14 Martial Arts Movies Every Guy Should See Ip

Total Page:16

File Type:pdf, Size:1020Kb

14 Martial Arts Movies Every Guy Should See Ip Best Martial Art Movie 14 Martial Arts Movies Every Guy Should See Share F O L L O W C M Disable wpStickies on this image Few things are as delectably enjoyable as martial arts films. You can turn most on half way through and still get glued to your couch. You coast along with the plot (as awful as it can be at times) eagerly anticipating the next fight scene. Great martial arts flicks, however, combine awesome combat with a story that actually makes it worth the down time between roundhouse kicks. Here are 14 every guys should see. Ip Man The fight scenes in Ip Man are so devastatingly awesome, you’ll want to start training in Wing Chun as soon as the credits roll. Bruce Lee’s mentor, as played by Donnie Yen, is soft-spoken, kind, and insanely badass when it comes to combat. Ip Man is not just a watch-worthy flick because of the great fight scenes, but it’s also an interesting historical look at the world Ip Man lived in and what life was like in 1930’s Southern China. Plus, any dude who trained Bruce Lee must be pretty decent, right? Amazon Instant iTunes Netflix Instant Netflix DVD Hero For as awesome as Jet Li is, a lot of his films fall short for us. Hero is one major exception (along with Once Upon a Time in China). The first thing you’ll notice about Hero is the sheer beauty of it. Not just the choreographed fight scenes, but just the overall look. It’s stunning. In fact, it’s the only time we can recall watching a plethora of arrows fly towards someone’s cranium and thinking how beautiful it is. Amazon Instant iTunes Netflix DVD Enter the Dragon Not including any Bruce Lee movies on this list would be ridiculous. While some might argue that The Chinese Connection should be the choice, we just can’t not choose Enter the Dragon. Is it the greatest story ever told? No. Does it feature Bruce Lee destroying a substantial series of evil-doers? Yes. For that alone, it’s just awesome. Amazon iTunesNetflix DVD Ong-Bak Some of the kicks in Ong-Bak will leave you checking your own jaw to see if it got shattered to pieces from some sort of weird osmosis. The film, which mostly showcases Muay Thai, is the standout project from the incredible Tony Jaa, and definitetly worth a watch. Amazon Instant iTunes Netflix Instant Netflix DVD Brotherhood of the Wolf When you think French movies, you think passionate romances, artsy flicks that go over your head, and plenty of baguettes. You don’t think martial arts. And while Brotherhood of the Wolf isn’t a straight-up martial arts movie (it isn’t a straight-up any kind of movie, actually), it is a serious piece of entertainment. It’s one of those movies you just put on and enjoy without letting your brain get to wrapped up in what’s going on. It’s like nothing you’ve seen before and it’s damn entertaining. Netflix DVD 13 Assassins The scheming and strategy, the David vs. Goliath aspect, and the kickass battles make 13 Assassins a treat for samurai fans. Actually, it’s a treat for movie fans in general, because, unlike some martial arts films, there’s actually some grandiose scope aside from the standard action scenes. Amazon Instant iTunes Netflix Instant Netflix DVD The Man From Nowhere It can be challenging at times to determine what is and what isn’t a true martial arts movie. Like, what do you do when lots of the action involves gun fights but there is still martial arts involved? While The Man from Nowhere walks that fine line, we put it on this list for two good reasons: 1) It’s unbelievably awesome, and 2) The fight scene with the eyeball in a jar. That’s all we’ll say. Amazon Instant iTunes Netflix Instant Netflix DVD Kung Fu Hustle Martial arts movies don’t always have to be dead serious, in fact, they don’t always have to be serious at all. Kung Fu Hustle won’t be confused for a Bruce Lee epic, but it’s definitely a must watch. It’s so absurdly ridiculous that you almost miss how awesome the fighting is. Amazon Instant iTunes Netflix DVD Once Upon a Time in China The first in a trilogy, Once Upon a Time in China really introduced many to the skills of Jet Li. It also happens to combine incredible fight scenes with a large-scale story that will keep you interested for the 2+ hours. Netflix DVD Kill Bill Vol. 1 No subtitles! Okay, watching Kill Bill Vol 1 is not pleasurable just because you don’t have do any reading, it just happens to be