DOCSLIB.ORG

Cross-Country Funding Opportunities Tomson Highway Talks Language

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

WRITE THE MAGAZINE OF THE WRITERS’ UNION OF VOLUME 46 NUMBER 2 CANADA SUMMER 2018 Cross-country Funding Opportunities 14 Tomson Highway Talks Language 18 On Poetry & Carpentry 28 From the Chair By Eric Enno Tamm If economics is the “dismal science,” as one Victorian historian once wrote, then bookonomics is surely its even uglier offshoot. The mechanics of this market — the push of supply and pull of why we, as writers, are so consumed by copyright battles. demand for books — has faced some unprecedented upheavals At its heart, copyright infringement is really about suppressing of late. Schools and universities wantonly copy our works without demand for our commercial creations. If you can freely copy part recompense. Big-box bookstores are closing across the continent. of a book in a university course pack, then you don’t need to buy Publishers are merging or dissolving in bankruptcy. While self- it, reducing its sales and ultimately royalties to us, the authors. So, publishing has created welcomed opportunities for professional while strong copyright protection may not increase demand for writers, it has also flooded the market with cheap, amateurish our books, at least it stops it from sliding. supply. Apple, Amazon, and Alphabet (Google) appear to be the Yet even if we win all of our copyright battles, we may not be able new publishing oligarchs. The traditional book industry, at times, to stop the decline in writers’ income. Why? Because bookonomics feels like it’s in the remainder bin of history. and the business model behind it are broken — at least for writers. Bookonomics is indeed more Malthusian than Malthus, freakier How did the economics of books get into such a shattered state? than Freakonomics. The publishing industry is as odd as it is brutal. Three words: Supply. Supply. Supply. Traditionally, there’s been a But as writers, we already knew that. high barrier to entry to publish a book with most first-time authors And so, while I cast a dark cloud over you on this surely sun- being established professionals in their forties. Publishers also splashed day in July as you peel open this summer edition of systematically excluded many marginal voices, due to the brutality Write, I don’t mean to depress you, but refresh you. Diving into of mass-market bookonomics and, frankly, discrimination. the cold, clear reality of bookonomics, I believe, can invigorate us, Self-publishing, ebooks, and digital printing have lowered these perhaps even awaken us to new possibilities. barriers, making even small print runs viable for niche audiences. I was told that members of the Writers’ Union are curious to As a result, authors are going to be younger and more diverse in know what the Chair is “thinking,” which is one of the purposes the future. At the Margaret Laurence Lecture in June, for example, of the Chair’s Report. Well, I’m thinking bookonomics — the Tomson Highway pointed out the recent explosion of published unsparing dynamics of supply and demand on which every writer Indigenous writing. That’s the good news. swims or sinks. But the result has been what I call the “killer content So, let’s start with demand. The challenge here is that tsunami,” a world awash in digital content where nothing ever demand can only grow with the sheer number of readers (think goes out of print. A recent search of Amazon’s Kindle Store population), how much each Canadian actually reads (think retrieved 7,278,530 titles. This deluge of supply — much of it habits), and what they are willing to pay for our writing (think unprofessional and posted online for a pittance or free — has copyright royalties). Writers may be able to influence population made making a living as a writer tougher and tougher. Indeed, the growth by perhaps writing more (and better) romance and erotica, number of traditionally published titles in Canada slipped by 6 but even the best writers among us will have only a marginal percent between 2014 and 2016. And most of us have personally effect on Canadians’ libidos. We know that habits are best formed felt the pinch on our writing income. when young, and so promoting CanLit in schools — the earlier, My sense is that the Writers’ Union should invest more time the better — is likely more effective at nurturing a hunger for investigating the supply challenge. How do we increase income Canadian culture and stories in the long term. for writers in a market flooded with digital content? Proactively Ironically, it has been the least sexy topic of all — copyright exploring new ideas and business models for publishing and — that has preoccupied the Writers’ Union since the Copyright writing is trying work. There’s no easy answer. Act was revised in 2012. Behavioural economists call this “loss Over the course of my one year as Chair, I hope to provoke aversion”— a cognitive bias in humans and other animals designed thinking on this important issue. It is time for us to think beyond to give priority to bad news. Losses loom larger than gains, which is copyright. Summer 2018 3 national council twuc national