moscow, Russia Please note, locations are listed according to the current name of the city and nation. Many of these names have changed since 1989. .
Recommended publications
  • 1 Ion Grigorescu from Static Oblivion
    From static From static oblivion, an artbook in line with Avarie’s previous work space or space of daily experience: Grigorescu’s act of oblivion publications, aims to deepen, starting from Ion Grigorescu’s dissidence is not an outcry of provocation, nor is it extreme rich artistic production, the reflection about the status of the or ostentatious; it is an anti-aesthetic operation which uses image as a balance of forces in tension (statics), as form and experimentation and rough or limited techniques to uncover Ion Grigorescu design of what is in continuous movement (rhythm) and as the fiction of art and to denounce the artifice of representation, a paradoxical act of cancellation of the body through its own leaving us with the ambiguity between truth and falsehood, representation (oblivion). not only within the process of creation, but also within society. There is no trespass, Grigorescu’s performances are part of In Grigorescu’s work, as in the book, the body is continually an ongoing and “contained” interrogation of the relationship shown in different ways - from photography to film, from between the body and the space which the book is trying to performance to drawing - and yet it remains absent, match with the choice of its images whose measured surface suspended, obscuring its own identity in an attempt to tries to “keep inside” all that’s possible: the composition question the collective one. The persistent use of the mirror appears dense yet fluid, “cursive”, though never imposing. not only reflects the need to escape the solitude of his own body and to find the other in the multiplication of points of The body of Ion Grigorescu runs (through) the entire book: view, but it comes from the necessity to objectify the only like a line that gradually takes on volume, it transforms itself material that is available to him.
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  • Said Atabekov
    Said Atabekov From the series Wolves of the Steppes (Airborne Forces), 2011 Photo print 100 x 150 cm Edition #: 2/5 + 1 AP 1 From the series Wolves of the Steppes, 2013 Photo print 100 x 150 cm Edition #: 1/5 + 1 AP 2 From the series Wolves of the Steppes (Janabazar), 2011 Photo print 100 x 150 cm Edition #: 2/5 + 1 AP 3 From the series Wolves of the Steppes (Alpamyskokpar), 2013 Photo print 100 x 150 cm Edition #: 3/5 + 1 AP 4 From the series Steppenwolf, 2013 Photo print 100 x 150 cm Edition #: 1/5 + 1 AP 5 From the series Steppenwolf (Arsenal), 2014 Photo print 105 x 70 cm Edition #: 1/5 + 1 AP From the series Steppenwolf (Adidas), 2016 Photo print 105 x 70 cm Edition #: 1/5 + 1 AP 6 From the series Steppenwolf (Airborne Forces), 2014 Photo print 105 x 70 cm Edition #: 1/5 + 1 AP 7 From the series Steppenwolf (Ferrari), 2014 Photo print 105 x 70 cm Edition #: 2/5 + 1 AP 8 From the series Steppenwolf (GWDC), 2013 Photo print 105 x 70 cm Edition #: 1/5 + 1 AP From the series Steppenwolf (ZSCA KZ), 2016 Photo print 105 x 70 cm Edition #: 1/5 + 1 AP 9 From the series Steppenwolf (Border Control), 2015 Photo print 105 x 70 cm Edition #: 2/5 + 1 AP 10 From the series Steppenwolf (Aktau Sea Port KZ), 2014 Photo print 105 x 70 cm Edition #: 1/5 + 1 AP 11 From the series Steppenwolf (Liverpool), 2016 Photo print 105 x 70 cm Edition #: 2/5 + 1 AP From the series Steppenwolf (Panasonic), 2016 Photo print 105 x 70 cm Edition #: 2/5 + 1 AP 12 Saddle (Oxygen), 2017 wood and car paint 33 x 34 x 47 cm 13 Said Atabekov (b1965) has been acknowledged internationally for his mix of ethnographic signs, recollections of the Russian avant – garde and post – Soviet global interferences.
