International Folk Dance Ensemble
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USA: TRAVELER As settlers on the American frontier, our ancestors believed in working hard and playing hard. This rendition of a turn-of-the-century celebration displays the enthusiasm and freedom that helped build the character of the USA. Choreography: Jeanette Geslison Music: Arkansas Traveler (traditional); performed by Mountain Strings Musical Arrangement: Barrage USA: THE BREAKAWAY BUG A Lindy-style tap dance. Choreography: Jacob Madsen Music: Beaumont Rag (traditional); performed by Isaac Geslison and Alex Swindler Musical Arrangement: Mark Geslison, Isaac Geslison, and Alex Swindler Soloists: Lauren Ashby and Emmanuel Valdez USA: JUMP JIVE AN’ WAIL The Lindy Hop combines jazz, tap, breakaway, and Charleston dance styles. Originating in Harlem, New York, this dance was named after Charles Lindbergh, the famous American aviator who “hopped” across the Atlantic in 1927. It crossed racial boundaries as both Black and white dancers came together at the integrated Savoy Ballroom. Dancers build upon a basic swing step and improvise as they solo and partner freely. Get ready for some fast-paced fun with flips, spins, and, of course, hops! Choreography: Elaine Grenko Music: Jump, Jive an’ Wail (Louis Prima); performed by Mountain Strings Musical Arrangement: Mark Geslison and Mountain Strings USA: KEEP ON THE SUNNY SIDE Music: Traditional; performed by Mountain Strings Musical Arrangement: Mark Geslison 2 BYU DEPARTMENT OF DANCE IRELAND: A LOVELY MADNESS This suite of dances features the lyrical beauty of the women’s slip jig danced in 9/8 time, followed with a jig danced in 6/8 time that presents the strength of the men. The energetic soft and hard shoe double reel finish the suite, typifying the precision and formations of Irish figure dancing. Choreography: Tara Reid-O’Brien Music: Mister Molly’s (Beoga), Canbrack Girls (Eileen Ivers) and Fiddler’s Despair (Natalie MacMaster and Donnell Leahy); performed by Mountain Strings Soloist: Kierica McPherson HUNGARY: ÉLŐ FÉNY Men’s dances from the village of Méhkerék are much loved. This slapping and clapping style with very intricate rhythmic patterns is favored on the stage by numerous professional Hungarian dance ensembles. Choreography: Gary Larsen Jews Harp: Isaac Geslison INDIA: PUSHPANJALI “Pushpanjali” is a traditional invocatory piece in bharatanatyam style, the oldest classical dance form from the southern part of India. The word pushpanjali literally means “offering of flowers to the Almighty.” More than 2,000 years old, this exquisite dance form combines facial expression, subtle eye movements, hand gestures, and explosive rhythmic footwork to integrate mind, body, and spirit. Most classical dance forms are based on Hindu mythological stories. Choreography: Divya Narayanan Music: The Chase by Amit Heri and Mani Sharma, recorded by Gayathri; Dance like a Man by Ganesh and Kumaresh, recorded by Ganesh and Kumaresh INTERNATIONAL FOLK DANCE ENSEMBLE INDIA: BHANGRA Traditionally a men’s Punjabi harvest dance accompanied by the infectious rhythm of the dhol drum, Bhangra is now danced at celebrations, performances, and competitions worldwide. This work includes the traditional wooden sapp. Choreography: Greg Rawlings Music: Bhangra (Gupsy Aujla), recorded by Saini Surinder INDIA: DISCOWALE Bollywood, the famed film industry based in Mumbai, India, is characterized by elaborate musical numbers, love triangles, and melodrama. This dance style combines traditional Indian dance with Western movement, such as hip hop. Choreography: Greg and Sally Rawlings Music: Discowale Khisko (Pritam Chakraborty), recorded by Krishnakumar Kunnath, Sunidhi Chauhan, and Rana Mazumder Soloists: Natasha Keckley/McKenna Wright, Ian Woodward, and Tyler Persson VIDEO: A STUDENT’S PERSPECTIVE Dancing with the BYU International Folk Dance Ensemble Film producers: Travis Moore, Alex Moore, and Isaiah Vela USA: BIG BLUE SHOWDOWN Big Blue Showdown portrays the excitement and energy of American clogging! Traditional dance elements featured: hoedowns, partner circle dances, large circle dances, grand progressions, showing off the fanciest footwork. Big Blue Showdown will have you tapping your toes and clapping your hands to recognizable traditional tunes. Choreography: Greg and Maria Tucker Music: Old Dan Tucker, She’ll Be Comin’ ‘Round the Mountain, and Back Up and Push traditional; performed by Mountain Strings Musical Arrangement: Mark Geslison 4 BYU DEPARTMENT OF DANCE DANCERS Colin Anderson Teagan Mann Dallin Arnold Kierica McPherson Laura Arnold Tyler Persson Lauren Ashby Victoria Rimington Dawson Collins David Stone Clark DeFranco J. Paul Storrs Whitnee Forest Halle Tucker Elise Glover Emmanuel Valdez Ashley Jex Isaiah Vela Natasha Keckley Ian Woodward Hannah Kooyman McKenna Wright Shayne Mann Anthony Xanthos MOUNTAIN STRINGS Aubree Carroll Casey Geslison Isaac Geslison Peyton Gleave Quinn Gleave Brielle Petrie Alexander Swindler STAY CONNECTED WITH US! Facebook: BYU Folk Dance Instagram: @byu_folkdance Youtube: BYU International Folk Dance INTERNATIONAL FOLK DANCE ENSEMBLE INTERNATIONAL FOLK DANCE ENSEMBLE Throughout the past six decades, the International Folk Dance Ensemble has traveled around the globe performing traditional dances selected from more than 40 cultures worldwide. As an emissary of the United States and American culture, the group has become internationally famous. The International Folk Dance Ensemble is accompanied by the versatile acoustic band Mountain Strings. The musicians bring the dances to life with their driving folk rhythms. The International Folk Dance Ensemble is produced by the Department of Dance in the College of Fine Arts and Communications at Brigham Young University. BRIGHAM YOUNG UNIVERSITY Intensive learning in a stimulating setting—nurturing the mind, body, and spirit—is central to the mission of Brigham Young University. Cradled between the Rocky Mountains and Utah Lake, BYU was founded in 1875 by The Church of Jesus Christ of Latter-day Saints. The approximately 33,000 full-time students who attend BYU come from all 50 states and more than 100 countries, with about 65 percent coming from outside of Utah. All major religions are represented on campus. BYU’s faculty numbers around 1,600. The university offers about 180 bachelor’s degrees, more than 60 master’s degrees, and some 25 doctoral degrees, including a juris doctor. For more information contact BYU Performing Arts Management: Shane Wright, Artist Manager 306 Hinckley Center, Provo, UT 84602 Telephone: 801-422-3574 Fax: 801-422-0546 [email protected] pam.byu.edu 6 BYU DEPARTMENT OF DANCE.