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What Is a Capuchin Friar? What Do They Do? Who Are They?
what is a capuchin friar? what do they do? who are they? an introduction to the Exactly 257 years ago before anyone knew Capuchin Friars about capuchin monkeys (so named in 1758), there were Capuchin friars. It was more than 400 years after Capuchin friars came into existence in 1528 that anyone tasted a cup of cappuccino (first served in 1948). As for friar’s, no, they aren’t fryers, but some of them do prefer theirs fried, rather than baked or grilled. The ‘hood’? It’s all in the name. The brotherhood is found in all kinds of neighbourhoods, hoods and all. Even if you have known Capuchin friars for a long time, it wouldn’t be surprising if you found them somewhat mysterious. The Catholic Church has many religious Orders and communities of men. So what makes Capuchins different? Aren’t they Franciscans? And how are they different from Diocesan priests? It can all be confusing even for those well versed in Catholic life. Maybe you can recognize a Capuchin because of the curious, medieval clothing he wears, but you might wonder what makes him tick on the inside. Come to think about it, why do they wear that robe? And you might ask why anyone would want to be a Capuchin friar in this day and age? Is there a point to a bunch of men living together? Why don’t they get married like other people? And then there’s the money thing? Like everyone else they need it, but they take a vow of poverty. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
JANE LEE HOOKER Twitter.Com/Janeleehooker Jane Lee Hooker Is a Band of five Women from New York City Who Take Traditional Blues on a Fast and Rough Ride
917-843-5943 Alan Rand 2014 janeleehooker.com photo by facebook.com/JaneLeeHooker janeleehooker.bandcamp.com JANE LEE HOOKER twitter.com/JaneLeeHooker Jane Lee Hooker is a band of five women from New York City who take traditional blues on a fast and rough ride. Their self-released debut, “No B!,” was released in November. Notable stages they’ve graced include Pappy & Harriet’s [email protected] (Pioneertown, CA), Dogfish Head Brewery (Rehoboth Beach, DE), the Harrisburg Midtown Arts Center (Harrisburg, PA), Ojai Deer Lodge (Ojai, CA), and the Wonderbar (Asbury Park, NJ). Back home in NYC, they can be seen at the Knitting Factory, Mercury Lounge, Bitter End and Rock Shop, among other places. The band’s calling cards are songs by Muddy Waters, Howlin’ Wolf, Johnny Winter, Big Mama Thornton, and other blues greats—all fed through double lead guitars, a heavy rhythm section, and soul-scouring vocals. These women are by no means new to the game. Between the five band members, they have decades of experience playing, recording and touring both nationally and internationally. Individually, the members of Jane Lee Hooker have played for thousands of fans while sharing bills with the likes of Motorhead, MC5, Lynyrd Skynyrd, and Deep Purple, among others. And they’ve played more club gigs in more cities than even they can believe. So how’d this gang of pros finally find each other? Guitarists Hightop and Tina honed their mutual love of blazing dual leads during their time together in Helldorado in the 90s. From there, Hightop joined Nashville Pussy, Tina joined Bad Wizard, and both women toured the world. -
BULLETIN the Canadian Catholic Historical Association
BULLETIN The Canadian Catholic Historical Association Fall 2010 ISSN 1182-9214 Vol. XXIV, Number 2 The Value of Oral History for Religious CCHA Annual Conference 2010 Communities was discussed by a panel. Elizabeth Concordia University McGahan of the University of New Brunswick, Montreal Saint John introduced the panelists, Terence Fay SJ, Nichole Vonk, and Gwyn Griffith. Terence Fay of the University of St Michael’s College explained that contemporary scholars reveal little interest in The conference of the Canadian Catholic religious history and thus sources for religious Historical Association commenced at 9 AM on historians are in short supply. The motivation of Monday, 31 May at Concordia University as the new Canadians is very important for Canadian President Peter Meehan welcomed participants history, and historians must seek out their own to the conference and