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Public Broadcasting Service Participation in the NPACT Coverage of the Political Primaries and Thetwo and One Half National Conventions
DOCUMENT RESUME ED 072 623 EM 010 708 AUTHOR Stone, Robert R. -TITLE Public Broadcasting Service Participation in the NPACT Coverage of the Political Primaries and theTwo and One Half National Conventions. PUB DATE Nov 72 NOTE 9p.; Paper presented at the National Association of Educational Broadcasters Annual Convention (48th,Las Vegas, Nevada, October 29-November 1, 1972) EDRS PRICE MF -$0.65 HC-$3.29 DESCRIPTORS *Electronic Equipment; *Engineering; *Equipment Utilization; Public Affairs Education; *Public Television; *Video Equipment IDENTIFIERS National Public Affairs Center; *Public Broadcasting Service ABSTRACT Television coverage of the 1972 Presidential Conventions was a complicated, time consuming, exhausting andyet challenging task for the Public Broadcasting Service(PBS). Operating on limited funds and borrowed equipment, PBS had to literally throw together its operation in Miami Beach and still keep tabson'the candidates wandering around the country. The author,an engineering manager with KCET-TV in Los Angeles, outlines the engineering gymnastics that PBS had to go through to provide thecoverage necessary. The video equipment, telephone communications,power requirements, and remote set ups are described in careful technical detail. (MC) My presentation today is on the Public Broadcasting Service participation in the NPACTcoverage of the N1 political primaries and the two andone half national (NJ conventions. U.S. DEPARTMENT OF HEALTH. EDUCATION & WELFARE 4.0 RobertR. act-1e_, KcET, Los khReles OFFICE OF EDUCATION THIS DOCUMENT HAS SEEN REPRO. r\I National Public Affairs Center for television oucEoEXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIO- N.- requested PBS to assist them in their proposedcoverage 0 :IraSTATEDIATT 43TVII:EICE3SRS 21:: of the forthcoming Democratic and Republican National REPRESENT OFFICIAL OFFICE OF EOU L]. -
August 2018 Program Schedule
AUGUST 2018 PROGRAM SCHEDULE 6:30 PM 7:00 PM 7:30 PM 8:00 PM 8:30 PM 9:00 PM 9:30 PM 10:00 PM Nightly Business PBS NewsHour Doctor Blake Mysteries Death In Paradise Last Dukes** Wed. 8/1 Report Hear The Angels Sing Melodies of Murder Nightly Business PBS NewsHour Lark Rise to Candleford Agatha Raisin Hillary** Thu. 8/2 Report The Potted Gardener Race to the Pole Nightly Business PBS NewsHour Washington Breaking Big Firing Line with Open Mind Frontline** Fri. 8/3 Report Week Sen. Kirsten Gillibrand Margaret Hoover The Right to Have Separated: Children at Rights the Border The Lawrence Finding Your Roots Nova Outback Wonders of Mexico** Sat. 8/4 Welk Show* The Stories We Tell Making North America: Origins The Kimberley Comes Alive Forests of the Maya Still Dreaming*Ask This Old Antiques Roadshow RFK: American Experience** Sun. 8/5 House Vintage Birmingham Nightly Business PBS NewsHour Midsomer Murders Hinterland Remember Me** Mon. 8/6 Report Not In My Back Yard The Tale of Nant Gwrtheyrn Nightly Business PBS NewsHour Poldark Season 2 On Masterpiece Sherlock Season 4 On Masterpiece** Tue. 8/7 Report Episode 8 The Six Thatchers Nightly Business PBS NewsHour Doctor Blake Mysteries Secrets of the Six Wed. 8/8 Report Family Portrait Wives** Divorced Nightly Business PBS NewsHour Lark Rise to Candleford Agatha Raisin Hillary** Thu. 8/9 Report The Vicious Vet Heartbreak Nightly Business PBS NewsHour Washington Breaking Big Firing Line with Open Mind Frontline** Fri. 8/10 Report Week Lee Daniels Margaret Hoover Documenting A Fascist Documenting Hate: Ascent Charlottesville The Lawrence Finding Your Roots Nova Outback Wonders of Mexico** Sat. -
January 2019
JANUARY 2019 Monday-Friday Daytime Schedule 1 TUESDAY 7:30 Colorado Experience "The Redstone Castle" Built by the “Fuel King of the West,” All programming subject to change 7:00 We'll Meet Again "Escape from Cuba" Join John C. Osgood, this “Ruby of the Rockies” a. m. morning p. m. afternoon/evening Ann Curry as two men search for the people represents the exquisite styles and social who helped them come to the U.S. when a culture of 20th century American elite. This = Rocky Mountain PBS original program they fled Castro's Cuba. (Date) = shown on this date only castle stands as a monument to the empire 8:00 Great Performances "From Vienna: The New built by one of Colorado’s most successful 4:30 Painting and Travel with Roger & Year's Celebration 2019" Ring in the New entrepreneurs and represents a change in Sarah Bansemer Year with the Vienna Philharmonic under the social policy concerning labor management 5:00 Priscilla's Yoga Stretches baton of conductor Christian Thielemann at relations. Explore the extravagant halls of 5:30 Classical Stretch: By Essentrics the Musikverein. Hosted by Hugh Bonneville the Redstone Castle and learn of its struggle and featuring favorite Strauss Family waltzes 6:00 Peg + Cat for survival through multiple owners and accompanied by the dancing of the Vienna flirtation with destruction. a 6:30 Arthur City Ballet. 