Focus Units in Literature: a Handbook for Elementary School Teachers

Total Page:16

File Type:pdf, Size:1020Kb

Focus Units in Literature: a Handbook for Elementary School Teachers DOCUMENT RESUME ED 247 608 CS 208 552 AUTHOR Moss, Joy F. TITLE Focus Units in Literature: A Handbook for Elementary School Teachers. INSTITUTION National Council of Teachers of English,Urbana, Ill. y REPORT NO ISBN-0-8141-1756-2 PUB DATE 84 NOTE 245p. AVAILABLE FROMNational Council of Teachers of English,1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 17562, $13.00 nonmember, $10.00 member). PUB TYPE Guides Classroom Use Guides (For Teachers) (052) Books (010) Viewpoints (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Childrens Literature; Content Area Reading;Content Area Writing; Curriculum Development; Curriculum Guides; Elementary Education; *LanguageArts; *Literature Appreciation; Models; PictureBooks; Reading Materials; Teaching Guides; *Unitsof Study ABSTRACT Intended as a guide for elementary schoolteachers to assist them in preparing and implementing specificliterature units or in de7eloping more long-term literatureprograms, this book contains 13 focus units. After defininga focus unit as an instructional sequence in which literatute isused both as a rich natural resource for developing language and thinkingskills and as the starting point for diverse reading and writingexperiences, the first chapter of the book describes the basiccomponents of a focus unit model. The second chapter identifiesthe theoretical foundations of this model, and the third chapterpresents seven categories of questions used in the focus unitsto guide comprehension and composition or narrative. The remaining 14chapters provide examples of the model as translated into classroom practice,each including a lesson plan for development,a description of its implementation, and a bibliography of texts. The units cover the following subjects:(1) animals in literature, (2) the works ofauthors Roger Duvoisin and Jay Williams, (3) the world aroundus,(4) literature around the world, (5) themes in literature, and (6)fantasy. An appendix of professional references is included. (CRH) * ********************************************************************** * Reproductions supplied by EDRSare the best that can be made * * from the original document. * * *********;:************************************************************ co Focus Units in Literature 4.0 A Handbook for Elementary School Teachers U.S.DEPARTMENT OF EDUCATION NATIONAL INSTITUTE OF EDUCATION EDUCATIONAL RESOURCES INFORMATION CENTER lEmc) LJ This document has been reproduced as U. received from the person or organization cinginating rt Minor changes have been made to improve roproducticn quality Points of view or opinions stated in this docu merit do not necessarily represent ouiCial ME posi.ion or policy Joy F. Moss Harley School and University of Rochester, Rochester, New York I National Council of Teachers of English 1111 Kenyon Road, Urbana, IL 61801 -PERMISSION TO REPRODUCE THIS MATERIAL HAS BEEN GRANTED BY fl NC TE TO THE EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC)." -- Grateful acknowledgment is made for permission to reprint the following mate- rial. "Bwyone is asleep" by Seifu-jo and "The harvest moon is so bright!" by SodO. Fffitik,Don't Tell the Scarecrow and Other Japanese Poems by Issa, Yayie, Kikaku and Other Japanese Poets. Copyright@ 1969 by Scholastic Maga- zines, Inc., a division of Scholastic, Inc. "The Night" from Whispers and Other Poems by Myra Cohn Livingston (Harcourt, Brace and Apr Id). Copyright @ 1958 by Myra Cohn Livingston. Reprinted by permission of Marian Reiner for the author. "In Bed" from River Winding: Poems by Charlotte Zolotow (Thomas Y. Crowell Co.). Text copyright@ 1970 by Charlotte Zolotow. Re- printed by permission of Harper & Row, Publishers, Inc. Curtis Brown, Ltd. for "Charlie's Bedtime" by Lee Bennett Hopkins. Copyright ©1972 by Lee Bennett Hopkins. "Night Comes" from A Bunch of Poems and Verses by Beatrice Schenk de Regniers. Text copyright @ 1977 by Beatrice Schenk de Regniers. Reprinted by permission of Ticknor & Fields/Clarion Books, a Houghton Mifflin Company. Acknowledgment is also made to The Reading Teacher for permission to incorporate material from the author's articles in The Reading Teacher (March 1982 and April 1983) in the chapters on Jay Williams, folktale patterns, and friendship. NCTE Editorial Board: Candy Carter, Julie Jensen, Delores Lipscomb, Elisabeth McPherson, John Mayher, John C. Maxwell, ex officio, Paul O'Dea, ex officio Book Design: Tom Kovacs for TGK Design a* NCTE Stock Number 17562 ©1984 by the National Council of Teachers of English. All rights reserved. Printed in the United States of America. It is the policy of NCTE in its journals and other publications to provide a forum for the open discussion of ideas concerning the content and the teaching of English and the language arts. Publicity accorded to any particular point of view does not imply endorsement by the Executive Committee, the Board of Directors, or the membership at large, except in announcements of policy, where such endorsement is clearly specified. Library 11 Congress Cataloging in Publication Data Moss, Joy F. Focus units in literature. Bibliography: 8 p. 1. ChildrenBooks and reading. 