Journal of World-Systems Research, Volume XIV, Number 2, Pages 91-118 ISSN 1076-156X
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The Three Phases of Arendt's Theory of Totalitarianism*
The Three Phases of Arendt's Theory of Totalitarianism* X~1ANNAH Arendt's The Origins of Totalitarianism, first published in 1951, is a bewilderingly wide-ranging work, a book about much more than just totalitarianism and its immediate origins.' In fact, it is not really about those immediate origins at all. The book's peculiar organization creates a certain ambiguity regarding its intended subject-matter and scope.^ The first part, "Anti- semitism," tells the story of tbe rise of modern, secular anti-Semi- tism (as distinct from what the author calls "religious Jew-hatred") up to the turn of the twentieth century, and ends with the Drey- fus affair in Erance—a "dress rehearsal," in Arendt's words, for things still worse to come (10). The second part, "Imperialism," surveys an assortment of pathologies in the world politics of the late nineteenth and early twentieth centuries, leading to (but not direcdy involving) the Eirst World War. This part of the book examines the European powers' rapacious expansionist policies in Africa and Asia—in which overseas investment became the pre- text for raw, openly racist exploitation—and the concomitant emergence in Central and Eastern Europe of "tribalist" ethnic movements whose (failed) ambition was the replication of those *Earlier versions of this essay were presented at the University of Virginia and at the conference commemorating the fiftieth anniversary of The Origins of Toudilarianism hosted by the Hannah Arendt-Zentrum at Carl Ossietzky University in Oldenburg, Ger- many. I am grateful to Joshua Dienstag and Antonia Gnmenberg. respectively, for arrang- ing these (wo occasions, and also to the inembers of the audience at each—especially Lawrie Balfour, Wolfgang Heuer, George KJosko, Allan Megili, Alfons Sollner, and Zoltan Szankay—for their helpful commeiiLs and criticisms. -
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Cultural Experimentation as Regulatory Mechanism in Response to Events of War and Revolution in Russia (1914-1940) Anita Tárnai Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Anita Tárnai All rights reserved ABSTRACT Cultural Experimentation as Regulatory Mechanism in Response to Events of War and Revolution in Russia (1914-1940) Anita Tárnai From 1914 to 1940 Russia lived through a series of traumatic events: World War I, the Bolshevik revolution, the Civil War, famine, and the Bolshevik and subsequently Stalinist terror. These events precipitated and facilitated a complete breakdown of the status quo associated with the tsarist regime and led to the emergence and eventual pervasive presence of a culture of violence propagated by the Bolshevik regime. This dissertation explores how the ongoing exposure to trauma impaired ordinary perception and everyday language use, which, in turn, informed literary language use in the writings of Viktor Shklovsky, the prominent Formalist theoretician, and of the avant-garde writer, Daniil Kharms. While trauma studies usually focus on the reconstructive and redeeming features of trauma narratives, I invite readers to explore the structural features of literary language and how these features parallel mechanisms of cognitive processing, established by medical research, that take place in the mind affected by traumatic encounters. Central to my analysis are Shklovsky’s memoir A Sentimental Journey and his early articles on the theory of prose “Art as Device” and “The Relationship between Devices of Plot Construction and General Devices of Style” and Daniil Karms’s theoretical writings on the concepts of “nothingness,” “circle,” and “zero,” and his prose work written in the 1930s. -
Cultural Theorizing Has Dramatically Increased
Cultural CHAPTER 9 Theorizing Another Embarassing Confession Like the concept of social structure, the conceptualization of culture in sociology is rather vague, despite a great deal of attention by sociologists to the properties and dynamics of cul- ture. There has always been the recognition that culture is attached to social structures, and vice versa, with the result that sociologists often speak in terms of sociocultural formations or sociocultural systems and structures. This merging of structure and culture rarely clarifies but, instead, further conflates a precise definition of culture. And so, sociology’s big idea— culture—is much like the notion of social structure. Its conceptualization is somewhat meta- phorical, often rather imprecise, and yet highly evocative. There is no consensus in defini- tions of culture beyond the general idea that humans create symbol systems, built from our linguistic capacities, which are used to regulate conduct. And even this definition would be challenged by some. Since the 1980s and accelerating with each decade, the amount of cultural theorizing has dramatically increased. Mid-twentieth-century functional theory had emphasized the importance of culture but not in a context-specific or robust manner; rather, functional- ism viewed culture as a mechanism by which actions are controlled and regulated,1 whereas much of the modern revival of culture has viewed culture in a much more robust and inclusive manner. When conflict theory finally pushed functionalism from center stage, it also tended to bring forth a more Marxian view of culture as a “superstructure” generated by economic substructures. Culture became the sidekick, much like Tonto for the Lone Ranger, to social structure, with the result that its autonomy and force indepen- dent of social structures were not emphasized and, in some cases, not even recognized. -
