DOCSLIB.ORG

Curriculum Vitae Lisa C

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Curriculum Vitae Lisa C Updated October 2011 BRIEF CURRICULUM VITAE LISA C. NEVETT (Updated October 2011) EMPLOYMENT CURRENT Professor of Greek Archaeology, The University of Michigan, since 2011 (2003-2006 Assistant Professor; 2006-2011 Associate Professor). PREVIOUS Lecturer in Classical Studies, The Open University (U.K.), 1996-2003. British Academy Postdoctoral Fellow, Archaeology Department, Durham University (U.K.), 1993-1996. EDUCATION PH.D., University of Cambridge, Faculty of Classics, 1993. M.PHIL. Archaeology, University of Cambridge, Faculty of Archaeology and Anthropology, 1988. B.A. Honours Classics, University of Cambridge, Clare College, 1987. PUBLICATIONS BOOKS MONOGRAPHS: Domestic Space in Classical Antiquity, Cambridge University Press, Key Themes in Ancient History Series, 2010. Reviewed: Bryn Mawr Classical Review 2011.06.35. House and Society in the Ancient Greek World. Cambridge University Press, New Studies in Archaeology series, 1999. (Reprinted and issued in paperback, 2001.) Reviewed: Antiquités Classiques 2003; JACT Review 34, 2003; Antiquity 76, 2002; American Journal of Archaeology 106, 2002; Estudios Filosoficos 147, 2002; Tijdschrift voor Geschiedenis 2001; Bryn Mawr Classical Review 2001; Greece and Rome, April 2000; Interior Design April 2000; Choice, February 2000; Society for Old Testament Study Book List 2000; Journal of the Society of Architectural Historians 58.3, 1999; Minerva 10, 1999. EDITED: With Bradley A. Ault: Ancient Greek Houses and Households: Chronological, Regional and Social Diversity, Philadelphia, University of Pennsylvania Press, 2005. Reviewed: Scholia Reviews N.S.16, 2007, 16; Classical Review 57.1, 2007, 209-210; Ancient History Bulletin 2006; Museum Helveticum 63, 2006; Classical Outlook, 2006, 150-151; Bryn Mawr Classical Review 2006.03.35. Assistant editor with K. Blomqvist, to E. Ostenfeld: Greek Romans and Roman Greeks. Aarhus, Aarhus University Press, 2002. Reviewed: Polifemo 5, 2005; Revue des Etudes Grecques 117, 2004; Bryn Mawr Classical Review 2002; Greece and Rome 2003; Plekos 5, 2003. Curriculum Vitae Lisa C. Nevett ARTICLES AND CHAPTERS IN REFEREED VOLUMES ‘Towards a Female Topography of the Ancient Greek City: case-studies from Late Archaic and Early Classical Athens (ca. 520-400 BCE)’. Gender and History 23.3 (2011), 577-597. ‘Domestic façades: a ‘feature’ of the urban landscape of Greek poleis?’ In S. Owen and L. Preston (eds.) Inside the City in the Greek World. Oxford, Oxbow. 2009, 118-130. ‘Ceramic typology and activity area analysis: a comparison from Greek domestic contexts’. In H. Vanhaverbeke, J. Poblome, F. Vermeulen and M. Waelkens (eds.) Thinking about Space. The potential of surface survey and contextual analysis in the analysis of space in Roman times (Studies in Eastern Mediterranean Archaeology 8). Brepols-Turnhout. 2008, 153-160. ‘Domestic architecture and household wealth: the case of ancient Greece’. In R. Beck (ed.) The Durable House: architecture, ancestors and origins. Carbondale, University of Southern Illinois Press. 2007, 365-379. ‘Greek houses as a source for social relations’. In N. Fisher, R. Westgate and J. Whitley (eds.) Building Communities, Annual of the British School at Athens Studies, Volume 15, 2007. 5-10. ‘Between urban and rural: house form and social relations in Attic villages and deme centres’. In Ault and Nevett (eds.) Ancient Greek Houses and Households, Philadelphia, University of Pennsylvania Press. 