a kickass martial arts flick from a dude who knows a thing or two about violence on film. It’s one of the few films with a female protagonist and the only film on this list that involves sick moves with a nonstick frying pan. iTunes Netflix DVD Iron Monkey Think of Iron Monkey as Robin Hood without the goofy tights. An unknown hero steals from the rich, only he doesn’t challenge enemies to archery contests, he just beats the crap out of them. The fighting is choreographed by the same dude who worked on Crouching Tiger, Hidden Dragon and The Matrix, plus, it’s got Donnie Yen in it, which is always a positive. iTunes Netflix DVD Crouching Tiger, Hidden Dragon The fame of Crouching Tiger, Hidden Dragon is warranted. Ang Lee’s epic is visually stunning. It feels like you’re watching a kickass fairy tale meant for adults. Oh, and there’s tree fighting. Amazon Instant iTunes Netflix DVD The Legend of Drunken Master Finally a Jackie Chan movie for the list. Not only that, but a Jackie Chan movie where he gains his fighting ability by drinking. The script writes itself! The film features some of the funniest/coolest fight scenes you’ll ever see. Just don’t pound Maker’s Mark and try to fight after watching it. Netflix DVD Seven Samurai This list wouldn’t be complete without the movie many consider the greatest martial arts/samurai film of all time. It’s a movie that spawned so many remakes and offshoots, that you just know without watching it that it will be good. Well, it is good, and, in fact, far, far better than good. Don’t let the black and white and subtitles stop you from watching this masterpiece. Amazon Instant iTunes Netflix DVD Top 20 Martial Arts Films of All Time Posted By creid On December 10, 2012 @ 4:00 am In Martial Art Movies | 7 Comments Twenty-first century kung fu [1] film fans are more aware and appreciative of good movies than their ancestors ever were. There are three main reason for this: the mainstream success of Chinese-language martial arts films such as Ang Lee’s Crouching Tiger, Hidden Dragon and Zhang Yimou’s Hero and House of Flying Daggers in the West; the use of stylized Hong Kong action in Hollywood blockbusters; and the international success of Jackie Chan [2], Jet Li [3], Michelle Yeoh and their cohorts. Learn even more martial arts movie trivia with this FREE Guide! Our Bruce Lee Movies List: Little-Known Trivia From Bruce Lee’s Pictures [4]. Because of their current status in the American martial arts community, Black Belt asked me to devise a list of the top 20 martial arts movies [5] of all time. The result is this article. Movies were included based on their impact on martial arts cinema, as well as their choreography. Before jumping into the list, however, I’ll note a few honorable mentions: Crouching Tiger for giving small-town America a view of the wu xia world of martial arts films Kung Fu vs. Yoga for … well, you just can’t ignore a guy who’s capable of whipping his right leg up across his back and kicking over his left shoulder to strike the face of a man standing in front of him Magnificent Butcher for what’s arguably Sammo Hung’s best fight performance The Sword of Doom for being the best samurai film ever made Once Upon a Time in China for resurrecting the legend of Huang Fei-hung, for defining Jet Li and for introducing the world to the ―Hong Kong kick‖ Armor of Gods for featuring in its final fight four of Jackie Chan’s skinny Chinese stuntmen doubling four large-bosomed black women. You’ve got to love it. Martial Arts Movie #20 – One-Armed Swordsman (1967) [6] One-Armed Swordsman (1967) At a time when musicals and romances overshadowed action films and women ruled the Hong Kong silver screen, legendary director Chang Cheh burst onto the scene with One-Armed Swordsman. This riveting revenge thriller, filled with themes of heroic bloodshed and violence, reversed the Cantonese and Mandarin starlet-entrenched cinematic trends. It was also a pivotal transition between wu xia movies and kung fu films, and it introduced the world to the stoically charismatic Jimmy Wong Yu. Martial Arts Movie #19 – Ong-Bak (2003) [7] Ong-Bak (2003) This Thai Film Festival award winner starring Tony Jaa [8] (Robin Shou’s stunt double in Mortal Kombat [9]: Annihilation) is not only the first martial arts flick to feature a highly stylized version of Thai kickboxing, but the bone-crunching stunts and full-contact body attacks are also a noncomedic throwback to Jackie Chan’s films from the mid-1980s.
