September 2013 Volume 10, Number 9
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CATHERINE KIDD Writer / Performer / Instructor 5211 Blvd. St. Laurent, Montreal H2T 1S4 [514] 276-0839 [email protected]
CATHERINE KIDD Writer / Performer / Instructor 5211 Blvd. St. Laurent, Montreal H2T 1S4 [514] 276-0839 [email protected] www.catkidd.com _____________________________________________________________________________ WRITING WORKSHOPS: FONDATION METROPOLIS BLEU: Instructor for pilot of Télélitterature program. Writing workshops to students in Jonquiere and Nunavik via live internet conferencing; instructor for Student Literary Program during the annual Festival. 2002 – 08. Writer in residence for program Libre comme l’art; literary co-creation with a group of grade 10 students at Lindsay Place High School, in Pointe-Claire. Sept 2012 – Apr 2013. CULTURE IN SCHOOLS: Writing and performing workshops at a number of Montreal area high schools, including Westwood, Heritage Regional, and Westmount Secondary. 2012-13. PROJECT MILE END POETRY: Jessica Hand, head teacher; weekly workshops with a group of young writers in this program for students at risk. Spring, 2013. S.O.F.A.D [Société de formation à distance des commissions scolaires du Québec]: Writer of EE1 (Entertainment & Enjoyment I), a language arts workbook/textbook for adult learners with limited literacy skills. The book uses such resources as paintings, poems, films, and songs to teach basic reading and writing skills; also some developmental work for EE2, the next book in the series. 2011-13. CONCORDIA UNIVERSITY ENGLISH DEPARTMENT: Instructor; Creative Writing, Prose Fiction; 1998. Creative Writing, Experimental Fiction; 2006. McGILL UNIVERSITY ENGLISH DEPARTMENT: Guest Lecturer in poetry performance. Spring, 1997- 98. Performance for Department of Fine Arts, February 2002. VANIER COLLEGE / JOHN ABBOTT COLLEGE: Guest Lecturer for Writers in Cegeps Programme, Québec Writer’s Federation. 2001–2002 QUEBEC WRITER’S FEDERATION: Creative Writing Instructor Prose Fiction 2001- 2002. -
The Griffin Poetry Prize Announces the 2020 International And
THE GRIFFIN TRUST For Excellence In Poetry Trustees: Press Release Mark Doty Carolyn Forché THE 2020 GRIFFIN POETRY PRIZE WINNERS Scott Griffin Marek Kazmierski Jo Shapcott International Karen Solie Time Ian Williams Sarah Riggs, translated from the French written by Etel Adnan David Young and Trustees Emeriti: Margaret Atwood Robert Hass Canadian Michael Ondaatje Robin Robertson Magnetic Equator Colm Tóibín by Kaie Kellough TORONTO – Tuesday, May 19, 2020 – Time by Sarah Riggs, translated from the French written by Etel Adnan (Nightboat Books) and Magnetic Equator by Kaie Kellough (McClelland & Stewart) are the International and Canadian winners of the 2020 Griffin Poetry Prize, each receiving C$65,000 in prize money. The other shortlist finalists will be awarded $10,000 each. The Griffin Poetry Prize was founded in 2000 to encourage and celebrate excellence in poetry. The prize is for first edition books of poetry written in, or translated into, English and submitted from anywhere in the world. The judges for the 2020 Griffin Poetry Prize are Paula Meehan (Ireland), Kei Miller (Jamaica/UK) and Hoa Nguyen (Canada). These distinguished writers and poets each read 572 books of poetry, received from fourteen countries around the globe, including translations from eighteen different languages. The trustees of The Griffin Trust For Excellence In Poetry select the judges annually. 363 Parkridge Crescent, Oakville, Ontario L6M 1A8, Canada www.griffinpoetryprize.com Tel: 905 618 0420 Email: [email protected] THE GRIFFIN TRUST For Excellence In Poetry The 2020 Griffin Poetry Prize Shortlist : International Abigail Chabitnoy’s How to Dress a Fish, published by Wesleyan University Press Sharon Olds’ Arias, published by Jonathan Cape and Alfred A. -
Celebrating Reading. Advocating Literacy. Sunday, September 24
