Daniel Berkeley Updike History of Printing Ephemera Collection
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Collection Development Policy Statement Rare Books Collection Subject Specialist Responsible
Collection Development Policy Statement Rare Books Collection Subject Specialist responsible: Doug McElrath, 301‐405‐9210, [email protected] I. Purpose The Rare Books Collection in the University of Maryland Libraries preserves physical evidence of the most successful format for recording and disseminating human knowledge: the printed codex. From the invention of printing with movable type in Asia to its widespread adoption and explosive growth in 15th century Europe, the printed book in all its forms has had an inestimable impact on the way information has been organized, spread, and consumed. The invention of printing is one of the critical technological advances that made possible the modern world. At the University of Maryland, the Rare Books Collection serves multiple purposes: As a teaching collection that preserves physical examples of the way the book has evolved over the centuries, from a hand‐crafted artifact to a mass‐produced consumable. As a research collection for targeted concentrations of printed text supporting scholarly investigation (see collection scope below). As an historical repository for outstanding examples of human accomplishment as preserved in printed formats, including seminal works in the arts, humanities, social sciences, physical and biological sciences. As a research repository for noteworthy examples of the art and craft of the book: typography, bindings, paper making, illustration, etc. As a secure storehouse for works that because of their scarcity, fragility, age, ephemerality, provenance, controversial content, or high monetary value are not appropriate for the general circulating collection. The Rare Books Collection seeks to enable researchers to interact with the physical artifact as much as possible. -
(Eds.) Lucretius and the Early Modern. Pp. Xvi + 313, Ills. Oxford: Oxford University Press, 2016
Norbrook (D.), Harrison (S.), Hardie (P.) (eds.) Lucretius and the Early Modern. pp. xvi + 313, ills. Oxford: Oxford University Press, 2016. Cased, £65, US$100. ISBN: 978-0-19-871384-5. Longer unpublished version of review forthcoming in Classics Review ‘Lucretius and (early) modernity’ is not an entirely novel combination or juxtaposition. This reviewer participated in a conference in Milan almost ten years ago that bore the name … Lucrezio e la modernità; Catherine Wilson, a contributor to the volume under review, published a book around the same time entitled Epicureanism at the origins of modernity.1 Several important edited volumes on the reception of Epicureanism have appeared since then, some with a more exclusively scholarly focus,2 some more receptive to the inflections of ‘Theory’. The latter trend is not monolithic either, since some projects bear the mark of the late Althusser’s idiosyncratic re- imagining of a Lucretian ‘aleatory materialism’,3 while others locate themselves in the territory of Deleuze’s or Michel Serres’s revival of Lucretius,4 the latter being perhaps the first of a series of studies fixated on the clinamen, culminating with S. Greenblatt’s The Swerve.5 These interpretive trends are touched on in David Norbrook’s elegant introduction to this volume. The present volume is less concerned with subterranean, counter-histories of philosophy (or politics, or literature); it focuses on De rerum natura (hereafter DRN)’s ‘language and material circulation, as a means of refining generalizations about Epicurean philosophy’ (2), on ‘the specific material and cultural contexts in which the DRN was interpreted’ in early modern culture (12). -
CARL Locations
CARL Locations CARL•X Location Code CARL•X Location Name (Up to 6 Characters) ABC ABC Books ADULT Adult Collection AFRAM African American Collection ANF Adult Non Fiction ANIME Anime Collection ARABIC Arabic Collection ASKDSK Ask at Desk ATLAS Atlas AUDBK Audiobook Collection AUDMUS Audio Music Collection AUTO Automotive Collection BINDRY Bindery BIOG Biography Collection BKCLB Book Club BRAIL Braille BRDBK Board Book BUSNES Business Collection CALDCT Caldecott Collection CAREER Career CATLNG Cataloging CIRREF Circulating Reference CITZEN Citizenship Collection CLOBBY Circulation Lobby CLSFIC Classic Fiction COLLGE College Collection COLOR Books about Color COMIC Comic Collection COMPTR Computer Collection CONSMR Consumer Collection COUNT Counting Books CRICUT Cricut Cartridge DAMAGE Damaged DISCRD Discarded from collection DISPLY On Display DYSLEX Dyslexia EDUCTN Education Collection EMAG Electronic Magazine EMPLOY Employment Collection ESL English as a Second Language Collection ESYRDR Easy Reader FANTSY Fantasy FICT Fiction CARL•X Location Code CARL•X Location Name (Up to 6 Characters) GAMING Gaming Collection GENEAL Genealogy Collection GOVDOC Government Documents Collection GRAPHN Graphic Novel Collection HISCHL High School Collection HOLDAY Holiday HORROR Horror HOURLY Hourly Loans for Pontiac INLIB In Library INSFIC Inspirational Fiction INSROM Inspirational Romance INTFLM International Film INTLNG International Language Collection JADVEN Juvenile Adventure JAUDBK Juvenile Audiobook Collection JAUDMU Juvenile Audio Music Collection -
