Russia Series 1 Elementary (K–6) TABLE of CONTENTS
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Vasilisa the Beautiful and Baba Yaga by Alexander Afanasyev Book
Vasilisa the Beautiful and Baba Yaga by Alexander Afanasyev book Ebook Vasilisa the Beautiful and Baba Yaga currently available for review only, if you need complete ebook Vasilisa the Beautiful and Baba Yaga please fill out registration form to access in our databases Download here >> Hardcover:::: 28 pages+++Publisher:::: The Planet (July 15, 2017)+++Language:::: English+++ISBN-10:::: 1910880353+++ISBN-13:::: 978- 1910880357+++Product Dimensions::::8 x 0.2 x 10 inches+++ ISBN10 ISBN13 Download here >> Description: The famous Russian fairy tale about a brave girl sent by her jealous stepsisters to fetch fire from frightful witch Baba Yaga was recorded by the renowned folklorist Alexander Nikolayevich Afanasyev (1826–1871), who collected and published more than 600 Russian folk tales in the middle 19th century.The illustrations included in this edition were created in the early 20th century by Ivan Yakovlevich Bilibin, a famous Russian illustrator and stage designer, who was inspired by Slavic folklore throughout his career. He was a prominent figure in the artistic movement Mir Iskusstva and contributed to the Ballets Russes. “Vasilisa the Beautiful and Baba Yaga” is a traditional Russian fairytale retold by Alexander Afanasyev and translated into English by Post Wheeler in the 2017 edition published by Planet Books. In the story, Vasilisa is given a magic doll by her mother as she is dying. She tells Vasilisa to give the little doll some food and drink and then it will help her solve whatever problem she’s facing.Indeed, the doll saves her over and over, even when faced with the ogre Baba Yaga, who threatens to eat Vasilisa if she doesn’t do everything she’s told. -
Myths, Legends, Fairy Tales and Folk Tales in Music ______
______________________________________________________________________________________________________ Sounds of Enchantment: Myths, Legends, Fairy Tales and Folk Tales in Music ______________________________________________________________________________________________________ Gioacchino ROSSINI Overture from William Tell Felix MENDELSSOHN Scherzo from A Midsummer Night’s Dream Sergei PROKOFIEV Waltz Coda and Midnight from Cinderella, Op. 87 David CROWE How Birds Came Into the World John WILLIAMS Raiders March from Raiders of the Lost Ark Piotr Ilyich TCHAIKOVSKY Scene from Swan Lake Modest MUSSORGSKY / arr. Ravel Baba Yaga and The Great Gate of Kiev from Pictures at an Exhibition HOW TO USE THIS STUDY GUIDE This guide is designed as a curriculum enhancement resource primarily for music teachers, but is also available for use by classroom teachers, parents, and students. The main intent is to aid instructors in their own lesson preparation, so most of the language and information is geared towards the adult, and not the student. It is not expected that all the information given will be used or that all activities are applicable to all settings. Teachers and/or parents can choose the elements that best meet the specific needs of their individual situations. Our hope is that the information will be useful, spark ideas, and make connections. TABLE OF CONTENTS Sounds of Enchantment Overview – Page 4 Program Notes – Page 7 ROSSINI | Overture from William Tell Page 8 MENDELSSOHN | Scherzo from A Midsummer Night’s Dream Page 10 PROKOFIEV | Waltz Coda and Midnight from Cinderella, Op. 87 Page 13 CROWE | How Birds Came Into the World Page 17 WILLIAMS | Raiders March from Raiders of the Lost Ark Page 20 TCHAIKOVSKY | Scene from Swan Lake Page 22 MUSSORGSKY | Baba Yaga and The Great Gate of Kiev from Pictures at an Exhibition Page 24 Activities — Page 27 Student Section— Page 39 CREDITS This guide was originally created for the 2008-2009 Charlotte Symphony Education Concerts by Susan Miville, Chris Stonnell, Anne Stewart, and Jane Orrell. -
MAN in NATURE Pre-Christian Eastern Slavic Reflections on Nature