Sunday, September 24, 2017 | 11AM–6PM Harbourfront Centre FREE ADMISSION Celebrating Reading. Advocating Literacy. thewordonthestreet.ca Today a reader, tomorrow a leader. Words change worlds. Reading educates and inspires kids to build a better future. Webcom is honoured to be a part of this transformative experience by providing our community with the highest quality printed books. Table of Contents 1 HOW TO USE THIS BEHIND THE CURTAIN 2 PROGRAM WORDS OF WELCOME 3 Review the Festival at a Glance LETTERS OF GREETING 4–5 on pages 8–13, or go directly to FESTIVAL PARTNERS 6–7 the venue descriptions FESTIVAL AT A GLANCE 8–13 ASL Programming 14 MORE festival FUN 15 LiteracY comes ALIVE 16 OFFICIAL BOOKSELLERS 17 AMAZON.CA BESTSELLERS STAGE 20–24 AUTHOR CRUISES 26–30 CANADIAN MAGAZINES STAGE 32–36 COOKS ‘N’ books stage 38–40 GREAT BOOKS MARQUEE 42–49 Indigenous voices 50–55 Learning station 56–57 SCULPTING NEW READS 58–59 TEEN SPIRIT stage 61–66 TFO Franco STAGE | Franco SCÈNE TFO 70–75 TORONTO BOOK AWARDS TENT 78–80 TORONTO STAR TENT 82–83 VIBRANT VOICES OF ONTARIO TENT 84–90 ACX WORDSHOP MARQUEE 92–94 EXHIBITOR LISTINGS 96–98 EXHIBITOR SPECIAL LISTINGS 99–101 THANKS to OUR donors 103 FESTIVAL MAP 104 The Word On The Street Toronto: (416) 504-7241 | [email protected] Cover Illustration by Julie Flett. Program Design by Kent Robinson. 2 Behind the curtain A NATIONAL, Annual Celebration The word on The sTreeT is a free public festival that celebrates the written word and champions literacy through an annual outdoor book and periodical fair. -
Review of the Response of Weeds: a Misplacement of Black Poetry on the Prairies , by Bertrand Bickersteth (Edmonton: Newest Press, 2020) 88 Pp
Review of The Response of Weeds: A Misplacement of Black Poetry on the Prairies , by Bertrand Bickersteth (Edmonton: NeWest Press, 2020) 88 pp. paper. The dedication is intended for anyone who has had to answer to various versions of "where are you from?" In "Grown in Alberta", identity relies on the image of a "simulacrum", such as an image or representation of someone or something, an unsatisfactory imitation or substitute. In this instance, the poet turns to Michigan, where he asked the question but in Alberta, by comparison, he will always be asked. So his attention shifts from the hand, to the map, and then back to the hand. He turns to the Canadian prairies and his dream of an empty grain elevator. He recounts how "a landscape was hinted in its spaces." In "So What" which passes as a cheeky answer back, to "So, where are you from?", the poet acknowledges "I still mean here." Harlem farming was based on displaced aboriginal people but in Alberta it pertains to "the North on top", thus "(upside down)". Nomadic musicians reflect the seasons: "We read and reseed in spring". "Now I'm Looking, Now I'm Unaware" is a poem in which the comparison with Michigan is distinctive because the poet possesses "the would-be echo", the half-rhyme "stuck" and "struck" are contrasted, and he concludes "I am comparing this field/ to one in Alberta/ burnished gold and flat." In "Harlem Farming", the poet catalogues the landmarks in New York City, until he reaches the conclusion held in suspense, "North of Harlem/farming/in Saskatchewan and Alberta//Obviously". -
Vehicule Press
VÉHICULE PRESS FALL & WINTER 2019 - 2020 veh-Fall &winter-19-catacover-cmyk.indd 1 2019-03-08 11:28 AM Cover art by J.W. Stewart Véhicule Press acknowledges the support of the Canada Book Fund of the Department of Canadian Heritage, the Canada Council for the Arts, and the Société de développement des entreprises culturelles du Québec (sodec). printed in canada CONTENTS Frontlist Titles 2 Recent Titles 12 Backlist Titles: Non-Fiction Highlights 16 Mystery Highlights 21 Esplanade Fiction 22 Signal Poetry 24 Ricochet Noir 26 Ordering 29 NEW ESPLANADE FICTION 2 Dominoes at the Crossroads Short Stories KAIE KELLOUGH In Dominoes at the Crossroads Kaie Kellough maps an alternate marketing nation—one populated by Caribbean Canadians who hopscotch across Advance reading copies the country. The characters navigate race, class, and coming-of-age. Seeking opportunity, some fade into the world around them, even Review copy mailing as their minds hitchhike, dream, and soar. Some appear in different Web advertising times and hemispheres, whether as student radicals, secret agents, historians, fugitive slaves, or jazz musicians. Online promotions From the cobblestones of Montreal’s Old Port through the foliage author tour of a South American rainforest; from a basement in wartime Paris Montreal to a metro in Montréal during the October Crisis; Kellough’s fierce Ottawa imagination reconciles the personal and ancestral experience with the present moment, grappling with the abiding feeling of being elsewhere, Toronto even when here. Winnipeg Calgary Vancouver kaie kellough is a novelist, sound performer, short stories and poet. His novel Accordéon (2016) was january 2020 shortlisted for the Amazon Foundation First Novel Award. -