SENATE March 12 Repair, Or Construction; to the Committee on by Mr.AVERY: - by Mr
3824 CONGRESSIONAL RECORD-- SENATE March 12 repair, or construction; to the Committee on By Mr.AVERY: - By Mr. McDONOUGH: Banking and Currency. H.R. 10670. A bill to declare that certain H.R.10673. A bill for the relief-of Eng (Ng) By Mr. WILLIAMS: land of the United States is held by the Yook Gee; to the Committee on the Judi H.R. 10654. A bill to support the price of United States in trust for the Prairie Band ciary. soybeans; to the Committee on Agriculture. of Pottawatomie Indians In Kansas; to the H.R. 10674. A bill for the relief of Toshi H.R. 10655. A bill to amend section 402 of Conunittee on Interior and· Insular Affairs. nori Kondo; to the Committee on the Judi the Federal Aviation Act of 1958 to require By Mr. ARENDS: ciary. approval by the Civil Aeronautics Board of H.J. Res. 656. Joint resolution authoriz H.R. 10675. A bill for the relief of Mrs. certain schedules of foreign air carriers; ing the Secretary of the Navy to receive for Umeno Taga; to the Committee on the Judi to the Committee on Interstate and Foreign instruction at the U.S. Naval\ Academy at ciary. Commerce. Annapolis two citizens and subjects of the By Mr. MACGREGOR: H.R. 10656. A bill to prescribe the oath of Kingdom of Belgium; to the Committee on H.R. 10676. A bill for the relief of Dr. office of justices and judges of the United Armed Services. Shaoul G. S. Shashoua; to the Committee States; to the Committee on the Judicia~y. -
Dissertation After Crash 4-7-10
Roma De Profundis: Post-Economic Miracle Rome and the Films of Dario Argento (1970-1982) By Michael Loren Siegel B.A., University of Michigan, 2000 M.A., Brown University, 2003 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of Modern Culture and Media at Brown University Providence, Rhode Island May 2010 © Copyright 2010 by Michael Loren Siegel This dissertation by Michael Loren Siegel is accepted in its present form by the Department of Modern Culture and Media as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date___________ ___________________________________ Professor Mary Ann Doane, Advisor Recommended to the Graduate Council Date___________ ___________________________________ Professor Philip Rosen, Reader Date___________ ___________________________________ Professor Massimo Riva, Reader Approved by the Graduate Council Date___________ ___________________________________ Professor Sheila Bonde, Dean of the Graduate School iii VITA Michael Loren Siegel was born on July 31, 1978 in Pittsburgh, Pennsylvania. He earned his B.A. in Film and Video Studies at the University of Michigan in Ann Arbor, Michigan in 2000, and his M.A. in Modern Culture and Media at Brown University in Providence, Rhode Island in 2003. His work on Italian cinema, television, urbanity, and visual culture has been published in the anthologies Cinematic Rome (ed. Richard Wrigley) and The Place of the Moving Image (eds. John David Rhodes and Elena Gorfinkel), and is forthcoming in A Companion to Italian Cinema (ed. Peter Brunette) and the British Film Institute’s centenary collection on Michelangelo Antonioni (ed. John David Rhodes). ! iv ACKNOWLEDGEMENTS Writing a dissertation can be an intensely isolating experience. -
3.1 Anti-Colonial Terrorism: the Algerian Struggle
1 EMMANOUIL ARETOULAKIS National and Kapodistrian University of Athens, Greece Terrorism and Literariness: The terrorist event in the 20th and 21st centuries 2 Terrorism and Literariness: The terrorist event in the 20th and 21st centuries Author Emmanouil Aretoulakis NATIONAL AND KAPODISTRIAN UNIVERSITY OF ATHENS, GREECE Critical Reader William Schultz Editor Anastasia Tsiadimou ISBN: 978-960-603-462-6 Copyright © ΣΔΑΒ, 2015 Το παρόν έργο αδειοδοηείηαι σπό ηοσς όροσς ηης άδειας Creative Commons. Αναθορά Γημιοσργού - Μη Δμπορική Χρήζη - Παρόμοια Γιανομή 3.0. Για να δείηε ένα ανηίγραθο ηης άδειας ασηής επιζκεθηείηε ηον ιζηόηοπο https://creativecommons.org/licenses/by-nc-sa/3.0/gr/ HELLENIC ACADEMIC LIBRARIES Δθνικό Μεηζόβιο Πολσηετνείο Ζρώων Πολσηετνείοσ 9, 15780 Εωγράθοσ www.kallipos.gr 3 Front cover picture Baricades set up during the Algerian War of Independence. January 1960. Street of Algier. Photo by Michel Marcheux, CC-BY-SA-2.5,wikipedia http://fr.wikipedia.org/wiki/Image 4 Table of Contents Abbreviation List ........................................................................................................... 7 INTRODUCTION ......................................................................................................... 8 The end of History, the Clash of Civilizations and the question of the Real: Historico-Political Peregrinations ............................................................................ 12 Revolutionary Art, Theory, and Literature as Violence ........................................... 18 Notes........................................................................................................................ -
