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I TIEMPO LIBRE 37 Psicomago, novelista y tarotista, el realizador trabaja en su nueva pelicula: * “Abelcain (Los hijos de El Topol”. & Festival le rendira tributo Huelva, EspaRa El Festival de Cine Iberoamericano de Huel- va, que se celebrara entre el 17 y el 24 de noviem- bre, dedicara una retrospectiva al peculiar director chileno Alejandro Jodorowsky en la seccion Vision America, segbn dieron a conocer 10s orga- nizadores del certamen. En el hornenaje se proyectarh las peliculas favoritas del cineasta, “Fando y Lis”, “El Topo”, “La rnontafia sagrada” y “Santa sangre”, y el do- cumental “ConstelacionJodorowsky”. Jodorowsky, nacido en Iquique en 1929, dej6 Chile a 10s 23 afios para llevar una vida errante. Durante 10s 50 y 60 vivio en Francia y Mkxico. En esa etapa se unio a la compaiiia del mirno Marcel Marceau, conocio a Erich Fromm y tra- bajo con el espaiiol Fernando Arrabal. Con el y con el frances Roland Topor creo el movimiento literario Pinko. La primera pelicula del director chileno es “Fando y Lis” (1969), rodada en Mkxico y basada en una obra de Arrabal. Le siguen el western budista “El Topo” en 1971 y la esoterica superproduccion “La mon- taiia sagrada” en 1975. Estas peliculas confor- man una emaiia trilogia, llena de elernentos su- rrealistas, esotericos y sadornasoquistas. Tras el fracas0 de “Tusk” en 1979, una co- production entre Francia y Mexico en torno a la historia de un elefante, rodada en la India, per- maneci6 inactivo durante diez aiios hasta que el italiano Claudio Argent0 le encargo “Santa sangre” (1989), una atractiva mezcla de elernentos terrorificos y religiosos. El exito de esa cinta le permite rodar la mas convencional “El ladron del arcoiris” (1 990), con Omar Sharify Peter O’Toole. Jodorowsky, que asegura haber creado la “psicornagia”, una corriente que ahonda “en el lenguaje del subconsciente”, tarnbikn se dedica a1 comic y la literatura. La editorial Siruela acaba de publicar en Espafia su autobiografia “La dan- za de la realidad”. El cineasta trabaja actualrnente en su pro- ximo proyecto, “Abelcain (Los hijos de El To- p~)”,que protagonizariaJohnny Depp. .

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Jodorowsky Rétrospective 30 Septembre – 9 Octobre
ALEJANDRO JODOROWSKY RÉTROSPECTIVE 30 SEPTEMBRE – 9 OCTOBRE La Montagne sacrée 56 CINÉMA SANS FIN Artiste protéiforme et iconoclaste, Jodorowsky aura passé sa vie à transgresser les règles de l’art pour trouver l’illumination. Ses expérimentations poétiques le mènent du théâtre d’avant-garde au cinéma underground et psychédélique, de la bande-dessinée de science-fiction à la cartomancie. Il croise sur sa route aussi bien les surréalistes, que Moebius et le mime Marceau, Topor et Arrabal. Chacun de ses films est une expérience spirituelle et sensorielle unique : western baroque (El Topo), drame psychanalytique (Santa Sangre), SF métaphysique (La Montagne sacrée), fantasy utopique (Dune)... L’œuvre anticonformiste, fascinante et visuellement renversante d’un gourou-cinéaste. À travers ses films mais aussi ses scénarios de bande dessinée (en particulier pour Mœbius) ou sa pratique du tarot, Jodorowsky est considéré comme un mystique, voir un mage. Il est vrai que la majorité de ses films retracent des parcours initiatiques : celui de Fando et Lis vers la cité mythique de Tar à travers un paysage d’apoca- JODOROWSKY ALEJANDRO lypse, celui des neuf élus gravissant la montagne sacrée, celui d’El Topo, le pisto- lero devenu un idiot visionnaire, ou celui de Jaime dans La Danza de la realidad qui traverse les cercles du communisme, du fascisme et du christianisme. L’initiation ne vise cependant qu’à un retour au monde matériel : il faut toujours quitter la grotte, redescendre de la montagne, brûler ses idoles et combattre ses propres rêves de puissance. Pour le cinéaste qui vagabonda entre le Chili, la France et le Mexique, il importe de saisir la vie dans toute sa chair, surtout si elle est crue et sanglante, et c’est dans des espaces à ciel ouvert qu’il fait naître ses visions.
