A Writer Pushes Back Against Marginalization Writing Wounded
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English Language Arts and Social Reproduction in Alberta
University of Alberta Reading Between the Lines and Against the Grain: English Language Arts and Social Reproduction in Alberta by Leslie Anne Vermeer A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Theoretical, Cultural and International Studies in Education Department of Educational Policy Studies © Leslie Anne Vermeer Fall 2012 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. This dissertation is dedicated to the memory of Timothy James Beechey (1954–2011), who represented for me everything that teaching and learning are and can be; and to Bruce Keith and Zachary Keith, because no one earns a doctorate by herself. Abstract Alberta's 2003 High School English Language Arts curriculum produces differential literacies because it grants some students access to high-status cultural knowledge and some students access to merely functional skills. This differential work reflects an important process in sorting, selecting, and stratifying labour and reproducing stable, class-based social structures; such work is a functional consequence of the curriculum, not necessarily recognized or intentional. -
Ureceived Their Segregated Work
Larry "has flown the coop," leaving a to his bed" the day that she was born a growing number of fictional daughters black rabbit ("Satan") and "one measly "November 7, the anniversary of the who is - now that women are writing shirt" to remind Lureen of him. Lureen Bolshevik Revolution." Harris' "The more of the scripts - mis-fathered or has no interest in acting on anything she Soma Building" is the most philosophical, fatherless. It is not an entirely satisfying has learned; she wants her Larry back, polysemous of the realistic stories. In the ending because Lannie leaves too many and she dreams about him, waits for him, end the narrator becomes the creative stones unturned: we wonder what ever and reconstructs conversations with him writer about whom Hams writes, and the came of her university lover, the ''boy'' until Larry finally reappears in the middle father's wisdom initiates her own Tim, or herchildhood friend, Angela- the of the night, and they go off and make revelation, her unfinished fiction, in her only person in whom she confides. And love in the park. office in the Soma Building. Hams' narra we also expect there to be a more pro This is the only story of its kind in tive voice is complex, butnowhere is voice found reason for getting to know Barney Double Bond, but it is one of the stories as self-consciously intricate as it is in and Iris from the inside, but none which depends very much on its prairie Sharon Butala's first novel, Country of comes. -
Cross-Country Funding Opportunities Tomson Highway Talks Language
WRITE THE MAGAZINE OF THE WRITERS’ UNION OF VOLUME 46 NUMBER 2 CANADA SUMMER 2018 Cross-country Funding Opportunities 14 Tomson Highway Talks Language 18 On Poetry & Carpentry 28 From the Chair By Eric Enno Tamm If economics is the “dismal science,” as one Victorian historian once wrote, then bookonomics is surely its even uglier offshoot. The mechanics of this market — the push of supply and pull of why we, as writers, are so consumed by copyright battles. demand for books — has faced some unprecedented upheavals At its heart, copyright infringement is really about suppressing of late. Schools and universities wantonly copy our works without demand for our commercial creations. If you can freely copy part recompense. Big-box bookstores are closing across the continent. of a book in a university course pack, then you don’t need to buy Publishers are merging or dissolving in bankruptcy. While self- it, reducing its sales and ultimately royalties to us, the authors. So, publishing has created welcomed opportunities for professional while strong copyright protection may not increase demand for writers, it has also flooded the market with cheap, amateurish our books, at least it stops it from sliding. supply. Apple, Amazon, and Alphabet (Google) appear to be the Yet even if we win all of our copyright battles, we may not be able new publishing oligarchs. The traditional book industry, at times, to stop the decline in writers’ income. Why? Because bookonomics feels like it’s in the remainder bin of history. and the business model behind it are broken — at least for writers. -