Terence Fay SJ asked God’s blessing for a productive conference. The first session on Culture, Region, and Religion was introduced by Margaret Sanche of St Thomas More College. Anne Gagnon from Thompson Rivers University illustrated how the creation of personal names is so important for families and reveals much about their religious customs, secular mores, and family traditions. Patricia Roy from University of Victoria explained the ambiguous relationship between Anglicans and East Asians in Canada from 1858 to 1949. While Anglicans advocated the acceptance of East Asians into Canadian society, at the same time Elizabeth McGahan introduced the panel of Terence Fay they believed in the Anglo-Celtic guidance of their SJ, Nichole Vonk, and Gwyn Griffith. integration. Peter Meehan of Seneca College reflected on the ecclesial career of the bright 37- data. -
“Bo Diddley” and “I'm a Man” (1955)
“Bo Diddley” and “I’m a Man” (1955) Added to the National Registry: 2011 Essay by Ed Komara (guest post)* Bo Diddley While waiting in Bo Diddley’s house to conduct an interview for the February 12, 1987 issue of “Rolling Stone,” journalist Kurt Loder noticed a poster. “If You Think Rock and Roll Started With Elvis,” it proclaimed, “You Don’t Know Diddley.” This statement seems exaggerated, but upon listening to Diddley’s April 1955 debut 78 on Checker 814, “Bo Diddley” backed with “I’m A Man,” it becomes apt, perhaps even understated. Bo Diddley (1928-2008) described his own place in music history to Loder. “People wouldn’t even bother with no stuff like ‘Bo Diddley’ and ‘I’m A Man’ and stuff like that ten years earlier [circa 1945] or even a year earlier [1954]. Then Leonard and Phil Chess decided to take a chance, and suddenly a whole different scene, a different kind of music, came in. And that was the beginning of rock and roll.” The composer credit for Checker 814 reads “E. McDaniels,” and there begins the tale. Bo Diddley was born Ellas Otha Bates in McComb, Mississippi on December 30, 1928 to a teenage mother and her local boyfriend. He was raised, however, by his maternal first cousin, Gussie McDaniel, to whom he was taken to Chicago, and given her surname McDaniel. He grew up on the South Side of the city, where he learned violin, trombone and, at age 12, the guitar. Before long, he was playing for change on the local streets. -
HRA 2015 Annual Report
ANNUAL REPORT 2015 came to us 2014/15 was also the year the world came to us. HRA hosted the World Trotting Conference (WTC) and World Driving Championships (WDC) in late February/ early March, welcoming over 200 visiting administrators, drivers, media, family, friends and fans from 17 different countries. Chairman’s Message 2 ContentsChief Executive’s Message 10 World Driving Championships 14 Grand Circuit and Trotting Masters 20 Standardbreds Australia Unharnessed 23 State Reports 25 2015 Harness Racing Australia Awards 38 IRT Winona and Globe Derby Awards 41 Acknowledgements 48 HRA Annual Report 2015 • 1 “Administrators have many competing priorities but our primary objective is to nurture and promote this great industry, despite the distractions, and I believe the clubs and controlling bodies which comprise the membership of Harness Racing Australia do this very well” – HRA Chairman Geoff Want. Chairman’s Bushfires and violent storms caused by the Rattray Family from Tasmania, on the Australasian calendar and the havoc in several areas, there were some Beautide took his lifetime earnings to connections of both Christen Me and potentially damaging integrity issues more than $2-million. Stent, for the second straight year, get a and animal welfare concerns, triggered $20,000 bonus to be spent at the APG by some disgraceful behaviour in Only one vote behind Beautide in the sales. greyhound racing, cast a pall over the poll for Australian Harness Horse of the entire racing industry. Year was the star three year old Menin Racing Highlights – Trainers/ Gate, trained in Victoria by Larry Eastman Drivers Nonetheless, there were many highlights and driven by Chris Alford. -
In De Schaduw Van Franciscus Dit Boek Gaat Over Het Wel En Wee Van De Nederlandse