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The Roxie Conjures Four Films from the Foremost Psychomagical Movie-Making Master Surrealist
To celebrate the release of ENDLESS POETRY... Alejandro Jodorowsky Retro! FriDAY, July 14 & SatURDAY, July 15 the Roxie conjures four films from the foremost psychomagical movie-making master surrealist. Co-presented by MiDNiTES FOR MANiACS & Spoke Art, who will be selling limited-edition posters for EL TOPO & THE HOLY MOUNTAIN! EL TOPO (1970) 35mm FANDO y LIS (1968) DCP Jodorowsky’s legendary, notorious cult hit Considered lost for over 30 years, essentially created the genre of the mid- Jodorowsky’s visionary first feature night movie — a spectacle so stunning and blends blended surreal beauty and sav- bizarre that normal hours couldn’t contain age imagery to fashion this bizarre tale it. Jodorowsky’s aesthetically outrageous of corrupted innocence, sadomasochistic provocation will unspool here a 35mm love, and unattainable paradise. 96 mins. version of a restoration overseen THE HOLY MOUNTAIN (1973) 35mm by the director. 124 Mins. The follow to EL TOPO, Jodorowsky’s 3rd film is a much loved flood of sacrilegious imagery, existential symbolism and outrageous violence. This pristine 35mm restoration, done in collaboration with the filmmaker, returns Jodorowsky’s most visually extravagant film to all it’s trippysplendor. 113 mins. SANTA SANGRE The (1989) DCP This garish Oedipal fantasy, scripted by Jodorowsky & Claudio Psychomagical Argento (brother of Dario), resonates with all the disturbing power of a Series Pass clammy nightmare filtered through may still be available. the hallucinatory lens of 1960s psy- Only $40.00! chedelia., straddling a strange hinter- land between the visually ravishing Buy Now, or suffer forever the art film and highbrow horror movie. negative emotions that we inherit from our parents! 123 mins..
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Alejandro Jodorowsky
Alejandro Jodorowsky Filmmaker, writer, mime, master of tarot, psychomagician, Alejandro Jodorowsky is an artist whose robust sense of living is matched only by the exceptional breadth of his creative practice. Author of dozens of books – from philosophy to poetry – and, with the French artist Moebius, the highly praised L’incal series of graphic novels, Jodorowsky’s works are marked by a great generosity as well as a remarkable ability to provoke. His first film, Fando y Lis (1967), shocked its audience into a riot when it premiered at the Acapulco Film Festival and was subsequently banned in Mexico. His following two films, El Topo (1970) and The Holy Mountain (1973) – beloved and supported by John Lennon – became immediate cult classics, initiating in the United States the “midnight movie” phenomenon in which his films would play for years. Jodorowsky’s recent film, The Dance of Reality (2013) – based on his 2001 autobiography – is a surreal exploration of the dream territories and traumas of his childhood. “The story of my life,” he writes, “is a constant effort to expand the imagination and its limitations, to capture its therapeutic and transformative potential.” Alejandro and I met at his apartment in Paris the evening after his 85th birthday. In his office, surrounded by walls of books and esoteric objects, we discussed his films, his influences, chance and intention, gravity and reality. Photography by Interview by Giasco Michael Bertoli Nardone MICHAEL NARDONE — For The Dance of Reality, you returned to your of scissors, another time all cups. Often it was clothes, and, yes, oc- homeland to shoot a deeply autobiographical work, yet it’s one that uses that casionally, women’s underwear.
