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A Bad Boy's Diary
mmY Frederick Warne and Co., Publisliers, NOTABLE NOVELS. COMFX.ETS EDITIONS. Large crown 8vo, SIXPENCE each, Picture Wrappers. 1 SCOTTISH CHIEFS. Miss JANB POET'EII. 2 UNCLB TOM'S CABIN". HABBIZT BjiECHIiB STOWE. 3 ST. CLAIK OF THE ISLES. ELIZABETH HELME. 4 CHILDEEW OF THE ABBEY. E. M. EocHE. 5 THE LAMPIiIGHTEE. Miss CUMMINS, 6 MABEL VAXJGHABT. Miss CUMMINS. 7 THADDEUS OF "WARSA-W. Miss PuRTER. 8 THE HOWARDS OF GLEN LUWA. Miss WARNER. 9 THE OLD ENGLISH BABON, &o. &<i. CLARA EEETE. 10 THE HUNGARIAN" BROTHERS. Miss POBTEE. 11 MARRIAGE. Miss FEKEIEE. 12 INHERITANCE. Miss FEBBIEE. 13 DESTINY. Miss FEBEIEB. 14 THE KING'S O-WN. Captain MAEETAT. 15 THE NAVAL OFFICER. Cai'tain MAEETAT. 16 NE-WTON FORSTER. Captain MABBTAT. 17 RICHELIEU. G, P, R. JAMES. 18 DARNLEY. G. P, E, JAMES. 19 PHILIP AUGUSTUS. G, P, E, JAMES. 20 TOM CRINGLE'S LOG. MICHAEL SOOTT. 21 PETER SIMPLE. Captain MARRTAT. 22 MARY OF BURGUNDY. G, P. E. JAMES. 23 JACOB FAITHFUL. Captain MAEETAT. 24 THE GIPSY. G. P, E, JAMES. 25 CRUISE OF THE MIDGE. MICHAEL SCOTT. 26 TWO YEARS BEFORE THE MAST. E. H. DANA. 27 THE PIRATE, AND THE THREE CUTTERS, Captain MAEETAT, 23 HENRY MASTERTON. G, P. E, JAMES. 29 JOHN MAESTON HALL. G, P, E. JAMES. 30 JAPHET IN SEARCH OF A FATHER. Captain MARBYAT. 31 THE •WOLF OF BADENOCH. Sir THOMAS DICK LAUDEK. 32 CALEB "WILLIAMS. WILLIAM Goowiif. 33 THE PACHA OF MANY TALES. Captain MAEETAT. 34 THE VICAR OF "WAKEFIEBD, OLITEE GoLDSMITn. 35 MR. MIDSHIPMAN EASY. Captain MARRTAT. 36 ATTILA. G. -
Volume I. Washington City, D. C., April 23, 1871. Number 7
<d VOLUME I. WASHINGTON CITY, D. C., APRIL 23, 1871. NUMBER 7. A HYMN TO THE TYPES. ing revolution of the earth, and hear the march bably; of my own age, though her self-pos- "In a month I set out for my trav&k. An- in the morning, there to nod in chairs by the the foot-lights shouting "fire! fire!" A terri- records, an order issued to the legation in Paris Mr. Babbitt observed that part of the leather W8S I BT CHAIUJEB'. O. KALPINE. of the moon in her attendant orbit. session might have stafliped her as much older; easy coach conveyed me to Londph, and the side of a bed-ridden mother, a widow whom ble uproar succeeded. The manager went when Mr. Polk was President, and Mr. Buchanan discolored ; and wheu he reached the boat, a t'h'éy supported oii their hard won pittance, Secretary of Stute, directing the minister to send darkly colored liquid was dripping from the sack. H O eiliinl. myriad army, whbse trae metal "My parents loved mfe tenderly, and, fail- but the bloom of her cheek, and her bosom just third day I lay sick in Paris. Sqr§ of Bftdy on tho stage and tried to quiet the alarmed such private letters as he might place in the dis- With lufinlte labor he Worked his dispatches • Ne'er flinched nor blenched before the despot Wrong! ing to soothe or conciliate me, they removed ripening, were indices of a girl's years. She and of brain, strained in nerve, and stunned fifty Cents, or at most a dollar a night. -
Rebecca Sugar Songs from Adventure Time & Steven
REBECCA SUGAR SONGS FROM ADVENTURE TIME & STEVEN UNIVERSE This book is a collection of ukulele tabs for songs by Rebecca Sugar from shows Adventure Time and Steven Universe. Tabs, lyrics, and background art by Rebecca Sugar. Rebecca Sugar is an American artist, composer, and director who is best known for being a writer and storyboard artist on Adventure Time as well as being the creator of Steven Universe. Material gathered and book designed by Angela Liu. Cover art and icons provided by Angela Liu. Made for Communication Design Fundamentals, 2015 (Carnemgie Mellon University). Table of Contents Adventure Time 4 - As a Tropical Island 6 - Oh Fionna 8 - My Best Friends in the World 10 - Remember You 12 - Good Little Girl Steven Universe 14 - Steven Universe Theme 16 - Be Wherever You Are As a Tropical Island Adventure Time / Season 3, Ep 2: Morituri Te Salutamux Air date: July 18, 2011 G C D7 G On a tropical island, on a tropical island. G C D7 G On a tropical island, on a tropical island! G C On a tropical island, D7 G Underneath a motlen lava moon. G C Hangin’ with the hoola dancers, D7 G Asking questions cause they got all the answers. G G Puttin’ on lotion, sitting by the ocean. C D7 Rubbin’ it on my body, rubbin’ it on my body. G G B7 Cmaj7 Get me out of this ca-a-ave, C7 G B7 Cmaj7 cause’ it’s nothin’ but a gladiator gra-a-ave. G G B7 Cmaj7 And if we stick to the pla-a-an, C7 G B7 Cmaj7 I think I’ll turn into a lava ma-a-an. -
I;' August. 1969
MARK TWAIN'S DEVELOPMENT OF THE NARRATIVE AND VERNACULAR PERSONA TECHNIQUE ,r~ ... : tI;' A THESIS SUBMITTED TO THE DEPARTMENT OF ENGLISH AND THE GRADUATE COUNCIL OF THE KANSAS STATE TEACHERS COLLEGE OF EMPORIA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS POR THE DEGREE OF MASTER OF ARTS By JAY H. BOYLAN .-/ August. 1969 111:' -< J J _ ! j/ Approved for the Major Department r I, itbo... .- Approved for the Graduate Council tf ~~ r)Q8.... ~:rL'09 "'0 .....,t) PREFACE Mark ~qain was such a dominant personality that he literally commanded the full attention of his day with his ac tivities. It has been said that he was the world's most well~known figure in his time. Twain's speaking tours in America and abroad helped him to create and maintain his image as a kind of representative American personality; in many ways he seemed the embodiment of the new man, the new spirit. After Twain's death in 1910, the force of his personality was so strong that it continued to overshadow his works. The early theories of Brooks' therefore were in the best traditions of biographical criticism and in the best traditions of Twain criticism; Brooks and others kept the emphasis on the man, Twain, rather than on his works. Brooks' idea, that Twain was a "divine amateur" who was thwarted by a psychological wound, is obviously in keeping with the forces of that time. What is not so obvious is tha.t Twain's supporters such as Devoto were, also, a part of this same tradition. Devoto defended Twain by trying to show from Twain's life that he was not psycho logically "wounded." The whole period of the 1920's and 1930's was an unfortunate one for Twain criticism because it was dominated by Mark Twain with a concomitant de-emphasis of his works and their merits. -
Bluegrass Cavalcade
University of Kentucky UKnowledge Literature in English, North America English Language and Literature 1956 Bluegrass Cavalcade Thomas D. Clark Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Clark, Thomas D., "Bluegrass Cavalcade" (1956). Literature in English, North America. 20. https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/20 Bluegrass Cavalcade ~~ rvN'_r~ ~ .,J\{.1' ~-.---· ~ '( , ~\ -'"l-.. r: <-n' ~1"-,. G.. .... UNIVERSITY OF KENTUCKY PRESS Lexington 1956 - Edited by THOMAS D. CLARK .'-" ,_ r- Publication of this book is possible partly because of a grant from the Margaret Voorhies Haggin Trust established in memory of her husband James Ben Ali Haggin. Copyright © 1956 by The University of Kentucky Press Paperback edition © 2009 by the University Press of Kentucky The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data is available from the Library of Congress. -
Illinois for the Report Says Illinois Survivors to Offer Support Tions Against Them