Libraries and Cultural Resources
LIBRARIES AND CULTURAL RESOURCES Archives and Special Collections Suite 520, Taylor Family Digital Library 2500 University Drive NW Calgary, AB, Canada T2N 1N4 www.asc.ucalgary.ca Katherine Govier fonds. ACU SPC F0128 https://searcharchives.ucalgary.ca/katherine-govier-fonds An additional finding aid in another format may exist for this fonds or collection. Inquire in Archives and Special Collections. KATHERINE GOVIER fonds ACCESSION NO.: 700/01.6 The Katherine Govier Fonds Accession No. 700/01.6 CORRESPONDENCE ....................................................................................................................................... 2 MANUSCRIPTS ............................................................................................................................................. 28 Fiction - Drama (Film, Radio, Stage, TV) ................................................................................................. 29 Fiction - Novel ......................................................................................................................................... 37 Fiction - Short Story Collections .............................................................................................................. 39 Fiction - Uncollected Short Stories.......................................................................................................... 42 Non-Fiction - Articles, Book Reviews, Speeches, Etc. ............................................................................. 42 PUBLISHED WORKS .................................................................................................................................... -
Sunday, September 22, 2019 10Am-5Pm | Harbourfront Centre
SUNDAY, SEPTEMBER 22, 2019 10AM-5PM | HARBOURFRONT CENTRE Celebrating Reading. Advocating Literacy. @torontoWOTS • #WOTS30 • thewordonthestreet.ca/toronto WANT TO WRITE? THE HUMBER SCHOOL FOR WRITERS’ CORRESPONDENCE PROGRAM Creative Writing – Fiction, Creative Non-Fiction, Poetry Looking for personalized feedback on your new manuscript? The Humber School for Writers’ Correspondence Program can help! Our 30-week distance studio program is customized to address the needs of your book-length project. Work from the comfort of home under guidance of our exceptional mentors. Apply as soon as possible in order to improve your chance of being paired with your preferred mentor: · David Bergen · Ashley Little · Giles Blunt · Colin McAdam · Karen Connelly · Pamela Mordecai · Elisabeth de Mariaffi · Tim Wynne-Jones · Elizabeth Duncan · Alissa York · Camilla Gibb APPLY NOW FOR JAN 2020! humberschoolforwriters.ca TABLE OF CONTENTS 3 WANT TO WRITE? HOW TO USE THIS PROGRAM Review the Festival at a Glance on pages 8–12, or go directly to the venue THE HUMBER SCHOOL FOR descriptions. Want to see our kids programming? Pick up a TD Kidstreet guide at WOTS! WRITERS’ CORRESPONDENCE PROGRAM Creative Writing – Fiction, Creative Non-Fiction, Poetry WELCOME TO WOTS 2 MEET THE TEAM 3 LETTERS OF GREETING 4-5 Looking for personalized feedback on your new manuscript? FESTIVAL PARTNERS 6-7 FESTIVAL AT A GLANCE 8-12 The Humber School for Writers’ Correspondence Program can ASL PROGRAMMING 13-14 help! Our 30-week distance studio program is customized to #WOTS30 ANNIVERSARY SERIES 15 OFFICIAL BOOKSELLERS 16 address the needs of your book-length project. Work from the AMAZON.CA BESTSELLERS 18-24 comfort of home under guidance of our exceptional mentors. -
FREE ADMISSION Celebrating Reading
