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THE ONE and the MANY English-Canadian Short Story Cycles
THE ONE AND THE MANY English-Canadian Short Story Cycles Gerald Lynch 'VER THE PAST HUNDRED years the short story cycle has Q 1 become something of a sub-genre within the Canadian short story. This is not to argue that the story cycle has been ignored by American and British writers ( or by French, Australian, and Russian writers, or, for that matter, by the writers of any other national literature) — it hasn't — only that the form has held a special at- traction for Canadian writers. Doubtless there are shared reasons for the story cycle's current popularity internationally and in Canada, even such commercial reasons as its attraction for publishers who assume that readers are more comfort- able with the linkages of the cycle than with the discontinuities of a miscellany. But such matters are not within this paper's literary-historical and theoretical scope. The present study sketches the history of the story cycle in Canada, gives an idea of its diversity and continuing popularity, considers some of the fundamental ques- tions about this comparatively new form, and concludes with an illustrative analysis of the function of one important aspect of story cycles, their concluding stories. Although the short story is the youngest of genres, beginning only in the early nineteenth century, literary historians and theorists often begin their discussions by casting back to the Story of Job, even to pre-literate oral history, so that the epic poems of various cultures are made to seem proto short story cycles.2 Thus aca- demics dress their new subject in the respectable robes of a literary history. -
Ureceived Their Segregated Work
Larry "has flown the coop," leaving a to his bed" the day that she was born a growing number of fictional daughters black rabbit ("Satan") and "one measly "November 7, the anniversary of the who is - now that women are writing shirt" to remind Lureen of him. Lureen Bolshevik Revolution." Harris' "The more of the scripts - mis-fathered or has no interest in acting on anything she Soma Building" is the most philosophical, fatherless. It is not an entirely satisfying has learned; she wants her Larry back, polysemous of the realistic stories. In the ending because Lannie leaves too many and she dreams about him, waits for him, end the narrator becomes the creative stones unturned: we wonder what ever and reconstructs conversations with him writer about whom Hams writes, and the came of her university lover, the ''boy'' until Larry finally reappears in the middle father's wisdom initiates her own Tim, or herchildhood friend, Angela- the of the night, and they go off and make revelation, her unfinished fiction, in her only person in whom she confides. And love in the park. office in the Soma Building. Hams' narra we also expect there to be a more pro This is the only story of its kind in tive voice is complex, butnowhere is voice found reason for getting to know Barney Double Bond, but it is one of the stories as self-consciously intricate as it is in and Iris from the inside, but none which depends very much on its prairie Sharon Butala's first novel, Country of comes. -
Cross-Country Funding Opportunities Tomson Highway Talks Language
WRITE THE MAGAZINE OF THE WRITERS’ UNION OF VOLUME 46 NUMBER 2 CANADA SUMMER 2018 Cross-country Funding Opportunities 14 Tomson Highway Talks Language 18 On Poetry & Carpentry 28 From the Chair By Eric Enno Tamm If economics is the “dismal science,” as one Victorian historian once wrote, then bookonomics is surely its even uglier offshoot. The mechanics of this market — the push of supply and pull of why we, as writers, are so consumed by copyright battles. demand for books — has faced some unprecedented upheavals At its heart, copyright infringement is really about suppressing of late. Schools and universities wantonly copy our works without demand for our commercial creations. If you can freely copy part recompense. Big-box bookstores are closing across the continent. of a book in a university course pack, then you don’t need to buy Publishers are merging or dissolving in bankruptcy. While self- it, reducing its sales and ultimately royalties to us, the authors. So, publishing has created welcomed opportunities for professional while strong copyright protection may not increase demand for writers, it has also flooded the market with cheap, amateurish our books, at least it stops it from sliding. supply. Apple, Amazon, and Alphabet (Google) appear to be the Yet even if we win all of our copyright battles, we may not be able new publishing oligarchs. The traditional book industry, at times, to stop the decline in writers’ income. Why? Because bookonomics feels like it’s in the remainder bin of history. and the business model behind it are broken — at least for writers. -
