7 Indian Languages and Literature-Ii
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Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
Middle Eastern, South Asian, and African Studies 1
Middle Eastern, South Asian, and African Studies 1 Hamid Dabashi MIDDLE EASTERN, SOUTH Mamadou Diouf Laura Fair ASIAN, AND AFRICAN Wael Hallaq Gil Hochberg STUDIES Sudipta Kaviraj Rashid Khalidi Departmental Office: 401 Knox; 212-854-2556 Mahmood Mamdani http://mesaas.columbia.edu Joseph Massad Brinkley Messick Director of Undergraduate Studies: Hamid Dabashi, 416 Knox Hall, Dan Miron (emeritus) 212-854-7524; [email protected] Timothy Mitchell Sheldon Pollock (emeritus) Language Coordinators: Frances Pritchett (emerita) African Languages: Mariame Sy, 408 Knox; 212-851-2439; George Saliba (emeritus) [email protected] Arabic: Taoufik Ben Amor, 308 Knox; 212-854-2985; [email protected] Armenian: Charry Karamanoukian, 407 Knox; 212-851-4002; Associate Professors [email protected] Mana Kia Hebrew: Naama Harel, 410 Knox, 212-854-6668; [email protected] Anupama Rao Hindi/Urdu: Rakesh Ranjan, 409 Knox; 212-851-4107; Debashree Mukherjee [email protected] Jennifer Wenzel Persian: Saeed Honarmand, 313 Knox; [email protected] Sanskrit: Shiv Subramaniam, 309 Knox; 212-854-2893; Assistant Professors [email protected] Isabel Huacuja Alonso Tamil: Shiv Subramaniam, 309 Knox; 212-854-2893; Sarah bin Tyeer [email protected] Elaine van Dalen Turkish: Zuleyha Colak, 412 Knox; 212-854-0473; [email protected] Elleni Centime Zeleke The undergraduate program in Middle Eastern, South Asian, and African studies (MESAAS) offers students the opportunity to study in depth Senior Lecturers the cultures, ideas, histories, and politics of several overlapping world Aftab Ahmad regions. The program emphasizes a close engagement with intellectual May Ahmar traditions, creative movements, and political debates, drawing on a wide Taoufik Ben Amor variety of historical and contemporary sources in literature, religion, Zuleyha Colak political thought, law, the visual and performing arts, and new media. -
Syllabus for American Indian Literature
Syllabus for Native American Literature – A Postgraduate Course (Spring 2016) Institute: Shanghai International Studies University, P.R. China Instructor: Prof. Zhang Tingquan Email: [email protected] Course Description: This course is designed to introduce students to a variety of Native American literature; to brief them on the cultural, religious, philosophical and historical ideas that are particularly relevant to this field of study; and to examine the thematic concerns and artistic values of Native American literature. It will also explore the interaction between American Native and non-Native writings. The works to be read include novels, poetry and drama by Native American writers, along with literary criticism. Studying these works will enable students to interpret Native American literary texts of distinct features written in different eras, to have an overall understanding of the history and trend of Native American literature, and to acquire a methodology for the study of Native American literature. This course aims to help students to interpret and criticize both Native American literature and literature by other ethnic groups from multiple perspectives as well as improving their proficiency in, and awareness of, literary criticism. Week 1 Orientation and Overview of American Indian literature Week 2 American Indians in Historical Perspective Week 3 Oral Literature (Orature) Week 4 Early Native American non-fictional writings in English (I): sermons and historical narrative “A Sermon, Preached at the Execution of Moses -
403 Little Magazines in India and Emergence of Dalit
Volume: II, Issue: III ISSN: 2581-5628 An International Peer-Reviewed Open GAP INTERDISCIPLINARITIES - Access Journal of Interdisciplinary Studies LITTLE MAGAZINES IN INDIA AND EMERGENCE OF DALIT LITERATURE Dr. Preeti Oza St. Andrew‘s College Mumbai University [email protected] INTRODUCTION As encyclopaedia Britannica defines: ―Little Magazine is any of various small, usually avant-garde periodicals devoted to serious literary writings.