2. Children's literatureStudy and teaching (Elementary.).3. Language arts (Elementary).I. Title. Z1037.A l M883 1984 372.6 84-14820 ISBN 0-8141-1756-2 Contents Introduction ix Part I: Background 1.Literature in the Classroom: Using the Focus Unit to Create a Context for Literacy 3 2. Theory into Practice 9 3.Guidelines for Questioning 16 Part Focus Units Animals in Literature 4. Toy Animals: A Focus Unit for Grades One and Two 33 5.Pig Tales: A Focus Unit for Grades One and Two 41 Authors 6. Roger Duvoisin: A Focus Unit for Grades One and Two 54 7. Jay Williams: A Focus Unit for Grades Four and Five 66 The World around Us 8. The Night: A Focus Unit for Grades One and Two 79 9. The Sea: A Focus Unit for Grades Four and Five 95 Literature around the World 10.Folktale Patterns: A Focus Unit for Grades Three and Four 107 11.Japan: A Focus Unit for Grades Five and Six 125 4 4 vi Contents Themes 12. Friendship: A Focus Unit for Grades One and Two 145 13. Heroes and Heroines: A Focus Unit for Grades One and Two 158 14. Survival Tales: A Focus Unit for Grades Five and Six 172 Fantastic Characters 15. Giants: A Focus Unit for Grades Two and Three 191 16, Dragons: A Focus Unit for Grades Three and Four ,. 209 Appendix: Professional References 231 Dedicated to Arthur, Kathy, Debbie, and David 6 Introduction As a teacher at young children for over a decade, I have had the good fortune to observe them in the process of learning to read and write. I discovered that many of the children who were successful in this process had been given a head start by adults who had introduced them to the pleasure and delight associated with books and reading. These children had developed the habit of exploring the world of books, a habit which played a significant role in their approach to learning and their groWth as readers. They had discovered the purpose of reading and its relevance to their own individual interests. As a result, they were intrinsically motivated to engage in the process of learning to read and to become readers. It seems to me that the success of a reading program should be mea- sured in terms of the number of students who eventually establish the habit of reading for personal enjoyment, independent learning, andcon- tinued growth. Broad exposure to and meaningful experiences with books at all stages of the process of becoming a reader help to build a back- ground from which children can develop personal preferences and special interests and the motivation to pursue these interests on their own. As the range of reading interests expands, the child discovers new possibilities for reading enjoyment and, in the process, is stimulated to read (or listen to) more books. This continued involvement with books provides the linguistic and conceptual input which is so important for reading growth. So the cycle continues... as thechild gains experience, competence, and confidence and develops the motivation necessary for the reading habit to become firmly established. This cycle can be set into motion by parents and teachers who provide a rich literary environment for thL:r children and instill in them a love for reading, a lasting treasure and pt obably one of the finest gifts we can offer our children. To this end, I designed an instructional model through which children from kindergarten through sixth grade would be given every opportunity to learn about the world of books and to derive pleasure and meaning from their reading experiences. The purpose of this book is to describe this instructional model, which I developed for and with my students and which I have used as a framework for building a literature curriculum. ix x Introduction The first chapter defines the instructional model and introduces its dis- tinpuishing features. The second chapter focuses on the theoretical foun- dations on which this model was constructed. The third chapter outlines categories of questions and suggests sample questions in each category. Subsequent chapters offer examples of the instructional model and sug- gestions for using it to assist elementary schoolchildren in the process of learning to comprehend, produce, and enjoy written language. This instructional model is translated into classroom practice through diverse literature units designed to expose children to various literary sel.tctions, to promote growth of reading, writing, and thinking skills, and to expand reading interests. Although each literature unit is planned as a separate entity, it would be related to other units which might be imple- mented in a particular classroom or grade level or as part of a total language arts curriculum for kindergarten through grade six. That is, each discrete literature unit would become an integral part of a long-term, cumulative plan for exploring literature. Each new unit would add to the children's growing literary background and store of comprehension skills and, in the process, would enhance the quality of theil.