Recommended publications
  • Stirling Silliphant Papers, Ca
    http://oac.cdlib.org/findaid/ark:/13030/tf2f59n87r No online items Finding Aid for the Stirling Silliphant Papers, ca. 1950-ca. 1985 PASC.0134 Finding aid prepared by Processed by UCLA Library Special Collections staff; machine-readable finding aid created by D.MacGill UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] Online finding aid last updated 14 August 2017 Finding Aid for the Stirling PASC.0134 1 Silliphant Papers, ca. 1950-ca. 1985 PASC.0134 Title: Stirling Silliphant papers Identifier/Call Number: PASC.0134 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 27.0 linear feet65 boxes. Date (inclusive): ca. 1950-ca. 1985 Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], Stirling Silliphant Papers (Collection Number PASC 134).
    [Show full text]
  • A Brief Analysis of China's Contemporary Swordsmen Film
    ISSN 1923-0176 [Print] Studies in Sociology of Science ISSN 1923-0184 [Online] Vol. 5, No. 4, 2014, pp. 140-143 www.cscanada.net DOI: 10.3968/5991 www.cscanada.org A Brief Analysis of China’s Contemporary Swordsmen Film ZHU Taoran[a],* ; LIU Fan[b] [a]Postgraduate, College of Arts, Southwest University, Chongqing, effects and packaging have made today’s swordsmen China. films directed by the well-known directors enjoy more [b]Associate Professor, College of Arts, Southwest University, Chongqing, China. personalized and unique styles. The concept and type of *Corresponding author. “Swordsmen” begin to be deconstructed and restructured, and the swordsmen films directed in the modern times Received 24 August 2014; accepted 10 November 2014 give us a wide variety of possibilities and ways out. No Published online 26 November 2014 matter what way does the directors use to interpret the swordsmen film in their hearts, it injects passion and Abstract vitality to China’s swordsmen film. “Chivalry, Military force, and Emotion” are not the only symbols of the traditional swordsmen film, and heroes are not omnipotent and perfect persons any more. The current 1. TSUI HARK’S IMAGINARY Chinese swordsmen film could best showcase this point, and is undergoing criticism and deconstruction. We can SWORDSMEN FILM see that a large number of Chinese directors such as Tsui Tsui Hark is a director who advocates whimsy thoughts Hark, Peter Chan, Xu Haofeng , and Wong Kar-Wai began and ridiculous ideas. He is always engaged in studying to re-examine the aesthetics and culture of swordsmen new film technology, indulging in creating new images and film after the wave of “historic costume blockbuster” in new forms of film, and continuing to provide audiences the mainland China.
    [Show full text]
  • Bullet in the Head
    JOHN WOO’S Bullet in the Head Tony Williams Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © Tony Williams 2009 ISBN 978-962-209-968-5 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Condor Production Ltd., Hong Kong, China Contents Series Preface ix Acknowledgements xiii 1 The Apocalyptic Moment of Bullet in the Head 1 2 Bullet in the Head 23 3 Aftermath 99 Appendix 109 Notes 113 Credits 127 Filmography 129 1 The Apocalyptic Moment of Bullet in the Head Like many Hong Kong films of the 1980s and 90s, John Woo’s Bullet in the Head contains grim forebodings then held by the former colony concerning its return to Mainland China in 1997. Despite the break from Maoism following the fall of the Gang of Four and Deng Xiaoping’s movement towards capitalist modernization, the brutal events of Tiananmen Square caused great concern for a territory facing many changes in the near future. Even before these disturbing events Hong Kong’s imminent return to a motherland with a different dialect and social customs evoked insecurity on the part of a population still remembering the violent events of the Cultural Revolution as well as the Maoist- inspired riots that affected the colony in 1967.