Oolichan Spring 2011 Catalogue
Oolichan Books Spring Titles 2011 1 Award Winning Oolichan Books 2010 Finalists Congratulations to Betty Jane Hegerat for being shortlisted for the Georges Bugnet Award for Fiction, the Alberta Book Awards 2010 for Delivery. Congratulations to Miranda Pearson for her nomination of Harbour for the BC Book Awards Dorothy Livesay Award. 2009 Winner Oolichan Books would like to congratulate Bruce Hunter for winning the 2009 Banff Mountain Book Festival’s Canadian Rockies Award for his book In The Bear’s House. Governor General’s Award for Poetry The Literary Network Top Ten Canadian Poetry Books 2006 John Pass, Stumbling In The Bloom, Winner 1999 Mona Fertig, Sex, Death & Travel 2005 W.H. New, Underwood Log, Finalist QSPELL Mavis Gallant Prize for Non-Fiction 2004 David Manicom, The Burning Eaves, Finalist 1998 David Manicom 2001 John Pass, Water Stair, Finalist Progeny of Ghosts: Travels in Russia and the Old Empire., Winner Governor General’s Award for Fiction QSPELL A.M. Klein Award for Poetry 1993 Carol Windley, Visible Light, Short List 1998 David Manicom. The Older Graces, Finalist BC Book Prizes - Dorothy Livesay Poetry Prize Viacom Canada Writers’ Trust Non-Fiction Prize 2010 Miranda Pearson, Harbour, Finalist 1998 David Manicom 2009 Nilofar Shidmehr, Shrin and Salt Man, Finalist Progeny of Ghosts: Travels in Russia and the Old Empire., Finalist 2008 George McWhirter, The Incorrection, Finalist 2005 Eve Joseph, The Startled Heart, Finalist Gerald Lampert Memorial Prize 2001 John Pass, Water Stair, Finalist 1997 Margo Button, The Unhinging -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
University of Toronto Archives and Record Management Services
University of Toronto Archives and Record Management Services Finding Aids – Claude Bissell fonds Contains the following accessions: • B1984-0036 • B1993-0015 • B1984-0042 • B2001-0019 • B1986-0011 • B2001-0032 • B1986-0023 • B2003-0017 • B1987-0038 • B2011-0018 • B1987-0041 • B2013-0009 • B1988-0091 • B2017-0017 • B1989-0031 To navigate to a particular accession, use the bookmarks in the PDF file B84 - OOJ§_ BISSELL , Claude Thomas -----+-- ---------------------------------------------- Box ( ) Folder / Vol /001 Seri es I: Elsi e May Pomeroy (01) Correspondence. from.A~thur S, Bourinot, 1942 - 1958 (02) Newspaper cl i ppi ngs, Poems and photographs, collected by Elsie Pomeray, (03) Book reviewsp invit ation cards, correspondence, notes. /002 Series II: Claude T. Bissell Personal Correspondence.wi th Morley Call aghan, Robertson Davies, E, K. Brown , Earle Birney; Marshall McLuhan, J .B. Bickersteth /003 Personal Correspondence- /004 Personal Correspondence /005 General Correspondence, 1937 - 1959 /006 " " 1960 - 1963 II 964 1967 /007 " :1;- - II II / 008 1968 - 1970 II -· 1972 (March) /009 " 1971 /010· " II 1972 (April.~ 1974) . al so undated /011 " " 1975 - 1976 ; as President, 1957 -· 1958 /012 Correspondence regarding appoint ment / 013 Correspondence by subject, 1932 - 1972 /014 Articles and manuscripts by Claude T. Bissell (01 ) "Letters i n Canada" by Claude T. Bissell, 1947 - 1956 (publ ished extracts) Lectures, speeches, manuscripts (folder 1 of 2) (02( (Folder 2 of 2) ; (03( " " " (04, Ghana lectures, II to V . (05 ) Off prints of l ectures J (06 Literary manuscri pts . (07 tt " . (08) ft ft of others Li terary material, general (09~ (10 "China Di~y Revisited" /015 Articles on University Administration address~~ 1946 -·1972 /016 Correspondence, l etters of recommentation, fil es, lectures and publications /017 Correspondence, course accumulated while at Harvard, 19IS7 - -1968 up."- :Pa.rnassus-1'·; -·rr'iYp,esorip.t drafts; photo<::-opy /018 ''.'!{:aJ.fw.ay .ofi, proofs.. -
Download Full Issue