Recommended publications
  • A-Z Series Recommendations by Level Summer Is the Perfect Time to Get Lost in a Book Series!
    A-Z Series Recommendations by Level Summer is the perfect time to get lost in a book series! A, B, & C Berenstain Bears, Big Bear, Small Bear / Berenstain Biscuit (I Can Read! Level)/ Capucilli Brand New Readers / various authors Clarence the Dragon / Dufresne Dear Zoo and Friends / Campbell Huggles / Crowley I Like Me! / Carlson Oliver the Cat / Renton Tiny the Snow Dog / Meister Tug the Pup and Friends / Wood D Bob Books / Maslen Cat the Cat / Willems Clifford (Level 1) / Bridwell Dr. Seuss Bright and Early Books for Beginning Beginners / various authors I Can Read (My First Shared Reading) / various authors Mrs. Wishy Washy / Crowley Puppy Mudge / Rylant Sam / Lindgren E Little Critter (My First Shared Reading) / Mayer Mittens (My First Shared Reading) / Hartung Pete the Cat (My First I Can Read) / Dean Spot / Hill What People Do Best / Numeroff F Are You Ready to Play Outside? / Willems Biscuit (I Can Read editions) / Capucilli Can I Play Too? / Willems Digger the Dinosaur (My First Shared Reading) / Dolrlich Dumb Bunnies / Pilkey Everything Goes (My First Shared Reading) / Biggs JoJo (I Can Read editions) / O’Connor Mia (My First Shared Reading) / Farley Mr. Men and Little Miss (Reading Ladder) / Hargreaves G Berenstain Bears (Beginning Reading edition) / Berenstain Elephant and Piggie / Willems Eloise (Ready-to-Read) / McNamara Hi! Fly Guy / Arnold Nuts / Litwin Pigeon / Willems Pete the Cat (I Can Read) / Dean H Crabby / Fenske Elephant and Piggie Like Reading / assorted Frog and Friends / Bunting If You Give a … a … / Numeroff Katie Woo / Manushkin Little Critter / Mayer Martha Speaks (readers level 2) / Meddaugh Pictureback(R) / various authors Star Wars: The Clone Wars (DK Readers Pre-level 1) / Richards What is a … (animal) / Schaefer What … Can’t Do / Wood I A …'s Life (nature series) / Himmelman About ..
