DTS:X BLU-RAY MOVIES This Is the List of Released Or Announced DTS:X Blu-Ray Movies

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DTS:X BLU-RAY MOVIES This is the list of released or announced DTS:X Blu-ray movies : Already released per August 2018 # 3:10 to Yuma UHD A Adventurers, The American Made American Made UHD American Ultra Apollo 13 UHD Atomic Blonde Atomic Blonde UHD B Battleship UHD Big Short, The Bluebeard Bourne Identity, The UHD Bourne Legacy, The UHD Bourne Supremacy, The UHD Bourne Ultimatum, The UHD Brotherhood of Blades II C Crimson Peak D Daddy’s Home Daddy’s Home UHD Despicable Me UHD Despicable Me 2 UHD Despicable Me 3 Despicable Me 3 UHD Divergent UHD Dracula Untold UHD Dreamgirls E E.T. UHD Ex Machina Ex Machina UHD F Fast & Furious 6 UHD Fate of the Furious, The Fate of the Furious, The UHD Fifty Shades Darker Fifty Shades Darker UHD Fifty Shades Freed Fifty Shades Freed UHD Fifty Shades of Grey UHD Furious 7 UHD G Get Out UHD Girl on the Train, The Girl on the Train UHD, The Gladiator UHD God of War Gods of Egypt 3D Gods of Egypt 2D Gods of Egypt UHD H Harry Potter and the Sorcerer’s Stone UHD Harry Potter and the Chamber of Secrets UHD Harry Potter and the Prisoner of Azkaban UHD Harry Potter and the Goblet of Fire UHD Harry Potter and the Order of the Phoenix UHD Harry Potter and the Half-Blood Prince UHD Harry Potter and the Deathly Hallows – Part 1 UHD Harry Potter and the Deathly Hallows – Part 2 UHD How the Grinch Stole Christmas UHD Huntman’s: Winter War, The Huntman’s: Winter War, The UHD I Incredible Hulk, The UHD Independence Day UHD Ip Man 3 J Jason Bourne Jason Bourne UHD Jurassic Park UHD Jurassic Park: The Lost World UHD Jurassic Park III UHD Jurassic World UHD K King Kong UHD Kung Fu Yoga L Last Witch Hunter, The Last Witch Hunter, The UHD London Has Fallen Lone Survivor UHD M Mamma Mia! UHD Mummy Ultimate Trilogy UHD N Nerve O Once Upon a Time P Patriots Day Patriots Day UHD Phantom Thread Phantom Thread UHD Pitch Perfect UHD Pitch Perfect 2 UHD Pitch Perfect 3 Pitch Perfect 3 UHD Purge, The UHD Purge, The : Anarchy UHD Purge, The : Election Year UHD Reset S Serenity UHD Snow White & The Huntsman UHD Straight Outta Compton UHD V Van Helsing UHD W Whiskey Tango Foxtrot Wolf Warrior 2 Z Zoolander 2 .

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Guillermo Del Toro’S Bleak House
GuillermoAt Home With Monstersdel Toro By James Balestrieri Guillermo del Toro’s Bleak House. Photo ©Josh White/ JWPictures.com. LOS ANGELES, CALIF. — The essence of “Guillermo del Toro: At Home With Monsters,” the strange and wonderful exhibition at the Los Angeles County Museum of Art (LACMA) through November 27, is this: Guillermo del Toro, born in 1964, is a major writer and director whose films include Cronos (1993), The Devil’s Backbone (2001), Hellboy (2004), Pan’s Labyrinth (2006), Pacific Rim (2013) and Crimson Peak (2015). He is a master who creates worlds that embrace horror, science fiction, fantasy and fairy tales. He insists that, as fantastic as they are, these worlds are located and grounded beside, beneath and in the real world, our world — a world, he might argue, that we merely imagine as real. The membrane separating these worlds is thin, porous and portal-ridden. The worlds are distorted reflections of one another. This distortion becomes the occasion for his ideas and art. Page from Notebook 2 by Guillermo del Toro. Leather-bound notebook, ink on paper, 8 by 10 by 1½ inches. Collection of Guillermo del Toro. ©Guillermo del Toro. Photo courtesy Insight Editions. Jointly organized by LACMA with the Minneapolis Institute of Art and the Art Gallery of Ontario, this first retrospective of the filmmaker’s work arrays sculpture, paintings, prints, photography, costumes, ancient artifacts, books, maquettes and film to create a complex portrait of a creative genius. Roughly 60 of the 500 objects on view are from LACMA’s collection. More belong to the artist.