Read-Aloud Chapter Books for Younger Children for Children Through 3 Rd Grade Remember to Choose a Story That You Will Also Enjoy
Read-Aloud Chapter Books for Younger Children rd for children through 3 grade Remember to choose a story that you will also enjoy The Wolves of Willoughby Chase by Joan Aiken: Surrounded by villains of the first order, brave Bonnie and gentle cousin Sylvia conquer all obstacles in this Victorian melodrama. Poppy by Avi: Poppy the deer mouse urges her family to move next to a field of corn big enough to feed them all forever, but Mr. Ocax, a terrifying owl, has other ideas. The Indian in the Cupboard by Lynne Reid Banks: A nine-year-old boy receives a plastic Indian, a cupboard, and a little key for his birthday and finds himself involved in adventure when the Indian comes to life in the cupboard and befriends him. Double Fudge by Judy Blume: His younger brother's obsession with money and the discovery of long-lost cousins Flora and Fauna provide many embarrassing moments for twelve-year-old Peter. The Mouse and the Motorcycle by Beverly Cleary: A reckless young mouse named Ralph makes friends with a boy in room 215 of the Mountain View Inn and discovers the joys of motorcycling. How to Train Your Dragon by Cressida Cowell : Chronicles the adventures and misadventures of Hiccup Horrendous Haddock the Third as he tries to pass the important initiation test of his Viking clan, the Tribe of the Hairy Hooligans, by catching and training a dragon. Understood Betsy by Dorothy Canfield Fisher: Timid and small for her age, nine- year-old Elizabeth Ann discovers her own abilities and gains a new perception of the world around her when she goes to live with relatives on a farm in Vermont. -
Printing Presses in the Graphic Arts Collection
Printing Presses in the Graphic Arts Collection THE NATIONAL MUSEUM OF AMERICAN HISTORY 1996 This page blank Printing Presses in the Graphic Arts Collection PRINTING, EMBOSSING, STAMPING AND DUPLICATING DEVICES Elizabeth M. Harris THE NATIONAL MUSEUM OF AMERICAN HISTORY, SMITHSONIAN INSTITUTION WASHINGTON D.C. 1996 Copies of this catalog may be obtained from the Graphic Arts Office, NMAH 5703, Smithsonian Institution, Washington D.C. 20560 Contents Type presses wooden hand presses 7 iron hand presses 18 platen jobbers 29 card and tabletop presses 37 galley proof and hand cylinder presses 47 printing machines 50 Lithographic presses 55 Copperplate presses 61 Braille printers 64 Copying devices, stamps 68 Index 75 This page blank Introduction This catalog covers printing apparatus from presses to rubber stamps, as well as some documentary material relating to presses, in the Graphic Arts Collection of the National Museum of American History. Not listed here are presses outside the accessioned collections, such as two Vandercook proof presses (a Model 4T and a Universal III) that are now earning an honest living in the office printing shop. At some future time, no doubt, they too will be retired into the collections. The Division of Graphic Arts was established in 1886 as a special kind of print collection with the purpose of representing “art as an industry.” For many years collecting was centered around prints, together with the plates and tools that made them. Not until the middle of the twentieth century did the Division begin to collect printing presses systematically. Even more recently, the scope of collecting has been broadened to include printing type and type-making apparatus. -
Library of Congress Collection Overviews: Rare Books
COLLECTION OVERVIEW RARE BOOKS I. SCOPE This overview describes the holdings of the Rare Books and Special Collections Division (RBSCD)of the Library of Congress. It excludes rare books and manuscripts in the custody of other Library divisions, such as the Music Division, the Asian Division, or the African and Middle Eastern Division. In general, all materials printed before 1801 fall into the scope of RBSCD. Although the division’s materials come into its custody for a variety of reasons – age, rarity, monetary value, importance in the history of printing, historic binding, provenance or association interest, fragility, uniqueness or scarcity – they have one point in common: the collections document at a research level the traditions of thought and learning and the social life and customs of Europe and the Americas. II. SIZE The Rare Book and Special Collections Division's holdings amount to approximately 800,000 books, broadsides, pamphlets, theater programs and playbills, title pages, prints, posters, photographs, and medieval and Renaissance manuscripts. III. GENERAL RESEARCH STRENGTHS The Division selects rare materials and special collections covering all eras and subjects, focusing on original printed sources in the following areas: the fifteenth-century book and the history of printing, European social and intellectual history, the Reformation, the history of science, travels and voyages, the illustrated book, Mesoamerica and the encounter, Americana, selected English and American authors, the fine press tradition, the contemporary artist’s book, subject themes and formats such as gastronomy and magic, and special format books such as miniature books. Criteria for the selection of rare materials and special collections include especially their long-term scholarly importance and their value as editions of a given work. -