CATHERINE KIDD Writer / Performer / Instructor 5211 Blvd. St. Laurent, Montreal H2T 1S4 [514] 276-0839 [email protected]
CATHERINE KIDD Writer / Performer / Instructor 5211 Blvd. St. Laurent, Montreal H2T 1S4 [514] 276-0839 [email protected] www.catkidd.com _____________________________________________________________________________ WRITING WORKSHOPS: FONDATION METROPOLIS BLEU: Instructor for pilot of Télélitterature program. Writing workshops to students in Jonquiere and Nunavik via live internet conferencing; instructor for Student Literary Program during the annual Festival. 2002 – 08. Writer in residence for program Libre comme l’art; literary co-creation with a group of grade 10 students at Lindsay Place High School, in Pointe-Claire. Sept 2012 – Apr 2013. CULTURE IN SCHOOLS: Writing and performing workshops at a number of Montreal area high schools, including Westwood, Heritage Regional, and Westmount Secondary. 2012-13. PROJECT MILE END POETRY: Jessica Hand, head teacher; weekly workshops with a group of young writers in this program for students at risk. Spring, 2013. S.O.F.A.D [Société de formation à distance des commissions scolaires du Québec]: Writer of EE1 (Entertainment & Enjoyment I), a language arts workbook/textbook for adult learners with limited literacy skills. The book uses such resources as paintings, poems, films, and songs to teach basic reading and writing skills; also some developmental work for EE2, the next book in the series. 2011-13. CONCORDIA UNIVERSITY ENGLISH DEPARTMENT: Instructor; Creative Writing, Prose Fiction; 1998. Creative Writing, Experimental Fiction; 2006. McGILL UNIVERSITY ENGLISH DEPARTMENT: Guest Lecturer in poetry performance. Spring, 1997- 98. Performance for Department of Fine Arts, February 2002. VANIER COLLEGE / JOHN ABBOTT COLLEGE: Guest Lecturer for Writers in Cegeps Programme, Québec Writer’s Federation. 2001–2002 QUEBEC WRITER’S FEDERATION: Creative Writing Instructor Prose Fiction 2001- 2002. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
“And Then I Said …”
And then I said “And then I said …” The Best of Your Working Girl Memoir and Essays on Politics, Charity, Media and Sports Gail Picco And then I said … THE BEST OF YOUR WORKING GIRL Gail Picco And Then I Said: The Best Of Your Working Girl Copyright © 2016 by Your Working Girl All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means without written permission from the author. ISBN: 978-0-9953310-0-6 Printed in Canada by Your Working Girl. ii Dedication To Your Working Girl’s Gentle Readers, of course! iii Table of Contents Introduction .................................................................................................................................................................................... 2 Memoir ............................................................................................................................................................................................. 3 Chapter 1: To have (been) loved and lost .......................................................................................................................... 4 Chapter 2: Farley Mowat and his Love Affair with the “Noble Savage” ................................................................ 7 Chapter 3: 20,000 songs in her pocket .............................................................................................................................. 10 Chapter 4: Happy Canada Day. Condolences on Memorial Day. ........................................................................... -
Death, Animals, and Ethics in David Bergen's the Time in Between
Document generated on 09/26/2021 1 p.m. Studies in Canadian Literature / Études en littérature canadienne Death, Animals, and Ethics in David Bergen’s The Time in Between Katie Mullins Volume 38, Number 1, 2013 URI: https://id.erudit.org/iderudit/scl38_1art013 See table of contents Publisher(s) The University of New Brunswick ISSN 0380-6995 (print) 1718-7850 (digital) Explore this journal Cite this article Mullins, K. (2013). Death, Animals, and Ethics in David Bergen’s The Time in Between. Studies in Canadian Literature / Études en littérature canadienne, 38(1), 248–266. All rights reserved, ©2013 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Death, Animals, and Ethics in David Bergen’s The Time in Between Katie Mullins eath