1 Sunday, September 23, 2018 | 10AM–5PM | Harbourfront Centre FREE ADMISSION Celebrating Reading. Advocating Literacy. • thewordonthestreet.ca 2 ��TH EDITION For curious readers of every kind FESTIVALOFAUTHORS.CA | @FestofAuthors | 416-973-4000 Major Partners Venue Partner Major Media Partner TABLE OF CONTENTS 3 ��TH EDITION WELCOME TO WOTS 2 MEET THE TEAM 3 LETTERS OF GREETING 4-5 FESTIVAL PARTNERS 6-7 FESTIVAL AT A GLANCE 8-12 ASL PROGRAMMING 13-14 FESTIVAL RESOURCES 15 MORE FESTIVAL FUN 16 OFFICIAL BOOKSELLERS 17 AMAZON.CA BESTSELLERS 19-23 AUTHOR CRUISES 25-28 CANADIAN MAGAZINES 30-34 AUDIBLE PRESENTS GREAT BOOKS 36-44 INDIGENOUS VOICES 47-50 LEARNING STATION 52-54 SCULPTING NEW READS 55-56 TEEN SPIRIT 58-63 LA SCÈNE FRANCOPHONE VIAMONDE 65-70 TORONTO BOOK AWARDS TENT 72-75 TORONTO STAR TENT 77-79 VIBRANT VOICES OF ONTARIO 80-87 WORDSHOP MARQUEE 88-90 SURVEY INFORMATION 92 THANK YOU 93 AUTOGRAPHS 94-97 EXHIBITOR SPECIAL LISTINGS 98-100 FOOD LISTINGS 101 For curious readers of every kind EXHIBITOR LISTINGS 102-104 FESTIVAL MAP HOW TO USE THIS PROGRAM Review the Festival at a Glance on pages 8–12, or go directly to the venue descriptions. Want to see our kids programming? Pick up a TD Kidstreet guide at WOTS! FESTIVALOFAUTHORS.CA | @FestofAuthors | 416-973-4000 Books available on audible.ca The Word On The Street Toronto: (416) 504-7241 | [email protected] Cover Illustration by Marc Nipp. Program Design by Propagation Media. Major Partners Venue Partner Major Media Partner 4 WELCOME TO WOTS Welcome to The Word On The Street Toronto The Word On The Street is back! This year continues our 29-year celebration of Canadian and Indigenous writing for readers of all ages and appetites. -
Books Change People's Lives
Books change people’s lives They educate, inspire and simply put smiles on kids’ faces. Webcom is honoured to be part of this thrilling experience, providing the community with the best quality books. Webcom is proud to be the official Our innovative program BookFWD™ print provider of The Word On The gives publishers flexibility to order only Street Festival Program and KidStreet what they need, when they need it. Festival Guide. With 35 years of experience and over 10,000 book orders annually, Webcom partners with publishers to deliver complete business solutions. Map out your Festival Make planning fun and easy. An interactive festival map and event program, powered by Webview, are available online: www.thewordonthestreet.ca/wots/toronto To find out more, please visit www.webcomlink.com TABLE OF CONTENTS 4 Words of Welcome 6 Behind the Curtain HOW TO USE THIS 7 Literacy Comes Alive PROGRAM 8 Festival Partners Review the Festival at a Glance on 10 Festival at a Glance pages 10 - 14, or go directly to the 16 Official Booksellers venue descriptions 17 Bestsellers Stage 23 Great Books Marquee 31 Nothing But The Truth Tent 38 The Remarkable Reads Tent 45 This Is Not The Shakespeare Stage 53 Toronto Book Awards Tent 59 Toronto Star Tent 62 Vibrant Voices of Ontario Tent 69 Wordshop Marquee 74 Exhibitor Listings 78 Festival Special Listings 82 Festival Map Illustration: Dave Murray Program Design: Gary Taugher Design Co. WORDS OF WELCOME Festival Greetings from The Word On The Street! Welcome to this year’s festival! On behalf of the Board of Directors, staff and volunteers, we are pleased to celebrate the best in Canadian writing and the importance of reading in the lives of all Torontonians. -
Foreign Rights / Droits Du Canada
Rights Canada Foreign Rights Droits du Canada Droits étrangers WELCOME BIENVENUE Livres Canada Books is pleased to present the 2020–2021 Livres Canada Books est heureux de vous présenter l’édition edition of the Rights Canada catalogue! 2020-2021 du catalogue Droits du Canada ! We are delighted to showcase over 325 titles of great Canadian Nous nous réjouissons de mettre en vedette plus de 325 titres fiction, non-fiction, children’s books and young adult fiction. exceptionnels, qu’il s’agisse de romans, de livres de non fiction, Whether published in English, French or other languages in de livres pour enfants, de romans jeunes adultes ou de translation, Canadian writers have captured the imagination publications savantes. of millions of readers around the world and their many awards Les auteurs canadiens, qu’on les lise en français, en anglais and recognitions are a tribute to that reputation. ou dans d’autres langues, réussissent à captiver et stimuler