30. Mai Bis 02. Juni 2019 Dürfen Wir Bereits Zum Zwölften Mal Donnerstag, 30

Total Page:16

File Type:pdf, Size:1020Kb

30. Mai Bis 02. Juni 2019 Dürfen Wir Bereits Zum Zwölften Mal Donnerstag, 30 Dozenten und Referenten Teilnahmegebühren Radovan Vlatkovic (Österreich) Jugendliche bis 16 Jahre: 4 Tage Fr. 150.– od. Fr. 50.– pro Tag Erster Preis am ARD-Wettbewerb in München. 1982–1990 Lehrlinge und Studenten: 4 Tage Fr. 200.– od. Fr. 70.– pro Tag Solohornist im Radio-Sinfonieorchester Berlin. Konzerte als Erwachsene: 4 Tage Fr. 300.– od. Fr. 90.– pro Tag Solist und Kammermusiker in allen Kontinenten. Zahlreiche CD-Aufnahmen. Professur für Horn am Mozarteum Salzburg, In der Teilnahmegebühr enthalten: an der Hochschule Reina Sofia in Madrid und Dozent an der Konzerteintritte, Ensemblespiel, Notenmaterial, Workshops, Musikhochschule Zürich. Teilnahme als Zuhörer am Meisterkurs. Stefan Dohr (Deutschland) Spezialangebot für Kinder und Jugendliche bis 16 Jahre Seit 1993 Solohornist bei den Berliner Philharmonikern. Rege Pauschalpreis: Fr. 300.– Tätigkeit als Solist und Kammermusiker. Gastprofessor an der Pauschalpreis ohne Übernachtung: Fr. 200.– Sibelius Akademie Helsinki, der Hochschule für Musik «Hanns (inkl. Mittag- und Abendessen, Betreuung) Eisler» Berlin und Visiting Professor des Royal College of Music, London. Meisterkurse rund um den Globus. 4 Tage inkl. Teilnahmegebühr, Übernachtungen Vollpension im Touristenhaus, Betreuung mit Spezialprogramm Richard Watkins (England) Solohornist von 1985–1996 im Philharmonia Orchestra London. Einzelunterricht Solistische Auftritte unter anderem mit Carlo Maria Giulini, Amateure: Fr. 40.– pro Lektion (30 Min.) 2 Wolfgang Sawallisch, Leonardo Slatkin, Giuseppe Sinopoli und Esa Pekka Salonen. Vielseitige kammermusikalische Tätigkeit. Musikstudenten und Profis: Fr. 50.– pro Lektion (30 Min.) Unterrichtstätigkeit in der Royal College of Music und in der Unterricht bei den Dozenten und Mitgliedern der Horngruppe Royal Academy of Music. Obwalden. Lukas Christinat (Schweiz) Meisterkurs (inkl. Klavierbegleitung) Seit 1991 Solohornist im Luzerner Sinfonieorchester. Preisträger Musikstudenten und Profis: Fr. 80.– pro Lektion (30 Min.) der «Friedel Wald Stiftung» und des Edwin Fischer Gedenkprei- Radovan Vlatkovic ses. Konzerte und Meisterkurse in Europa, Amerika, China und Stefan Dohr Japan. Dozent für Horn und Kammermusik an der Hochschule Übernachtung im Touristenhaus (Preise pro Nacht) Luzern für Musik. Leiter der Horngruppe Obwalden. Jugendliche, Lehrlinge, Studenten: Fr. 35.– (inkl. Frühstück) Richard Watkins Erwachsene: Fr. 45.