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  • Zgallerymanager MSPM
    Andro Wekua Sprüth Magers, Berlin April 27 – September 8, 2018 At the center of Andro Wekua’s new exhibition at Sprüth Magers is a life-size sculpture made of nickel silver - a silver-like alloy of copper, nickel and zinc - and a group of paintings. The untitled sculpture recalls Wekua’s earlier mannequin figures and continues their subtle formal vocabulary. The androgynous figure appears situated between the sexes; its body has a prepubescent, almost childlike look. On the back of the sculpture sits a small, black bronze Pegasus with purple wings—a futuristic element, childish toy and mythical reference in one. The physical proportions of this figure are realistic only at first glance; they are unthinkable in real life. The figure is a composite of various, non-related body parts. Before casting, it was composed of miscellaneous models of real limbs. Even the sculpture’s body posture probes the limits of what is physically possible. It recalls the Christ figure in Michelangelo’s unfinished Rondanini Pietà. In the original, the Virgin Mary stands behind her dead son and tries to hold him upright. Wekua’s figure stands in a pool; water runs from parallel slits on its arms and shoulders. Its silvery surface is in constant motion and yet it appears preserved in a state of perpetual stagnation. For all its overt artificiality, this figure seems to lead a psychological life of its own. It seems strangely, if improbably, alive. The sculpture is surrounded by a series of paintings. Wekua uses an architectural redefinition of the space to create his own viewing plane for the paintings while simultaneously reflecting the centrally-positioned sculpture as an object in space.
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  • General Interest
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  • The Soviet Woman in Estonian Art Jürgen Habermas
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  • HAGGERTY NEWS Newsletter of the Patrick and Beatrice Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, Fall 2006, Vol
    HAGGERTY NEWS Newsletter of the Patrick and Beatrice Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, Fall 2006, vol. 20, no. 2 Haggerty Exhibition Explores Work of Emerging Central Asian Artists After the collapse of the Soviet Union, artists from the Central Asian states struggled to reclaim their identity and shape their emerging cultures. The exhibitionArt and Conflict in Central Asia which opens at the Haggerty Museum on Thursday, October 19 focuses on the efforts and aspirations of artists from the states of Kazakhstan, Kyrgyzstan, and Uzbekistan. The opening lecture will be given in the Museum at 6 p.m. by Valerie Ibraeva, director of the Soros Center for Contemporary Art of Almaty (Kazakhstan), and scholar on Central Asian art. A reception will follow from 7 to 8 p.m. in the Museum. Erbosyn Meldibekov (Kazakhstan), Pol Pot, 2002, photograph The five featured artists are Said Atabekov, Erbossyn Meldibekov, Almagul Menlibayera, Rustan Khalfin and Georgy Tryakin-Bukharov who work Haggerty Exhibition Explores Work of Emerging Central Asian Artists in several mediums relying heavily on video and photography. Over 50 works are included. The history of the region, current conflicts as well as national traditions are all explored by the artists as they strive to express their interpretation of the relation of the Asian states to the rest of the world. Many of the works were shown at the Central Asian Pavilion at the 2005 Venice Biennale. Enrico Mascelloni, one of the foremost authorities on contemporary art of the region, is the co-curator of the exhibition with Valerie Ibraeva. He will assist Lynne Shumow, curator of education, in preparing a series of educational programs in conjunction with the exhibition.
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  • 2018 FIFA WORLD CUP RUSSIA'n' WATERWAYS
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  • Andro Wekua “Dreaming Dreaming” 515 West 24Th Street September 21 – November 3, 2012 Opening September 20, 6 – 8 Pm
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  • ANDRO WEKUA Education Awards & Grants Solo Exhibitions
    ANDRO WEKUA Born 1977 Sokhumi, Georgia Lives and works in Berlin and New York Education 1991 National Art School, Sokhumi, Georgia 1994 Studied at Phil. Institute “Gogebashvili,” Tbilisi, Georgia 1999 Visual Art School, Basel, Switzerland Awards & Grants 2011 Nominated for National Gallery Prize for Young Art, Berlin, Germany 2006 Manor Art Award, Zürich, Switzerland 2005 Kiefer Hablitzel Foundation Prize 2004 Artist in Residence for city of Zürich, Zürich, Switzerland 2003 Swiss Federal Award for Fine Arts, Zürich, Switzerland 2002 Binz 39 Foundation Studio Grant, Zürich, Switzerland Solo Exhibitions 2019 “Andro Wekua,” Gladstone Gallery, New York 2018 “Andro Wekua: All is Fair in Dreams and War,” Kunsthalle Zürich, Zürich, Switzerland [traveled to: Sprüth Magers, Berlin, Germany (2019)] “Andro Wekua,” Sprüth Magers, Berlin, Germany “Andro Wekua. Dolphin in the Fountain,” Garage Museum of Contemporary Art, Moscow, Russia 2017 “A Dog’s Fidelity,” Gladstone 64, New York 2016 “Andro Wekua – Anruf,” Kölnischer Kunstverein, Cologne, Germany “Andro Wekua: Some Pheasants In Singularity,” Sprüth Magers, London, United Kingdom 2015 “Andro Wekua,” 032c Workshop, Berlin, Germany 2014 “Some Pheasants in Singularity” Sprüth Magers, London, United Kingdom “Andro Wekua: Pink Wave Hunter,” Benaki Museum, Athens, Greece 2012 “Dreaming Dreaming,” Gladstone Gallery, New York 2011 “Never Sleep With a Strawberry In Your Mouth,” Kunsthalle Wien, Vienna, Austria “Pink Wave Hunter,” Kunsthalle Fridericianum, Kassel, Germany “A Neon Shadow,” Castello di Rivoli, Torino, Italy 2010 “Gott ist tot aber das Mädchen nicht,” Schinkel Pavillon, Berlin, Germany “Books, Editions, and the Like,” Swiss Institute, New York “1995,” Gladstone Gallery, Brussels, Belgium 2009 “Workshop Report,” Wiels, Brussels, Belgium “28. August,” Galerie Peter Kilchmann, Zürich, Switzerland “Workshop Report,” Museion, Bolzano, Italy 2008 “My Bike and Your Swamp,” Camden Art Center, London, United Kingdom [traveled to: De Hallen, Haarlem, Netherlands] “Sunset.