Questions? Call 1-800-Tribune Thursday, December 20, 2018 Breaking news at chicagotribune.com 500 accused priests unnamed State AG report finds extensive abuse, says church yet to ID many By Elvia Malagon licly identified only 185 olic dioceses that govern ades. and moral responsibility to Chicago Tribune clergy with credible allega- parishes across Illinois for The report says Illinois survivors to offer support tions against them. their lack of transparency dioceses “have lost sight of and services, and to take A scathing report from The determination is and flawed investigations. both a key tenet” of policies swift action to remove abu- Attorney General Lisa part of a preliminary report Although the report says laid out by the United States sive clergy,” the report Madigan finds the number made public Wednesday by that “Clergy sexual abuse of Conference of Catholic states. of Catholic priests accused Madigan’s office, which has minors in Illinois is signifi- Bishops as well as “the most In a prepared statement, of sexual abuse against chil- been investigating Catholic cantly more extensive than obvious human need as a Chicago Cardinal Blase Cu- dren in Illinois is much clergy sexual abuse of mi- the Illinois Dioceses previ- result of these abhorrent pich acknowledged that higher than previously ac- nors following revelations ously reported,” it does not acts of abuse: the healing victims of sexual abuse by CHICAGO TRIBUNE knowledged. during the summer of wide- estimate how many of the and reconciliation of sur- Catholic priests continue to Attorney General Lisa Madi- The report said accusa- spread abuse and cover-ups allegations against the 690 vivors.” live with the pain. -
Clangxboomxstea ... Vxtomxwaitsxxlxterxduo.Pdf
II © Karl-Kristian Waaktaar-Kahrs 2012 Clang Boom Steam – en musikalsk lesning av Tom Waits’ låter Forsidebilde: © Massimiliano Orpelli (tillatelse til bruk er innhentet) Konsertbilde side 96: © Donna Meier (tillatelse til bruk er innhentet) Trykk: Reprosentralen, Universitetet i Oslo III IV Forord Denne oppgaven hadde ikke vært mulig uten støtten fra noen flotte mennesker. Først av alt vil jeg takke min veileder, Stan Hawkins, for gode innspill og råd. Jeg vil også takke ham for å svare på alle mine dumme (og mindre dumme) spørsmål til alle døgnets tider. Spesielt i den siste hektiske perioden har han vist stor overbærenhet med meg, og jeg har mottatt hurtige svar selv sene fredagskvelder! Jeg skulle selvfølgelig ha takket Tom Waits personlig, men jeg satser på at han leser dette på sin ranch i «Nowhere, California». Han har levert et materiale som det har vært utrolig morsomt og givende å arbeide med. Videre vil jeg takke samboeren min og mine to stadig større barn. De har latt meg sitte nede i kjellerkontoret mitt helg etter helg, og all arbeidsroen jeg har hatt kan jeg takke dem for. Jeg lover dyrt og hellig å gjengjelde tjenesten. Min mor viste meg for noen år siden at det faktisk var mulig å fullføre en masteroppgave, selv ved siden av en krevende fulltidsjobb og et hektisk familieliv. Det har gitt meg troen på prosjektet, selv om det til tider var slitsomt. Til sist vil jeg takke min far, som gikk bort knappe fire måneder før denne oppgaven ble levert. Han var alltid opptatt av at mine brødre og jeg skulle ha stor frihet til å forfølge våre interesser, og han skal ha mye av æren for at han til slutt endte opp med tre sønner som alle valgte musikk som sin studieretning. -
Rebecca Sugar Songs from Adventure Time & Steven