office Chair Executive Director Eric Enno Tamm John Degen, ext. 221 First Vice-Chair [email protected] Anita Daher Contents SUMMER 2018 Associate Director Second Vice-Chair Siobhan O’Connor, ext. 222 Heather Wood [email protected] Treasurer Fund Development & Julia Lin Projects Manager Gaeby Abrahams, ext. 223 BC/Yukon Representative [email protected] Sapha Burnell Office Administrator Alberta/NWT/Nunavut 3 Chair’s Report Valerie Laws, ext. 224 Representative [email protected] 5 Writing Rights Gail Sidonie Sobat Equity, Membership & Manitoba/Saskatchewan 5 Editor’s Note Engagement Coordinator Representative Rebecca Benson, ext. 226 6 News Bruce Rice [email protected] 7 Community Corner Ontario Representative Mia Herrera WRITER’S BLOT Quebec Representative Shelagh Plunkett 8 Industry Q & A Atlantic Representative 9 Wellspring Chuck Bowie Advocates FEATURES Benj Gallander 10 Writers Finding Inspiration in Other Art Forms Carmen Rodriguez Anna Marie Sewell BY SHARI NARINE 14 Something from (Almost) Nothing Editor Doyali Islam [email protected] BY LEAH HORLICK Deadline for Fall issue August 27, 2018 18 Languages like Plants Editorial Board Sylvia Gunnery, Ava Homa, Anna Marie Sewell BY TOMSON HIGHWAY Copyeditor Nancy MacLeod 21 Prelude to a Score Write Magazine Advertising Gaeby Abrahams [email protected] BY JIM SELLERS Design soapboxdesign.com Layout Gaeby Abrahams DISPATCHES Cover Illustration Hayden Maynard haydenmaynard.com 24 Four Reasons Coworking Might Work for You BY NANCY FORNASIERO Views expressed in Write do not necessarily reflect those of The 26 A Spotlight on Four Disabled Writers Writers’ Union of Canada. As a member magazine, Write provides space for writers’ individual opinions. We welcome a diversity of views BY ADAM POTTLE and respectful debate in these pages. All submissions are welcome. 27 Poetry on the Trails: A Sudbury Initiative Services advertised are not necessarily endorsed by the Union. BY THOMAS LEDUC We acknowledge the support of the Canada Council for the Arts, which last year 28 Constructing Language invested $153 million to bring the arts to Canadians throughout Canada. BY KATE BRAID 29 Editing Marriage BY FIONA TINWEI LAM & JANE SILCOTT We acknowledge funding support from the Ontario Arts Council, an agency of the 30 La Palabra en el Tiempo: Poetry and Flamenco Government of Ontario. BY GARTH MARTENS 32 COLLABORATION Write is produced four times yearly by The Writers’ Union of Canada, 34 MEMBER NEWS & AWARDS 460 Richmond Street West, Suite 600, Toronto, Ontario, M5v 1Y1 T 416.703.8982, F 416.504.9090, [email protected], www.writersunion.ca. 37 IN MEMORIAM © The Writers’ Union of Canada, 2018. The text paper used for this issue contains 100 percent post-consumer fibre, is accredited EcoLogo and Processed Chlorine Free, and is processed in a mill that uses biogas. If you would like to help us save on paper, please contact [email protected] or 416-703-8982 ext. 223 to request future online editions of the magazine. Thank you. 4 write Writing Rights Post-secondary Relationship Status: It’s Complicated By John Degen You will (hopefully) have seen the announcement in June that needed a good news story to tell itself. Laval was not that. Laval University reached a settlement agreement with Quebec’s I have written a series of articles on Medium about Canada’s collective licensing agency COPIBEC, effectively ending the class- copyright review. In that series, I wonder why educational action lawsuit that was making its way through Quebec courts. administrators have so completely locked themselves into the Details of the settlement were not immediately available as the terrible legal strategy of not paying their bills. The folks from agreement awaited court approval, but The Writers’ Union of education who arrive on the Hill these days are often different Canada put out an immediate statement in support of the very idea from those who were there five years ago. This is a file they’ve that a settlement — any settlement — was reached. inherited, and it is full of decisions made by people who are now In today’s Canada, any time a post-secondary institution agrees not required to justify them in the hot seat of a Parliamentary to stop fighting about collective licensing and return to a licensed Committee. I believe you can read on these new folks’ faces how environment for its copying, that’s a very good news story for much they resent carrying these decisions forward when over and Canadian writers. We can haggle over price, and both sides may again they appear like unrepentant scofflaws by doing so. not always feel we’re getting all that we deserve from licensing, In the meantime, I’ve accepted a role on the Professional but at least Quebec showed the rest of Canada that there can be Advisory Council for Sheridan College’s unique Creative Writing agreement between education and culture on the efficiencies and and Publishing degree program, an exciting hybrid that should value of licensing as a means of providing students with broad encourage greater understanding across the two silos of our access, and cultural workers with their rightful compensation.
Recommended publications
  • Ureceived Their Segregated Work