is a dominating presence in David Bergen’s Giller Prize-winning novel The Time in Between (2005). Although Charles Boatman’s suicide lies at the centre of the narrative, Dthe novel — and Charles himself — is also haunted by other deaths: the death of Charles’s ex-wife, Sara, the deaths of innocents in Vietnam, and the deaths of animals. It rotates around various absences and, as is frequently the case in Bergen’s fiction, highlights individual suffering and alienation within the family unit1: Charles returns to Vietnam in the hope of ascribing meaning to the “great field of nothing” that he has experienced since the war (38), while two of his children, Ada and Jon, travel to Vietnam to search for their missing father only to discover he has committed suicide. -
Download Full Issue
191CanLitWinter2006-4 1/23/07 1:04 PM Page 1 Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number , Winter Published by The University of British Columbia, Vancouver Editor: Laurie Ricou Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New, Editor emeritus (1977–1995), Eva-Marie Kröller (1995–2003) Editorial Board Heinz Antor Universität Köln Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Neil ten Kortenaar University of Toronto Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élizabeth Nardout-Lafarge Université de Montréal Ian Rae Universität Bonn Roxanne Rimstead Université de Sherbrooke Patricia Smart Carleton University David Staines University of Ottawa Penny van Toorn University of Sydney David Williams University of Manitoba Mark Williams University of Canterbury Editorial Laura Moss Playing the Monster Blind? The Practical Limitations of Updating the Canadian Canon Articles Caitlin J. Charman There’s Got to Be Some Wrenching and Slashing: Horror and Retrospection in Alice Munro’s “Fits” Sue Sorensen Don’t Hanker to Be No Prophet: Guy Vanderhaeghe and the Bible Andre Furlani Jan Zwicky: Lyric Philosophy Lyric Daniela Janes Brainworkers: The Middle-Class Labour Reformer and the Late-Victorian Canadian Industrial Novel 191CanLitWinter2006-4 1/23/07 1:04 PM Page 2 Articles, continued Gillian Roberts Sameness and Difference: Border Crossings in The Stone Diaries and Larry’s Party Poems James Pollock Jack Davis Susan McCaslin Jim F. -
Defending Writers in Prison for 50 Years
Defending Writers in Prison for 50 Years pen canada annual report 2009–10 1960/1961/1962/1963 PEN Canada is a non-profit literary and human rights organization that works on behalf of the right to /1964/1965/1966/19freedom of expression. We assist imprisoned or otherwise persecuted writers internationally through campaigns combining public awareness and quiet 67/1968/1969/1970/diplomacy. We also work to ensure that those responsible for the deaths of writers are brought to justice. At home, we provide opportunities for writers in exile to find 1971/1972/1973/1974/a place within Canadian society and monitor issues of censorship. PEN Canada 75/1976/1977/1978/is a registered charity. 1979/1980/1981/1982/19 83/1984/1985/1986/ 1987/1988/1989/1990/19 91/1992/1993/1994/ contents 1 Foreword 2 Introduction: Because Writers Speak Their Minds 1995/1996/1997/1998/19 8 PEN International President’s Message 10 President’s Message 18 Writers in Prison Committee Report 20 Honorary Members 99/2000/2001/2002/ 30 Honorary Members Released 36 National Affairs Committee Report 40 Membership Committee Report 03/2004/2005/2006/ 42 Members and Supporters 07/2008/2009/2010PEN CANADA 2 1960/1961/1962/1963 /1964/1965/1966/19 67/1968/1969/1970/ 1971/1972/1973/1974/ 75/1976/1977/1978/ 1979/1980/1981/1982/19 The empty chair on the stage at all PEN events serves as a reminder to the audience that as we are all enjoying an evening of readings and 83/1984/1985/1986/ conversation there are those who cannot be with us because they are in prison simply for having the audacity to express their views. -
The Griffin Poetry Prize Announces the 2020 International And