MAN IN NATURE Pre-Christian Eastern Slavic Reflections on Nature Molly Kaushal What follows is a simple account of how, in earlier times, the Eastern Slavs, particularly the pre-Christian Russians, interacted with nature. Pre-Christian slavic religion was mainly based on nature worship. Fire, Earth and Water figured prominently in its beliefs and ritual practices. The forces of nature were personified, feared, and revered, and the Slavs developed a whole pantheon of gods and goddesses. However, the three main gods of their pantheon were linked together not in a hierarchical way, but in a mutually complementary way, where each was incomplete without the other. A whole cycle of rituals revolved around various forces of nature and their personified images. The arrival of Christianity as the official religion and the establishment of the Russian Orthodox Church culminated in the banning of many folk ritual practices which were pre-Christian in origin, and in the persecution of those who practised them. Yet, a complete annihilation of earlier beliefs and practices could never be accomplished. Pre- Christian beliefs and gods exerted such a strong influence upon the Russian mind that the only way to come to terms with them was through incorporating them in the mainstream of the Christian order. Water, Fire, and the Mother Earth Goddess were, and have remained, the most powerful images of Russian religious beliefs and practices, and folk memory has remained loyal to the personified and non- personified images of these elements. According to some scholars, Rusi, or Russians as we call them, have their origins in the word Roce. -
The Russian Ritual Year and Folklore Through Tourist Advertising
THE RUSSIAN RITUAL YEAR AND FOLKLORE THROUGH TOURIST ADVERTISING IRINA SEDAKOVA This article analyzes the ritual year in modern Russia as Članek analizira praznično leto v moderni Rusiji, kot ga reflected in tourism spam letters circulated between 2005 odsevajo turistična oglasna sporočila med letoma 2005 in and 2012. These texts are the main source of data for this 2012. Tovrstna besedila so glavni vir podatkov za to študijo, study because they illustrate major tendencies in govern- saj odsevajo pomembnejše tendence vladnih, komercialnih mental, commercial, and individual attitudes towards in individualnih pogledov na ruske tradicionalne šege in Russian traditional customs and official holidays. They also uradne praznike. Prikazujejo tudi, kako se ohranja in demonstrate how local heritage is being maintained and rekonstruira lokalna dediščina in kako se pojavljajo in reconstructed, and how new myths and customs are appear- razvijajo novi miti in rituali, kot jih zahtevajo potrebe ing and developing to suit the needs of domestic tourism, a domačega turizma. special ethnographic calendrical type. Ključne besede: Rusija, praznično leto, pust, oglaševanje, Keywords: Russia, ritual year, carnival, advertising, tour- turistična antropologija, semiotika. ism anthropology, semiotics. INTRODUCTION This article focuses on the revitalization and re-invention of calendrical ritual celebrations in modern Russian provincial cities as a reciprocal process introduced by local authorities and tourist developers to motivate domestic tourists. This study touches on many sub- disciplines within anthropology, folklore, and linguistics. The topic partly fits into the anthropology of tourism, an academic discipline well established in Europe and the U.S. (core works are published in Smith 1989, Nash 1996, and Nash 2007 et al., but not yet presented in Russian academic investigation and teaching1). -
Expression of Language Etiquette in Russian Folktales
Expression of Language Etiquette in Russian Folktales Ildiko Csajbok-Twerefou, Department of Modern Languages, University of Ghana Yuriy Dzyadyk, Department of Modern Languages, University of Ghana Abstract Using different methods of analysis, this paper examines maxims of language etiquette, such as request, address forms and greetings in selected Russian folktales. Though language etiquette as a segment of politeness has its standards, it is dynamic, so it varies due to political, social, economic or cultural factors. Yet, folktales as a source of customs and beliefs, constitute an integral part of cultural heritage, serve as a means of upbringing, and play an important role in the linguistic development of a person. In Russia, expressions of politeness found in folktales are applied in accordance with the current requirements of Russian society. Keywords: Politeness, folklore, culture, language. Introduction Culture, traditions, language, and folklore are strongly related to each other and vary