    [Show full text]
  • Chance and Contingency in the Evolution of Man, Mind and Morals in Charles Kingsley's W
    Journal of the History of Biology Ó Springer 2012 DOI 10.1007/s10739-012-9345-5 Monkeys into Men and Men into Monkeys: Chance and Contingency in the Evolution of Man, Mind and Morals in Charles Kingsley’s Water Babies PIERS J. HALE Department of the History of Science University of Oklahoma 601 Elm Ave, Rm. 610 Norman, OK 73019 USA E-mail: [email protected] Abstract. The nineteenth century theologian, author and poet Charles Kingsley was a notable populariser of Darwinian evolution. He championed Darwin’s cause and that of honesty in science for more than a decade from 1859 to 1871. Kingsley’s interpretation of evolution shaped his theology, his politics and his views on race. The relationship between men and apes set the context for Kingsley’s consideration of these issues. Having defended Darwin for a decade in 1871 Kingsley was dismayed to read Darwin’s account of the evolution of morals in Descent of Man. He subsequently distanced himself from Darwin’s conclusions even though he remained an ardent evolutionist until his death in 1875. Keywords: Charles Kingsley, Evolution, Hipocampus minor, Darwin, British Associa- tion, Water Babies, Nineteenth century, Race, Morant Bay, Eyre affair, Thomas Huxley, Descent of Man, Origin of Species, Biology, England, Politics, Theology, Science and religion Jack (who has been reading passages from the ‘‘Descent of Man’’ to the wife whom he adores, but loves to tease). ‘‘SO YOU SEE, MARY, BABY IS DESCENDED FROM A HAIRY QUADRUPED, WITH POINTED EARS AND A TAIL. WE ALL ARE!’’ Mary. ‘‘SPEAK FOR YOURSELF, JACK! I’M NOT DES- CENDED FROM ANYTHING OF THE KIND, I BEG TO SAY; AND BABY TAKES AFTER ME.
    [Show full text]
  • The Efficacy of a Program for of the University of Manitoba in Partial
    The Efficacy of a Program for Teaching Parents How to Read to Low-Achieving School-Aged Children to Increase Thei-r lrÏord Recognition and Comprehension by Lisa Karen Soiferman A Thesis Submitted to the Facul-ty of the Graduate School- of the University of Manitoba in partial fulfillment of the requirements for the degree of Master of Education September 1-991- Bibliothèque nationate H*H l¡åäX'.T"" du Canada Canadian Theses Serv¡ce Sefv-rr:e deS thèSeS canadiennes O(awa. Canada KIA ON4 The author has granted an inevocaHe rìorì- L'auteuraaccordé une licence inévocable et exclusive licence altowing the National Ubrary non exdusive permettant à la Et¡bt¡othèque of Canada to reproduce, loan, dsüibute orsell nat¡onale du Canada de reproduire, prêter, copies of his/her thesis by any means and ¡n disbibuer ou vendre des codes de ðd thèsd any form orformat, maldng h¡shes¡saræitabte de quetque manière et sous quelque forme to interested persons. que ce soit pour mettre des exemplaires de cette thèse à la disposition des personnes intéressées. The author retains ownership of the copyright L auteur consen¡e fa propriété du drc¡it d'auteur in his/her thesis. Neither the thesis nor qui protege sa thèse. N¡la thèse nides exhaits substantial extracts from it may be printed or substantiels de celle-ci ne doivent être otherwise reproduced without per- hilher!\ imprimés ou autrement reproduits sans son missìon. autorisation. ïsBru Ø-31,5-77Ø23-6 Canadä THE EFFTCACY 0F A PRocRAl"f FoR TEACHTNG PARENTS Hor^r TO READ TO LOI^/-ACHIEVING SCHOOL-AGED CHILDREN TO INCREASE THEIR I.TORD RECOGNITION AND COMPREHENSION DI LISA KAREN SOIFERMAN A tlresis subnrirted to tltc Faculty of Craduate Studies of the urriversity of Manitoba in partial fulhllment of the requirerììents of tlre degree of MASTER OF EDUCATION o 1991 Permissio¡'¡ has been gra'red to the LIBRARy oF THE uNlvER.