    Ureceived Their Segregated Work

    Larry "has flown the coop," leaving a to his bed" the day that she was born ­ a growing number of fictional daughters black rabbit ("Satan") and "one measly "November 7, the anniversary of the who is - now that women are writing shirt" to remind Lureen of him. Lureen Bolshevik Revolution." Harris' "The more of the scripts - mis-fathered or has no interest in acting on anything she Soma Building" is the most philosophical, fatherless. It is not an entirely satisfying has learned; she wants her Larry back, polysemous of the realistic stories. In the ending because Lannie leaves too many and she dreams about him, waits for him, end the narrator becomes the creative stones unturned: we wonder what ever and reconstructs conversations with him writer about whom Hams writes, and the came of her university lover, the ''boy'' until Larry finally reappears in the middle father's wisdom initiates her own Tim, or herchildhood friend, Angela- the of the night, and they go off and make revelation, her unfinished fiction, in her only person in whom she confides. And love in the park. office in the Soma Building. Hams' narra­ we also expect there to be a more pro­ This is the only story of its kind in tive voice is complex, butnowhere is voice found reason for getting to know Barney Double Bond, but it is one of the stories as self-consciously intricate as it is in and Iris from the inside, but none which depends very much on its prairie Sharon Butala's first novel, Country of comes.
  • Nation with in a Nation in Tomson Highway's the Rez Sisters

    Nation with in a Nation in Tomson Highway's the Rez Sisters

    International Journal of English Literature and Social Sciences, 5(3) May-Jun 2020 |Available online: https://ijels.com/ Foreign and Reserve Life Hand in Hand: Nation with in a Nation in Tomson Highway’s The Rez Sisters Maggy Clemence B.ED, English (4th semester), Calicut University Teacher Education Centre, Koduvur, Palakkad, Kerala, India. Abstract— This papers focus on the dual existence of the concept of Nationality which is generally referred as the “Nation with in a Nation”. When we trace the early orgins of Canada, the result would be a wide separation of two cultures, the reserve culture and the foreign culture. One such division is further reflected in ‘The Res Sisters’ a famous work by Cree Canadian writer Tomson Highway. The plot revolves around the life of seven sisters who were subjected to reserve life. Their life wasn’t a bed of roses, their hurdles that was artificially created by the white immigrants .The play glorifies the rebellious attitude of the reserve ladies, the intervention of a male counterpart named Nanabush. Nanabush itself is the blurred conscious minds of the woman whose support heals their wounds. Race and ethnicity can also be implored further to stress the discrimination with in the Nation. Keywords— Nation with in a nation, Race and Ethnicity, Discrimination, Cultural Limitations. I. INTRODUCTION played the role as trickster. The comparison of reserved life Literature has always been a medium that lucidly reflects the with that of foreign life is the central theme for some of depth and vastness of human culture. Pictorial representation Canadian works which gained an immense position in the of social images and events has been along standing formula field of both English as well as Canadian Literature.
  • Defending Writers in Prison for 50 Years