CULTURAL ANALYSIS the Work of Peter L. Berger, Mary Douglas, Michel Foucault, and Jürgen Habermas
ROUTLEDGE LIBRARY EDITIONS: MICHEL FOUCAULT CULTURAL ANALYSIS CULTURAL ANALYSIS The Work of Peter L. Berger, Mary Douglas, Michel Foucault, and Jürgen Habermas ROBERT WUTHNOW, JAMES DAVISON HUNTER, ALBERT BERGESEN, EDITH KURZWEIL Volume 5 First published in 1984 This edition first published in 2010 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Avenue, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group, an informa business © Robert Wuthnow, James Davison Hunter, Albert Bergesen and Edith Kurzweil 1984 Printed and bound in Great Britain All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 10: 0-415-56195-7 (Set) ISBN 10: 0-415-56198-1 (Volume 5) ISBN 10: 0-203-09277-5 (ebook) ISBN 13: 978-0-415-56195-2 (Set) ISBN 13: 978-0-415-56198-3 (Volume 5) ISBN 13: 978-0-203-09277-4 (ebook) Publisher’s Note The publisher has gone to great lengths to ensure the quality of this reprint but points out that some imperfec- tions in the original copies may be apparent. The publisher has made every effort to trace copyright holders and welcomes correspondence from those they have been unable to contact. -
South Korean Cinema and the Conditions of Capitalist Individuation
The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation By Jisung Catherine Kim A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kristen Whissel, Chair Professor Mark Sandberg Professor Elaine Kim Fall 2013 The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation © 2013 by Jisung Catherine Kim Abstract The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation by Jisung Catherine Kim Doctor of Philosophy in Film and Media University of California, Berkeley Professor Kristen Whissel, Chair In The Intimacy of Distance, I reconceive the historical experience of capitalism’s globalization through the vantage point of South Korean cinema. According to world leaders’ discursive construction of South Korea, South Korea is a site of “progress” that proves the superiority of the free market capitalist system for “developing” the so-called “Third World.” Challenging this contention, my dissertation demonstrates how recent South Korean cinema made between 1998 and the first decade of the twenty-first century rearticulates South Korea as a site of economic disaster, ongoing historical trauma and what I call impassible “transmodernity” (compulsory capitalist restructuring alongside, and in conflict with, deep-seated tradition). Made during the first years after the 1997 Asian Financial Crisis and the 2008 Global Financial Crisis, the films under consideration here visualize the various dystopian social and economic changes attendant upon epidemic capitalist restructuring: social alienation, familial fragmentation, and widening economic division. -
SOC 532: SOCIOLOGY of RELIGION Fall 2009 Richard L. Wood, Associate Professor of Sociology Thursdays 4:00-6:30 Pm, 1061 SSCI (Sociology Commons)
SOC 532: SOCIOLOGY OF RELIGION Fall 2009 Richard L. Wood, Associate Professor of Sociology Thursdays 4:00-6:30 pm, 1061 SSCI (Sociology Commons) Office Hours: Mondays 2:00-3:00 p.m.1078 SSCI, 505-277-3945 Thursdays 2:00-3:00 p.m.1078 SSCI, 505-277-3945 or mornings at 401 Hokona-Zuni, by appointment via 277-1117 [email protected] fax: 505-277-1115 This course is designed to introduce students to a broad range of sociological work on religion. The course will emphasize the social and political implications of religious dynamics, but we will also pay attention to broader elements of religion. The field is a vast one, and even a serious, graduate-level course can only skim the surface; students are encouraged to delve more deeply into their particular interests via the term paper project. The course includes a variety of theoretical approaches, and comparative-historical, survey, network-analytic, and ethnographic methodological approaches are all included. We will discuss the relative advantages that different theoretical and methodological approaches offer for generating sociological insight into religion and society. The content of the course will be weighted heavily toward understanding religion and society in three settings: the United States, Latin America, and the Middle East. However, the theoretical and methodological tools learned will be useful for the sociology of religion in whatever settings draw your interests (and term papers can certainly be written on a wide variety of topic areas). Goals of the course: At the end of semester (if you prepare the readings well, engage actively in thoughtful discussion, and complete the other assignments), you will have laid strong intellectual foundations for doing graduate-level scholarship on religion (comprehensive exams, master’s thesis, dissertation research, etc.). -