    [Show full text]
  • Nowoczesny Kampus W Trzebnicy Miejsca Pracy
    NR 18 (61)/2014 data wydania 17.10.2014 Będą nowe Nowoczesny kampus w Trzebnicy miejsca pracy Wiosną ruszy budowa fabryki FM GROUP w Trzebnicy. Str. 4. Uroczyste otwarcia W Ujeźdźcu Wielkim, Masłowie, Świątnikach i Przedszkolu nr 2 w Trzebnicy. Str. 8,9 i 11 a ostatnim spotkaniu Sto- stowarzyszenie chce wybudować czeniem głównie na zgrupowania budowany prze ul. 3-go Maja – warzyszenia Gmin i Po- w kilku miejscach Dolnego Ślą- i obozy treningowe. Znajdzie się przy niecce, w której przed wojną N wiatów Aglomeracji Wro- ska. Jedna z lokalizacji przypa- w nich także wydzielone miej- znajdował się staw. Jest to loka- BUdUj cławskiej, którego członkiem jest da w naszym mieście. Czym są sce dla kierowców, opiekunów lizacja w bezpośrednim sąsiedz- z nami również Gmina Trzebnica, zapa- wspomniane kampusy? To no- oraz osobne moduły dla rodzin, twie orlika i planowanej obok dła decyzja o lokalizacji kampu- woczesne i komfortowe internaty a także miejsca parkingowe dla Szkoły Podstawowej nr 2 hali sów dla dzieci i młodzieży, które dla dzieci i młodzieży, z przezna- autobusów. Kampus zostanie wy- widowiskowo-sportowej. Str. 7. Str. 9 expertom nie ufaj pseudo proline zaufaj profesjonalistom w 2 SUBIEKTYWNYM Trzy kroki do przodu... okiem gospodarza Tak właśnie by się stało, gdy- cje przeznaczano maksymalnie jomych, ale dla mieszkańców, by kilka lat temu nie pojawił się 10 procent. Dziś jest to nie do dla mojej Ojczyzny, w której się wej, ale z pomysł budowy nowej szkoły. pomyślenia. urodziłem, wychowałem, w któ- perspekty- Wówczas był mocno krytykowa- Dziś trudno sobie wyobrazić rej dorastałem. Chciałbym, by Blisko 210 milionów zło- wy wyglądu ny, głównie ze strony opozycji i Trzebnicę bez deptaka, basenu, było tu coraz piękniej, by żyło się tych przeznaczono na różnego Trzebnicy i okolicznych sołectw, osób z nimi związanych.
    [Show full text]
  • Donnie Yen's Kung Fu Persona in Hypermedia
    Studies in Media and Communication Vol. 4, No. 2; December 2016 ISSN 2325-8071 E-ISSN 2325-808X Published by Redfame Publishing URL: http://smc.redfame.com Remediating the Star Body: Donnie Yen’s Kung Fu Persona in Hypermedia Dorothy Wai-sim Lau1 113/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong Correspondence: Dorothy Wai-sim Lau, 13/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong. Received: September 18, 2016 Accepted: October 7, 2016 Online Published: October 24, 2016 doi:10.11114/smc.v4i2.1943 URL: http://dx.doi.org/10.11114/smc.v4i2.1943 Abstract Latest decades have witnessed the proliferation of digital media in Hong Kong action-based genre films, elevating the graphical display of screen action to new levels. While digital effects are tools to assist the action performance of non-kung fu actors, Dragon Tiger Gate (2006), a comic-turned movie, becomes a case-in-point that it applies digitality to Yen, a celebrated kung fu star who is famed by his genuine martial dexterity. In the framework of remediation, this essay will explore how the digital media intervene of the star construction of Donnie Yen. As Dragon Tiger Gate reveals, technological effects work to refashion and repurpose Yen’s persona by combining digital effects and the kung fu body. While the narrative of pain and injury reveals the attempt of visual immediacy, the hybridized bodily representation evokes awareness more to the act of representing kung fu than to the kung fu itself.