    [Show full text]
  • The Armstrong Browning Library Newsletter God Is the Perfect Poet
    The Armstrong Browning Library Newsletter God is the perfect poet. – Paracelsus by Robert Browning NUMBER 51 SPRING/SUMMER 2007 WACO, TEXAS Ann Miller to be Honored at ABL For more than half a century, the find inspiration. She wrote to her sister late Professor Ann Vardaman Miller of spending most of the summer there was connected to Baylor’s English in the “monastery like an eagle’s nest Department—first as a student (she . in the midst of mountains, rocks, earned a B.A. in 1949, serving as an precipices, waterfalls, drifts of snow, assistant to Dr. A. J. Armstrong, and a and magnificent chestnut forests.” master’s in 1951) and eventually as a Master Teacher of English herself. So Getting to Vallombrosa was not it is fitting that a former student has easy. First, the Brownings had to stepped forward to provide a tribute obtain permission for the visit from to the legendary Miller in Armstrong the Archbishop of Florence and the Browning Library, the location of her Abbot-General. Then, the trip itself first campus office. was arduous—it involved sitting in a wine basket while being dragged up the An anonymous donor has begun the cliffs by oxen. At the top, the scenery process of dedicating a stained glass was all the Brownings had dreamed window in the Cox Reception Hall, on of, but disappointment awaited Barrett the ground floor of the library, to Miller. Browning. The monks of the monastery The Vallombrosa Window in ABL’s Cox Reception The hall is already home to five windows, could not be persuaded to allow a woman Hall will be dedicated to the late Ann Miller, a Baylor professor and former student of Dr.
    [Show full text]
  • Friday Prime Time, April 17 4 P.M
    April 17 - 23, 2009 SPANISH FORK CABLE GUIDE 9 Friday Prime Time, April 17 4 P.M. 4:30 5 P.M. 5:30 6 P.M. 6:30 7 P.M. 7:30 8 P.M. 8:30 9 P.M. 9:30 10 P.M. 10:30 11 P.M. 11:30 BASIC CABLE Oprah Winfrey Å 4 News (N) Å CBS Evening News (N) Å Entertainment Ghost Whisperer “Save Our Flashpoint “First in Line” ’ NUMB3RS “Jack of All Trades” News (N) Å (10:35) Late Show With David Late Late Show KUTV 2 News-Couric Tonight Souls” ’ Å 4 Å 4 ’ Å 4 Letterman (N) ’ 4 KJZZ 3The People’s Court (N) 4 The Insider 4 Frasier ’ 4 Friends ’ 4 Friends 5 Fortune Jeopardy! 3 Dr. Phil ’ Å 4 News (N) Å Scrubs ’ 5 Scrubs ’ 5 Entertain The Insider 4 The Ellen DeGeneres Show (N) News (N) World News- News (N) Two and a Half Wife Swap “Burroughs/Padovan- Supernanny “DeMello Family” 20/20 ’ Å 4 News (N) (10:35) Night- Access Holly- (11:36) Extra KTVX 4’ Å 3 Gibson Men 5 Hickman” (N) ’ 4 (N) ’ Å line (N) 3 wood (N) 4 (N) Å 4 News (N) Å News (N) Å News (N) Å NBC Nightly News (N) Å News (N) Å Howie Do It Howie Do It Dateline NBC A police of cer looks into the disappearance of a News (N) Å (10:35) The Tonight Show With Late Night- KSL 5 News (N) 3 (N) ’ Å (N) ’ Å Michigan woman. (N) ’ Å Jay Leno ’ Å 5 Jimmy Fallon TBS 6Raymond Friends ’ 5 Seinfeld ’ 4 Seinfeld ’ 4 Family Guy 5 Family Guy 5 ‘Happy Gilmore’ (PG-13, ’96) ›› Adam Sandler.
