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CATHERINE KIDD Writer / Performer / Instructor 5211 Blvd. St. Laurent, Montreal H2T 1S4 [514] 276-0839 [email protected]
CATHERINE KIDD Writer / Performer / Instructor 5211 Blvd. St. Laurent, Montreal H2T 1S4 [514] 276-0839 [email protected] www.catkidd.com _____________________________________________________________________________ WRITING WORKSHOPS: FONDATION METROPOLIS BLEU: Instructor for pilot of Télélitterature program. Writing workshops to students in Jonquiere and Nunavik via live internet conferencing; instructor for Student Literary Program during the annual Festival. 2002 – 08. Writer in residence for program Libre comme l’art; literary co-creation with a group of grade 10 students at Lindsay Place High School, in Pointe-Claire. Sept 2012 – Apr 2013. CULTURE IN SCHOOLS: Writing and performing workshops at a number of Montreal area high schools, including Westwood, Heritage Regional, and Westmount Secondary. 2012-13. PROJECT MILE END POETRY: Jessica Hand, head teacher; weekly workshops with a group of young writers in this program for students at risk. Spring, 2013. S.O.F.A.D [Société de formation à distance des commissions scolaires du Québec]: Writer of EE1 (Entertainment & Enjoyment I), a language arts workbook/textbook for adult learners with limited literacy skills. The book uses such resources as paintings, poems, films, and songs to teach basic reading and writing skills; also some developmental work for EE2, the next book in the series. 2011-13. CONCORDIA UNIVERSITY ENGLISH DEPARTMENT: Instructor; Creative Writing, Prose Fiction; 1998. Creative Writing, Experimental Fiction; 2006. McGILL UNIVERSITY ENGLISH DEPARTMENT: Guest Lecturer in poetry performance. Spring, 1997- 98. Performance for Department of Fine Arts, February 2002. VANIER COLLEGE / JOHN ABBOTT COLLEGE: Guest Lecturer for Writers in Cegeps Programme, Québec Writer’s Federation. 2001–2002 QUEBEC WRITER’S FEDERATION: Creative Writing Instructor Prose Fiction 2001- 2002. -
The Griffin Poetry Prize Announces the 2020 International And
THE GRIFFIN TRUST For Excellence In Poetry Trustees: Press Release Mark Doty Carolyn Forché THE 2020 GRIFFIN POETRY PRIZE WINNERS Scott Griffin Marek Kazmierski Jo Shapcott International Karen Solie Time Ian Williams Sarah Riggs, translated from the French written by Etel Adnan David Young and Trustees Emeriti: Margaret Atwood Robert Hass Canadian Michael Ondaatje Robin Robertson Magnetic Equator Colm Tóibín by Kaie Kellough TORONTO – Tuesday, May 19, 2020 – Time by Sarah Riggs, translated from the French written by Etel Adnan (Nightboat Books) and Magnetic Equator by Kaie Kellough (McClelland & Stewart) are the International and Canadian winners of the 2020 Griffin Poetry Prize, each receiving C$65,000 in prize money. The other shortlist finalists will be awarded $10,000 each. The Griffin Poetry Prize was founded in 2000 to encourage and celebrate excellence in poetry. The prize is for first edition books of poetry written in, or translated into, English and submitted from anywhere in the world. The judges for the 2020 Griffin Poetry Prize are Paula Meehan (Ireland), Kei Miller (Jamaica/UK) and Hoa Nguyen (Canada). These distinguished writers and poets each read 572 books of poetry, received from fourteen countries around the globe, including translations from eighteen different languages. The trustees of The Griffin Trust For Excellence In Poetry select the judges annually. 363 Parkridge Crescent, Oakville, Ontario L6M 1A8, Canada www.griffinpoetryprize.com Tel: 905 618 0420 Email: [email protected] THE GRIFFIN TRUST For Excellence In Poetry The 2020 Griffin Poetry Prize Shortlist : International Abigail Chabitnoy’s How to Dress a Fish, published by Wesleyan University Press Sharon Olds’ Arias, published by Jonathan Cape and Alfred A. -
Review of the Response of Weeds: a Misplacement of Black Poetry on the Prairies , by Bertrand Bickersteth (Edmonton: Newest Press, 2020) 88 Pp