    [Show full text]
  • Bibliography
    BIBLIOGRAPHY An Jingfu (1994) The Pain of a Half Taoist: Taoist Principles, Chinese Landscape Painting, and King of the Children . In Linda C. Ehrlich and David Desser (eds.). Cinematic Landscapes: Observations on the Visual Arts and Cinema of China and Japan . Austin: University of Texas Press, 117–25. Anderson, Marston (1990) The Limits of Realism: Chinese Fiction in the Revolutionary Period . Berkeley: University of California Press. Anon (1937) “Yueyu pian zhengming yundong” [“Jyutpin zingming wandung” or Cantonese fi lm rectifi cation movement]. Lingxing [ Ling Sing ] 7, no. 15 (June 27, 1937): no page. Appelo, Tim (2014) ‘Wong Kar Wai Says His 108-Minute “The Grandmaster” Is Not “A Watered-Down Version”’, The Hollywood Reporter (6 January), http:// www.hollywoodreporter.com/news/wong-kar-wai-says-his-668633 . Aristotle (1996) Poetics , trans. Malcolm Heath (London: Penguin Books). Arroyo, José (2000) Introduction by José Arroyo (ed.) Action/Spectacle: A Sight and Sound Reader (London: BFI Publishing), vii-xv. Astruc, Alexandre (2009) ‘The Birth of a New Avant-Garde: La Caméra-Stylo ’ in Peter Graham with Ginette Vincendeau (eds.) The French New Wave: Critical Landmarks (London: BFI and Palgrave Macmillan), 31–7. Bao, Weihong (2015) Fiery Cinema: The Emergence of an Affective Medium in China, 1915–1945 (Minneapolis: University of Minnesota Press). Barthes, Roland (1968a) Elements of Semiology (trans. Annette Lavers and Colin Smith). New York: Hill and Wang. Barthes, Roland (1968b) Writing Degree Zero (trans. Annette Lavers and Colin Smith). New York: Hill and Wang. Barthes, Roland (1972) Mythologies (trans. Annette Lavers), New York: Hill and Wang. © The Editor(s) (if applicable) and The Author(s) 2016 203 G.
    [Show full text]
  • MIYAKI Yukio (GONG Muduo) 宮木幸雄(龔慕鐸)(B
    MIYAKI Yukio (GONG Muduo) 宮木幸雄(龔慕鐸)(b. 1934) Cinematographer Born in Kanagawa Prefecture, Miyaki joined Ari Production in 1952 and once worked as assistant to cinematographer Inoue Kan. He won an award with TV programme Kochira Wa Shakaibu in Japan in 1963. There are many different accounts on how he eventually came to work in Hong Kong. One version has it that he came in 1967 with Japanese director Furukawa Takumi to shoot The Black Falcon (1967) and Kiss and Kill (1967) for Shaw Brothers (Hong Kong) Ltd. Another version says that the connection goes back to 1968 when he helped Chang Cheh film the outdoor scenes of Golden Swallow (1968) and The Flying Dagger (1969) in Japan. Yet another version says that he signed a contract with Shaws as early as 1965. By the mid-1970s, under the Chinese pseudonym Gong Muduo, Miyaki worked as a cinematographer exclusively for Chang Cheh’s films. He took part in over 30 films, including The Singing Thief (1969), Return of the One-armed Swordsman (1969), The Invincible Fist (1969), Dead End (1969), Have Sword, Will Travel (1969), Vengeance! (1970), The Heroic Ones (1970), The New One-Armed Swordsman (1971), The Anonymous Heroes (1971), Duel of Fists (1971), The Deadly Duo (1971), Boxer from Shantung (1972), The Water Margin (1972), Trilogy of Swordsmanship (1972), The Blood Brothers (1973), Heroes Two (1974), Shaolin Martial Arts (1974), Five Shaolin Masters (1974), Disciples of Shaolin (1975), The Fantastic Magic Baby (1975), Marco Polo (1975), 7-Man Army (1976), The Shaolin Avengers (1976), The Brave Archer (1977), The Five Venoms (1978) and Life Gamble (1979).