– (inkl. Frühstück) Lukas Christinat Florian Abächerli (Schweiz) Florian Abächerli Seit 2005 stellvertretender Solohornist im Luzerner Sinfonie- Übernachtung im Hotel Stephan Bühlmann orchester und seit 2007 Solohornist im 21st Century Symphony Für die Hotelübernachtung sind die Teilnehmenden selbst Dinka Migic -Vlatkovic Orchestra. Preisträger der «Friedel Wald Stiftung» und des verantwortlich. «Mozart Preises» der Stadt Luzern. Mitglied des Lucerne Festival Orchestra. Hotel Krone Sarnen 30. MAI BIS Stephan Bühlmann (Schweiz) EZ: Fr. 125.–/Nacht (inkl. Frühstück und Wellness) Freischaffender Hornist u.a. in verschiedenen Kammermusik- DZ: Fr. 220.–/Nacht (inkl. Frühstück und Wellness) formationen (Holz- und Blechbläser-Quintett, Hornquartett). Tel: +41 41 666 09 09 [email protected] 02. JUNI 2019 Intensive pädagogische Tätigkeit an den Kantonsschulen und Fax: +41 41 666 09 10 www.krone-sarnen.ch Musikschulen in Sursee, Olten, Triengen und Horw. Seit 1998 Ensemblespiel tiefer Hornist im 21st Century Symphony Orchestra. Einzelunterricht Konzerte Dinka Migic -Vlatkovic , (Österreich) Workshops Psychologiestudium und Ausbildung zur Systemischen Beraterin, Kontaktadresse Familientherapeutin, Burnout- und Stressbewältigungs-Beraterin. Horngruppe Obwalden Telefon: +41 41 660 96 04 Meisterkurs Weltweite Vortrags- und Beratertätigkeit, spezifisch als «Mental Postfach 1029 Mobile: +41 79 330 42 51 Mentales Training Organisator Coach und Trainer» für Musiker, Lehrer und Professoren, u.a. in CH-6061 Sarnen [email protected] Begegnungen den USA, Schweden, Venezuela, Österreich und Kroatien. Switzerland www.frenchhorn.ch von Ah Druck AG, Sarnen Spezielles Programm für Kinder Vorwort Festivalprogramm Liebe Freunde des Waldhorns Konzerte Ensemblespiel Die Dozenten erarbeiten mit verschiedenen Gruppen die Vom 30. Mai bis 02. Juni 2019 dürfen wir bereits zum zwölften Mal Donnerstag, 30. Mai 2019 Stücke für das Schlusskonzert. Das Ensemblespiel findet täg- das Internationale Hornfestival Obwalden durchführen. Es erfüllt «Eröffnungskonzert» lich während rund drei Stunden (zwei Blöcke) statt. Die Noten uns mit Stolz, dass wir neben Radovan Vlatkovic und Richard Jungmusik Sarnen–Kerns, werden ca. vier Wochen vor Beginn des Festivals verschickt. Watkins in der Person von Stefan Dohr, Solohornist der Berliner Guido Weber, Leitung Philharmoniker, einen weiteren Hornisten von Weltklasse an Einzelunterricht unserem Festival dabei haben. Horngruppe Obwalden, Jeder Teilnehmer erhält die Möglichkeit, sich für Einzelunter- richts-Stunden anzumelden. Die jeweils 30 Minuten dauernden Für Laien, Studenten, Berufsmusiker und Schüler haben wir auch Dozenten des Hornfestivals, Lektionen werden von den Dozenten sowie von Berufshornisten für die zwölfte Ausgabe ein interessantes und vielseitiges Programm Markus Michel, Leitung der Horngruppe Obwalden erteilt. Der Einzelunterricht ist zusammengestellt. An Workshops, im Einzelunterricht und im für jedes Alter und Spielniveau geeignet. Ensemblespiel wird den Teilnehmern die Möglichkeit geboten, Freitag, 