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El Museo Del Barrio Announces Spring Exhibition Lineup
FOR IMMEDIATE RELEASE EL MUSEO DEL BARRIO ANNOUNCES SPRING EXHIBITION LINEUP: Lucio Fontana: Spatial Environment (1968) January 23 - April 21, 2019 JODOROWSKY February 28 - May 12, 2019 NEW YORK, NY, December 4, 2018 – El Museo del Barrio is pleased to announce its spring exhibition schedule, as it ushers in its 50th anniversary celebration in 2019. From January 23 to April 21, 2019, the lineup begins with Lucio Fontana: Spatial Environment (1968), an environmental installation by the Argentine-born artist, to coincide with The Met Breur exhibition, Lucio Fontana: On the Threshold. This is followed by JODOROWSKY, the first US museum survey dedicated to artist and filmmaker Alejandro Jodorowsky. Organized by Guest Curator María Inés Rodríguez, JODOROWSKY will be on view from February 28 to May 12, 2019. Lucio Fontana: Spatial Environment (1968) January 23 - April 21, 2019 El Museo del Barrio will display a reconstruction of artist Lucio Fontana’s 1968 Ambiente Spaziale [Spatial Environment]. First created in the late 1940s in relation to the artist’s innovative Spatialism movement, Fontana’s Ambienti Spaziali are labyrinthine, total environments that viewers enter and navigate. Built with the guidance of the Fondazione Lucio Fontana, the all-white Ambiente spaziale (1968) at El Museo will follow the exact specifications of the artist’s final work in the series, originally conceived and presented at Documenta 4 in Kassel, Germany shortly before Fontana’s death. The installation coincides with The Met Breur exhibition, Lucio Fontana: On the Threshold, curated by Metropolitan Museum Estrellita B. Brodsky Curator Iria Candela. About Lucio Fontana Argentine born Lucio Fontana (b.
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Alejandro Jodorowsky Anthology (Edinburgh UP)
H-Film CFP: Alejandro Jodorowsky Anthology (Edinburgh UP) Discussion published by Elif Sendur on Tuesday, December 1, 2020 deadline for submissions: February 25, 2021 full name / name of organization: ReFocus: The International Directors Series, Edinburgh University Press contact email: [email protected] Call for papers: ReFocus: The Films of Alejandro Jodorowsky Contact email: [email protected] Deadline: February 25, 2021 We are currently soliciting 250-500 word abstracts for essays to be included in an essay collection on Alejandro Jodorowsky to be published as part of the University of EdinburghReFocus series, which examines international directors (series editors: Robert Singer, Stefanie Van de Peer, and Gary D. Rhodes). As the first comprehensive anthology focusing on Alejandro Jodorowsky’s career, this collection seeks to deepen our understanding of Jodorowsky as a filmmaker and artist. Essays may focus on Jodorowsky-directed features and short films:La cravate (1957), Fando y Lis (1968), El Topo (1970), The Holy Mountain (1973), Tusk (1980), Santa Sangre (1989), The Rainbow Thief (1990), The Dance of Reality (2013), Endless Poetry (2016), and Psychomagic, A Healing Art (2019), including also unfinished work and the legendary status of his unrealized Dune adaptation. Jodorowsky’s cinema in relation to his theater practice / early neo-avant-garde formation ; psychoanalysis ; spiritual teaching (ie, psychomagic / psychoshamanism) ; philosophy ; Citation: Elif Sendur. CFP: Alejandro Jodorowsky Anthology (Edinburgh UP). H-Film. 12-01-2020. https://networks.h-net.org/node/14467/discussions/6895088/cfp-alejandro-jodorowsky-anthology-edinburgh Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 1 H-Film Buddhist practice ; Tarot ; the art forms of mime and puppetry ; and/or in relation to his work as an accomplished comics writer (The Incal, The Technopriests and Metabarons).