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This October, See What's Playing on HBO,® STARZ,® SHOWTIME® And
This October, see what’s playing on ® ® ® ® HBO, STARZ, SHOWTIME and CINEMAX Channels 501–511, Channels 525–542, Channels 545–557, Channels 515–523, 1501 1525, 1535 1545 1515 Here’s just a sample of what you can watch in October. (All programming times ET) SUN MON TUE WED THU FRI SAT Ray Donovan PREMIERES: American Sniper Past episodes 1 McFarland, USA 2 PREMIERE 3 available on @ 9pm on @ 8pm on HBO, ch. 501 STARZ, ch. 525 You can binge watch every episode ch. 1545 NEW EPISODES: of every season of Homeland,® The SXSW Comedy Night Blunt Talk @ 9pm Affair® and Ray Donovan.® Plus, you Meet the Fockers Two with W. Kamau & Survivor’s Remorse @ 9pm on have access to a huge selection of hit Bell @ 11pm on @ 9:30pm on STARZ, ch. 525 SHOWTIME, ch. 545 movies, sports and more. STARZ, ch. 525 Unbroken @ 8:30pm NEW EPISODES: Splatterday Saturday: on HBO, ch. 501 Real Time with Night of the Living Start watching today! Tune in That Awkward Bill Maher @ 10pm on Dead (1968) to SHOWTIME® On Demand Moment HBO, ch. 501 @ 10:35pm on @ 8:20pm on Strike Back® @ 10pm THE MOVIE on STARZ® The Knick on CINEMAX® on Ch. 1545. CINEMAX, ch. 515 on CINEMAX, ch. 515 CHANNEL, ch. 553 SEASON Crimson Peak Remember The Fight Game Penny Dreadful PREMIERES: Focus PREMIERES: 4 HBO FIRST LOOK 5 the Titans 6 with Jim Lampley 7 Now playing on 8 Just Before I Go 9 PREMIERE 10 The Leftovers @ 10:30pm on @ 9:30pm on NEW EPISODE @ 9pm on ch.
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Crimson Peak
1 Crimson Peak Reviewed by Garry Victor Hill Directed by Guillermo Del Toro. Produced by Guillermo Del Toro, Thomas Tull, Callum Greene and Jon Tashi. Executive Producers: Jillian Share & Maguy R. Cohen. Production Design by Thomas E. Saunders. Screenplay by Guillermo Del Toro & Mathew Robbins. Photography by Dan Laustsen. Editing by Bernat Vilplana. Music by Fernando Velázquez. A Universal Pictures Production. Original Release: October 2015. MA rating. Length: 119 minutes. Rating 85% All pictures are taken from the public domain or Wikimedia 2 Cast Edith Cushing: Mia Wasikowska Lucille Sharpe: Jessica Chastain Thomas Sharpe: Tom Huddleston Doctor Alan McMichael: Charlie Hunnam Carter Cushing: Jim Beaver Ogilvie: Jonathan Hyde Mrs McMichael: Leslie Hope Ferguson: Bruce Clay Eunice: Emily Coutts Young Edith: Sofia Wells Finlay: Alec Stockwell Coroner: Bill Lake Reverend: Sean Hewitt Review Crimson Peak is a superior horror film; more of a chiller than a thriller - until the last thirty minutes, then it unleashes thrills and horrors galore. Those last thirty minutes are made all the more effective by the suspenseful build-up. Until then the narrative segments the chilling suspense with brief moments of horror. These not only warn; they tantalise about the mystery on the way to the revealing climax. 3 Almost any viewer will either work out what that mystery, or at the least, aspects of it, long before the naïve heroine Edith Cushing does. Originality is not the film’s strength. Naïve, isolated, inexperienced, young women have been going to dark sinister, isolated, aristocratic houses (and staying there!) since at least 1847, when Jane Eyre was published.