    Defending Writers in Prison for 50 Years

    Defending Writers in Prison for 50 Years pen canada annual report 2009–10 1960/1961/1962/1963 PEN Canada is a non-profit literary and human rights organization that works on behalf of the right to /1964/1965/1966/19freedom of expression. We assist imprisoned or otherwise persecuted writers internationally through campaigns combining public awareness and quiet 67/1968/1969/1970/diplomacy. We also work to ensure that those responsible for the deaths of writers are brought to justice. At home, we provide opportunities for writers in exile to find 1971/1972/1973/1974/a place within Canadian society and monitor issues of censorship. PEN Canada 75/1976/1977/1978/is a registered charity. 1979/1980/1981/1982/19 83/1984/1985/1986/ 1987/1988/1989/1990/19 91/1992/1993/1994/ contents 1 Foreword 2 Introduction: Because Writers Speak Their Minds 1995/1996/1997/1998/19 8 PEN International President’s Message 10 President’s Message 18 Writers in Prison Committee Report 20 Honorary Members 99/2000/2001/2002/ 30 Honorary Members Released 36 National Affairs Committee Report 40 Membership Committee Report 03/2004/2005/2006/ 42 Members and Supporters 07/2008/2009/2010PEN CANADA 2 1960/1961/1962/1963 /1964/1965/1966/19 67/1968/1969/1970/ 1971/1972/1973/1974/ 75/1976/1977/1978/ 1979/1980/1981/1982/19 The empty chair on the stage at all PEN events serves as a reminder to the audience that as we are all enjoying an evening of readings and 83/1984/1985/1986/ conversation there are those who cannot be with us because they are in prison simply for having the audacity to express their views.
  • LINES and CIRCLES the "Rez" Plays of Tomson Highway

    LINES and CIRCLES the "Rez" Plays of Tomson Highway

    LINES AND CIRCLES The "Rez" Plays of Tomson Highway Denis W. Johnston WriTHOUT QUESTION, the most important new Canadian playwright to emerge Уin thTITe Hlatter half of the 1980s has been Tomson Highway. In less than three years, and with only two major plays, Highway has joined a select group of playwrights whose new plays, sight unseen, are treated as significant cul- tural events by Canadian critics, scholars, and audiences. The two plays, The Rez Sisters and Dry Lips Oughta Move to Kapuskasing, both won the coveted Dora Mavor Moore award for the best new play produced in Toronto, the former for the 1986-87 season and the latter for 1988-89. Tomson Highway says his ambition in life, and therefore presumably in his plays, is "to make 'the rez' [reserve] cool, to show and celebrate what funky folk Canada's Indian people really are."1 In this, The Rez Sisters and Dry Lips Oughta Move to Kapuskasing have been wildly successful, attracting enthusiastic audiences, both white and Native, far beyond the real-life reserve where The Rez Sisters was conceived and first performed. To non-Native critics, myself included, Tomson Highway is an exotic new figure in Canadian theatre. Born on his father's trap-line in northern Manitoba, he spoke only Cree until going to a Catholic boarding school at age six. In high school in Winnipeg he became a musical prodigy, eventually earning university degrees in English and music while studying to be a concert pianist. After graduation, how- ever, Highway abruptly jettisoned his musical career and spent the ensuing seven years working with various Native support organizations.
  • Weather Images in Canadian Short Prose 1945-2000 Phd Dissertation