‖ The name signifies most of all a usually non-commercial manner of editing, managing, and financing. They were published from 1880 through much of the 20th century and flourished in the U.S. and England, though French and German writers also benefited from them. HISTORY Literary magazines or ‗small magazines‘ are traced back in the UK since the 1800s. Americas had North American Review (founded in 1803) and the Yale Review(1819). In the 20th century: Poetry Magazine, published in Chicago from 1912, has grown to be one of the world‘s most well-regarded journals. The number of small magazines rapidly increased when the th independent Printing Press originated in the mid 20 century. Small magazines also encouraged substantial literary influence. It provided a very good space for the marginalised, the new and the uncommon. And that finally became the agenda of all small magazines, no matter where in the world they are published: To promote literature — in a broad, all- encompassing sense of the word — through poetry, short fiction, essays, book reviews, literary criticism and biographical profiles and interviews of authors. Little magazines heralded a change in literary sensibility and in the politics of literary taste. They also promoted alternative perspectives to politics, culture, and society. -
Following Are Some of the Books by Indian Authors Book Name Author
Following are some of the books by Indian Authors Book Name Author A bend in the river V.S. Naipal A brush with life Satish Gujral A House of Mr. Biswar V.S. Naipal A Million Mutinies Now V.S. Naipal A Passage to England Nirad C.Chodhury A Prisoner’s Scrapbook L.K. Advani A River Sutra Gita Mehra A sense of time H.S.Vatsyayan A strange and subline address Amit Chaudhary A suitable boy Vikram Seth A village by the sea Anita Desai A voice for freedom Nayantara Sehgal Aansoo Suryakant Tripathi Nirala Afternoon Raag Amit Chaudhari Ageless Body, Timeless Mind Deepak Chopra Agni Veena Kazi Nazrul Islam Ain-i-Akbari Abul Fazal Amar Kosh Amar Singh An autobiography Jawaharlal Nehru An Equal Music Vikram Seth An Idealist View of life Dr. S. Radhakrishan Amrit Aur Vish Amrit Lal Nagar Anamika Suryakant Tripathi Nirala Anandmath Bankim Chandra Chatterjee Areas of Darkness V.S. Naipal Arthashastra Lautilya Ashtadhyayi Panini Autobiography of an Unknown India Nirad C. Choudhury Bandicoot Run Manohar Malgonkar Beginning of the Beginning Bhagwan Shri Rajneesh Between the Lines Kuldip Nayyar Beyond Modernisation, Beyond Self Sisirkumar Ghose Bhagvad Gita Ved Vyas Bharat Bharati Maithilisharan Gupt Bharat Durdasha Bhartendu Harischandra Border and Boundaries: women in India’s Ritu Menon & Kamla Bhasin Partition Bharat Bharati Maithili Saran Gupt Breaking the Silence Anees Jung Bride and the Sahib and the other stories Khushwant Singh Broken Wings Sarojini Naidu Bubble, The Mulk Raj Anand Buddha Charitam Ashwaghosh By God’s Decree Kapil Dev Chandalika Rabindra Nath Tagore Chandrakanta Santati Devkinandan Khatri Chemmen: Thakazhi Sivasankara Pillai Chitra Rabindranath Tagore Chitralekha Bhagwati Charan Verma Chitrangada Rabindra Nath Tagore Circle of Reason Amitav Ghosh Clear Light of Day Anita Desai Confessions of a Lower Mulk Raj Anand Confrontation with Pakistan B. -
Language and Literature
1 Indian Languages and Literature Introduction Thousands of years ago, the people of the Harappan civilisation knew how to write. Unfortunately, their script has not yet been deciphered. Despite this setback, it is safe to state that the literary traditions of India go back to over 3,000 years ago. India is a huge land with a continuous history spanning several millennia. There is a staggering degree of variety and diversity in the languages and dialects spoken by Indians. This diversity is a result of the influx of languages and ideas from all over the continent, mostly through migration from Central, Eastern and Western Asia. There are differences and variations in the languages and dialects as a result of several factors – ethnicity, history, geography and others. There is a broad social integration among all the speakers of a certain language. In the beginning languages and dialects developed in the different regions of the country in relative isolation. In India, languages are often a mark of identity of a person and define regional boundaries. Cultural mixing among various races and communities led to the mixing of languages and dialects to a great extent, although they still maintain regional identity. In free India, the broad geographical distribution pattern of major language groups was used as one of the decisive factors for the formation of states. This gave a new political meaning to the geographical pattern of the linguistic distribution in the country. According to the 1961 census figures, the most comprehensive data on languages collected in India, there were 187 languages spoken by different sections of our society. -
1506LS Eng.P65