31. Mai 2019 gemeinsam zu musizieren, Erfahrungen auszutauschen und Neues «Surprise» Workshops zu entdecken. Ein Abend voller Überraschungen Am Hornfestival finden Workshops zu Spiel und Übetechniken und zu weiteren Themen statt. Zusätzlich werden Kurse für Für fortgeschrittene Studenten und Berufsmusiker wird wiederum Samstag, 01. Juni 2019 mentales Training angeboten. ein Meisterkurs durchgeführt. Dieser ist öffentlich und auch für «Sinfonisches Konzert» Zuhörer sehr zu empfehlen. Sinfonieorchester des Internationalen Hornfestivals, Gemeinsames Einspielen Wie beim vergangenen Festival 2017 bieten wir ein Hornlager für Dozenten des Hornfestivals, Jeweils zu Beginn des Tages findet ein gemeinsames Einspielen Kinder und Jugendliche (bis 16 Jahre) an. Die Kinder werden Philippe Bach, Leitung statt. Es wird alternierend von den Dozenten geleitet. Die während des ganzen Lagers von Erwachsenen betreut. Neben Übungen werden in schriftlicher Form zur Verfügung stehen. dem Ensemblespiel (altersgerechte Einteilung) und mentalem Sonntag, 02. Juni 2019 Training werden auch spannende Freizeitaktivitäten auf dem «Hörnerklang» Meisterkurs abwechslungsreichen Programm sein. Schlusskonzert des Internationalen Hornfestivals 2019, Für fortgeschrittene Studenten sowie Berufsmusiker wird ein Teilnehmer und Dozenten des Hornfestivals, Meisterkurs durchgeführt. Die Dozenten erarbeiten mit den Wie gewohnt findet eine umfangreicheAusstellung rund um das Horngruppe Obwalden Teilnehmern des Kurses Konzertliteratur. Der Meisterkurs mit Waldhorn (Noten, Tonträger sowie Instrumentenzubehör) statt. Klavierbegleitung ist öffentlich und auch für Zuhörer sehr zu Es besteht die Möglichkeit, Instrumente verschiedenster Hersteller empfehlen. anzublasen. Spezialprogramm für Kinder / Hornlager Die Jungmusik Sarnen-Kerns sowie die Horngruppe Obwalden Die Förderung des Nachwuchses ist uns ein grosses Anliegen. (gemeinsam mit den Dozenten) werden am Donnerstagabend das Für Kinder und Jugendliche (bis 16 Jahre) bieten wir ein Festival musikalisch eröffnen. AmKonzert vom Samstag werden, spezielles Programm an, welches neben dem Ensemblespiel, begleitet vom Sinfonieorchester des Internationalen Hornfesti- dem gemeinsamen Einspielen und dem Einzelunterricht vals, die Dozenten zu hören sein: Weltbekannte Hornsolisten in auch nicht-musikalische Aktivitäten beinhaltet. Für Unterkunft Obwalden! und Verpflegung im Touristenhaus Ey sowie Betreuung «rund Die Horngruppe Obwalden und die Dozenten freuen sich, viele um die Uhr» ist gesorgt. Hornisten und Freunde des Waldhorns in Obwalden begrüßen zu dürfen. Neben dem attraktiven musikalischen Angebot erwartet Sie eine der schönsten Ferienregionen der Schweiz mit vielen touristi- schen Highlights für die ganze Familie. Mit hornistischen Grüssen Lukas Christinat, künstlerische Leitung .