from nation to nation. Knowing the culture of a society, one may be acquainted with the traditions, language and folklore of that particular society, since culture encompasses all of them. The word folklore can be translated as “knowledge of people”. When referring to folklore in general, one may think about different genres, such as music, dance, tales, arts, crafts, etc. Usually, folklore is characterized by its collectiveness, since it is made on the earlier established traditions and standards of a society, taking into consideration its requirements and perceptions (Keszeg 2008). On the other hand, folklore is a piece of art, which exists not only by means of verbal units, but it often includes gestures, theatrical elements, dancing and singing. -
The Problem of Mysteriousness of Baba Yaga Character in Religious Mythology
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Siberian Federal University Digital Repository Journal of Siberian Federal University. Humanities & Social Sciences 12 (2013 6) 1857-1866 ~ ~ ~ УДК 7.046 The Problem of Mysteriousness of Baba Yaga Character in Religious Mythology Evgenia V. Ivanova* Ural Federal University named after B.N. Yeltsin 51 Lenina, Ekaterinburg, 620083 Russia Received 28.07.2013, received in revised form 30.09.2013, accepted 05.11.2013 This article reveals the ambiguity of interpretation of Baba Yaga character by the representatives of different schools of mythology. Each of the researchers has his own version of the semantic peculiarities of this culture hero. Who is she? A pagan goddess, a priestess of pagan goddesses, a witch, a snake or a nature-deity? The aim of this research is to reveal the ambiguity of the archetypical features of this character and prove that the character of Baba Yaga as a culture hero of the archaic religious mythology has an influence on the contemporary religious mythology of mass media. Keywords: religious mythology, myth, culture hero, paganism, symbol, fairytale, religion, ritual, pagan priestess. Introduction. “Religious mythology” is examined by the author of the article (Ivanova, a new term, which is relevant to contemporary 2012, p.56). The subject of the research presented religious and cultural studies, philosophy in this article is topography or conceptual space of religion and other sciences focusing on of notional understanding of the fairytale pagan correlation between myth and religion. This culture hero – the character of Baba Yaga. -
Middlesession 2017 February 28, March 21, March 22
MiddleSession 2017 February 28, March 21, March 22 Sports of Russia and Eastern Europe Trs. Dan C and Patrick DO YOU BELIEVE IN MIRACLES?! If by “miracles” you mean exploring the popular, hockey-like sports of Russia and Eastern Europe, Tr. Patrick and Tr. Dan sure do. In our middlesession group, we will learn about the “Miracle on Ice,” try out feet at ice skating, figure out and play bandy and floorball, and possibly invent our own hybrid-sport! And we’ll eat some nice food! Eastern European Folk Dance and Song Trs. Heather and Jonathan Stand up and dance! Open your mouth and sing! Come learn a variety of folk dances from different Eastern European countries. From Macedonian line dances to Czech polkas, we will explore a wide variety of dance styles. To rest our feet periodically, we will learn some traditional songs from different countries in this region, as well as learning a bit about the different countries where these dances and songs originated. We will even have one or two workshops with local dancers and musicians! Eastern European Folktale Fun Trs. Maureen and Laurie Who are the Baba Yaga, Kikimora, and Vodyanoy? In this course, you’ll learn about these and other famous characters from Eastern European folktales. You’ll explore their stories, uncover what the stories reveal about Eastern European culture, and create your own folktale-inspired project. You could choose to create a board game starring Russian fairy tale villains and heroes, a graphic novel or movie adaptation of a Ukrainian folktale, or anything else you can imagine! We’ll also visit the University of Pennsylvania to learn from an Eastern European folklore expert. -
Baba Yaga, the Girl, and the Hedgehog a Baba Yaga Story Retold