1 AS INTRODUCED IN LOK SABHA Bill No. 92 of 2019 THE CONSTITUTION (AMENDMENT) BILL, 2019 By SHRI RAVI KISHAN, M.P. A BILL further to amend the Constitution of India. BE it enacted by Parliament in the Seventieth Year of the Republic of India as follows:— 1. This Act may be called the Constitution (Amendment) Act, 2019. Short title. 2. In the Eighth Schedule to the Constitution, entries 3 to 22 shall be re-numbered as Amendment entries 4 to 23, respectively, and before entry 4 as so re-numbered, the following entry shall of the Eighth Schedule. 5 be inserted, namely:— "3. Bhojpuri.". STATEMENT OF OBJECTS AND REASONS Bhojpuri language which originated in the Gangetic plains of India is a very old and rich language having its origin in the Sanskrit language. Bhojpuri is the mother tongue of a large number of people residing in Uttar Pradesh, Western Bihar, Jharkhand and some parts of Madhya Pradesh as well as in several other countries. In Mauritius, this language is spoken by a large number of people. It is estimated that around one hundred forty million people speak Bhojpuri. Bhojpuri films are very popular in the country and abroad and have deep impact on the Hindi film industry. Bhojpuri language has a rich literature and cultural heritage. The great scholar Mahapandit Rahul Sankrityayan wrote some of his work in Bhojpuri. There have been some other eminent writers of Bhojpuri like Viveki Rai and Bhikhari Thakur, who is popularly known as the “Shakespeare of Bhojpuri”. Some other eminent writers of Hindi such as Bhartendu Harishchandra, Mahavir Prasad Dwivedi and Munshi Premchand were deeply influenced by Bhojpuri literature. -
Secondary Indian Culture and Heritage
Culture: An Introduction MODULE - I Understanding Culture Notes 1 CULTURE: AN INTRODUCTION he English word ‘Culture’ is derived from the Latin term ‘cult or cultus’ meaning tilling, or cultivating or refining and worship. In sum it means cultivating and refining Ta thing to such an extent that its end product evokes our admiration and respect. This is practically the same as ‘Sanskriti’ of the Sanskrit language. The term ‘Sanskriti’ has been derived from the root ‘Kri (to do) of Sanskrit language. Three words came from this root ‘Kri; prakriti’ (basic matter or condition), ‘Sanskriti’ (refined matter or condition) and ‘vikriti’ (modified or decayed matter or condition) when ‘prakriti’ or a raw material is refined it becomes ‘Sanskriti’ and when broken or damaged it becomes ‘vikriti’. OBJECTIVES After studying this lesson you will be able to: understand the concept and meaning of culture; establish the relationship between culture and civilization; Establish the link between culture and heritage; discuss the role and impact of culture in human life. 1.1 CONCEPT OF CULTURE Culture is a way of life. The food you eat, the clothes you wear, the language you speak in and the God you worship all are aspects of culture. In very simple terms, we can say that culture is the embodiment of the way in which we think and do things. It is also the things Indian Culture and Heritage Secondary Course 1 MODULE - I Culture: An Introduction Understanding Culture that we have inherited as members of society. All the achievements of human beings as members of social groups can be called culture. -
A History of Indian Music by the Same Author
68253 > OUP 880 5-8-74 10,000 . OSMANIA UNIVERSITY LIBRARY Call No.' poa U Accession No. Author'P OU H Title H; This bookok should bHeturned on or befoAbefoifc the marked * ^^k^t' below, nfro . ] A HISTORY OF INDIAN MUSIC BY THE SAME AUTHOR On Music : 1. Historical Development of Indian Music (Awarded the Rabindra Prize in 1960). 2. Bharatiya Sangiter Itihasa (Sanglta O Samskriti), Vols. I & II. (Awarded the Stisir Memorial Prize In 1958). 3. Raga O Rupa (Melody and Form), Vols. I & II. 4. Dhrupada-mala (with Notations). 5. Sangite Rabindranath. 6. Sangita-sarasamgraha by Ghanashyama Narahari (edited). 7. Historical Study of Indian Music ( ....in the press). On Philosophy : 1. Philosophy of Progress and Perfection. (A Comparative Study) 2. Philosophy of the World and the Absolute. 3. Abhedananda-darshana. 4. Tirtharenu. Other Books : 1. Mana O Manusha. 2. Sri Durga (An Iconographical Study). 3. Christ the Saviour. u PQ O o VM o Si < |o l "" c 13 o U 'ij 15 1 I "S S 4-> > >-J 3 'C (J o I A HISTORY OF INDIAN MUSIC' b SWAMI PRAJNANANANDA VOLUME ONE ( Ancient Period ) RAMAKRISHNA VEDANTA MATH CALCUTTA : INDIA. Published by Swaxni Adytaanda Ramakrishna Vedanta Math, Calcutta-6. First Published in May, 1963 All Rights Reserved by Ramakrishna Vedanta Math, Calcutta. Printed by Benoy Ratan Sinha at Bharati Printing Works, 141, Vivekananda Road, Calcutta-6. Plates printed by Messrs. Bengal Autotype Co. Private Ltd. Cornwallis Street, Calcutta. DEDICATED TO SWAMI VIVEKANANDA AND HIS SPIRITUAL BROTHER SWAMI ABHEDANANDA PREFACE Before attempting to write an elaborate history of Indian Music, I had a mind to write a concise one for the students. -
RESUME Sachin Chandrakant Ketkar