    [Show full text]
  • The Inventory of the Jay Williams Collection #227
    The Inventory of the Jay Williams Collection #227 Howard Gotlieb Archival Research Center ,. .·~ All Mary Renault letters I·.' RESTRICTED ,' ' ~- __j Cassette tapes of interviews, for Stage Left, Boxes 24,~5 REJSTRICTED .Stol148 by WUJ.uma Box 1 ~i~ ~ace, toi: :tP,e, Soul.; • ty:peaeript with holograph annotation# • 4 pa.sea Aluwn.U8 !!!l_,. lookil like carbon, 130 annotation& - 12 J.'Glilll• l3asil The Rel~ ~ tn,eaor!i>tvith8llll0t.tions .. 5 pages • earl.1 OCfW tyi,esoript - , J.1881&• • later copy ~. ~u,c far1 • 'typeaoript vith holograph annotatione • 3 lJ8811• • c pped th t ~• l.frt;t;.er from Oxford Uniwrsity P.t-a• an4 l page typescnpt 1dtb ~tiona • Theio Behold A ._.( ln1 Mi~ Swl.JA (In] ) ~ ••·:· 2!!!. .utif'ul: ~ .. aecepted for publ:lcation by ~:wm,' • Mtg., l'Onto, ----------• ~oript with holograph annotati<).n&t • 21 paae,• · ~ Beetle • ~script witb holograph annotat1oms • 10 pas$• (J.•}J!a:rJlh~ Presen~ (Jay Williams aud. lrving Wer#t.:Ln) • 1;)1lGIOript 'lr.l,th . ·. holograph Anl30tations • 19 :pa.sea · . • (J.a.~ Boa.t (Will~uu• and In1ng Werstein) · . · ~so:ript Yitb holograph annotations• 17 ~ ,:. c. ""CArbon C<:rf!:f ot type1cript .. annotat1oll8 • 17 ~• (~•-•)l3oth 1"t Q!_ ~ Ol'aul¥l (W:Ul:Lanm and Ir"ri.nS l'-ratein) • ~cr1P' . .·. With lml,¢t&tioM -+t 22 ~• · . ,· ~ ~:t~. Over i'he Itiver rl~ • looks 11ke carl>on rith holoa:ra»h a.n.i. I • notitions ...T ~a :f'airy We tor co.lle~ otuaenti) . i t~ 1'¼!. ~ter, S;e!Siea .. looka like carbon • 9 ~" ,•' ,'.'' ~!s 1'hee ~ State~ )l3.ns1ona • type10,:;tpt .i· 1 ~• !;t l3ree.d Alone - typescript rith bologrm:ph azi.notationa • l3 p,.sea t:arsq;els J\e~!!!'t ~ World • ~ypescript w1:tll, b.olo£r$ph au.otationl • ~ .
    [Show full text]
  • Expression of Language Etiquette in Russian Folktales
    Expression of Language Etiquette in Russian Folktales Ildiko Csajbok-Twerefou, Department of Modern Languages, University of Ghana Yuriy Dzyadyk, Department of Modern Languages, University of Ghana Abstract Using different methods of analysis, this paper examines maxims of language etiquette, such as request, address forms and greetings in selected Russian folktales. Though language etiquette as a segment of politeness has its standards, it is dynamic, so it varies due to political, social, economic or cultural factors. Yet, folktales as a source of customs and beliefs, constitute an integral part of cultural heritage, serve as a means of upbringing, and play an important role in the linguistic development of a person. In Russia, expressions of politeness found in folktales are applied in accordance with the current requirements of Russian society. Keywords: Politeness, folklore, culture, language. Introduction Culture, traditions, language, and folklore are strongly related to each other and vary from nation to nation. Knowing the culture of a society, one may be acquainted with the traditions, language and folklore of that particular society, since culture encompasses all of them. The word folklore can be translated as “knowledge of people”. When referring to folklore in general, one may think about different genres, such as music, dance, tales, arts, crafts, etc. Usually, folklore is characterized by its collectiveness, since it is made on the earlier established traditions and standards of a society, taking into consideration its requirements and perceptions (Keszeg 2008). On the other hand, folklore is a piece of art, which exists not only by means of verbal units, but it often includes gestures, theatrical elements, dancing and singing.