    Weather Images in Canadian Short Prose 1945-2000 Phd Dissertation

    But a Few Acres of Snow? − Weather Images in Canadian Short Prose 1945-2000 PhD Dissertation Judit Nagy Acknowledgements First and foremost, I would like to express my sincere and heartfelt thanks to my advisor and director of the Modern English and American Literature, Dr. Aladár Sarbu for his professional support, valuable insights and informative courses, which all markedly prompted the completion of my dissertation. I would also thank Dr. Anna Jakabfi for her assistance with the Canadian content of the dissertation, the cornucopia of short stories she has provided me with, and for her painstaking endeavours to continually update the Canadian Studies section of the ELTE-SEAS library with books that were indispensable for my research. I am also grateful to Dr. Istán Géher, Dr. Géza Kállay, Dr. Péter Dávidházi and Dr. Judit Friedrich, whose courses inspired many of the ideas put forward in the second chapter of the dissertation (“Short Story Text and Weather Image”). I would also like to express my gratitude to the Central European Association of Canadian Studies for the conference grant that made it possible for me to deliver a presentation in the topic of my dissertation at the 2nd IASA Congress and Conference in Ottawa in 2005, to the Embassy of Canada in Hungary, especially Robert Hage, Pierre Guimond, Agnes Pust, Yvon Turcotte, Katalin Csoma and Enikő Lantos, for their on-going support, to the Royal Canadian Geographic Society and Environment Canada for providing me with materials and information regarding the geographical-climatological findings included in my dissertation, and, last but not least, to the chief organisers of the “Canada in the European Mind” series of conferences, Dr.
  • Recovering Canada: the Resurgence of Indigenous Law

    Recovering Canada: the Resurgence of Indigenous Law

    RECOVERING CANADA: THE RESURGENCE OF INDIGENOUS LAW Canada is ruled by a system of law and governance that largely obscures and ignores the presence of pre-existing Indigenous regimes. Indige- nous law, however, has continuing relevance for both Aboriginal peoples and the Canadian state. In this in-depth examination of the continued existence and application of Indigenous legal values, John Borrows suggests how First Nations laws could be applied by Canadian courts, while addressing the difficulties that would likely occur if the courts attempted to follow such an approach. By contrasting and com- paring Aboriginal stories and Canadian case law, and interweaving polit- ical commentary, Borrows argues that there is a better way to constitute Aboriginal-Crown relations in Canada. He suggests that the application of Indigenous legal perspectives to a broad spectrum of issues will help Canada recover from its colonial past, and help Indigenous people recover their country. Borrows concludes by demonstrating how Indige- nous peoples' law could be more fully and consciously integrated with Canadian law to produce a society where two world-views can co-exist and a different vision of the Canadian constitution and citizenship can be created. JOHN BORROWS is Professor and Law Foundation Chair in Aboriginal Justice at the University of Victoria. This page intentionally left blank JOHN BORROWS Recovering Canada: The Resurgence of Indigenous Law UNIVERSITY OF TORONTO PRESS Toronto Buffalo London ) University of Toronto Incorporated 2002 Toronto Buffalo London Printed in Canada Reprinted 2006, 2007 ISBN 0-8020-3679-1 (cloth) ISBN 0-8020-8501-6 (paper) © Printed on acid-free paper National Library of Canada Cataloguing in Publication Borrows, John, 1963- Recovering Canada : the resurgence of Indigenous law /John Borrows.
  • Mavis Gallant F Ancine P Ose Damon Galgut Aleksanda