Canadian publishers have many extraordinary works of l’imaginaire des lecteurs du monde entier, et les nombreux literature to share and you will find an excellent sample of them prix et reconnaissances qu’ils reçoivent en témoignent. here. Sharing stories across languages and borders is especially Les éditeurs canadiens ont de nombreux récits extraordinaires important in these challenging times. The stories we tell each à partager, et vous en trouverez ici un excellent échantillon. La other help us to build and maintain relationships and, in this transmission des histoires par-delà les langues et les frontières way, help us to create community. est particulièrement importante en ces temps difficiles. -
Torontos: Representations of Toronto in Contemporary Canadian Literature
Torontos: Representations of Toronto in Contemporary Canadian Literature by Will Smith Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy. School of American & Canadian Studies September 2011 Abstract This thesis examines how representations of Toronto in contemporary Canadian literature engage with place and further an understanding of spatial innovation in literature. Acknowledging the Canadian critical tradition of discussing place and space, the thesis moves the focus away from conventional engagements with wilderness motifs and small town narratives. In this way the thesis can be seen to respond to the nascent critical movement that urges engagement with contemporary urban spaces in Canadian literature. Responding to the critical neglect of urban representation, and more particularly, representations of Toronto in Canadian literary criticism, this thesis examines Toronto as a complex and contradictory site of symbolic power across critical, political and popular discourses. Furthermore, this thesis repositions an understanding of Toronto by paying attention to literary texts which depict the city's negotiation of national, local and global forces. The thesis seeks to understand the multiplicity of the city in lived, perceived and conceived forms - seeing Toronto as Torontos. Questioning existing frameworks deployed in Canadian literary criticism, the thesis develops a unique methodology with which to approach the complex issues involved in literary writing about place, drawing on contemporary Canadian criticism and transnational approaches to critical literary geography. The central chapters focus on four texts from the twenty-first century, three novels and one collection of poetry, approaching each text with a critically informed spatial lens in order to draw out how engagements with Toronto develop spatial innovation within literature. -
LPG Academic Catalogue
LITERARY PRESS GROUP ACADEMIC 2014 CATALOGUE {} Welcome Th e Literary Press Group is a collective of independent Canadian literary presses, all of whom work tirelessly to introduce and support incredibly diverse voices that keep the Canadian literary scene vital, fresh, and interesting. When you choose a course text from an LPG publisher, you’re choosing to support some of the hardest working people in the Canadian publishing industry. Th at’s because, for our members, publishing is a labour of love and not a money-making venture. Although they each have a unique mandate, our publishers share a commitment to introducing new authors and new ideas to a literary scene that is overrun with the same voices and the same information. Our publishers are the ones saying yes to debut authors, who often go on to work with bigger publishers. Th ey are taking risks and supporting authors who are outside of the mainstream. And when they’re not bringing you something completely new, they are reissuing important literary texts that are out-of-print and/or diffi cult to source. In this catalogue you’ll fi nd 130 potential course texts from 35 of our members, and this is just a sample of what’s available. New poetry and fi ction, drama and theatre history, literary theory and essays on culture—together our members’ books provide you with an unrivalled selection of contemporary Canadian thought and creativity. For a full listing of our members, see www.lpg.ca/publishers. The Literary Press Group of Canada gratefully acknowledges the support of Connect with us