191CanLitWinter2006-4 1/23/07 1:04 PM Page 1 Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number , Winter Published by The University of British Columbia, Vancouver Editor: Laurie Ricou Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New, Editor emeritus (1977–1995), Eva-Marie Kröller (1995–2003) Editorial Board Heinz Antor Universität Köln Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Neil ten Kortenaar University of Toronto Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élizabeth Nardout-Lafarge Université de Montréal Ian Rae Universität Bonn Roxanne Rimstead Université de Sherbrooke Patricia Smart Carleton University David Staines University of Ottawa Penny van Toorn University of Sydney David Williams University of Manitoba Mark Williams University of Canterbury Editorial Laura Moss Playing the Monster Blind? The Practical Limitations of Updating the Canadian Canon Articles Caitlin J. Charman There’s Got to Be Some Wrenching and Slashing: Horror and Retrospection in Alice Munro’s “Fits” Sue Sorensen Don’t Hanker to Be No Prophet: Guy Vanderhaeghe and the Bible Andre Furlani Jan Zwicky: Lyric Philosophy Lyric Daniela Janes Brainworkers: The Middle-Class Labour Reformer and the Late-Victorian Canadian Industrial Novel 191CanLitWinter2006-4 1/23/07 1:04 PM Page 2 Articles, continued Gillian Roberts Sameness and Difference: Border Crossings in The Stone Diaries and Larry’s Party Poems James Pollock Jack Davis Susan McCaslin Jim F. -
Total of 10 Pages Only May Be Xeroxed
CENTRE FOR NEWFOUNDLAND STUDIES TOTAL OF 10 PAGES ONLY MAY BE XEROXED (Without Author's Permission) National Library Bibfaotheque nationale 1+1 of Canada duCanada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non L'auteur a accorde une licence non exclusive licence allowing the exclusive permettant a Ia National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distn'bute or sell reproduire, preter, distri'buer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format electronique. The author retains ownership of the L' auteur conserve la propriete du copyright in this thesis. Neither the droit d'auteur qui protege cette these. thesis nor substantial extracts from it Ni la these ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent etre imprimes reproduced without the author's ou autrement reproduits sans son permiSSIOn. autorisation. 0-612-25875-0 Canadrl INFORMATION TO USERS This mamJSCript Jlas been reproduced from the microfilm master. UMI films the text directly from the origiDal or copy submitted. Thus, some thesis and dissertation copies are in eypewriter face., while others may be from any twe of a:nnputer printer. 'l1le qaJily or dais nprodadioa is depelldellt apoa tile quality or the copy sahwiUed Broken or iDdistinct print. colored or poor quality iJlustratioDs aDd photograpbs, prim bleedtbrougb, substaDdard margiDs, and improper alignmeut can adversely affect reproduc:tioa. -
MARGARET ATWOOD: WRITING and SUBJECTIVITY Also by Colin Nicholson
MARGARET ATWOOD: WRITING AND SUBJECTIVITY Also by Colin Nicholson POEM, PURPOSE, PLACE: Shaping Identity in Contemporary Scottish Verse ALEXANDER POPE: Essays for the Tercentenary (editor) CRITICAL APPROACHES TO THE FICTION OF MARGARET LAURENCE (editor) IAN CRICHTON SMITH: New Critical Essays (editor) Margaret Atwood photo credit: Graeme Gibson Margaret Atwood: Writing and Subjectivity New Critical Essays Edited by Colin Nicholson Senior Lecturer in English University of Edinburgh M St. Martin's Press Editorial material and selection © Colin Nicholson 1994 Text © The Macmillan Press Ltd 1994 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1P 9HE. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published in Great Britain 1994 by THE MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 2XS and London Companies and representatives throughout the world A catalogue record for this book is available from the British Library. ISBN 978-0-333-61181-4 ISBN 978-1-349-23282-6 (eBook) DOI 10.1007/978-1-349-23282-6 First published in the United States of America 1994 by Scholarly and Reference Division, ST. MARTIN'S PRESS, INC., 175 Fifth Avenue, New York, N.Y. 10010 ISBN 978-0-312-10644-7 Library of Congress Cataloging-in-Publication Data Margaret Atwood : writing and subjectivity I edited by Colin Nicholson. -
CANOEING MAHONE BAY, NOVA SCOTIA, CANADA Canada's Ocean