THE GRIFFIN TRUST For Excellence In Poetry Trustees: Press Release Mark Doty Carolyn Forché THE 2020 GRIFFIN POETRY PRIZE WINNERS Scott Griffin Marek Kazmierski Jo Shapcott International Karen Solie Time Ian Williams Sarah Riggs, translated from the French written by Etel Adnan David Young and Trustees Emeriti: Margaret Atwood Robert Hass Canadian Michael Ondaatje Robin Robertson Magnetic Equator Colm Tóibín by Kaie Kellough TORONTO – Tuesday, May 19, 2020 – Time by Sarah Riggs, translated from the French written by Etel Adnan (Nightboat Books) and Magnetic Equator by Kaie Kellough (McClelland & Stewart) are the International and Canadian winners of the 2020 Griffin Poetry Prize, each receiving C$65,000 in prize money. The other shortlist finalists will be awarded $10,000 each. The Griffin Poetry Prize was founded in 2000 to encourage and celebrate excellence in poetry. The prize is for first edition books of poetry written in, or translated into, English and submitted from anywhere in the world. The judges for the 2020 Griffin Poetry Prize are Paula Meehan (Ireland), Kei Miller (Jamaica/UK) and Hoa Nguyen (Canada). These distinguished writers and poets each read 572 books of poetry, received from fourteen countries around the globe, including translations from eighteen different languages. The trustees of The Griffin Trust For Excellence In Poetry select the judges annually. 363 Parkridge Crescent, Oakville, Ontario L6M 1A8, Canada www.griffinpoetryprize.com Tel: 905 618 0420 Email: [email protected] THE GRIFFIN TRUST For Excellence In Poetry The 2020 Griffin Poetry Prize Shortlist : International Abigail Chabitnoy’s How to Dress a Fish, published by Wesleyan University Press Sharon Olds’ Arias, published by Jonathan Cape and Alfred A. -
Fort Mcmurray Books
Fort McMurray Branch, AGS: Library Resources 1 Resource Type Title Author Book "A Very Fine Class of Immigrants" Prince Edward Island's Scottish Pioneers 1770‐ Lucille H. Campey Book "Dit" Name: French‐Canadian Surnames, Aliases, Adulterations and Anglicizati, The Robert J. Quinton Book "Where the Redwillow Grew"; Valleyview and Surrounding Districts Valleyview and District Oldtimers Assoc. Book <New Title> Shannon Combs‐Bennett Book 10 Cemeteries, Stirling, Warner, Milk River & Coutts Area, Index Alberta Genealogical Society Book 10 Cemeteries,Bentley, Blackfalds, Eckville, Lacombe Area Alberta Genealogical Society Book 100 GENEALOGICAL REFERENCE WORKS ON MICROFICHE Johni Cerny & Wendy Elliot Book 100 Years of Nose Creek Valley History Sephen Wilk Book 100 Years The Royal Canadian Regiment 1883‐1983 Bell, Ken and Stacey, C.P. Book 11 Cemeteries Bashaw Ferintosh Ponoka Area, Index to Grave Alberta Genealogical Society Book 11 Cemeteries, Hanna, Morrin Area, Index to Grave Markers & Alberta Genealogical Society Book 12 Cemeteries Rimbey, Bluffton, Ponoka Area, Index to Grave Alberta Genalogical Society Book 126 Stops of Interest in British Columbia David E. McGill Book 16 Cemeteries Brownfield, Castor, Coronation, Halkirk Area, Index Alberta Genealogical Society Book 16 Cemeteries, Altario, Consort, Monitor, Veteran Area, Index to Alberta Genealogical Society Book 16 Cemeteries,Oyen,Acadia Valley, Loverna Area, Index Grave Alberta Genealogical Society Book 1666 Census for Nouvelle France Quintin Publications Book 1762 Census of the Government -
Jacob's Ladder
Jacob’s Ladder Pentecost 2016 Jacob’s Ladder A newsletter from St. Mark’s Anglican Church, Port Hope Poet’s Corner Among Friends Walking the Camino Read the fine work of See what St. Markers The Rev. Ann Smith Les Robling on page 6 have been up to in this shares her experience on busy season. Page 2 this famous pilgrimage route. Page 9 PAGE Jacob’s Ladder Pentecost 2016 AMONG FRIENDS Many happy returns to Elmer Bogyay Compiled by Claire Mowat who turned 80 on April 17th. On April 2nd a joyful celebration was held in Helen Kennedy, who sings in our TCS Chapel to celebrate the 60th wedding choir, recently had two paintings on anniversary of Tom and Pat Lawson. They display at the Engine Gallery on Walton were married in this chapel in 1956 – only the Street. Her mother, Wilhelmina third couple to wed there since the chapel was Kennedy, is also an accomplished built in 1951. Fr Don Aitcheson presided over painter.. this gathering of family and friends, some of whom had known Pat and Tom since their St. Markers on the move: Frank and wedding day. A festive luncheon followed at their Jill Walkingshaw travelled to home “Fairmont” where Pat grew up and where England in late January to attend a their four children, Molly, Philip, Pippa and family wedding. They noted that spring Graeme also grew up. flowers were already in bloom. April 23rd was the date of the happy celebration Anne Finlay and Evan Legakis and of Holy Matrimony when Canon Graham their daughters Sarah and Kate visited Cotter wed Margaret Baily here at St.