Review of The Response of Weeds: A Misplacement of Black Poetry on the Prairies , by Bertrand Bickersteth (Edmonton: NeWest Press, 2020) 88 pp. paper. The dedication is intended for anyone who has had to answer to various versions of "where are you from?" In "Grown in Alberta", identity relies on the image of a "simulacrum", such as an image or representation of someone or something, an unsatisfactory imitation or substitute. In this instance, the poet turns to Michigan, where he asked the question but in Alberta, by comparison, he will always be asked. So his attention shifts from the hand, to the map, and then back to the hand. He turns to the Canadian prairies and his dream of an empty grain elevator. He recounts how "a landscape was hinted in its spaces." In "So What" which passes as a cheeky answer back, to "So, where are you from?", the poet acknowledges "I still mean here." Harlem farming was based on displaced aboriginal people but in Alberta it pertains to "the North on top", thus "(upside down)". Nomadic musicians reflect the seasons: "We read and reseed in spring". "Now I'm Looking, Now I'm Unaware" is a poem in which the comparison with Michigan is distinctive because the poet possesses "the would-be echo", the half-rhyme "stuck" and "struck" are contrasted, and he concludes "I am comparing this field/ to one in Alberta/ burnished gold and flat." In "Harlem Farming", the poet catalogues the landmarks in New York City, until he reaches the conclusion held in suspense, "North of Harlem/farming/in Saskatchewan and Alberta//Obviously". -
Vehicule Press
VÉHICULE PRESS FALL & WINTER 2019 - 2020 veh-Fall &winter-19-catacover-cmyk.indd 1 2019-03-08 11:28 AM Cover art by J.W. Stewart Véhicule Press acknowledges the support of the Canada Book Fund of the Department of Canadian Heritage, the Canada Council for the Arts, and the Société de développement des entreprises culturelles du Québec (sodec). printed in canada CONTENTS Frontlist Titles 2 Recent Titles 12 Backlist Titles: Non-Fiction Highlights 16 Mystery Highlights 21 Esplanade Fiction 22 Signal Poetry 24 Ricochet Noir 26 Ordering 29 NEW ESPLANADE FICTION 2 Dominoes at the Crossroads Short Stories KAIE KELLOUGH In Dominoes at the Crossroads Kaie Kellough maps an alternate marketing nation—one populated by Caribbean Canadians who hopscotch across Advance reading copies the country. The characters navigate race, class, and coming-of-age. Seeking opportunity, some fade into the world around them, even Review copy mailing as their minds hitchhike, dream, and soar. Some appear in different Web advertising times and hemispheres, whether as student radicals, secret agents, historians, fugitive slaves, or jazz musicians. Online promotions From the cobblestones of Montreal’s Old Port through the foliage author tour of a South American rainforest; from a basement in wartime Paris Montreal to a metro in Montréal during the October Crisis; Kellough’s fierce Ottawa imagination reconciles the personal and ancestral experience with the present moment, grappling with the abiding feeling of being elsewhere, Toronto even when here. Winnipeg Calgary Vancouver kaie kellough is a novelist, sound performer, short stories and poet. His novel Accordéon (2016) was january 2020 shortlisted for the Amazon Foundation First Novel Award. -
Foreign Rights / Droits Du Canada
Rights Canada Foreign Rights Droits du Canada Droits étrangers WELCOME BIENVENUE Livres Canada Books is pleased to present the 2020–2021 Livres Canada Books est heureux de vous présenter l’édition edition of the Rights Canada catalogue! 2020-2021 du catalogue Droits du Canada ! We are delighted to showcase over 325 titles of great Canadian Nous nous réjouissons de mettre en vedette plus de 325 titres fiction, non-fiction, children’s books and young adult fiction. exceptionnels, qu’il s’agisse de romans, de livres de non fiction, Whether published in English, French or other languages in de livres pour enfants, de romans jeunes adultes ou de translation, Canadian writers have captured the imagination publications savantes. of millions of readers around the world and their many awards Les auteurs canadiens, qu’on les lise en français, en anglais and recognitions are a tribute to that reputation. ou dans d’autres langues, réussissent à captiver et stimuler Canadian publishers have many extraordinary works of l’imaginaire des lecteurs du monde entier, et les nombreux literature to share and you will find an excellent sample of them prix et reconnaissances qu’ils reçoivent en témoignent. here. Sharing stories across languages and borders is especially Les éditeurs canadiens ont de nombreux récits extraordinaires important in these challenging times. The stories we tell each à partager, et vous en trouverez ici un excellent échantillon. La other help us to build and maintain relationships and, in this transmission des histoires par-delà les langues et les frontières way, help us to create community. est particulièrement importante en ces temps difficiles. -