Baba Yaga, the Girl, and the Hedgehog A Baba Yaga Story Retold There are many Russian stories about the creepy Baba Yaga. Though she is sometimes nice, most of the tales of Baba Yaga are terrifying. In all the stories, she’s an old creature that has lived for hundreds of By Ivan Bilibin [Public domain], via Wikimedia Commons years. In many stories, she lives in a house that has chicken legs. The house walks around the forest on its chicken legs with Baba Yaga inside of it. In this story, that’s exactly what the house was doing when Baba Yaga’s house Marusia happened by. Marusia was a little Russian girl. She was on her way to buy turnips at the market for her family when she accidentally passed through Baba Yaga’s corner of the forest. Along strutted Baba Yaga’s house on its giant chicken legs. Baba Yaga found Marusia and put her in a pot to cook her for dinner. “I love to eat bad little Russian girls,” said Baba Yaga. “But I’m not a bad girl,” said Marusia, “I’m a good girl!” “I can’t eat a good girl for my dinner,” said Baba Yaga. “But I can make her cook my dinner.” And that’s what Marusia did along with some cleaning. 1 © 2018 Reading Is Fundamental • Content and art created by Simone Ribke Baba Yaga, the Girl, and the Hedgehog After Baba Yaga ate, she fell asleep. Marusia was trapped. The old witch had magically locked her front gate. Day after day, Baba Yaga flew out in search of a special flower. -
Disrupting Heteronormativity with Russian Fairy Tales SQS 2/2011
And They Lived Queerly Ever After: Disrupting Heteronormativity with Russian Fairy Tales SQS 2/2011 David McVey The Department of Slavic and East European Languages and Literature 17 The Ohio State University QueerScope Articles Russian fairy tales and their uses because the fairy-tale protagonist, often striving toward some lofty goal, mapped well onto the prevailing Stalinist narrative of the “New Soviet Man” Aleksandr Nikolaevich Afanas’ev1 (1826–1871) is to Russian fairy tales (Tippner 2008, 312), who was to build a bright socialist future and inspire what the Brothers Grimm are to German tales and Charles Perrault is to others in doing so. Fairy-tale influences on art were thus permitted and French tales. Although he collected the narratives for only ten fairy tales exuberantly appropriated by the Soviet system because their plotlines often himself, between 1855 and 1864 Afanas’ev edited and published over 600 mirrored “Stalinist culture’s spirit of miraculous reality” (Prokhorov 2008, diverse stories based on oral Russian folk tradition (Jakobson 1945, 637). 135). Pre-revolutionary fairy-tale narratives no longer rankled the censors His quintessential compiled tales have provided a trove of inspiration to with their fantasy and were appropriated into the Soviet Union’s didactic Russian authors, poets, playwrights, composers, and filmmakers since the and assiduously policed system of textual production and circulation, nineteenth century. which foretold of a happy and triumphant future. These Russian fairy-tale narratives contain the same sort of fantastical Afanas’ev, however, anonymously published another set of Russian folk elements present in Western varieties. Consequently, the tales’ imaginative stories in Geneva, Switzerland in 1872 (Perkov 1988, 13). -
Shamanic Wisdom, Parapsychological Research and a Transpersonal View: a Cross-Cultural Perspective Larissa Vilenskaya Psi Research
International Journal of Transpersonal Studies Volume 15 | Issue 3 Article 5 9-1-1996 Shamanic Wisdom, Parapsychological Research and a Transpersonal View: A Cross-Cultural Perspective Larissa Vilenskaya Psi Research Follow this and additional works at: http://digitalcommons.ciis.edu/ijts-transpersonalstudies Part of the Philosophy Commons, Psychology Commons, and the Religion Commons Recommended Citation Vilenskaya, L. (1996). Vilenskaya, L. (1996). Shamanic wisdom, parapsychological research and a transpersonal view: A cross-cultural perspective. International Journal of Transpersonal Studies, 15(3), 30–55.. International Journal of Transpersonal Studies, 15 (3). Retrieved from http://digitalcommons.ciis.edu/ijts-transpersonalstudies/vol15/iss3/5 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the Journals and Newsletters at Digital Commons @ CIIS. It has been accepted for inclusion in International Journal of Transpersonal Studies by an authorized administrator of Digital Commons @ CIIS. For more information, please contact [email protected]. SHAMANIC WISDOM, PARAPSYCHOLOGICAL RESEARCH AND A TRANSPERSONAL VIEW: A CROSS-CULTURAL ' PERSPECTIVE LARISSA VILENSKAYA PSI RESEARCH MENLO PARK, CALIFORNIA, USA There in the unbiased ether our essences balance against star weights hurled at the just now trembling scales. The ecstasy of life lives at this edge the body's memory of its immutable homeland. -Osip Mandelstam (1967, p. 124) PART I. THE LIGHT OF KNOWLEDGE: IN PURSUIT OF SLAVIC WISDOM TEACHINGS Upon the shores of afar sea A mighty green oak grows, And day and night a learned cat Walks round it on a golden chain. -