In de schaduw van Franciscus Jan Jacobs in de schaduw van franciscus De Nederlandse Minderbroeders-Kapucijnen valkhof pers De omslagillustratie is van de hand van kunstenaar-kapucijn Philippus Philippus (*1937) uit Oisterwijk. Voor kapucijnen geldt Franciscus van Assisi als levensvoorbeeld. Maar tussen zijn preken voor de vogels en zijn vermanen van de bloeddorstige wolf van Gubbio én hun apostolaatswerk gaapt een grote kloof. De uitgeverij heeft getracht de rechten voor de opgenomen werken zoveel mogelijk te regelen. Wie desondanks meent zekere rechten te kunnen doen gelden, wordt verzocht contact op te nemen met de uitgever. isbn 978 90 5625 468 1 © 2016 by the author Omslagontwerp: Brigitte Slangen, Nijmegen Verzorging binnenwerk: Peter Tychon, Wijchen Niets uit deze uitgave mag worden verveelvoudigd en/of openbaar gemaakt door middel van druk, fotokopie, microfilm of op welke andere wijze ook zon- der voorafgaande schriftelijke toestemming van de uitgever. No part of this book may be reproduced in any form by print, photoprint or any other means without prior written permission from the publisher. Inhoud Inleiding 11 i. Wereldlijke machthebbers als steunpilaar of spelbreker: de kapucijnen in de Lage Landen tot de oprichting van een zelfstandige Nederlandse pro- vincie (1585-1882) 31 1. Openlijke expansie in het Zuiden; tersluikse activiteiten in het Noorden (1585-1780) 33 1.1 De victorie begint in Antwerpen 33 1.2 Zuidelijke kloosters als uitvalsbases ten behoeve van het missiewerk in het Noorden 41 2. De ontmanteling van de kloosterstructuur in de Lage Landen (1780-1830/’35) 45 2.1 De blijvende gevolgen van de jozefinische omwenteling 45 2.2 Gedoemd om te verdwijnen 50 3. -
Hartland Parish Celebrates 100
ISSN: 0029-7739 $ 1.00 per copy THE OBSERVER Official Newspaper of the Catholic Diocese of Rockford Volume 79 | No. 17 http://observer.rockforddiocese.org FRIDAY APRIL 4, 2014 Be Reconciled Hartland Parish Celebrates 100 ... and a Come to Little More Confession BY AMANDA HUDSON April 9 News editor HARTLAND—“The an- O cial Appointments niversary was, technically, last year,” says Father Thomas The Rev. David R. Engbarth Doyle, parochial administrator — Pastor of Our Lady of Good at St. Patrick Parish, here. Counsel Parish, Aurora, to retire “We were originally hoping with the permission of Bishop to celebrate the anniversary David Malloy, effective Monday, April 7, 2014. last year … but we were wait- Given at the Chancery, ing to fi nish the renovation of March 27, 2014. our basement before we did so. That became delayed.” Inside The basement is now com- plete, so Father Doyle and pa- rishioners joined Bishop David Malloy in marking the 100th (Observer photo by Amanda Hudson) anniversary of their church A sign at St. Patrick Parish in Hartland stands beside the church in a yard that will be landscaped this spring. building during the 10:15 a.m. A new sidewalk runs next to the church, leading to a side door near a new elevator for accessibility. Continued on page 3 Recognize Your Limits, Open Yourself to Light of Christ pg. 5 Leading the Ladies Seasoned Observer, pg. 8 Ronald Bookland and George Lamoureux prepare Quick News to unveil a station at St. Rita Parish in Rockford, March 28. Old Stations Made New Rockford’s St. -
Style and Meaning Anthropology’S Engagement with Art Has a Complex and Uneven History
NICHOLAS THOMAS THOMAS NICHOLAS & CLARK ALISON style and meaning Anthropology’s engagement with art has a complex and uneven history. While style and material culture, ‘decorative art’, and art styles were of major significance for ( founding figures such as Alfred Haddon and Franz Boas, art became marginal as the EDS meaning discipline turned towards social analysis in the 1920s. This book addresses a major ) moment of renewal in the anthropology of art in the 1960s and 1970s. British Essays on the anthropologist Anthony Forge (1929-1991), trained in Cambridge, undertook fieldwork among the Abelam of Papua New Guinea in the late 1950s and 1960s, anthropology of art and wrote influentially, especially about issues of style and meaning in art. His powerful, question-raising arguments addressed basic issues, asking why so much art was produced in some regions, and why was it so socially important? style ANTHONY FORGE meaning Fifty years later, art has renewed global significance, and anthropologists are again considering