CANOEING MAHONE BAY, NOVA SCOTIA, CANADA Canada's ocean playground After speeding around the province of Nova Scotia in two 400-mile trips (for a total of 832 miles) during the summers of 2003/04 (see my website for details of those canoe trips), I had made a note to return to Mahone Bay at a later date for some serious gunkholing in that large island-studded bay. It is a truly spectacular area, sporting about 365 islands, one new island for every day of the year, if you wish. And if you believe the Sailing Directions (see notes), you are also apt to find better than usual boating weather here than along the rest of Nova Scotia's shores. "During fogs, which are frequent in July and August, the SW shore of Mahone Bay is usually clear with winds west of south". If that does not sound perfect for an early August fun paddle, I don't know what does. No wonder Canadians consider Nova Scotia "Canada's ocean playground", and Mahone Bay personifies that designation. You find it a tad to the south of Halifax, and it stretches from the Tancook Islands, the town of Chester, all the way down to the fishing port of Lunenburg, home of the famous Grand Banks sailing schooner Bluenose, memorialized on the Canadian dime. To make this trip even more fun, I put my sleek, carbon fiber solo outrigger canoe on my car roof, instead of my heftier touring Sea Wind sea canoe. Nancy had found a lovely place for us just outside the tiny town of Mahone Bay, right on the water. -
Harp Ollinscanada
linsCanada erCol Harp WINTER 2011 Contents page 2 New Fiction and Non-fiction page 33 Cookbooks page 34 Harper Paperbacks page 57 ChildrenÕ s Books pages 72-73 Index page 74 Key Contacts Please note: Prices, dates and specifications listed in this catalogue are subject to change without notice. The suggested retail prices are in Canadian dollars and do not include GST/HST. All resellers are free to establish their own prices. Consumer prices are suggestions only and do not reflect the prices at which books and other products will be sold. 2 harpercollins nne Blythe is lucky. She’s got a brand new book contract, a great newspaper job and a steadfast best friend, and she canA land just about any man she sets her sights on—and the ones that appeal are typically tall, dark and handsome. If your romantic choices kept ending Problem is, the men she chooses never last. Shortly after yet in heartache, would you let someone another relationship goes down in flames, Anne comes across a card for what she believes is a dating service, and pockets it choose your husband for you? just in case. If she’s so unlucky in love, maybe she could use a little assistance. Then her best friend announces she’s engaged, catherine mckenzie and envy gets the better of Anne. Now’s the time, she decides, to give the service a try—and she is shocked to discover that what the company specializes in are exclusive, and pricey, arranged Arranged marriages. After learning of the company’s success rate, how- ANovel ever, she overcomes her reluctance and signs on. -
Imaginary) Boyfriend
! "! (Imaginary) Boyfriend by Toby Cygman A thesis submitted to the Faculty of Graduate Studies of the University of Manitoba in partial fulfilment of the requirements of the degree of MASTER OF ARTS Department of English, Film, and Theatre University of Manitoba Winnipeg Copyright © 2011 by Toby Cygman ! ! #! ! Table of Contents Abstract…………………………………………………………………………………...ii Preface (read at thesis defense)……………………………………………………….1 Mobile……………………………………………………………………………………..7 Internets………...………………………………………………………………………12 Baggage…………………………………………………...……………………………18 Effexor for the Win……………………………………………………………………..23 Minor Injuries………………………………………………...…………………………37 Past Perfect……………………………………………………...……………………..47 Stories to My (Imaginary) Boyfriend………………………………………………….50 Lady, Motorbike………………………………………………………………………...53 Afterword………………………………………………………………………………..62 Bibliography…………………………………………………………………………….79 ! ##! Abstract (Imaginary) Boyfriend is a cycle of short stories that addresses the tension between stasis and locomotion. The eight stories feature characters who are addicted to motion, but paralyzed by anxiety. This theme manifests itself in both the internal and external spaces the characters occupy. ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! "! Preface As I was working on my thesis, I looked at other U of M creative theses for direction and inspiration. I found that the large majority of creative theses from the last few years are novellas and began to wonder about my chosen genre, the short story. My preference for this medium has to do with immediacy.