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The Ghost Is Just a Metaphor: Guillermo Del Toro's Crimson Peak
EUROPEAN JOURNAL OF MEDIA STUDIES www.necsus-ejms.org The ghost is just a metaphor: Guillermo del Toro’s Crimson Peak, nineteenth-century female gothic, and the slasher Evangelia Kindinger NECSUS 6 (2), Autumn 2017: 55–71 URL: https://necsus-ejms.org/the-ghost-is-just-a-metaphor- guillermo-del-toros-crimson-peak-nineteenth-century-female- gothic-and-the-slasher/ Keywords: final girl, Guillermo del Toro, horror-ghost film, nine- teenth-century gothic A brief overview of American film and television since the 1990s affirms Ma- ría del Pilar Blanco and Esther Peeren’s conclusion: ‘It seems that ghosts are everywhere these days.’[1] With the release of Crimson Peak in 2015, Mexican filmmaker Guillermo del Toro did not only add another horror movie to his oeuvre,[2] but as a horror-ghost film[3] Crimson Peak joins a long list of cine- matic representations of ghosts. It also displays del Toro’s unique style, his vision of movies as ‘durchkonzipierte und bis ins letzte Detail kontrollierte Gesamtkunstwerke [conceptualised and detailed, total works of art]’.[4] Set in Buffalo, New York, around 1900, the film introduces Edith Cushing, the young, white, upper-class daughter of industrial mogul Carter Cushing, who spends her time writing ghost stories and trying to get them pub- lished.[5] When English baronet Thomas Sharpe and his sister Lucille arrive in Buffalo to find investors for Thomas’ clay mining invention, Edith falls in love with him. Her father is very suspicious of the siblings and after black- mailing them to leave Buffalo following the revelation that Thomas is already married, he is killed by an unknown figure in black who is later revealed as Lucille.
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Film Reviews
Irish Journal of Gothic and Horror Studies 15 (Autumn 2016) FILM REVIEWS (Please note that reviews may contain spoilers) He Never Died (Dir. by Jason Krawczyk) USA/Canada 2015 Alternate Ending Studios And the Lord said, ‘What have you done? The voice of your brother’s blood is crying to me from the ground. And now you are cursed from the ground, which has opened its mouth to receive your brother’s blood from your hand. When you till the ground, it shall no longer yield to you its strength; you shall be a fugitive and a wanderer on the earth.’ –Genesis 4. 10-12 When it comes to entertainment, the only thing more commercial then sex is violence. And in the thousands of years since the Bible documented its first slaying, this seemingly insatiable desire to watch or read about homicide seems to remain unquenched. From Midsommer Murders (1997-present) to Memento (2000), and from Silence of the Lambs (1991) to Silent Witness (1996), there’s nothing more commercially profitable, it seems, then depicting a good murder. Tapping into primal and animalistic instincts, the representation of murder draws upon a sense that the human condition is to be fundamentally flawed, and suggests that such universal emotions as greed, jealousy, lust, and pride motivate a significant number of murders. The Old Testament figure of Cain, supposedly the first murderer (of his brother Abel), was forever cursed to ‘be a fugitive and a wanderer of the earth’ for all eternity.1 Cain’s story of fraternal betrayal and antagonism is one commonly represented in films such as Bloodline (2005), Before the Devil Knows You’re Dead (2007), We Own the Night (2007), and the Broadway musical Blood Brothers (1983-present).