Recommended publications
  • SEA EAGLE Works by Gerald Barry • Peter Maxwell Davies • Robin Holloway Colin Matthews • David Matthews • Mark-Anthony Turnage • Huw Watkins RICHARD WATKINS Horn
    Richard Watkins horn with Mark Padmore tenor • Huw Watkins piano Paul Watkins cello • The Nash Ensemble SEA EAGLE works by Gerald Barry • Peter Maxwell Davies • Robin Holloway Colin Matthews • David Matthews • Mark-Anthony Turnage • Huw Watkins RICHARD WATKINS horn Peter Maxwell Davies: Sea Eagle 9’08 The Nash Ensemble 1 Adagio 4’05 Marianne Thorsen violin 2 Lento 3’33 3 Presto molto 1’30 Laura Samuel violin Lawrence Power viola Gerald Barry: Jabberwocky 5’44 4 Adrian Brendel cello with Mark Padmore tenor • Huw Watkins piano Saunders photo: Keith Colin Matthews: Three of a Kind 9’34 5 Vivo 1’47 6 Largamente 1’13 7 Calmo 6’34 with Paul Watkins cello • Huw Watkins piano 8 Huw Watkins: Trio 12’48 with Laura Samuel violin • Huw Watkins piano David Matthews: Quintet for Horn and Strings (live recording) 13’13 9 Andante 7’57 10 Molto vivace 5’16 The Nash Ensemble 11 Mark-Anthony Turnage: Prayer for a great man 3’57 with Paul Watkins cello Robin Holloway: Trio for Horn, Cello and Piano 20’08 12 I Liberamente 11’33 13 II Poco allegro 8’35 with Paul Watkins cello • Huw Watkins piano Total timing 75’29 2 SEA EAGLE Introduction by Richard Watkins Matthews and Holloway, it’s certainly years have played in several of his a winning one. chamber works, most notably with the Nash, so when I discovered that his I met Peter Maxwell Davies when I Horn Concerto, and after prolonged David Matthews’ first piece for solo Cello Concerto, written for the joined the Fires of London, my first negotiations, it finally came to fruition horn was his Capriccio for Two Horns brilliant Paul Watkins, had a short professional experience in 1981.
    [Show full text]
  • A Centenary Celebration 100 Years of the London Chamber Orchestra
    Available to stream online from 7:30pm, 7 May 2021 until midnight, 16 May 2021 A Centenary Celebration 100 years of the London Chamber Orchestra Programme With Christopher Warren-Green, conductor Handel Arrival of the Queen of Sheba Jess Gillam, presenter Mozart Divertimento in D Major, K205, I. Largo – Allegro Debussy Danses Sacrée et Profane Maconchy Concertino for Clarinet and Orchestra, III. Allegro Soloists Mozart Eine Kleine Nachtmusik, I. Allegro Anne Denholm, harp Britten Courtly Dance No. 5 Mark van de Wiel, clarinet Maxwell Davies Farewell to Stromness Various A Century of Music (premiere) Soloists, A Century of Music Elgar Introduction and Allegro Mary Bevan, soprano Pekka Kuusisto, violin London Chamber Orchestra Alison Balsom, trumpet Ksenija Sidorova, accordion Violin 1 Viola Flute & Piccolo Benjamin Beilman, violin Clio Gould Rosemary Warren-Green Harry Winstanley Jess Gillam, saxophone Manon Derome Kate Musker Gina McCormack Becky Low Oboe Sophie Lockett Jenny Coombes Gordon Hunt Imogen East Alison Alty Composers, A Century of Music Eunsley Park Cello Rob Yeomans Robert Max Clarinet & Bass Clarinet John Rutter Edward Bale Joely Koos Mark van de Wiel Freya Waley-Cohen Julia Graham Violin 2 Rachael Lander Bassoon Paul Max Edlin Charles Sewart Meyrick Alexander George Morton Anna Harpham Bass Alexandra Caldon Andy Marshall Horn Tim Jackson Guy Button Ben Daniel-Greep Richard Watkins Jo Godden Michael Thompson Gabriel Prokofiev Harriet Murray Percussion Cheryl Frances-Hoad Julian Poole Trumpet Ross Brown If you’re joining us in the virtual concert hall, we’d love to know about it! Tag us on your social media using the hashtag #LCOTogether George Frideric Handel Wolfgang Amadeus Mozart Arrival of the Queen of Sheba Divertimento in D Major, K205 I.