Rare Books and Special Collections Collection Development Policy January 2020 I. Introduction Rare Books and Special Collections
Rare Books and Special Collections Collection Development Policy January 2020 I. Introduction Rare Books and Special Collections at Northern Illinois University Library includes those materials that, because of subject coverage, rarity, source, condition, or form, are best handled separately from the General Collection. The primary materials held in RBSC are an integral part of the educational experience, in keeping with the public research and teaching missions of Northern Illinois University. We provide students, faculty, staff, and individual users from the general public at all levels an opportunity to interact with hands-on history, and to perform in- depth research, particularly in areas related to popular culture in the United States. The nature, extent, and depth of the collection have grown with that purpose to date, although the nature of the collections is always subject to review and extension depending on the research needs of the entire community. II. Criteria for Consideration for Inclusion in the Rare Books Collection (over 10,300 vols.) All inclusion decisions are ultimately made by the Curator on a case-by-case basis. Materials that meet these guidelines are not guaranteed to be accepted into the Rare Books Collection; the Curator may opt not to add particular items due to condition, space issues, or other considerations. A. Date of Publication. The simplest general guideline for materials to be included is the publication date of the book. The cut-off dates for inclusion of material with various imprints are listed below with a brief explanation of the choice of date: 1. European publications before 1801. Teaching examples of representative types of publications from this period should be sought after (i.e. -
From the Library of Cosmo Alexander Gordon
FROM THE LIBRARY OF COSMO ALEXANDER GORDON Lucretius De Rerum Natura 1-27 Sixteenth century 28-33 Seventeenth century 34-53 Eighteenth century 54-79 Nineteenth century 80-90 Twentieth century 91-92 BERNARD QUARITCH LTD List 2015/3 [email protected] +44 (0)20 7297 4888 Introduction by Nicolas Barker ‘Cosmo and I found our tastes and interests were always in harmony and I came to love his particular sense of humour and gentle goodness, as well as to respect his unusual style of scholarship and general culture.’ So wrote his life-long friend, Geoffrey Keynes in The Gates of Memory. All those who knew him shared the same feeling of calm and contentment, leavened by humour, in his company. Something of this radiates from this residue of a collection of books, never large but put together with a discrimination, a sense of the sum of all the properties of any book, that give it a special quality. Cosmo Alexander Gordon was born on 23 June 1886, the son of Arthur and Caroline Gordon of Ellon, Aberdeen. Ellon Castle was a modest late medieval building, with eighteenth-century additions and yew avenue, the river Ythan running by, where Cosmo fished for salmon and sea-trout. Dr Johnson stayed there in 1773 and admired the local antiquities. So did Cosmo; his taste had extended to medieval manuscripts before he left Rugby for King’s in 1904, where it was nurtured by M. R. James. Although Keynes had also been at Rugby, they did not meet until both were at Cambridge, where Gordon introduced his new friend to David’s book-stall and seventeenth-century literature; they shared a passion for Browne and Fuller. -
The Evolution of the Printed Bengali Character
The Evolution of the Printed Bengali Character from 1778 to 1978 by Fiona Georgina Elisabeth Ross School of Oriental and African Studies University of London Thesis presented for the degree of Doctor of Philosophy 1988 ProQuest Number: 10731406 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. ProQuest 10731406 Published by ProQuest LLC (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 20618054 2 The Evolution of the Printed Bengali Character from 1778 to 1978 Abstract The thesis traces the evolution of the printed image of the Bengali script from its inception in movable metal type to its current status in digital photocomposition. It is concerned with identifying the factors that influenced the shaping of the Bengali character by examining the most significant Bengali type designs in their historical context, and by analyzing the composing techniques employed during the past two centuries for printing the script. Introduction: The thesis is divided into three parts according to the different methods of type manufacture and composition: 1. The Development of Movable Metal Types for the Bengali Script Particular emphasis is placed on the early founts which lay the foundations of Bengali typography. -