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For Immediate Release Richmond Hill: Ip Man 2
FOR IMMEDIATE RELEASE RICHMOND HILL: IP MAN 2 ### RICHMOND HILL WELCOMES REEL ASIAN: IP MAN 2 HONG KONG’S HIGHEST GROSSING FILM IN 2010 Toronto, September 13, 2010 – The Toronto Reel Asian International Film Festival (Reel Asian) is proud to include the community of Richmond Hill in their fall festival for the first time ever. In partnership with The Reel Thing, Reel Asian will co-present the premiere of Hong Kong’s highest grossing film released in the first half of 2010, martial arts blockbuster IP MAN 2 (葉問 2). IP MAN 2 tells the story of Ip Man, champion of the Wing Chun martial arts style and master of Bruce Lee. After saving the southern city of Fo Shan from Japanese invaders in the first film, Ip Man (Donnie Yen) returns and relocates to Hong Kong, which is under British colonial rule. His desire to open a new martial arts school and live peacefully with his family is put to the test when he is confronted by the other Wushu Masters, including Master Hung (Sammo Hung 洪金寶 ) who has been collecting protection fees and sharing the profits with a corrupt British officer. When the officer decides to host the “King of Boxing Competition”, East meets West, racial tensions flare and the reputation of Wushu is at stake. Ultimately, the pride of the Chinese people once again falls in the hands of Master Ip and we are reminded of the legend who advocated for the harmonious principles of the art form. Actor Donnie Yen Donnie Yen (甄子丹 ) is an actor, action choreographer, director and producer.
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223 Benjamin N. Judkins and Jon Nielson This Outstanding Book Is the First Scholarly Examination of the History of a Modern Chin
book reviews 223 Benjamin N. Judkins and Jon Nielson The Creation of Wing Chun: A Social History of the Southern Chinese Martial Arts. Albany, NY: State University of New York Press, 2015. pp. 364. $26.95. ISBN 978-1438456942. This outstanding book is the first scholarly examination of the history of a modern Chinese martial art in a Western language. While many of the modern Japanese martial arts have been documented and described, no similar work exists for the myriad of modern Chinese martial arts. Perhaps more impor- tantly, The Creation of Wing Chun is a social history that places the formation and development of the internationally known martial art of Wing Chun in a time and place. Judkins and Nielson have managed to produce a history that is an enjoyable read built on a sound historical foundation. It is a story that says as much about twentieth and early twenty-first century China as about a particular school of fighting. At its root is the history of the development of a Guangdong and Hong Kong identity in the form of a particular martial arts style. That identity formed in contrast to a monolithic Chinese nationality. Wing Chun was distinct and so was the region and culture that produced it. The book also places the history of Wing Chun at the center of a broader story about the place of martial arts in late imperial and twentieth century Chinese society. As the wider, modern, Western world intruded into southern Chinese society, the role of “hand combat” in that environment was called into question.