LPG Academic Catalogue
LITERARY PRESS GROUP ACADEMIC 2014 CATALOGUE {} Welcome Th e Literary Press Group is a collective of independent Canadian literary presses, all of whom work tirelessly to introduce and support incredibly diverse voices that keep the Canadian literary scene vital, fresh, and interesting. When you choose a course text from an LPG publisher, you’re choosing to support some of the hardest working people in the Canadian publishing industry. Th at’s because, for our members, publishing is a labour of love and not a money-making venture. Although they each have a unique mandate, our publishers share a commitment to introducing new authors and new ideas to a literary scene that is overrun with the same voices and the same information. Our publishers are the ones saying yes to debut authors, who often go on to work with bigger publishers. Th ey are taking risks and supporting authors who are outside of the mainstream. And when they’re not bringing you something completely new, they are reissuing important literary texts that are out-of-print and/or diffi cult to source. In this catalogue you’ll fi nd 130 potential course texts from 35 of our members, and this is just a sample of what’s available. New poetry and fi ction, drama and theatre history, literary theory and essays on culture—together our members’ books provide you with an unrivalled selection of contemporary Canadian thought and creativity. For a full listing of our members, see www.lpg.ca/publishers. The Literary Press Group of Canada gratefully acknowledges the support of Connect with us -
Gary Barwin CV March 2018
CURRICULUM VITAE Gary Barwin 180 Dufferin St. Hamilton ON L8S 3N7 • [email protected] EDUCATION PhD: State University of New York at Buffalo. Music Composition. (1995) Bachelor of Education: York University (2001) Bachelor of Arts: York University, English and Creative Writing (1987) Bachelor of Fine Arts (Spec. Hons.), York University, Music (1986) EMPLOYMENT HISTORY (RELATED EXPERIENCE) 2017-2018 Writer in Residence McMaster University and Hamilton Public Library, Hamilton, Ontario. 2012-2017 Creative Writing Instructor, Continuing Education, Mohawk College, Hamilton. Instructor, “Poetry,” writing course. (Spring/Summer 2017) Instructor, “Poetry,” writing course. (Winter 2017) Instructor of “Novel Writing 1” (Winter 2015) and “Novel Writing 2” (Spring 2016) Instructor of “Poetry,” writing course. (Spring 2013) Instructor of “Writing for Children,” writing course. (Winter 2013) Creative Writer Instructor, ArtForms/Urban Arts Initiative and Re:Create. Hamilton. Designing and leading creative writing and publishing programs for street-involved youth in the downtown core. Writing classes include a range of approaches to the writing of poetry and fiction. Publications include chapbooks, videopoems, postcards, and art gallery presentations of broadsides. 1985-present Freelance Writer Writer of fiction, poetry, children’s writing, essays, interviews and reviews. Freelance Editor Manuscript Evaluation, Writing Coaching & Mentoring. Advising and mentoring writers and editing their manuscripts of fiction, poetry and children’s writing. Freelance Creative Writing Workshop Leader Leading workshops in the writing of poetry and fiction for beginning and advanced adults, youth, and children in universities, colleges, !1 libraries, community centres, schools, shelters, and in other contexts. 2015-present Writer in Residence, Writers in the House, ArtForms. Writer in residence and writing instructor at several youth shelters and residences and educational institutions in Hamilton. -
Thursday 25 April Session a 13:00-14:00Pm