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Índice Dirección, redacción y administración Calle 11 # 160 e/KyL-Vedado La Habana (Cuba) tel.: (537) 832 75 81-3 - fax: (537) 832 22 33 e-mail: [email protected] [email protected] Directora general Irma Armas Fonseca Editorial 65 Directores culturales Dario Mogno, Manuel Pérez Alfaro HISTORIA Redacción Gladys Armas Sánchez Armando Bartra Fermín Romero Alfau Debut, beneficio y despedida Diseño de una narrativa tumultuaria (1). Tony Gómez Piel de papel. Los pepines Ilustración de cubierta en la educación sentimental Viñeta de 1914 de del mexicano 67 Santiago R. De La Vega AUTORES La Revista latinoamericana de estudios sobre la historieta es el órgano oficial del Observato- rio permanente sobre la historieta latinoa- Manuel Barrero mericana. Su periodicidad es trimestral: sale el Jodorowsky: 15 de marzo, el 15 de junio, el 15 de septiembre el chileno ecléctico (1) 91 y el 15 de diciembre de cada año. El precio de cada ejemplar es de 10 $MN en Cuba, de 3 US$ en los demás países. La suscripción anual indi- Caridad Blanco de la Cruz vidual cuesta 40 $MN para el envío en Cuba, 12 Salomón, un mutante perturbador 108 US$ para el envío a los demás países. La sus- cripción anual para las instituciones cuesta 20 MEMORIAS US$ sea en Cuba sea en los demás países. ©2001-2004 Revista latinoamericana de estu- dios sobre la historieta / Observatorio permanen- Carlos M. Federici te sobre la historieta latinoamericana. Desventuras en el Páramo. Una visión personal(ista) © Las ilustraciones que aparecen en este número 119 son propiedad de sus autores. del cómic en el Uruguay Fotomecánica e impresión: Departamento técni- ENTREVISTA co de la Editorial Pablo de la Torriente.
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Alejandro Jodorowsky Sinemasında Erken-Postmodern Eğilimler
SineFilozofi Dergisi 2019 Özel Sayı www.sinefilozofi.org ISSN: 2547-9458 Kendi Kendisinin Peygamberi Bir Sürrealist: Alejandro Jodorowsky Sinemasında Erken-Postmodern Eğilimler Şükrü Aydın* Emine Uçar İlbuğa** Özet Bu çalışma Latin Amerikalı anarşist-mistik sanatçı Alejandro Jodorowsky’nin sinema filmlerinde erken- postmodern özellikleri ortaya koymayı amaçlamaktadır. Sinemacı, oyun yazarı, çizgiroman yazarı ve okültist olarak çok yönlü bir portre çizen Jodorowsky’nin filmleri artık kült mertebesine ulaşmış olmasına rağmen eserlerinin genel olarak akademik ilgiye değer görülmediği iddia edilebilir. Nitekim, hem Türkiye’de hem de Anglo-Sakson Batı literatüründe Jodorowsky sineması üzerine yapılmış akademik çalışmalara rastlamak oldukça zordur. Bu açıdan bakıldığında bu çalışma ulusötesi sinemada sıradışı bir auteur olan ve izleyiciyi grotesk ve vahşet yüklü imajlarla şoke ederek sağaltmayı amaçlayan ve sanatını dünyaya karşı takındığı felsefi tutumun bir dışavurumu olarak gören Alejandro Jodorowsky’ye dair Türkçe literatürde bir kaynak olma iddiası da taşımaktadır. Bu çalışmada örneklem olarak seçilen El Topo (1970), La Montaña Sagrada (1973) ve Santa Sangre (1989) filmleri metin analizi yöntemiyle incelenmiştir. Bu film örneklerinde görülebileceği gibi Jodorowsky, modern dünyada yabancılaşmış karakterleri, anlam ve köken arayışına yönelten dairesel alegorik hikayeler anlatması, büyük anlatıları -özellikle de Katolik kilisesi ve onun kurtarıcı Mesih inancını- ve de semavi dinlerin ruhanilik anlayışını hicveden parodileri tercih etmesi
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The Rhetoric of Rogue Cinema Adam Breckenridge University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 5-9-2014 Acts of Rebellion: The Rhetoric of Rogue Cinema Adam Breckenridge University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Film and Media Studies Commons, and the Rhetoric Commons Scholar Commons Citation Breckenridge, Adam, "Acts of Rebellion: The Rhetoric of Rogue Cinema" (2014). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/5191 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Acts of Rebellion: The Rhetoric of Rogue Cinema by Adam Breckenridge A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English with a Concentration in Rhetoric and Composition College of Arts and Sciences University of South Florida Major Professor: Philip Sipiora, Ph.D. Marc Santos, Ph.D. Margit Grieb, Ph.D. Amy Rust, Ph.D. Date of Approval: May 9, 2014 Keywords: Film Studies, Rogue Cinema, Burke, Zizek Copyright © 2014, Adam Breckenridge Dedication This work is dedicated to Roger Ebert, who was the first person to ever teach me to love the movies. Acknowledgments I would first of all like to thank my chair, Dr. Sipiora, for introducing me to the concept of rogue cinema and for guiding me through my own exploration of it. I would also like to thank my readers, Drs.