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Columbus Dispatch • Friday, Aug
Top Five: What’s popular on screens, in music / E2 Public art Cancer ‘close’ to remission for Valerie Harper / E2 Gary Cole displays range with trio of TV roles / E10 Sculpture refers to affection Section E • The Columbus Dispatch • Friday, Aug. 30, 2013 for city By Amy Saunders THE COLUMBUS DISPATCH Movie review / The Grandmaster Conversations with Colum- bus residents left artist Lawrence Argent with one dominant impression: People here love where they live. “I felt this very endearing component of emotion that was attached to the city,” said the Denver resident, who was hired to create a piece of public art for near North Bank Park. His thoughts after a site visit last year: “How do I make something that is amorous and showing the affection?” The answer became Flowing See Sculpture Page E3 Ip Man (Tony Leung) EAMON QUEENEY DISPATCH One part of the new Flowing Kiss sculpture The Razor Yixiantian (Chen Chang) Gong Er (Ziyi Zhang) CRITICS’ WEINSTEIN CO. PHOTOS CHOICES Each week, we consult Metacritic. com to compile aggregate opinions based on reviews from various sources. Each movie is ranked by its “Metascore,” an average rating from zero (terrible) to 100 (outstanding). — Michael Grossberg MAJESTIC COMBAT [email protected] Martial arts Stunningly photographed, choreographed tale MOVIE..................................SCORE makes mighty addition to fighting genre Crouching Tiger, Hidden 93 Dragon (2000) By Kenneth Turan • LOS ANGELES TIMES The Grandmaster (2013) 74 The Grandmaster. Directed by The Legend of Drunken Master 74 n exercise in pure cinematic style filled with ravishing Wong Kar Wai. (2000) images, The Grandmaster finds director Wong Kar Wai MPAA rating: PG-13 (for Fearless (2006) 70 applying his impeccable visual style to the mass- violence, smoking, brief drug use, language) The Karate Kid (2010) 61 market martial-arts genre with potent results.
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Read PDF \ Kung Fu Hustle ^ SVDC8AJZIUPB
LCCAV5EMSOKT // Book « Kung Fu Hustle Kung Fu Hustle Filesize: 4.33 MB Reviews Very good e book and beneficial one. It can be filled with wisdom and knowledge Your life period is going to be enhance when you full reading this ebook. (Arlene Kemmer) DISCLAIMER | DMCA ZCNTWK140OWC ~ Book \\ Kung Fu Hustle KUNG FU HUSTLE To get Kung Fu Hustle PDF, remember to refer to the hyperlink under and save the file or gain access to other information which might be have conjunction with KUNG FU HUSTLE ebook. Alphascript Publishing Feb 2010, 2010. Taschenbuch. Book Condition: Neu. 220x150x9 mm. Neuware - Kung Fu Hustle is a 2004 Hong Kong action comedy film directed and produced by, and starring Stephen Chow. The other film producers were Po Chu Chui and Jerey Lau, while the screenplay was written by Xin Huo, Chan Man Keung and Kan-Cheung Tsang. Yuen Wah, Yuen Qiu, Danny Chan Kwok Kwan and Bruce Leung co- starred in prominent roles. Aer achieving commercial success with Shaolin Soccer,Columbia Pictures Film Production Asia began to develop Kung Fu Hustle in 2002. Although the film features the return of a number of retired actors from 1970s Hong Kong action cinema, it is in stark contrast to other martial arts films around the same time that have made the biggest impact in the West, such as Crouching Tiger, Hidden Dragon and Hero. The cartoon style of the movie, accompanied by traditional Chinese music, is oen cited as its most striking feature. The film was released on December 23, 2004 in China and on January 25, 2005 in United States.
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How the Horror Genre Revitalizes Macbeth
SOMETHING WICKED THIS WAY COMES: HOW THE HORROR GENRE REVITALIZES MACBETH A Paper Submitted to the Graduate Faculty of the North Dakota State University of Agriculture and Applied Science By Rebecca Jacquelyn Patton Crisman In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Major Department: English Option: Literature April 2019 Fargo, North Dakota North Dakota State University Graduate School Title Something Wicked This Way Comes: How the Horror Genre Revitalizes Macbeth By Rebecca Jacquelyn Patton Crisman The Supervisory Committee certifies that this disquisition complies with North Dakota State University’s regulations and meets the accepted standards for the degree of MASTER OF ARTS SUPERVISORY COMMITTEE: Dr. Rebecca Weaver-Hightower Chair Dr. Alison Graham Bertolini Jess Jung, MFA Approved: April 11, 2019 Dr. Rebecca Weaver-Hightower Date Department Chair ABSTRACT This project examines Rupert Goold’s adaptation of Shakespeare’s Macbeth in terms of the horror genre. Using filmic elements of the horror genre, touchstone horror texts, and Carol Clover’s Men, Women, and Chainsaws, this project examines the Witches and Lady Macbeth as they are situated in the horror genre using various filmic elements. This project examines the character tropes of the horror genre – the monster, the victim, and the hero, and the ways in which the Witches and Lady Macbeth are at various points all three of these characters – an impossibility, within the horror genre. This adaptation, this project finds, disrupts the tropes of horror characterization, in order to illustrate the ways in which these still used tropes are problematic and damaging in terms of gender identity.