2. Utopia and Its Negative
Dystopia and Political Imagination in the Twentieth Century by Matthew Benjamin Cole Department of Political Science Duke University Date:_______________________ Approved: ___________________________ Michael Gillespie, Co-Supervisor ___________________________ Tom Spragens, Co-Supervisor ___________________________ Ruth Grant ___________________________ Malachi Hacohen Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Political Science in the Graduate School of Duke University 2017 i v ABSTRACT Dystopia and Political Imagination in the Twentieth Century by Matthew Benjamin Cole Department of Political Science Duke University Date:_______________________ Approved: ___________________________ Michael Gillespie, Co-Supervisor ___________________________ Tom Spragens, Co-Supervisor ___________________________ Ruth Grant ___________________________ Malachi Hacohen An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Political Science in the Graduate School of Duke University 2017 i v Copyright by Matthew Cole 2017 Abstract My dissertation offers an interpretation of twentieth century political thought which emphasizes the influence of dystopian images, themes, and anxieties. Drawing examples from philosophy, literature, and social science, I show how negative visions of future society have played an important critical function in our contemporary understanding of freedom, power, -
ROBERT WUTHNOW Department of Sociology Wallace Hall Princeton
ROBERT WUTHNOW Department of Sociology Wallace Hall Princeton University Princeton, New Jersey 08544 (609) 258-4742 or 258-4531 Education: University of Kansas, Lawrence, Kansas, B.S., 1968, Summa Cum Laude University of California, Berkeley, Department of Sociology, Ph.D., 1975 Employment: Andlinger Professor of Sociology Director, Center for the Study of Religion Princeton University Publications: Books The Left Behind: Decline and Rage in Rural America (Princeton, N.J.: Princeton University Press, 2018), 196 pp. American Misfits and the Making of Middle Class Respectability (Princeton, N.J.: Princeton University Press, 2017), 362 pp. Inventing American Religion: Polls, Surveys, and the Tenuous Quest for a Nation’s Faith (New York: Oxford University Press, 2015), 256 pp. In the Blood: Understanding America’s Farm Families (Princeton, N.J.: Princeton University Press, 2015), 240 pp. Rough Country: How Texas Became America’s Most Powerful Bible-belt State (Princeton, N.J.: Princeton University Press, 2014), 654 pp. Paperback edition, 2016. Small-Town America: Finding Community, Shaping the Future (Princeton, N.J.: Princeton University Press, 2013), 504 pp. Paperback edition, 2015. The God Problem: Expressing Faith and Being Reasonable (Berkeley and Los Angeles: University of California Press, 2012), 332 pp. Red State Religion: Faith and Politics in America’s Heartland (Princeton, N.J.: Princeton University Press, 2012), 484 pp. Paperback edition, 2014. Remaking the Heartland: Middle America Since the 1950s (Princeton, N.J.: Princeton University Press, 2011), 376 pp. Paperback edition, 2013. Be Very Afraid: The Cultural Response to Terror, Pandemics, Environmental Devastation, Nuclear 2 Annihilation, and Other Threats (New York: Oxford University Press, 2010), 304 pp. -
Front Line Assembly - Bio
FRONT LINE ASSEMBLY - BIO Front Line Assembly is the primary focus of Vancouver-based musician Bill Leeb. A founding member of Skinny Puppy, Leeb moved on to form FLA in 1986 with Michael Balch, releasing some cassettes (since released as Total Terror I & II) which paved the way for their 1987 releases: The Initial Command, State of Mind, and Corrosion. In late 1988, they recorded the mini-LP Disorder, since combined with Corrosion and released as Corroded Disorder. Their 1989 release, Gashed Senses and Crossfire, further cemented their popularity in the industrial scene, and prompted their first world tour. By 1990, Balch had departed and Rhys Fulber rounded out the duo, releasing Caustic Grip. But it was two years later when the duo released the classic album, Tactical Neural Implant, which has become for many, the genre's crowning moment. To this day, TNI still defines the best of industrial music. FLA enraged many of their fans in 1994 when they began to experiment with their established electronic-only sound. Millenium, with its heavy doses of live and sampled metal guitars, dared its audience to grow and expand with the band beyond industrial's perceived barriers. Front Line stepped to the firing line again in 1995 with Hard Wired, which reflected both a return to form and a continued embracing of the guitar. Hard Wired not only picked up where Implant left off, it improved on the sound by adding in elements of all of their side projects. A fall European tour was recorded for the 1996 release Live Wired, their first concert CD ever.