7:00 Ready Jet Go! 8:00 Pioneers of Television "Primetime Soaps" 9:30 Memory Rescue with Daniel Amen, MD "Dallas" and "Dynasty" kicked off the 7:30 Wild Kratts Dr. -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
201201-Kakm-Early Morning
schedule available online: January 2012: Early Morning alaskapublic.org Midnight 12:301:00 1:30 2:00 2:303:00 3:30 4:00 4:30 Coldplay Frontline: Independent Lens: Washington Need To Sun 1/1 Live! Beale Street on New Year's Eve (start 11pm) The Undertaking These Amazing Shadows Week Know Masterpiece Classic: Great Performances: From Vienna: Live From Lincoln Center: Mon 1/2 Downton Abbey - Part 4 The New Year's Celebration 2012 Bernstein and Gershwin Martin Luther: Antiques Roadshow: Masterpiece Classic: Great Performances: Tue 1/3 Sky Island Driven to Defiance Tulsa, OK - Hour 1 Downton Abbey - Part 4 Hugh Laurie: Let Them Talk Frontline: Egypt's Golden Empire: Egypt's Golden Empire: Martin Luther: Antiques Roadshow: Wed 1/4 Opium Brides The Warrior Pharaohs Pharaohs Of The Sun Driven to Defiance Tulsa, OK - Hour 1 Nature: NOVA: NOVA: Egypt's Golden Empire: Egypt's Golden Empire: Thu 1/5 Birds of the Gods Deadliest Volcanoes Deadliest Earthquakes The Warrior Pharaohs Pharaohs Of The Sun Independent Lens: Frontline: NOVA: Nature: Fri 1/6 This Old House Hour Taking Root Opium Brides Deadliest Volcanoes Birds of the Gods Washington Need To Great Performances: Tavis Smiley Reports: Antiques Roadshow: Sat 1/7 This Old House Hour Week Know Celebrate Gershwin Dudamel Tulsa, OK - Hour 1 NOVA: Frontline: Independent Lens: Great Performances: Washington Need To Sun 1/8 Deadliest Volcanoes Opium Brides Taking Root Celebrate Gershwin Week Know Masterpiece Classic: Tavis Smiley Reports: Great Performances: Antiques Roadshow: Nature: Mon 1/9 Downton -
Summer Virtual #Presstourpbs July 28, 29 and 30
Summer Virtual #PressTourPBS July 28, 29 and 30 (Final) Three half days, 1:00 – 5:00 pm ET (10:00 am – 2:00 pm PT) All times Eastern below PBS Registration: To all TCA members and PBS-confirmed press, please register in advance for this virtual event using this link to start: https://zoom.us/webinar/register/WN_2uRcyS-fRN68-kMCgGor2w After registering, you will receive a confirmation email with your unique access link and other details. The same, single link works for all of the PBS sessions. See the email from Phil Piga ([email protected]) for more details or send an email with any questions. Thank you! Tuesday, July 28 1:00–1:55 pm PBS Executive Session & 50TH ANNIVERSARY PANEL As PBS marks its 50th Anniversary – amid a global pandemic, polarized nation and strained economy – the mission of public media has never been more important. • Paula Kerger, PBS President & CEO • Ken Burns • Judy Woodruff • Dr. Henry Louis Gates, Jr. PR contact: Eleanor Hawkins, 205-276-5252; [email protected]; Jeremy Gaines, 703-739-5135; [email protected] 2:15–2:45 pm PBS NEWSHOUR • Judy Woodruff, anchor and managing editor • Amna Nawaz, senior national correspondent and primary substitute anchor • Yamiche Alcindor, White House correspondent • Lisa Desjardins, Capitol Hill correspondent • Sara Just, executive producer PR contact: Sydney Cameron, [email protected]; 954-478-0703 3:00–3:30 pm PBS Election & News Coverage • Robert Costa, WASHINGTON WEEK • Margaret Hoover, FIRING LINE WITH MARGARET HOOVER • Bernardo Ruiz, VOCES “Latino Vote: Dispatches from the -
Web Poster.Qxp