REBECCA SUGAR SONGS FROM ADVENTURE TIME & STEVEN UNIVERSE 1 Table of Contents Adventure Time 4 - As a Tropical Island 5 - Oh Fionna 6 - My Best Friends in the World 8 - Remember You 10 - All Gummed Up Inside 11 - Oh Bubblegum 12 - Good Little Girl Steven Universe 14 - Steven Universe Theme 15 - End Credits Song 16 - Drive My Van Into Your Heart 18 - Giant Woman 19 - Be Wherever You Are 20 - Strong in the Real Way This book is a collection of ukulele tabs for songs by Rebecca Sugar from shows Adventure Time and Steven Universe. Tabs, lyrics, and background art by Rebecca Sugar. Rebecca Sugar is an American artist, composer, and director who was a writer and storyboard artist on Adventure Time and is the creator of Steven Universe. Material gathered and book designed by Angela Liu. Cover art and icons provided by Angela Liu. Made for Communication Design Fundamentals, 2015. 2 3 As a Tropical Island Oh Fionna Adventure Time / Season 3, Ep 2: Morituri Te Salutamux Adventure Time / Season 3, Ep 9: Fionna and Cake Air date: July 18, 2011 Air date: September 5, 2011 G C D7 G C E7 Am On a tropical island, on a tropical island. I feel like nothing was real, until I met you. G C D7 G Dm G7 C G7 On a tropical island, on a tropical island! I feel like we connect, and I really get you. C E7 Am G C If I said “You’re a beautiful girl,” would it upset you? On a tropical island, Dm G7 D7 G Because the way you look tonight, Underneath a motlen lava moon. -
The Comic Way Towards the Universal Self: Socioecological Trauma and the Wounds Left by Survival
Western Washington University Western CEDAR WWU Graduate School Collection WWU Graduate and Undergraduate Scholarship Spring 2021 The Comic Way Towards the Universal Self: Socioecological Trauma and the Wounds Left by Survival Gabriel Bugarin Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/wwuet Part of the English Language and Literature Commons Recommended Citation Bugarin, Gabriel, "The Comic Way Towards the Universal Self: Socioecological Trauma and the Wounds Left by Survival" (2021). WWU Graduate School Collection. 1034. https://cedar.wwu.edu/wwuet/1034 This Masters Thesis is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Graduate School Collection by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. The Comic Way Towards the Universal Self: Socioecological Trauma and the Wounds Left by Survival By Gabriel Bugarin Accepted in Partial Completion of the Requirements for the Degree Master of Fine Arts ADVISORY COMMITTEE Dr. Kathryn Trueblood, Chair Dr. Jane Wong Dr. Chris Loar GRADUATE SCHOOL David L. Patrick, Dean Master’s Thesis In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Western Washington University, I grant to Western Washington University the non-exclusive royalty-free right to archive, reproduce, distribute, and display the thesis in any and all forms, including electronic format, via any digital library mechanisms maintained by WWU. I represent and warrant this is my original work, and does not infringe or violate any rights of others. -
Queens Park Music Club
Alan Currall BBobob CareyCarey Grieve Grieve Brian Beadie Brian Beadie Clemens Wilhelm CDavidleme Hoylens Wilhelm DDavidavid MichaelHoyle Clarke DGavinavid MaitlandMichael Clarke GDouglasavin M aMorlanditland DEilidhoug lShortas Morland Queens Park Music Club EGayleilidh MiekleShort GHrafnhildurHalldayle Miekle órsdóttir Volume 1 : Kling Klang Jack Wrigley ó ó April 2014 HrafnhildurHalld rsd ttir JJanieack WNicollrigley Jon Burgerman Janie Nicoll Martin Herbert JMauriceon Burg Dohertyerman MMelissaartin H Canbazerbert MMichelleaurice Hannah Doherty MNeileli Clementsssa Canbaz MPennyichel Arcadele Hannah NRobeil ChurmClements PRoben nKennedyy Arcade RobRose Chu Ruanerm RoseStewart Ruane Home RobTom MasonKennedy Vernon and Burns Tom Mason Victoria Morton Stuart Home Vernon and Burns Victoria Morton Martin Herbert The Mic and Me I started publishing criticism in 1996, but I only When you are, as Walter Becker once learned how to write in a way that felt and still sang, on the balls of your ass, you need something feels like my writing in about 2002. There were to lift you and hip hop, for me, was it, even very a lot of contributing factors to this—having been mainstream rap: the vaulting self-confidence, unexpectedly