Thursday 25 April Session A 13:00-14:00pm a way—Living Performance, Location: Theatre 2 Panel Chair Chinedum Muotto (University College Dublin) Adeena Karasick, “Scenes Screams Screens and Semes: The Salomaic Elasticity of the Page and the Stage” Abstract: Situated between the expanding boundaries of text and textuality, sound experiments, sonic spaces, and performance, Scenes Screams Screens and Semes: The Salomaic Elasticity of the Page and the Stage will be part talk / part performance (with screen projections), contextualizing Salomé: Woman of Valor, my 2018 Spoken Word Opera which revisits the apocryphal figure of Salomé through a Jewish feminist perspective. As a book (published in an English/Italian bi-lingual edition by University of Padua Press and an English-only libretto by Gap Riot Press in Toronto) and a performance piece, it negotiates a range of revolutionary intersections – not only in the integration of styles and traditions, between poetry, midrash, Kabbalah and pop culture, highlighting polyphonic textures and rhythmic wordplay; but how this manifests differently on the page, stage and screen. Further published in multiple languages (Italian, Bengali, Arabic), what happens in the space of translation? Using Salomé: Woman of Valor as a focus, this presentation will unpack some of the nuanced play between visual and acoustic space, and with attention to both form and content, expose how narrative is always mutiperspectival and slippery; ex-statically palimpsested – celebrating the porous aporia between the vois, vuel, voile, veux, voila; hearing and seeing, seeing and saying, essaying as Walter Ong says, “I see what you say. But what we are seeing is not what we are saying”. -
FALL/ WINTER 2020-21 Titlefall/Winter 2020-21 Genre By
COACH HOUSE BOOKS FALL/ WINTER 2020-21 TitleFall/Winter 2020-21 genre by COACH HOUSE BOOKS Publisher: Stan Bevington Editorial Director: Alana Wilcox Managing Editor: Crystal Sikma Sales and Marketing Coordinator: James Lindsay Digital and Distribution Coordinator: Nick Hilton Digital Intern: Yasmin Emery Editorial Intern: Tali Voron Toronto Books Editor: John Lorinc 80 bpNichol Lane, Toronto, Ontario, M5S 3J4, Canada Phone: 416 979 2217 | 1 800 367 6360 | Fax: 416 977 1158 www.chbooks.com | [email protected] Twitter: @coachhousebooks For ordering information, see back cover. Other sales inquiries: [email protected] Rights, permissions, and desk copy requests: [email protected] Canadian media and publicity inquiries: [email protected] U.S. media and publicity inquiries, Cursor Marketing Services: [email protected] All other requests: [email protected] Coach House acknowledges the financial support of the Canada Council for the Arts, the Ontario Arts Council the Government of Canada through the Canada Book Fund and the Government of Ontario through Ontario Creates for our publishing activities. Fauna fiction by Christiane Vadnais, translated by Pablo Strauss In a near-future world ravaged by climate change, who will win in the struggle between humanity and nature? A thick fog rolls in over Shivering Heights. The river overflows, the sky is streaked with toxic green, parasites proliferate in torrential rains and once safely classified species – humans included – are evolving and behaving in unprecedented ways. Against this poetically hostile backdrop, a biologist fights to understand the nature and scope of the changes transforming her own body and the world around her. Ten lush and bracing linked climate fictions depict a world gorgeous and terrifying in its likeness to our own. -
A Writer Pushes Back Against Marginalization Writing Wounded
WRITE THE MAGAZINE OF THE WRITERS’ UNION OF VOLUME 45 NUMBER 1 CANADA SPRING 2017 Indigequeer: A Writer Pushes Back Against Marginalization 10 Writing Wounded Histories: Respect, Reconciliation, and Reluctance 16 Indigenous Literatures Break and Beckon to Tradition 24 • INDIGENOUS EDITORS CIRCLE • EDITING INDIGENOUS MANUSCRIPTS August 13 – 19, 2017 Humber College Lakeshore Campus Toronto, ON The Indigenous Editors Presented by Humber College and the Canada Circle is a collaborative Council for the Arts with generous support from the forum for Indigenous Department of Canadian Heritage and workshop founder the Saskatchewan Arts Board editors to discuss best practices for editing In concurrent Indigenous-led workshops, explore and publishing issues related to editing Indigenous manuscripts, including cultural protocols for traditional material, Indigenous content. copyright and permissions for communally owned stories, consultation with Elders, and editing trauma. Editing Indigenous Featuring evening literary programming by Manuscripts informs and