The Flute Music of Miriam Hyde 1pm Friday 11 April The Holst Room Morley College Bridget Bolliger Andrew West Bridget Bolliger Australian-Swiss flautist Bridget Bolliger was born in Sydney, where she distinguished herself early, studying under Jenny Andrews, Jane Rutter and Vernon Hill and performing the Ibert Flute Concerto with the Sydney Symphony Orchestra at the age of 15. She graduated from the Sydney Conservatorium High School and was awarded the ASCM with Merit by New South Wales Conservatorium of Music. At 18 Ms Bolliger travelled to Switzerland to study with Peter-Lukas Graf at the Basel Music Academy. She attended masterclasses with Alain Marion, Jean-Pierre Rampal and William Bennett, and played Principal Flute with the Gustav Mahler Youth Orchestra, the Schleswig Holstein Festival Orchestra and the European Community Youth Chamber Orchestra. After graduating with the prestigious Soloist’s Diploma, Ms Bolliger was appointed Principal Flute with the St Gallen Symphony Orchestra. She also appeared as Guest Principal Flute with the Basel Symphony Orchestra, Zürich Opera Orchestra and Zürich Chamber Orchestra. Ms Bolliger spent three years in Brazil as Principal Flute of the Sinfonica de São Paulo, before returning to Australia where she has played with the Sydney Symphony Orchestra, Melbourne Symphony Orchestra, The Queensland Orchestra, Australian Chamber Orchestra and the Australian Opera and Ballet Orchestra. Bridget Bolliger has appeared as concerto soloist with the St Gallen Symphony Orchestra, Basel Symphony Orchestra, Basel Radio Orchestra, Collegium Musicum Basel, Gruppo Concertistico della Svizza Italiana, Orquesta Sinfónica Simón Bolívar al Teatro Massimo (Palermo), Orquestra Sinfonica do Norte (Porto, Portugal) and the Sinfonica de São Paulo. -
2019-2020 Statement of Performance Expectations
F.19 STATEMENT OF PERFORMANCE EXPECTATIONS For the Year Ending 30 June 2020 CONTENTS INTRODUCTION .......................................................................................... 3 RNZ - WHO WE ARE ................................................................................. 3 OUR CHARTER AND OPERATING PRINCIPLES ............................................... 4 CONTRIBUTION TO PUBLIC MEDIA OBJECTIVES ............................................ 7 2019-2020 OUTPUTS AND PERFORMANCE .................................................. 8 SCHEDULE OF PERFORMANCE TARGETS 2019 – 2020 ................................. 9 RNZ MĀORI STRATEGIC ACTION PLAN ..................................................... 15 FINANCIAL PLANNING AND PROSPECTIVE FINANCIAL STATEMENTS .............. 17 PROSPECTIVE STATEMENT OF ACCOUNTING POLICIES ................................ 20 Copyright Statement: The Statement of Performance Expectations is covered by a “BY ND” Creative Commons Licence. Material or other information contained in this document may not be adapted in any way and any re-use of information must be attributed to RNZ. 2 INTRODUCTION The Statement of Performance Expectations reflects our proposed activities, performance targets and forecast financial information for the year ending 30 June 2020. It is produced in accordance with the Crown Entities Act 2004, s149E. The forecast financial statements and underlying assumptions in this document have been authorised as appropriate for issue by the RNZ Board of Governors in accordance with its -
Early Music Review EDITIONS of MUSIC Here Are Thirteen Works in the Present Volume
Early Music Review EDITIONS OF MUSIC here are thirteen works in the present volume. The first two are masses by John Bedingham, while the others are anonymous mass movements (either New from Stainer & Bell T single or somehow related). Previous titles in the series have been reviewed by Clifford Bartlett, and I confess this English Thirteenth-century Polyphony is the first time I have looked at repertory from this period A Facsimile Edition by William J. Summers & Peter M. since I studied Du Fay at university! At that time I also Lefferts sang quite a lot of (slightly later) English music, so I am not Stainer & Bell, 2016. Early English Church Music, 57 completely unfamiliar with it. I was immediately struck 53pp+349 plates. by the rhythmic complexity and delighted to see that the ISMN 979 0 2202 2405 8; ISBN 978 0 85249 940 5 editions preserve the original note values and avoids bar £180 lines - one might expect this to complicate matters with ligatures and coloration to contend with, but actually it is his extraordinarily opulent volume (approx. 12 laid out in such a beautiful way that everything miraculously inches by 17 and weighing more than seven pounds makes perfect sense. Most of the pieces are in two or three T- apologies for the old school measurements!) is a parts (a fourth part – called “Tenor bassus” – is added to marvel to behold. The publisher has had to use glossy paper the Credo of Bedingham’s Mass Dueil angoisseux in only in order to give the best possible colour reproductions of one of the sources). -