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The Seven Lives of Alejandro Jodorowsky Pdf Free Download
THE SEVEN LIVES OF ALEJANDRO JODOROWSKY PDF, EPUB, EBOOK Vincent Berniere | 208 pages | 16 Oct 2020 | Humanoids, Inc | 9781643375946 | English | United States The Seven Lives Of Alejandro Jodorowsky PDF Book The World , films based on comic books seem to be cluttering up the multiplexes at a seemingly exponential rate. Learn More in these related Britannica articles: Marcel Marceau. So rather than conduct discussions with a patient over several weeks, months or even years, a psychomagic practitioner would have a long initial conversation to discover what the problem was, then devise an act for the patient that would tap into their subconscious mind and help heal the wounds within it. No ratings or reviews yet No ratings or reviews yet. A man who strives for perfection and divinity, whose efforts are hindered by his growing ego, serves as a device to tell a pretty ancient story, common to all mankind, nested very deeply in our subconscious minds. Alejandro Jodorowsky. Day of the Magicians. Otto T. Not yet available in stores. Goat says: Reply May 5, at pm. We are currently offering this content for free. Last year Severin released Santa Sangre for limited theatrical engagements with their own 4K restoration, but this new color grading promises to be even more eye-popping, with Jodorowsky himself even commenting that even he's never seen it look so good. Though the core thrust of the narrative explores the path to inner peace and greater spiritual understanding, Jodorowsky, as usual, throws in a vast number of symbols throughout the film, many of which are clear possibly a little too clear in some blunt moments but plenty of others can be perplexing.
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Parasite Bong Joon Ho the Irish Film Institute
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Mexico City, Koans, and the Zen Buddhist Master: Alejandro Jodorowsky, Ejo Takata and the Fundamental Lesson of the Death of the Intellect ______
Mexico City, Koans, and the Zen Buddhist Master: Alejandro Jodorowsky, Ejo Takata and the Fundamental Lesson of the Death of the Intellect ___________________________________________________ KEN MARTIN UNIVERSITY OF NORTH GEORGIA Abstract In Alejandro Jodorowsky’s autobiographical story El maestro y las magas (2006), the eclectic and esoteric artist spends a significant amount of time recounting his experience under the tutelage of Japanese Zen Buddhist monk Ejo Takata in Mexico City in the latter part of the 1960s into the early 1970s. Their relationship as master and disciple would be an important, if not foundational, part of his worldview, which would be omnipresent in his corpus. From the koans proposed by Takata to his own book of short koans and stories for contemplation, Eastern philosophy is inseparable from his own being or his search for his true Self, which is also a common theme in his work. Takata’s four word lesson of “Intelectual, ¡aprende a morir!” (“Intellectual, learn to die!”) is the nucleus around which all of Jodorowsky’s oeuvre would revolve for at least his next forty-five years. Whether drinking warm sake and discussing Takata’s childhood or telling how Takata was challenged by an arrogant American student, Jodorowsky’s reverence for his master is pervasive and speaks of his dedication to the practices of Zen Buddhism. The monk, who usually dressed in his traditional robe, even participated in one of Jodorowsky’s plays by sitting on stage in meditation during the entire length of the performance. The monk’s influence would not end with Jodorowsky, as the artist himself would one day become the teacher and muse to many other popular artists, including Marcel Marceau, John Lennon, Marilyn Manson, Kanye West, and many others.
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