Printing in Bristol the University, Bristol
BRISTOL BRANCH OF THE HISTORICAL ASSOCIATION PRINTING IN BRISTOL THE UNIVERSITY, BRISTOL Price £1.00 1986 A.P. WOOLRICH ISBN O 901388 46 7 I BRISTOL BRANCH OF THE HISTORICAL ASSOCIATION LOCAL HISTORY PAMPHLETS Hon. General Editor: PATRICK McGRATH Assistant General Editor: PETER HARRIS Printing in Bristol is the sixty-third pamphlet to be published by the Bristol Branch of the Historical Association. Its author, Mr A.P. Woolrich, worked for some years for the Bristol United Press and for many years he has collected works produced by Bristol printers. He has written a number of articles relating to the industrial history of the city. His book on industrial espionage will PRINTING IN BRISTOL be published shortly and his articles on the Hornblower-Maberley steam engine of 1805 and on John Farey and the Smeaton MSS have appeared in the Transactions of the Newcomen Society, vol. 56, 1986 and in History of Technology vol. 10, 1985. Although a number of studies have been made of particular firms, this is the firstsurvey of the history of the printing industry in Bristol, and Mr Woolrich hopes it will encourage further research. The Branch wishes to express its thanks to Miss Mary Williams, Bristol City Archivist, who read the manuscript and made a number of very helpful comments and suggestions. Mr Langley of the Central Reference Library and Mr Maby of the University of Bristol Library were extremely helpful with regard to the illustrations, and Mr Gordon Kelsey and the staff of the Arts Faculty Photographic Unit kindly arranged to take some of the photographs. -
Lucretius Carus, Titus
Lucretius Carus, Titus. Addenda et Corrigenda* ADA PALMER (University of Chicago) The Addenda follow the order of the original article (CTC 2.349–65) and consist of a) additional material for the Fortuna, Bibliography and commen- taries, b) vernacular translations of the seventeenth century. New information on copyists, owners and annotators is included within the Fortuna, following the original structure. Fortuna p. 349a4. Add: A theory, now discredited, was much discussed in the fifteenth century that the surviving six-book poem was actually the middle or end of a twenty-one- book work. This confusion arose from a passage in M.T. Varro De( Lingua Latina * The author is grateful for the support and assistance of David Butterfield, Alison Brown, James Hankins and Michael Reeve. She owes much to the support given to her by the Villa I Tatti Harvard University Center for Italian Renaissance Studies, and the Mel- bern G. Glasscock Humanities Center at Texas A&M University. Gracious help was also provided by librarians at many institutions, including the Biblioteca Medicea Lauren- ziana, Biblioteca Nazionale and Biblioteca Berenson, Florence; Biblioteca Nazionale, Rome; Biblioteca Apostolica Vaticana, Vatican City; Biblioteca Marciana, Venice; Biblioteca Ambrosiana, Milan; Biblioteca Comunale A. Mai, Bergamo; Biblioteca Estense, Modena; Biblioteca Malatestiana, Cesena; Biblioteca Comunale Passerini- Landi, Piacenza; Biblioteca Capitolare, Padua; Biblioteca dell’Accademia Rubiconia dei Filopatridi, Savignano sul Rubicone; Biblioteca Nazionale, Naples; Bibliothèque Sainte-Geneviève and Bibliothèque Nationale, Paris; Öffentliche Bibliothek der Uni- versität, Basel; Österreichische Nationalbibliothek, Vienna; Cambridge University Library; Bodleian Library, Oxford; Harvard University’s Widener and Houghton Libraries, Cambridge, Mass.; Cushing Memorial Library & Archives, College Station, Tex.; and especially the British Library, London. -
A Short History of English Printing : 1476-1900
J \ Books about Books Edited by A. W. Pollard A Short History of English Printing BOOKS ABOUT BOOKS Edited bv A. W. POLLARD POPULAR RE-ISSUE BOOKS IN MANUSCRIPT. By Falconer Madan, Bodley's Librarian, Oxford. THE BINDING OF BOOKS. By H. P. HORNE. A SHORT HISTORY OF ENGLISH PRINTING. By II. K. Plomer. EARLY ILLUSTRATED BOOKS. By A. W. POLI.ARD. Other volumes in pi-eparatioit. A Short History of English Printing 1476-1900 By Henry R. Plomer London Kegan Paul, Trench, Triibncr & Co., Ltd. Broadway House, 68-74 Carter Lane, E.C, MDCCCCXV I-'irst Edition, 1900 Second (Popular) Edition, 1915 The rights of translation and of reproduction are reserved Editor's Preface When Mr. Plomer consented at my request to write a short history of EngHsh printing which should stop neither at the end of the fifteenth century, nor at the end of the sixteenth century, nor at 1640, but should come down, as best it could, to our ovm day, we were not without appre- hensions that the task might prove one of some difficulty. How difficult it would be we had certainly no idea, or the book would never have been begun, and now that it is Imished I would bespeak the reader's sympathies, on Mr. Plomer 's behalf, that its inevitable shortcomings may be the more generously forgiven. If we look at what has already been written on the subject the diffi- culties will be more easily appreciated. In England, as in other countries, the period in the history of the press which is best known to us is, by the perversity of antiquaries, that which is furthest removed from our own time.