    [Show full text]
  • AETN Resource Guide for Child Care Professionals
    AAEETTNN RReessoouurrccee GGuuiiddee ffoorr CChhiilldd CCaarree PPrrooffeessssiioonnaallss Broadcast Schedule PARENTING COUNTS RESOURCES A.M. HELP PARENTS 6:00 Between the Lions The resource-rich PARENTING 6:30 Maya & Miguel COUNTS project provides caregivers 7:00 Arthur and parents a variety of multi-level 7:30 Martha Speaks resources. Professional development 8:00 Curious George workshops presented by AETN provide a hands-on 8:30 Sid the Science Kid opportunity to explore and use the videos, lesson plans, 9:00 Super WHY! episode content and parent workshop formats. Once child 9:30 Clifford the Big Red Dog care providers are trained using the materials, they are able to 10:00 Sesame Street conduct effective parent workshops and provide useful 11:00 Dragon Tales handouts to parents and other caregivers. 11:30 WordWorld P.M. PARENTS AND CAREGIVERS 12:00 Mr. Rogers’ Neighborhood CAN ASK THE EXPERTS 12:30 Big Comfy Couch The PBS online Expert Q&A gives 1:00 Reading Rainbow parents and caregivers the opportunity to 1:30 Between the Lions ask an expert in the field of early childhood 2:00 Caillou development for advice. The service includes information 2:30 Curious George about the expert, provides related links and gives information 3:00 Martha Speaks about other experts. Recent subjects include preparing 3:30 Wordgirl children for school, Internet safety and links to appropriate 4:00 Fetch with Ruff Ruffman PBS parent guides. The format is easy and friendly. To ask 4:30 Cyberchase the experts, visit http://www.pbs.org/parents/issuesadvice. STAY CURRENT WITH THE FREE STATIONBREAK NEWS FOR EDUCATORS AETN StationBreak News for Educators provides a unique (and free) resource for parents, child care professionals and other educators.
    [Show full text]
  • The Development of Muscular Christianity in Victorian Britain and Beyond
    ISSN: 1522-5658 http://moses.creighton.edu/JRS/2005/2005-2.html The Development of Muscular Christianity in Victorian Britain and Beyond Nick J. Watson York St. John’s College, University of Leeds Stuart Weir Christians in Sport, UK Stephen Friend York St. John’s College, University of Leeds Introduction [1] The development of Muscular Christianity in the second half of the nineteenth century has had a sustained impact on how Anglo-American Christians view the relationship between sport, physical fitness, and religion. It has been argued that the birth of Muscular Christianity in Victorian Britain forged a strong “. link between Christianity and sport” that “. has never been broken” (Crepeau: 2). The emergence of neo-muscular Christian groups during the latter half of the twentieth century (Putney) and the promotion of sport in Catholic institutions, such as the University of Notre Dame, can be seen as a direct consequence of Victorian Muscular Christianity. Modern Evangelical Protestant organizations, such as Christians in Sport (CIS) in England and the Fellowship of Christian Athletes (FCA) in the U.S., have resurrected many of the basic theological principles used to promote sport and physical fitness in Victorian Britain. [2] The basic premise of Victorian Muscular Christianity was that participation in sport could contribute to the development of Christian morality, physical fitness, and “manly” character. The term was first adopted in the 1850s to portray the characteristics of Charles Kingsley (1819- 1875) and Thomas Hughes’ (1822-1896) novels. Both Kingsley and Hughes were keen sportsmen and advocates of the strenuous life. Fishing, hunting, and camping were Kingsley’s favorite pastimes, which he saw as a “counterbalance” to “.
    [Show full text]
  • Disrupting Heteronormativity with Russian Fairy Tales SQS 2/2011
    And They Lived Queerly Ever After: Disrupting Heteronormativity with Russian Fairy Tales SQS 2/2011 David McVey The Department of Slavic and East European Languages and Literature 17 The Ohio State University QueerScope Articles Russian fairy tales and their uses because the fairy-tale protagonist, often striving toward some lofty goal, mapped well onto the prevailing Stalinist narrative of the “New Soviet Man” Aleksandr Nikolaevich Afanas’ev1 (1826–1871) is to Russian fairy tales (Tippner 2008, 312), who was to build a bright socialist future and inspire what the Brothers Grimm are to German tales and Charles Perrault is to others in doing so. Fairy-tale influences on art were thus permitted and French tales. Although he collected the narratives for only ten fairy tales exuberantly appropriated by the Soviet system because their plotlines often himself, between 1855 and 1864 Afanas’ev edited and published over 600 mirrored “Stalinist culture’s spirit of miraculous reality” (Prokhorov 2008, diverse stories based on oral Russian folk tradition (Jakobson 1945, 637). 135). Pre-revolutionary fairy-tale narratives no longer rankled the censors His quintessential compiled tales have provided a trove of inspiration to with their fantasy and were appropriated into the Soviet Union’s didactic Russian authors, poets, playwrights, composers, and filmmakers since the and assiduously policed system of textual production and circulation, nineteenth century. which foretold of a happy and triumphant future. These Russian fairy-tale narratives contain the same sort of fantastical Afanas’ev, however, anonymously published another set of Russian folk elements present in Western varieties. Consequently, the tales’ imaginative stories in Geneva, Switzerland in 1872 (Perkov 1988, 13).