Great Storytellers of the World About the Soul Journey in the Universe
Journal of Siberian Federal University. Humanities & Social Sciences 5 (2017 10) 701-717 ~ ~ ~ УДК 82-343 Great Storytellers of the World about the Soul Journey in the Universe Olga A. Karlova* Siberian Federal University 79 Svobodny, Krasnoyarsk, 660041, Russia Received 20.12.2016, received in revised form 22.02.2017, accepted 14.03.2017 The article is devoted to the up-to-date contents of fairy tale as a cultural gadget of the humankind. Clarifying the functions of a fairy story as a carrier for cultural memory and intuitive normative knowledge of the humankind, the author raises the problem of folk ideals in the historical and cultural retrospective reflected in fairy tales, including the age of post-industrial network information society, outlines the framework for the involvement of fairy tale in life design, formulates the hypothesis of the nature of fairy tale indifference to the borderline between life and death. Keywords: myth, fairy tale, fairy tale archetype, fairy tale time-space, folk and literary fairy tale, fantasy, fairytalegraphy, fairy tale therapy. DOI: 10.17516/1997-1370-0077. Research area: philosophy. Once some medical scientists happened to Body and Soul are two different human weigh the human body in a coma, and then, after incarnations in their unity providing a man with a few minutes, following the person’s clinical an opportunity for productive life. To make them death. And it turned out that in the second case stay together after the death, long before our era the body was lighter by 250 grams. Since then, great Egyptian doctors invented mummification, the experiment was repeated many times: the loss simultaneously the priests were learning to call average was varying slightly – from 200 to 400 out and reconnect the soul-doubles Ka and Ba, grams, but it has always been observed. -
Baba Yaga, Monsters of the Week, and Pop Culture's Formation Of
humanities Article Baba Yaga, Monsters of the Week, and Pop Culture’s Formation of Wonder and Families through Monstrosity Jill Terry Rudy 1,* and Jarom Lyle McDonald 2 1 Department of English, Brigham Young University, Provo, UT 84602, USA 2 Independent Scholar, Provo, UT 84601, USA; [email protected] * Correspondence: [email protected]; Tel.: +1-801-422-2869 Academic Editor: Claudia Schwabe Received: 15 March 2016; Accepted: 24 May 2016; Published: 3 June 2016 Abstract: This paper considers transforming forms and their purposes in the popular culture trope of the televised Monster of the Week (MOTW). In the rare televised appearances outside of Slavic nations, Baba Yaga tends to show up in MOTW episodes. While some MOTW are contemporary inventions, many, like Baba Yaga, are mythological and fantastic creatures from folk narratives. Employing the concept of the folkloresque, we explore how contemporary audiovisual tropes gain integrity and traction by indexing traditional knowledge and belief systems. In the process, we examine key affordances of these forms involving the possibilities of wonder and the portability of tradition. Using digital humanities methods, we built a “monster typology” by scraping lists of folk creatures, mythological beasts, and other supernatural beings from online information sources, and we used topic modeling to investigate central concerns of MOTW series. Our findings indicate connections in these shows between crime, violence, family, and loss. The trope formulates wonder and families through folk narrative and monster forms and functions. We recognize Baba Yaga’s role as villain in these episodes and acknowledge that these series also shift between episodic and serial narrative arcs involving close relationships between characters and among viewers and fans.