    Mavis Gallant F Ancine P Ose Damon Galgut Aleksanda

    Brick celebrates Mavis Gallant, with contributions from Michael Helm, Francine Prose, Alison Harris, Michael Ondaatje, and Nadia Szilvassy & Tara Quinn. A LITERARY JOURNAL Aleksandar Hemon talks to Eleanor Wachtel Obi Nwakanma in conversation with Madeleine Thien Grant Buday on Thomas De Quincey Damon Galgut on E. M. Forster Andrew H. Miller watches The Clock The watch continues to tick where the story stops. — stops. story the where tick continues to The watch permanence. grief without are the look, The lie, the David L. Ulin traces our expressions Myrna Kostash searches for Eliza McLean William Everson meets Theodore Dreiser ichard Sanger says goodbye to Seamus Heaney Tara Quinn follows Leonard Woolf to Sri Lanka Jim Harrison misses Paris A dispatch from Siberia by Sean Michaels A ri on Tolstoy by Jessica Michalofsky Amitava Kumar’s train stories Mark Marczyk’s notes from Ukraine Mavis Gallant Mavis Poems by Jan Zwicky and Sharon Olds Photograph of Mavis Gallant by Alison Harris. eviews by Laurie D Graham, John McIntyre, $. and ebecca Silver Slayter MAVIS GALLANT FANCINE POSE DAMON GALGUT And Zachary Lazar on Angola Prison’s Passion Play, ALEKSANDA HEMON SHAON OLDS ZACHAY LAZA with photographs by Deborah Luster £. DEBOAH LUSTE MICHAEL HELM OBI NWAKANMA JIM HAISON MADELEINE THIEN JAN ZWICKY The New Brick Reader Summer Special A Brick subscription plus The New Brick Reader — only $55* Subscribe, Renew, or Give! Visit BrickMag.com and click on “The New Brick Reader Summer Deal.” *plus shipping for the Reader Offer expires August
  • Thorneloe Newsletter 2014

    Thorneloe Newsletter 2014

    Fall 2014 A “New Look” In This Issue Readers will probably notice that there is a The design firm brought forward a number 1 A New Identity to begin our new visual identity (often referred to as a of different options for consideration, but Second Half-century ‘logo’) for Thorneloe University on our cover finally, after much deliberation, the page. This is the start of a ‘roll out’ of a new Committee chose the image and 2 Report of the President design over the next few months. wordmark you see below. 3 Convocation 2013 and an Many of you are very familiar with the Invitation to the 33rd Meeting traditional Crest – which served us well over five decades – but in the spring of 2013, a 4 The Family who Sponsored the small committee comprised of faculty, staff Murray Scholarships and Board members began to explore whether we should continue with the current 5 Global Outreach and Chaplaincy and original design or make a change. at Thorneloe Majority of work done 6 Theology Summer Program and by volunteers a Pilgrimage to the Holy Land After much internal discussion and review 7 Classical Studies and the School – and the very helpful responses from of Theology report three focus groups of various stakeholders – the Committee agreed that while the 8 Women’s Studies Invites Alumni original crest should remain as an “official” to share their Experiences visual identity for things like diplomas and You’ll notice a number of familiar elements certificates, it was time to develop 9 Religious Studies reports right away; for example, the Hawthorne something completely new and more another Excellent Year tree, featured prominently in our original modern to be used in everyday publicity, Crest, is incorporated into the image.
  • THE CANONIZATION of TOMSON HIGHWAY By

    THE CANONIZATION of TOMSON HIGHWAY By

    A BALANCING ACT: THE CANONIZATION OF TOMSON HIGHWAY by JENNIFER LEE COVERT BA, McMaster University, 1995 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Theatre, Film and Creative Writing) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September 1997 © Jennifer Lee Covert, 1997 In presenting this thesis in partial fulfilment of the requirements for an advanced i degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. The University of British Columbia Vancouver, Canada DE-6 (2/88) ABSTRACT In this thesis I will examine the critical and popular success of playwright Tomson Highway. Highway's two published plays, The Rez Sisters and Dry Lips Oughta Move to Kapuskasing. are taught on university and high school syllabi across the country and abroad, as far away as Copenhagen. These two plays have also been performed in Canada virtually from coast to coast. These facts are interesting in and of themselves, but specifically when taken into account with the fact that Highway is a Cree playwright, born in northern Manitoba, who didn't become fluent in English until reaching his teens.
  • The Quint : an Interdisciplinary Quarterly from the North 1