    [Show full text]
  • THE LIBRARY PAGE the “Mostly Monthly” Newsletter by the Friends of the Blue Hill Public Library
    THE LIBRARY PAGE The “mostly monthly” newsletter by The Friends of the Blue Hill Public Library WHO WE ARE Letter From the President The start of the year seems like a good time for reflection, both The Friends of the Blue Hill backward and forward. With that, my comments could be summed Library is a volunteer group that up in two words – THANK YOU! raises funds for a variety of library The past year at the library was full of wonderful big and small purposes not covered by the moments. We had lots of fun and success at our many month library’s operating budget. events such as movies, discussion groups, and used book sales, as well as the annual crowd pleasers such as the spring plant sale and December holiday party. Thank you to all who helped organize these WHAT WE DO activities and all of you who attended, bringing lively discussion, connections, and good cheer. We fund: New York Times While all of that was happening, we celebrated farewells to subscriptions, Must See Movie beloved, long-time staff members and welcomed new staff who bring Series, Play Readings, Opera exciting ideas and energy to our community. It is hard to believe Previews, Great Decisions Series, it has only been a year since Libby Edwardson joined us as the Children’s Programs, Literacy Youth Librarian with all the activities and services she’s launched, Programs, purchases of digital including movie and book discussions, writing groups, 52 Weeks of media, furniture, a/v equipment, Giving, and the most recent group “Girls Who Code.” Hannah Cyrus joined us in 2016 as Assistant Director and has also immediately staff appreciation gifts, scholarships had an imprint, expanding the author talks and events for adults.
    [Show full text]
  • Great Storytellers of the World About the Soul Journey in the Universe
    Journal of Siberian Federal University. Humanities & Social Sciences 5 (2017 10) 701-717 ~ ~ ~ УДК 82-343 Great Storytellers of the World about the Soul Journey in the Universe Olga A. Karlova* Siberian Federal University 79 Svobodny, Krasnoyarsk, 660041, Russia Received 20.12.2016, received in revised form 22.02.2017, accepted 14.03.2017 The article is devoted to the up-to-date contents of fairy tale as a cultural gadget of the humankind. Clarifying the functions of a fairy story as a carrier for cultural memory and intuitive normative knowledge of the humankind, the author raises the problem of folk ideals in the historical and cultural retrospective reflected in fairy tales, including the age of post-industrial network information society, outlines the framework for the involvement of fairy tale in life design, formulates the hypothesis of the nature of fairy tale indifference to the borderline between life and death. Keywords: myth, fairy tale, fairy tale archetype, fairy tale time-space, folk and literary fairy tale, fantasy, fairytalegraphy, fairy tale therapy. DOI: 10.17516/1997-1370-0077. Research area: philosophy. Once some medical scientists happened to Body and Soul are two different human weigh the human body in a coma, and then, after incarnations in their unity providing a man with a few minutes, following the person’s clinical an opportunity for productive life. To make them death. And it turned out that in the second case stay together after the death, long before our era the body was lighter by 250 grams. Since then, great Egyptian doctors invented mummification, the experiment was repeated many times: the loss simultaneously the priests were learning to call average was varying slightly – from 200 to 400 out and reconnect the soul-doubles Ka and Ba, grams, but it has always been observed.
    [Show full text]