1 RESUME Sachin Chandrakant Ketkar (Born 29 September 1972, Valsad, Gujarat, India 396 001) ● Associate Professor, Dept of English, Faculty of Arts, The MS University of Baroda, Baroda, Gujarat, India 2006- till date Academic Qualifications ● Ph.D. Veer Narmad South Gujarat University, Surat, Gujarat, India 2002 ‘Translation of Narsinh Mehta's Poems Into English: with a Critical Introduction' ● MA with English, First Class, The MS University of Baroda, Baroda, India, 1995 ● BA with English and Sanskrit, 58% , South Gujarat University, Surat, India, 1993 Professional experience ● Lecturer in English SB Garda College of Arts, PK Patel College of Commerce, Navasari, Gujarat, 1995- 2006 ● Visiting Post Graduate Teacher at Smt. JP Shroff Arts College, Valsad, India 1998-2006 Areas of Academic Interests Translation Studies, Comparative Literature, Literary Theory, Modernist Indian literature, Contemporary Marathi poetry, and English Language Teaching Publications Books 1. English for Academic Purposes-II, Co- authored with Dr. Deeptha Achar et. al . Ahmedabad: University Granth Nirman Board, 2011, ISBN 978938126-3 2. English for Academic Purposes-I, Co- authored with Dr. Deeptha Achar et. al . Ahmedabad: University Granth Nirman Board, Aug 2011, ISBN 938126512-7 3. Skin, Spam and Other Fake Encounters, Selected Marathi Poems in English translation, Mumbai: Poetrywala, August 2011, ISBN 61-89621-22-X 4. (Trans) Migrating Words: Refractions on Indian Translation Studies, VDM Verlag-1 Publishers, Oct 2010, ISBN 978-3-639-30280-6 5. Jarasandhachya Blog Varche Kahi Ansh, Abhidhanantar Prakashan , Mumbai, Marathi Poems, Jan 2010, ISBN 978-81-89621-15-5 6. Live Update: an Anthology of Recent Marathi Poetry , editor and translator, Poetrywala 2 Publications, Mumbai, July 2005 , ISBN 81-89621-00-9 7. -
Poetry As Correspondence in Early Modern England
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 Unfolding Verse: Poetry As Correspondence In Early Modern England Dianne Marie Mitchell University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Recommended Citation Mitchell, Dianne Marie, "Unfolding Verse: Poetry As Correspondence In Early Modern England" (2017). Publicly Accessible Penn Dissertations. 2477. https://repository.upenn.edu/edissertations/2477 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2477 For more information, please contact [email protected]. Unfolding Verse: Poetry As Correspondence In Early Modern England Abstract This project recovers a forgotten history of Renaissance poetry as mail. At a time when trends in English print publication and manuscript dissemination were making lyric verse more accessible to a reading public than ever before, writers and correspondents created poetic objects designed to reach individual postal recipients. Drawing on extensive archival research, “Unfolding Verse” examines versions of popular poems by John Donne, Ben Jonson, Mary Wroth, and others which look little like “literature.” Rather, these verses bear salutations, addresses, folds, wax seals, and other signs of transmission through the informal postal networks of early modern England. Neither verse letters nor “epistles,” the textual artifacts I call “letter-poems” proclaim their participation in a widespread social -
Indo-Caribbean "Local Classical Music"
City University of New York (CUNY) CUNY Academic Works Publications and Research John Jay College of Criminal Justice 2000 The Construction of a Diasporic Tradition: Indo-Caribbean "Local Classical Music" Peter L. Manuel CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/jj_pubs/335 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] VOL. 44, NO. 1 ETHNOMUSICOLOGY WINTER 2000 The Construction of a Diasporic Tradition: Indo-Caribbean "Local Classical Music" PETER MANUEL / John Jay College and City University of New York Graduate Center You take a capsule from India leave it here for a hundred years, and this is what you get. Mangal Patasar n recent years the study of diaspora cultures, and of the role of music therein, has acquired a fresh salience, in accordance with the contem- porary intensification of mass migration and globalization in general. While current scholarship reflects a greater interest in hybridity and syncretism than in retentions, the study of neo-traditional arts in diasporic societies may still provide significant insights into the dynamics of cultural change. In this article I explore such dynamics as operant in a unique and sophisticated music genre of East Indians in the Caribbean.1 This genre, called "tan-sing- ing," has largely resisted syncretism and creolization, while at the same time coming to differ dramatically from its musical ancestors in India. Although idiosyncratically shaped by the specific circumstances of the Indo-Caribbean diaspora, tan-singing has evolved as an endogenous product of a particu- lar configuration of Indian cultural sources and influences.