    [Show full text]
  • Written & Directed by and Starring Stephen Chow
    CJ7 Written & Directed by and Starring Stephen Chow East Coast Publicity West Coast Publicity Distributor IHOP Public Relations Block Korenbrot PR Sony Pictures Classics Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Judy Chang Leila Guenancia 853 7th Ave, 3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-265-4373 tel 323-634-7001 tel 212-833-8833 tel 212-247-2948 fax 323-634-7030 fax 212-833-8844 fax 1 Short Synopsis: From Stephen Chow, the director and star of Kung Fu Hustle, comes CJ7, a new comedy featuring Chow’s trademark slapstick antics. Ti (Stephen Chow) is a poor father who works all day, everyday at a construction site to make sure his son Dicky Chow (Xu Jian) can attend an elite private school. Despite his father’s good intentions to give his son the opportunities he never had, Dicky, with his dirty and tattered clothes and none of the “cool” toys stands out from his schoolmates like a sore thumb. Ti can’t afford to buy Dicky any expensive toys and goes to the best place he knows to get new stuff for Dicky – the junk yard! While out “shopping” for a new toy for his son, Ti finds a mysterious orb and brings it home for Dicky to play with. To his surprise and disbelief, the orb reveals itself to Dicky as a bizarre “pet” with extraordinary powers. Armed with his “CJ7” Dicky seizes this chance to overcome his poor background and shabby clothes and impress his fellow schoolmates for the first time in his life.
    [Show full text]
  • Recommended Reading
    RECOMMENDED READING The following books are highly recommended as supplements to this manual. They have been selected on the basis of content, and the ability to convey some of the color and drama of the Chinese martial arts heritage. THE ART OF WAR by Sun Tzu, translated by Thomas Cleary. A classical manual of Chinese military strategy, expounding principles that are often as applicable to individual martial artists as they are to armies. You may also enjoy Thomas Cleary's "Mastering The Art Of War," a companion volume featuring the works of Zhuge Liang, a brilliant strategist of the Three Kingdoms Period (see above). CHINA. 9th Edition. Lonely Planet Publications. Comprehensive guide. ISBN 1740596870 CHINA, A CULTURAL HISTORY by Arthur Cotterell. A highly readable history of China, in a single volume. THE CHINA STUDY by T. Colin Campbell,PhD. The most comprehensive study of nutrition ever conducted. ISBN 1-932100-38-5 CHINESE BOXING: MASTERS AND METHODS by Robert W. Smith. A collection of colorful anecdotes about Chinese martial artists in Taiwan. Kodansha International Ltd., Publisher. ISBN 0-87011-212-0 CHINESE MARTIAL ARTS TRAINING MANUALS (A Historical Survey) by Brian Kennedy and Elizabeth Guo CHRONICLES OF TAO, THE SECRET LIFE OF A TAOIST MASTER by Deng Ming-Dao. Harper San Francisco, Publisher ISBN 0-06-250219-0 (Note: This is an abridged version of a three- volume set: THE WANDERING TAOIST (Book I), SEVEN BAMBOO TABLETS OF THE CLOUDY SATCHEL (Book II), and GATEWAY TO A VAST WORLD (Book III)) CLASSICAL PA KUA CHANG FIGHTING SYSTEMS AND WEAPONS by Jerry Alan Johnson and Joseph Crandall.
    [Show full text]
  • Episode 289 – Talking Sammo Hung | Whistlekickmartialartsradio.Com
    Episode 289 – Talking Sammo Hung | whistlekickMartialArtsRadio.com Jeremy Lesniak: Hey there, thanks for tuning in. Welcome, this is whistlekick martial arts radio and today were going to talk all about the man that I believe is the most underrated martial arts actor of today, possibly of all time, Sammo Hung. If you're new to the show you may not know my voice I'm Jeremy Lesniak, I'm the founder of whistlekick we make apparel and sparring gear and training aids and we produce things like this show. I wanna thank you for stopping by, if you want to check out the show notes for this or any of the other episodes we've done, you can find those over at whistlekickmartialartsradio.com. You find our products at whistlekick.com or on Amazon or maybe if you're one of the lucky ones, at your martial arts school because we do offer wholesale accounts. Thank you to everyone who has supported us through purchases and even if you aren’t wearing a whistlekick shirt or something like that right now, thank you for taking the time out of your day to listen to this episode. As I said, here on today's episode, were talking about one of the most respected martial arts actor still working today, a man who has been active in the film industry for almost 60 years. None other the Sammo Hung. Also known as Hung Kam Bow i'll admit my pronunciation is not always the best I'm doing what I can. Hung originates from Hong Kong where he is known not only as an actor but also as an action choreographer, producer, and director.