    [Show full text]
  • Dame Ethel Smyth's Concerto for Violin, Horn, and Orchestra: a Performance Guide for the Hornist
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1998 Dame Ethel Smyth's Concerto for Violin, Horn, and Orchestra: A Performance Guide for the Hornist. Janiece Marie Luedeke Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Luedeke, Janiece Marie, "Dame Ethel Smyth's Concerto for Violin, Horn, and Orchestra: A Performance Guide for the Hornist." (1998). LSU Historical Dissertations and Theses. 6747. https://digitalcommons.lsu.edu/gradschool_disstheses/6747 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • Royal Academy of Music 2021/22 Prospectus Digital
    YOUR FUTURE IS MUSIC’S FUTURE PROSPECTUS 2021/22 Music must always move forward. There has to be a place for new musicians to connect, collaborate and create. We are that place. A risk-taking conservatoire where the traditions of the past meet the talent of the future. Our mission: to create the music that will move the world tomorrow. This is an accessible pdf. Royal Academy of Music ©2020 Every effort has been made to ensure that the information included in this prospectus is correct at the time of publication. Please consult our website for the most accurate and up-to-date information. Please address any queries about this publication to2 [email protected] . CONTENTS 3 INTRODUCTION 40 OUR DEPARTMENTS 6 A message from our Principal 42 Accordion 8 Imagine yourself here 44 Brass 46 Choral Conducting 10 ABOUT THE ACADEMY 48 Composition & 12 Music’s future starts here Contemporary Music 14 Into our third century 50 Conducting 16 Sending music to the world 52 Guitar 17 Creative partners 54 Harp 56 Historical Performance 18 STUDENT LIFE 58 Jazz 20 Your future is music’s future 60 Musical Theatre 22 The new generation 62 Opera 24 Meet your mentor 64 Organ 27 Learn by performing 66 Piano 28 Skills for life 68 Piano Accompaniment 29 Space to grow 70 Strings 30 Your stage awaits 72 Timpani & Percussion 32 Find inspiration, find knowledge 74 Vocal Studies 34 Musicians, united 76 Woodwind 35 All together now 36 London calling 78 OUR COURSES 38 Find your place 80 Academy courses 39 Reaching outwards 82 Undergraduates 83 One-year courses 84 Postgraduates 85 Postgraduate degrees 86 Postgraduate diplomas 88 Research 89 The art of collaboration 90 Open Academy 92 YOUR FUTURE STARTS HERE 94 The next step 95 Ready to audition? 96 Tuition fees 97 Get in touch INTRODUCTION 3 4 INTRODUCTION TODAY’S ASPIRATION TOMORROW’S ARTIST We take musical potential, then challenge our students to find their own voice and develop individual excellence.
    [Show full text]
  • THE GUIDE 98.7Wfmt the Member Magazine Wfmt.Com for WTTW and WFMT
    wttw wttw Prime wttw Create wttw World wttw PBS Kids wttw.com THE GUIDE 98.7wfmt The Member Magazine wfmt.com for WTTW and WFMT FRIDAY, MAY 21 8 PM May 2021 ALSO INSIDE On WFMT, we’ll recognize Asian American and Pacific Islander Heritage Month with a broad range of music selections and composers including Paul Chihara, a Japanese-American composer and Seattle native who spent three years of his childhood with his family in an internment camp. From the President & CEO The Guide The Member Magazine Dear Member, for WTTW and WFMT This month, WTTW will bring to life the investigative journalist, activist, and suffragistIda Renée Crown Public Media Center as never before with a primetime documentary and companion website. Following B. Wells 5400 North Saint Louis Avenue up The Great Chicago Fire, our next Chicago Stories special Chicago, Illinois 60625 paints a deeply humanizing portrait of a woman who was uncompromising in her quest for racial justice and equity, and places Ida B. Wells’ life and legacy in the context of our present Main Switchboard moment. Discover how the battles for civil rights that Wells (773) 583-5000 fought in her lifetime are ongoing, and how contemporary Member and Viewer Services (773) 509-1111 x 6 journalists and activists continue to draw inspiration from her work. On page 4, meet the program’s writer and producer Stacy Robinson, who reflects on what made Wells a trailblazer and Websites why her work is more relevant than ever. wttw.com wfmt.com Also in May, we’ll premiere the new PBS KIDS series Donkey Hodie, filmed in WTTW’s very own Grainger Studio.