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Introduction
Introduction othic as we know it today is a term that is both hybrid and hybrid- Gising, simultaneously morphing to refer to an increasingly wider span of new cultural productions whilst also continuously expanding retrospectively to appropriate more materials from the past. Gothic as a genre has become more amorphous and difficult to contain. As Fred Botting has written: ‘The diffusion of Gothic forms and figures […] makes the definition of a homogenous generic category very difficult’ (Botting, 1996: 9). Though the first burgeoning of Gothic novels is easy to locate chronologi- cally, the Gothic leaches acquisitively backwards and forwards in time whilst also crossing generic borders. For example, David R. Castillo writes of Julián de Medrano’s La Silva Curiosa / The Strange Wood, published in 1583, nearly two centuries before the first commonly accepted date for the appearance of Gothic writing: ‘The story has all ingredients of a full-blown gothic fantasy: Faustian motives, visions of damnation, voices from the dead, restless corpses […] as is so often the case in classic gothic fiction beginning with Horace Walpole’s The Castle of Otranto (1764), this is ultimately a story about the crushing weight of the past’ (Castillo, 2010: 69). If critics have started to note the proleptic nature of early modern literature in terms of anticipating the Gothic, theoret- ical descriptions of the ‘domestic Gothic’ of the 1860s onwards and the late Victorian Gothic of the 1890s have helped give weight to Richard J. Hand’s confident instatement of German Expressionism within the area of Gothic influence (Hand, 2013: 271). The primacy of Bram Stoker’s vampire novel for F.
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Historicizing Martial Arts Cinema in Postcolonial Hong Kong: the Ip Man Narratives
IAFOR Journal of Cultural Studies Volume 4 – Issue 2 – Autumn 2019 Historicizing Martial Arts Cinema in Postcolonial Hong Kong: The Ip Man Narratives Jing Yang, Guangdong University of Foreign Studies, China Abstract: The surge of Hong Kong martial arts films in the new millennium transformed the classic genre with a keen consciousness of history. Based loosely on the life experiences of the Cantonese master Ip Man (1893–1972), Ip Man (Yip, 2008) and The Grandmaster (Wong, 2013) utilize the genre to examine the dynamics between Hong Kong and mainland China by integrating the personal with the national. Against the shifting industrial and cultural orientations of Hong Kong cinema and society, the paper argues that the multifarious discourses in both films exemplify the effort to construct a post-colonial identity in negotiation with mainland China. Keywords: Hong Kong martial arts cinema, history, national discourse, postcolonial identity 59 IAFOR Journal of Cultural Studies Volume 4 – Issue 2 – Autumn 2019 Introduction The martial arts trainer of Bruce Lee, Ip Man (1893–1972), has become a recurrent subject matter of Hong Kong cinema more than a decade after China’s resumption of sovereignty over the territory. In a string of Ip Man films released from 2008 to 2015 (Ip Man [Yip, 2010, 2015], The Legend is Born: Ip Man [Yau, 2010], Ip Man: The Final Fight [Yau, 2013] and a 50- episode TV drama Ip Man [Fan, 2013]), Wilson Yip’s Ip Man (2008) and Wong Kar-wai’s The Grandmaster (2013) recount the life experiences of the Cantonese master whose legacy is the global popularity of Wing Chun art.
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