bounced out of a dotcom job that had seesawing beat and herculean handclaps of previously meant I didn’t have to rely on freelancing Eminem’s armour-plated Til I Collapse, for example. for income, leaving London for a slower pace of A song like that says I am going to destroy life on the coast, and reading nonfiction writers everybody else. That’s the braggadocio that hip who taught me about voice and how to arrange hop has always thrived on, but it is laughable for a facts—but one of the main triggers, weirdly enough, critic to want to feel like that: that’s not, officially, was hip hop. -
THE ATHEISM of MARK TWAIN: the EARLY YEARS THESIS Presented
37c A:) 2 THE ATHEISM OF MARK TWAIN: THE EARLY YEARS THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Wesley Britton, B.A. Denton, Texas April, 1986 Britton, Wesley A. , The Atheism of Mark Twain: The Early Years. Master of Arts (English),, Augustj198 6 , 73 pp. , bibliography 26 titles. Many Twain scholars believe that his skepticism was based on personal tragedies of later years. Others find skepticism in Twain's work as early as The Innocents Abroad. This study determines that Twain's atheism is evident in his earliest writings. Chapter One examines what critics have determined Twain's religious sense to be. These contentions are dis- cussed in light of recent publications and older, often ignored, evidence of Twain' s atheism. Chapter Two is a biographical look at Twain's literary, family, and community influences, and at events in Twain's life to show that his religious antipathy began when he was quite young. Chapter Three examines Twain's early sketches and journalistic squibs to prove that his voice, storytelling techniques, subject matter, and antipathy towards the church and other institutions are clearly manifested in his early writings. TABLE OF CONTENTS Page INTRODUCTIO. .... .. .. .. .. .. .. Chapter I. THE CRITICAL BACKGROUND . .. .. .. 7 ... .- .- .-- .- .* .- --26 II, BIOGRAPHY - III. THE EARLY WRITINGS . .44 CONCLUSION .. ,. 0. , . .. 09. .. ... 67 BIBLIOGRAPHY. .. .. .. .0. .a.071 INTRODUCTION The purpose of this study is to demonstrate that from a very early age, Samuel Langhorn Clemens had no strong religious convictions, and that, indeed, for most of his life, he was an atheist. -
New Orleans Review
New Orleans Review LOYOLA UNIVERSITY VOLUME 19 NUMBERS 3 & 4/$18.00 Cover: "TI1e Paradox of William Tell" (llomage to Archimboldo The Marvelous) By jose Mnrta C!mdf11 Polychromated Polywestem , New Orlea11S 1992 Height: 31 i11chcs New Or leans Review Fall & Winter 1992 The New Orleans Review will be on sabbatical during the 1993 calendar year. No submissions will be accepted until further notice. Editors John Big u e net John Mosier Editorial Assistant & Design Kimberly St. germain Contribut ing Editors Bert Card u llo David Estes Jacek Fuksiew icz A lexis Gonzales, F.S.C. Andrew H o rto n Peggy M cCo rmack Rainer Schulte Founding Editor Miller Willia m s The N ew O rleans Review is published by Loyola University, New Orleans, Lou isiana 7011 8, United Sta tes. Cop yrig ht © 1992 by Loyola University. Conte nts listed in the PMLA Bibliography a nd the index of American Period ical Verse. US ISSN 0028-6400 The N ew O rleans Review w ill be on sabba tical d uring the 1993 ca lend ar year. No s ubmissions will be accepted until further no tice. NEW ORLEANS REVIEW CONTENTS FALL & WINTER 1992 VOLUME 19 NUMBER 3 & 4 Alice Guy: Forgotten Pioneer of the Narrative Cinema Wheeler Winston Dixon 7 Alba Barry Spacks 16 Still Life Daniel Bourne 17 Sunday Afternoon, Sunday Evening M.E. Liu 18 Midnight Jan Rejzek/tr. Dominika Winterova and Richard Katrovas 24 If I Could Svetlana Burianovaftr. Dominika Winterova and Richard Ka.trovas 25 The Swans of Prague Zdena Bratrsovskfi/tr.