The RIEL Centre. sensitizes non-Indigenous editors and publishers to For more information or to register: working with Indigenous www.humberindigenouseditors.ca writers, editors and texts. From the Chair By George Fetherling By the time you read this, the Vancouver AGM and OnWords conference will be right around • INDIGENOUS EDITORS CIRCLE the corner. As Vancouver is my home, I thought that many of you who will be visiting from • EDITING INDIGENOUS MANUSCRIPTS other regions might appreciate a little local info. If you’re like me, and like most other writers I know, you enjoy August 13 – 19, 2017 browsing bookstores when you travel. Vancouver is far from being Canada’s most bookish city (that would be Victoria/Sydney) but it has managed better than most other places to retain at least the core of its Macleod’s is located at 455 West Pender (at the corner of Humber College Lakeshore Campus once vibrant bookselling sector. -
The Griffin Poetry Prize Announces the 2020 International And
THE GRIFFIN TRUST For Excellence In Poetry Press Release THE GRIFFIN POETRY PRIZE ANNOUNCES Trustees: THE 2020 INTERNATIONAL AND CANADIAN SHORTLIST Mark Doty Carolyn Forché TORONTO – April 7, 2020 – Scott Griffin, on behalf of the trustees of The Scott Griffin Griffin Trust For Excellence In Poetry, is pleased to announce the Marek Kazmierski International and Canadian shortlist for this year’s prize. Judges Paula Meehan (Ireland), Kei Miller (Jamaica/UK), and Hoa Nguyen (Canada) Jo Shapcott each read 572 books of poetry, from 14 countries, including 37 Karen Solie translations. Ian Williams The two winners, to be announced via our social media channels (web David Young site, Facebook, Twitter, and Instagram) on Tuesday, May 19, will each be awarded $65,000. The other finalists – 3 International, and 2 Canadian, will be awarded $10,000. International Trustees Emeriti: How to Dress a Fish ● Abigail Chabitnoy Margaret Atwood Wesleyan University Press Robert Hass Arias ● Sharon Olds Michael Ondaatje Jonathan Cape and Alfred A. Knopf Robin Robertson Time ● Sarah Riggs, translated from the French written by Etel Adnan Colm Tóibín Nightboat Books Lima :: Limón ● Natalie Scenters-Zapico Copper Canyon Press Canadian How She Read ● Chantal Gibson Caitlin Press heft ● Doyali Islam McClelland & Stewart Magnetic Equator ● Kaie Kellough McClelland & Stewart 363 Parkridge Crescent, Oakville, Ontario L6M 1A8, Canada www.griffinpoetryprize.com Tel: 905 618 0420 Email: [email protected] THE GRIFFIN TRUST For Excellence In Poetry NOTE TO BOOKSELLERS: Griffin Poetry Prize book stickers are supplied free of charge by The Griffin Trust. Please contact [email protected] to place an order. Winner book stickers will be available after May 19. -
Page 1 N E W E S T P R E S S C a T a L O G U E S P R I N G • 2 0
NEWEST PRESS CATALOGUE SPRING•2020 PUBLISHER INFORMATION Ordering Information For more information, questions, or for further promotional materials, please contact NeWest Press at [email protected] Matt Bowes (he/him) Claire Kelly (she/her) General Manager Marketing and Production Ph: 780.432.9427 Coordinator [email protected] Ph: 780.432.9427 [email protected] Christine Kohler (she/her) Isabel Yang (they/her) Office Administator Marketing Assistant Ph: 780.432.9427 Ph: 780.432.9427 [email protected] [email protected] Sponsor Logos 1 newestpress.com CONTENTS Publisher Information ..................................................................................................................1 Contents ......................................................................................................................................2 Rolling Thunder ...........................................................................................................................3 In Veritas ......................................................................................................................................4 Hunger Moon ..............................................................................................................................5 The Response of Weeds .............................................................................................................6 Lullabies in the Real World .........................................................................................................7