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  • Said Atabekov Born 1965 in Bes-Terek, Uzbekistan
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  • Guide to the Maria Lind Manifesta Papers MSS.005 Finding Aid Prepared by Ann Butler; Collection Processed by Lydia Aikenhead in Summer 2011
    CCS Bard Archives Phone: 845.758.7567 Center for Curatorial Studies Fax: 845.758.2442 Bard College Email: [email protected] Annandale-on-Hudson, NY 12504 Guide to the Maria Lind Manifesta Papers MSS.005 Finding aid prepared by Ann Butler; Collection processed by Lydia Aikenhead in Summer 2011. This finding aid was produced using the Archivists' Toolkit July 14, 2015 Guide to the Maria Lind Manifesta Papers MSS.005 Table of Contents Summary Information..................................................................................................................................3 Biographical/Historical note.........................................................................................................................4 Scope and Contents note........................................................................................................................... 4 Arrangement note....................................................................................................................................... 7 Administrative Information...........................................................................................................................7 Controlled Access Headings.......................................................................................................................8 Collection Inventory...................................................................................................................................10 Series I: Manifesta 2...........................................................................................................................10
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  • The Chronicle of Novgorod 1016-1471
    - THE CHRONICLE OF NOVGOROD 1016-1471 TRANSLATED FROM THE RUSSIAN BY ROBERT ,MICHELL AND NEVILL FORBES, Ph.D. Reader in Russian in the University of Oxford WITH AN INTRODUCTION BY C. RAYMOND BEAZLEY, D.Litt. Professor of Modern History in the University of Birmingham AND AN ACCOUNT OF THE TEXT BY A. A. SHAKHMATOV Professor in the University of St. Petersburg CAMDEN’THIRD SERIES I VOL. xxv LONDON OFFICES OF THE SOCIETY 6 63 7 SOUTH SQUARE GRAY’S INN, W.C. 1914 _. -- . .-’ ._ . .e. ._ ‘- -v‘. TABLE OF CONTENTS PAGE General Introduction (and Notes to Introduction) . vii-xxxvi Account of the Text . xxx%-xli Lists of Titles, Technical terms, etc. xlii-xliii The Chronicle . I-zzo Appendix . 221 tJlxon the Bibliography . 223-4 . 225-37 GENERAL INTRODUCTION I. THE REPUBLIC OF NOVGOROD (‘ LORD NOVGOROD THE GREAT," Gospodin Velikii Novgorod, as it once called itself, is the starting-point of Russian history. It is also without a rival among the Russian city-states of the Middle Ages. Kiev and Moscow are greater in political importance, especially in the earliest and latest mediaeval times-before the Second Crusade and after the fall of Constantinople-but no Russian town of any age has the same individuality and self-sufficiency, the same sturdy republican independence, activity, and success. Who can stand against God and the Great Novgorod ?-Kto protiv Boga i Velikago Novgoroda .J-was the famous proverbial expression of this self-sufficiency and success. From the beginning of the Crusading Age to the fall of the Byzantine Empire Novgorod is unique among Russian cities, not only for its population, its commerce, and its citizen army (assuring it almost complete freedom from external domination even in the Mongol Age), but also as controlling an empire, or sphere of influence, extending over the far North from Lapland to the Urals and the Ob.
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