KCET/PBS Socal Merger
CONTACT: Ariel Carpenter for KCETLink Media Group [email protected] or 747-201-5243 Jennifer Vides for PBS SoCal [email protected] or 310-237-4516 KCETLINK MEDIA GROUP AND PBS SOCAL ANNOUNCE MERGER New Organization Will Advance PBS Flagship Station in Southern California and Expand Original Content Creation and Innovation for Public Media Locally, and Across the Nation LOS ANGELES, April 25, 2018 – KCETLink Media Group (KCET), a leading national independent broadcast and digital network, and PBS SoCal (KOCE), the flagship PBS organization for Southern California, today announced an agreement to merge the two companies. The merger of equals creates a center for public media innovation and creativity that serves the more than 18 million people living in the Southern California region. The name of the new organization will be announced with the closing of the merger, which is expected to be completed in the first half of 2018. Establishing a powerful PBS flagship organization on the West Coast, the historic union of these two storied institutions creates the opportunity to produce more original programs for multiple channels and platforms that address the diverse community in Southern California and the nation, and innovate new community engagement experiences that educate, inform, entertain, and empower. KCET Board of Directors Chairman Dick Cook will serve as Board Chair, and PBS SoCal President and CEO Andrew Russell will be President and CEO of the new entity, which will be governed by a 32-person Board of Trustees composed of the 14 members from each of the boards of KCETLink and PBS SoCal, as well as four new Board appointees. -
Collection of Television Press Kits, 1958, Ca
http://oac.cdlib.org/findaid/ark:/13030/c87082fc No online items Finding Aid for the Collection of television press kits, 1958, ca. 1974-ca. 2004 Finding aid prepared by Arts Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2012 The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 1908 1 television press kits, 1958, ca. 1974-ca. 2004 Title: Collection of television press kits Collection number: 1908 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 9.5 linear ft.(19 boxes and 1 flat box.) Date (inclusive): 1958, ca. 1974-2004 Abstract: This collections documents a variety of television show genres broadcast on networks such as ABC, CBS, NBC, HBO, PBS, SHOWTIME, and TNT. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the caollection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Give Me Excess of Hampson
Play On: Give Me Excess of Hampson By Janos Gereben—October 2, 2008 Humans, in general, mellow with age. Thomas Hampson doesn't. Au contraire, he is more intense, dramatic, overwhelming, multitasking, brilliant than ever. Beyond the simple excellence of his other master classes, such as the one in Wigmore or in the old S.F. Conservatory of Music, his six hours over Thursday and tonight went beyond all expectations. Here he was, in the new Conservatory building, at the first "LIEDER ALIVE!" master workshop, singing duets of traditionally "single-voice" lieder, massaging skulls (his own and those of others), discussing music, literature, psychology, anatomy, the transporter beaming process in "Star Trek" (more about that later), and other subjects too numerous to list. The two evenings were reminiscent of what was going on in the nearby War Memorial: the amaZing excess, surfeit, daZZle of "Die Tote Stadt." Another similarity: above all, both events are about music, other factors - however numerous - be damned. And yet, sometimes it was difficult to remember that main theme, watching Katherine Tier surrounded by Hampson phantoms - one pressing in on the meZZo's cheekbones, the other singing "Kindertotenlieder" with her, the third in throes of the grief and resolution she should convey, and the fourth thundering an interpretation of the text speaking of the eyes of dead children becoming stars of future nights: "It happens. Your children will not stay with you. And guess what: you will die too. It's OK." And suddenly, instead of crumbling under that manifold "attack," Tier sang "Nun seh'ich, wohl, warum so dunkle Flammen" beautifully, with an understanding of its subtle catharsis, rather than sentimentally.