    [Show full text]
  • CHAN-10822.Pdf
    Gosse Kroon Gosse Edward Gregson Edward Gregson (b. 1945) premiere recording Dream Song (2010) 20:47 for orchestra To Susie (meine Almschi) 1 Quite slow and dramatically – Agitated – A little faster, gracefully – Agitated – Dream-like – A tempo 5:33 2 Scherzo. Not too fast, menacingly – Faster, with energy – Tempo I – Agitated 3:34 3 Trio. Like a pastorale (‘altväterisch’) – A tempo – Agitated – A tempo – Slowly – A little faster – A tempo – A little faster, flowing 3:39 4 Scherzo. Faster, but still menacing – Faster, with energy – With elation! – Agitated 1:51 5 Tempo I, reflective, dream-like – Liebeslied, always moving – Flowing – Tempo I – Slower still 6:08 3 premiere recording Horn Concerto (1971, orchestral version 2013)* 17:21 for solo horn and orchestra In memory of Ifor James 6 I Allegro non troppo – Poco meno mosso – Tempo I – Tempo II – Tempo I 5:05 7 II Andante cantabile – Molto tranquillo – Gradually move the tempo forward – Molto sostenuto – Tempo I 7:26 8 III Allegro brioso – Poco meno mosso – Tempo I 4:45 premiere recording Aztec Dances (2013)† 17:34 Concerto for flute and ensemble For Wissam Boustany 9 1 Ritual / Pastorale. Dramatically, with a sense of improvisation – A tempo – Slower – Tempo I – Flowing – As the beginning 3:17 10 2 Fertility Dance. Not too fast – Faster with energy – A little steadier – L’istesso tempo (playfully) – Tempo I – With energy – Faster 3:29 11 3 Ghost Song. Senza tempo – Tempo (with an air of suspense) – Freely – A tempo – Senza tempo (quasi cadenza) – Always moving – Tempo I 7:45 12 4 Sacrificial Dance.
    [Show full text]
  • Colin Matthews Horn Concerto
    ≥ COLIN MATTHEWS (b. 1946) 1. – 26. ALPHABICYCLE ORDER . .31.12 COLIN MATTHEWS WORLD PREMIERE RECORDING see inside booklet for full track listing HORN CONCERTO EDWARD GARDNER CONDUCTOR HENRY GOODMAN NARRATOR SIR MARK ELDER/RICHARD WATKINS CHILDREN’S CHOIR ALPHABICYCLE ORDER 27. – 36. HORN CONCERTO . .22.27 WORLD PREMIERE RECORDING EDWARD GARDNER/HENRY GOODMAN see inside booklet for full track listing SIR MARK ELDER CONDUCTOR RICHARD WATKINS HORN TOTAL TIMING . .53.53 ≥ MUSIC DIRECTOR SIR MARK ELDER CBE LEADER LYN FLETCHER HORN CONCERTO ALPHABICYCLE ORDER RECORDED 12 JULY 2004 PRODUCER COLIN MATTHEWS IN BBC STUDIO 7, NEW BROADCASTING ENGINEER STEVE PORTNOI HOUSE, MANCHESTER ASSISTANT ENGINEER GRAHAM JACOB ALPHABICYCLE ORDER HORN CONCERTO RECORDED 10–11 JULY 2007 PRODUCER ANDREW KEENER IN THE BRIDGEWATER HALL, ENGINEER SIMON EADON MANCHESTER ASSISTANT ENGINEER WILL BROWN All tracks pub. Faber Music Ltd., London CD HLL 7515 All rights reserved. Unauthorized copying, reproduction, hiring, lending, public performance and broadcasting prohibited. In the United Kingdom, licences for public performance or broadcasting may be obtained from Phonographic Performance Ltd, 1 Upper James Street, London W1F 9DE. Manufactured and printed in Great Britain. COLIN MATTHEWS (b. 1946) COLIN MATTHEWS ALPHABICYCLE ORDER HORN CONCERTO ALPHABICYCLE ORDER WORLD PREMIERE PERFORMANCE AND RECORDING WORLD PREMIERE RECORDING HORN CONCERTO PART I 27. Vigoroso (offstage horns) . 0.47 Colin Matthews has written many orchestral works but only three concertos: two for cello and this for horn, which 1. Alphabike . .2.05 28. Freely . 2.29 he completed in March 2001, and which had its first performance in London the following month, played by 29. Sostenuto.