    [Show full text]
  • Die Filme John Woos Und Die Entwicklung Des Hongkong-Kinos
    Die Filme John Woos und die Entwicklung des Hongkong-Kinos. Mit einer annotierten Mediographie. Diplomarbeit im Fach Medienwissenschaft Studiengang Öffentliche Bibliotheken der Fachhochschule Stuttgart – Hochschule für Bibliotheks- und Informationswesen Petra Peuker Erstprüfer: Dr. Manfred Nagl Zweitprüfer: Dr. Horst Heidtmann Angefertigt in der Zeit vom 09. Juli 1999 bis 11. Oktober 1999 Stuttgart, Oktober 1999 Schlagwörter und Abstract John Woo John Woo Hongkong Hong Kong Kino Cinema Kungfu Martial Arts Der Citywolf A Better Tomorrow Blast Killer The Killer Im Körper des Feindes Face/Off Die vorliegende Arbeit befaßt sich mit dem chinesischen Regisseur John Woo. Anhand seiner Werke sollen die wichtigsten Strömungen und Ent- wicklungen im Hongkong-Kino dargestellt werden, wie zum Beispiel die Martial-Arts-Filme in den Siebziger Jahren, die Regisseure der „Neuen Welle“ Anfang der Achtziger Jahre und besonders Woos eigene Leistung, die Neuorientierung des Gangsterfilms. Außerdem beinhaltet diese Arbeit eine annotierte Mediographie, mit aus- gewählten Medien zum Thema Hongkong-Kino und John Woo. This paper reports on the Chinese director John Woo. The most important developments in Hong Kong Cinema are shown by means of his movies, such as the martial arts movies in the seventies, the directors of the „New Wave“ at the beginning of the eighties and especially Woos own achieve- ment, the re-orientation of the gangstermovie. This paper also contains an annotated listing of media dealing with the Hong Kong Cinema and John Woo. 2 Inhaltsverzeichnis
    [Show full text]
  • Rumble in the Bronx Download Torrent Rumble in the Bronx
    rumble in the bronx download torrent Rumble in the Bronx. A young man visiting and helping his uncle in New York City finds himself forced to fight a street gang and the mob with his martial art skills. Keong comes from Hong Kong to visit New York for his uncle's wedding. His uncle runs a market in the Bronx and Keong offers to help out while Uncle is on his honeymoon. During his stay in the Bronx, Keong befriends a neighbor kid and beats up some neighborhood thugs who cause problems at the market. Meanwhile, one of those petty thugs in the local gang stumbles into a criminal situation way over his head. Blinded by greed, his involvement draws his gang, the kid, Keong, and the whole neighborhood into a deadly crossfire. When the lazy cops fail to successfully resolve matters, Keong takes things into his own hands. Needless to say, much spectacular kung-fu and outrageous action sequences follow. Downloaded 15689 times 5/12/2017 12:26:07 AM. Download Torrent "Terremoto nel Bronx- Rumble in the Bronx (1995) ITA-ENG Ac3 5.1 SD H264 sub. " Titolo originale Hung fan kui Titolo internazionale Rumble in the Bronx Data di uscita 29 Agosto 1996 (Italia), 21 Gennaio 1995 (Hong Kong) Genere Commedia , Poliziesco , Thriller Anno 1995 Regia Stanley Tong Paese Canada, Hong Kong Durata 87 Min. Jackie Chan, Anita Mui, Françoise Yip, Bill Tung, Marc Akerstream, Garvin Cross, Morgan Lam, Carrie Cain-Sparks, Alecia Paget. Invitato a recarsi negli Stati Uniti per via di un matrimonio, un uomo riesce a portare sulla retta via una banda giovanile, rendendosi utile nello sconfiggere un boss mafioso.
    [Show full text]