    The Quint : an Interdisciplinary Quarterly from the North 1

    the quint : an interdisciplinary quarterly from the north 1 Editorial Advisory Board Ronald Marken, Professor Emeritus, volume nine issue three University of Saskatchewan the quint Camille McCutcheon, University of South Moshen Ashtiany, Columbia University Carolina Upstate Brenda Austin-Smith, University of an interdisciplinary quarterly from Manitoba Lorraine Meyer, Brandon University Ray Merlock, University of South Carolina Keith Batterbe. University of Turku Upstate the north Donald Beecher, Carleton University Antonia Mills, Professor Emeritus, Gerald Bowler, Independent Scholar University of Northern British Columbia ISSN 1920-1028 guest editor Robert Budde, University Northern British Ikuko Mizunoe, Professor Emeritus, Columbia Kyoritsu Women’s University Melanie Belmore John Butler, Independent Scholar Avis Mysyk, Cape Breton University David Carpenter, Professor Emeritus, Hisam Nakamura, Tenri University University of Saskatchewan Andrew Patrick Nelson, University of Montana the quint welcomes submissions. See our guidelines Terrence Craig, Mount Allison University or contact us at: Lynn Echevarria, Yukon College Sherry Peden, University College of the North Erwin Erdhardt, III, University of the quint Cincinnati Julie Pelletier, University of Winnipeg University College of the North P.O. Box 3000 Peter Falconer, University of Bristol Vincent Pitturo, Denver University The Pas, Manitoba Peter Geller, University of the Fraser Valley Frances Pheasant-Kelly, University of Canada R9A 1K7 Wolverhampton Susan Gold, University of Windsor
  • This Book Is Political

    This Book Is Political

    This Book is Political t 416.703.8448 f 416.703.3870 PEN CANADA ANNUAL REPORT [email protected] 2014/15 www.pencanada.ca ARTICLE1 9 Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers. THE UNIVERSAL DECLARATION OF HUMAN RIGHTS Contents 3. Foreword 9. President’s Report 15. Executive Director’s Report 18. Writers in Prison Committee Report 24. Canadian Issues Committee Report 30. Honorary Members 33. Honorary Members Released 34. Writers in Exile Committee Report 40. Literary Events Report 42. Members, Donors, and Partners 46. In Memoriam: Charlie Hebdo Foreword Jennifer Lanthier This report gives thanks to all the challenges. Fewer writers are able to members and volunteers who comprise make it to exile in Canada today and PEN Canada and who fearlessly those who do may find themselves and selflessly give time and money unable to speak or write freely for fear to support freedom of expression. of reprisals to family and friends back We know that by doing so you are home. Beyond our borders writers are taking a risk. still being imprisoned and tortured but When you support PEN Canada you many regimes are simply murdering are taking a political stand. Freedom them outright – it’s cheaper and there of expression – that fundamental are few consequences. human right without which Canada For many Canadians, the right to and democracy itself could not exist speak up, to tell our stories, may be – is not partisan.
  • Saving the Trees

    Saving the Trees

    0 N C 0 R D I A,S SDAY ~PORT Osama Mose/hi has designed a better hydro pole Saving the trees next generation of poles. requirements, aesthetic considera­ BY SYLVAIN COMEAU Moselhi points out the obvious: tions (Hydro-Qyebec wanted the rofessor Osama Moselhi, of the plastic poles can be made without poles to look as good as wooden PCentre for Building Studies, is depleting forests . "Wooden poles ones) and public safety. doing his part to save the trees. are also treated with chemicals "Underground electric cables are The expert in construction engi­ so they can last longer. Once they're currently attached to the outside of neering and management, working embedded in the ground, some of wooden poles. But our poles are hol­ with a team from Concordia, the chemicals seep out and pollute low, so the cables can be housed Hydro-~ebec and a fibre compos­ the soil." inside." ites manufacturer, has developed a There are also financial incentives, Another issue for the utility is set of performance specifications for Moselhi said. If they are mass pro­ control over the final product. a new type of distribution pole which duced, the cost of the new poles Attempts to control tree growth will eventually replace many of the might be competitive with that of have resulted in lower quality, com­ wooden poles used in ~ebec. wooden poles. pared with naturally grown trees. Distribution poles carry the cables "The life expectancy of our pole is But now, Hydro-~ebec will be able which transmit electrical energy 40 to 80 years, while wooden poles to build poles according to precise from one place to another.