    [Show full text]
  • Composer David Lyon: an Autobiography
    Composer David Lyon: An Autobiography 1938-1950: Early Years I was born in Walsall, Staffordshire on December 29th, 1938, and educated at the local Queen Mary’s Grammar School. Although my parents were not particularly musical, my paternal grandmother possessed a rather nice piano, and from an early age I became fascinated with it, plonking away randomly on our regular Sunday afternoon visits. Eventually, probably when I was around 8 years old, my parents decided I needed a piano of my own, together with lessons from a recommended local teacher. The resulting instrument was not exactly of the highest quality, with a rather harsh, bright tone, but it was good enough for the purpose. My teacher, Mr Manton, gave me a thorough technical grounding, and I made steady progress towards a reasonably accomplished repertoire, with works such as Beethoven’s Pathétique and the Chopin A major Polonaise. I was able to memorise the music as I worked through it bar-by-bar, which meant that I had no further need to refer to the score. Although this aroused a certain admiration from my teacher, it unfortunately meant I didn’t learn a fluent sight-reading technique, which became a considerable handicap later on. I also discovered the ability to play ‘by ear’, especially popular songs and show tunes (which also impressed my teacher), and which, conversely, really did become an advantage as my career developed. My other grandparents possessed an equally fascinating musical resource, a wind-up gramophone (this was the late 1940s), together with a selection of classical records which I eagerly explored on my occasional visits.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 109, 1989-1990
    BOSTON SYMPHONY SEIJI OZAWA MUSIC DIRECTOR 109TH SEASON 1989-90 me MMk frfrt After the show, enjoy the limelight. Tanqueray. A singular experience. Imported English Gin, 47.3% Alc/Vol (94.6°), 100% Grain Neutral Spirits. © 1988 Schieffelin & Somerset Co.. New York. N.Y. Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Ninth Season, 1989-90 irtaor \jm»gi- Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Mrs. Robert B. Newman James F. Cleary Mrs. John L. Grandin Peter C. Read John F. Cogan, Jr. Francis W. Hatch, Jr. Richard A. Smith Julian Cohen Mrs. Bela T. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen E. Morton Jennings, Jr. Mrs. George Lee Sargent Allen G. Barry Edward M. Kennedy Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R.
    [Show full text]
  • 5035515-305B12-635212055625.Pdf
    THE ROMANTIC HORN billboard for a concert the following day to THE ROMANTIC HORN NOTES BY RICHARD WATKINS include a new sonata for horn and piano. As he had no time, he quickly wrote out a horn This recording represents a selection of some part for Punto and improvised the piano part of the most well-loved works for the horn. As himself. At the performance the piece was our repertoire is relatively small, it seemed rapturously received, so much so that the Horn Sonata, Op. 17 Ludwig van Beethoven (1770-1827) an ideal opportunity to select a programme audience demanded a repeat performance! 1 I. Allegro [9.06] of music from most European countries. The 2 II. Poco Adagio [1.34] Romantic Horn was a fairly obvious title, given Franz Strauss was a renowned horn player 3 III. Rondo [5.31] that all the works highlight the lyrical side in the Bavarian Court Orchestra under the of the horn - which is, essentially, what the conductor Hans von Bülow. By all accounts, instrument does best. I have always had a soft Franz Strauss was quite a character with von 4 Nocturno, Op. 7 Franz Strauss (1822-1905) [5.54] spot for Hunter’s Moon – Gilbert Vinter being Bülow describing him as the ‘Joachim of the 5 Andante, Op. Posth Richard Strauss (1864-1949) [4.41] a leading figure in the light music movement, Horn’ and also commented ‘the fellow is 6 Robert Schumann (1810-1856) [9.26] Adagio and Allegro, Op. 70 at its height in the 40s and 50s, but sadly now intolerable but when he blows his horn, you 7 Rêverie, Op.