both its local expressions among Indigenous peoples and its new global circulation. In this context, Forge’s arguments have renewed relevance: they help and edited by scholars and students understand the genealogies of current debates, and remind us of fundamental questions that remain unanswered. ALISON CLARK & NICHOLAS THOMAS This volume brings together Forge’s most important writings on the anthropology anthropology of art Essays on the of art, published over a thirty year period, together with six assessments of his legacy, including extended reappraisals of Sepik ethnography, by distinguished anthropologists from Australia, Germany, Switzerland and the United Kingdom Anthony Forge was born in London in 1929. -
Bujinkan Budō Taijutsu
BujinkanBujinkan BudōBudō TaijutsuTaijutsu 武神館武神館 武道 武道 体術 体術 Eine Einführung in Geschichte und Struktur dieses japanischen Kampfkunstsystems - Print-Version - Quelle: www.bujinkan-deutschland.de 雲 虎 戸 隠 倒 隠 流 流 流 玉 義 玉 虎 鑑 心 流 流 流 高 神 九 木 伝 鬼 揚 不 神 心 動 伝 流 流 流 Symbolerläuterung und Schreibweise Symbolerläuterung und Schreibweise eine schwarze Erdkugel bedeutet externer Hyperlink / Quellen im Internet. ein schwarzer Pfeil bedeutet interner Hyperlink / Quelle innerhalb des Textes. Der Buchstabe „I“ kennzeichnet einen Hinweis. Namen werden im Text in der für den entsprechenden Kulturkreis üblichen Schreibweise aufgeführt. Daher werden japanische Namen in der Reihenfolge Nachname, Vorname geschrieben, westliche Namen jedoch in der Reihenfolge Vorname, Nachname. Liebe Budōfreunde. Aufgrund der zahlreichen Rückmeldungen mit der Bitte den Text zum Ausdrucken freizugeben, haben wir uns ent- schlossen diesem Wunsch nicht nur nachzukommen, sondern haben auch die Gelegenheit genutzt kleinere Anpassungen vorzunehmen. Der Text „Bujinkan Budō Taijutsu - Eine Einführung in Geschichte und Struktur die- ses japanischen Kampfkunstsystems“ liegt somit nun in zwei Varianten vor, um den verschiedenen Voraussetzungen der Medien gerecht zu werden. Online - Version Dieser Text ist auf das Lesen am PC ausgelegt. Er enthält sowohl interne als auch externe Links und ist nicht ausdruckbar. Eine bestehende Verbindung zum Internet ist für den vollen Funktionsumfang notwendig. Print - Version Bei diesem Text wurden die, in der Online - Version vorhandenen, Links ins Internet mit Endnoten (gekennzeichnet durch römische Ziffern) versehen, welche den Hyper- link in Textform wiedergeben. Interne Verweise wurden zusätzlich mit den Seitenzahlen versehen. Grafiken und Layout wurden für das Drucken optimiert. -
Muddy Waters Began to Assemble What Appears to Be, in Retrospect, the Prototypical Rock Band
Playing at the blues bars o f Chicago’s South Side in the Forties, Muddy Waters began to assemble what appears to be, in retrospect, the prototypical rock band. Watersfound he couldn' t command much attention unamplified in a crowded, noisy club. So in 1944 he bought his first electric I guitar. As a vocalist, he developed a I raw and impassioned shouting style. His groups, which played with all amps cranked, consisted o f bass, drums, second guitar,2 piano and harmonica, with Waters on slide guitar and vocals. He and a shifting company o f stellar sidemen played hard-edged, unadulterated blues, but his bands had the earmarks—in size, volume and attitude—of rock combos to come. Waters also created some of rock! s classic cover material: ‘ ‘Hoochie Coochie Man,” “IJustWanttoMakeLovetoYou,” ‘‘Got My MoJo Working. ’ ’ In addition, he introduced Chuck Berry to the Chess brothers and inadvertently provided the Rolling Stones with their name (liftedfrom the title o f one o f his songs). McKinley was dubbed Muddy by his grandmother, who reared him on the Stovall Plantation, nearClarksdale, Mississippi; his playmates added Waters. At age ten, he taught himself to play the harmonica; at seventeen, he placed an order for hisfirst guitar with Sears and Roebuck. In 1941, folklorist Alan Lomax discovered Waters at the Stovall Plantation and recorded his solo work, which revealed the inspiration o f Delta bluesmen Robert Johnson and SonHouse. Inl943, Waters leftfor Chicago, a new homefor many ambitious Southerners, where the commingling o f country traditions and new MUDDY WATERS urban values was changing the shape o f the blues.