    [Show full text]
  • Royal Academy of Music 2022/23 Prospectus Digital
    YOUR FUTURE IS MUSIC’S FUTURE PROSPECTUS 2022/23 Music must always move forward. There has to be CONTENTS a place for new musicians to connect, collaborate and create. We are that place. An adventurous conservatoire where the traditions of the past 3 INTRODUCTION 42 OUR DEPARTMENTS meet the talent of the future. 6 A message from our Principal 44 Accordion Our mission: to create 8 Imagine yourself here 46 Brass the music that will move 48 Choral Conducting 10 ABOUT THE ACADEMY 50 Composition and the world tomorrow. 12 Music’s future starts here Contemporary Music 14 Into our third century 52 Conducting 16 Sending music to the world 54 Guitar 17 Creative partners 56 Harp 58 Historical Performance 18 STUDENT LIFE 60 Jazz 20 Your future is music’s future 62 Musical Theatre 22 The new generation 64 Opera 24 Meet your mentor 66 Organ 26 Learn by performing 68 Piano 27 Equal partners 70 Piano Accompaniment 28 Skills for life 72 Strings 30 Space to grow 74 Timpani and Percussion 31 Your stage awaits 76 Vocal Studies 32 Find knowledge, find inspiration 78 Woodwind 34 Musicians, united 36 All together now 80 OUR COURSES 38 London calling 82 Academy courses 40 Find your place 84 Undergraduates 41 Reaching outwards 85 One-year courses 86 Postgraduates 87 Postgraduate degrees 88 Postgraduate diplomas 90 Research 91 The art of collaboration 92 Open Academy This PDF document has been optimised for accessibility. 94 YOUR FUTURE STARTS HERE 96 The next step Royal Academy of Music ©2021 97 Ready to audition? Every effort has been made to ensure that the information included 98 Tuition fees in this prospectus is correct at the time of publication.
    [Show full text]
  • Wolfgang Amadeus Mozart Scottish Chamber Orchestra Wind Solois Ts
    SCOTTISh CHAmber ORCHES tra Wind SOLOIS TS WOLFgang AmADEUS mOZART SCOTTISh CHAmber ORCHEStra Wind SOLOIS TS maximiliano martín clarinet Peter Whelan bassoon Alec Frank-gemmill horn William Staffordclarinet Alison green bassoon Harry Johnstone horn WOLFgang AmADEUS mOZARt (1756–1791) Serenade in E flat major, K. 375 Divertimento in B flat major, K. 270 q Allegro maestoso ...........................10:26 h Allegro molto ................................... 4:06 w Menuetto e trio ................................ 3:55 j Andantino ........................................... 1:54 e Adagio ................................................ 5:25 k Menuetto e trio ................................ 2:28 r Menuetto e trio ............................... 2:44 l Presto ................................................... 1:33 t Finale: Allegro ................................... 3:19 Divertimento in E flat major, K. 252/240a Divertimento in F major, K. 253 ; Andante ............................................. 2:56 y Thema mit variationen ..................0:49 2) Menuetto e trio ................................. 2:44 u Variation I ......................................... 0:50 2! Polonaise ........................................... 2:29 i Variation II .......................................... 0:52 2@ Presto assai ........................................ 1:21 o Variation III ......................................... 0:55 a Variation IV ....................................... 0:54 Divertimento in B flat major, K. 240 s Variation V ........................................
    [Show full text]