2005. 83-98. ‘Introduction’. In Ault and Nevett (eds.) Ancient Greek Houses and Households, Philadelphia, University of Pennsylvania Press. 2005. 1-11. With Bradley A. Ault: ‘Whither the archaeology of the Greek house?’ in Ault and Nevett (eds.) Ancient Greek Houses and Households, Philadelphia, University of Pennsylvania Press. 2005. 160-175. ‘Domestic space as a means of exploring social change: household organisation and the formation of the Classical Greek polis’. In M. Droste and A. Hoffmann (eds.) Wohnformen und Lebenswelten. Frankfurt, Peter Lang Verlag, 2004. 11-20. ‘Continuity and change in Greek households under Roman rule: the role of women in the domestic context’. In E. Ostenfeld et al. (eds.) Greek Romans and Roman Greeks. Aarhus, Aarhus Studies in Mediterranean Antiquity 3, University of Aarhus Press, 2002. 81-97. ‘A real estate “market” in Classical Greece?: the example of town housing’. Annual of the British School at Athens, 95, 2000. 329-343. With Bradley A. Ault: ‘Archaeologies of Classical and Hellenistic domestic assemblages’. In P. Allison (ed.) The Archaeology of Household Activities. London, Routledge, 1999. 43-56. ‘Perceptions of Domestic Space in Roman Italy’. In B. Rawson and P. Weaver (eds.) Status, Sentiment and Space. Oxford, Oxford University Press, 1997. 281-298. ‘Gender relations in the Classical Greek household: the archaeological evidence’. Annual of the British School at Athens 91, 1995. 363-381. ‘The Organisation of Space in Classical and Hellenistic Houses from mainland Greece and the Western Colonies’. In N. Spencer (ed.) Time, Tradition and Society in Greek Archaeology: Bridging the “Great Divide”. London, Routledge, 1995. 89-108. ‘Separation or seclusion?: Towards an archaeological approach to investigating women in the Greek house in the fifth to third centuries B.C.’. In M. Parker Pearson and C. Richards (eds.) Architecture and Order: Approaches to Social Space. London, Routledge, 1994. 98-112. 2 Curriculum Vitae Lisa C. Nevett COMMISSIONED ARTICLES AND BOOK CHAPTERS; NON-REFEREED CONFERENCE PROCEEDINGS ‘Family and Household, Ancient History and Archaeology: a case-study from Roman Egypt’. In B. Rawson (ed.) A Companion to Families in the Greek and Roman Worlds. Oxford, Blackwell. 2011, 15-31. ‘Πέρα από την αρχιτεκτονική: οι αρχαιοελληνικέϛ οικίες ωϛ κοινωνικοί χώροι’ (‘Beyond Architecture: Ancient Greek Houses as Social Spaces’). Αρχαιολογία και Τέχνες (Archaeology and the Arts) 113, 2009, 8-18. ‘Domestic Culture in Classical Greece’. In O. Hekster and S. Mols (eds.) Cultural Messages, Bulletin Antieke Beschaving 80th Anniversary Supplement. 2009, 59-66. ‘Housing’. In A. Erskine (ed.) A Companion to Ancient History. Oxford, Blackwell. 2009, 368-380. ‘ “Castles in the air”?: villa iconography in Late Roman North Africa’. In R. Zucca, A. Mastino and J. Gonzalez (eds.) L’Africa Romana XVII.2: Le Ricchezze dell’Africa: Risorse, Produzioni, Scambi. Rome, Carocci. 2008, 745-758. ‘The Hellenistic Ceramics and Lamps’: ‘Summary’, ‘Fabrics’ and ‘Forms’. In N. Postgate (ed.) Excavations at Kilise Tepe. Cambridge, MacDonald Institute of Archaeology, 2008. 379-384. ‘Housing and Households: the Greek world’. In S. Alcock and R. Osborne (eds.) Classical Archaeology, Blackwell Studies in Global Archaeology, Oxford, Blackwell. 2007, 205-223. ‘Greek Houses’, ‘Olynthos’, and ‘Sanitation’, entries in L. Foxhall et al. (eds.) The Cambridge Guide to Classical Civilization. Cambridge, Cambridge University Press. 2006. ‘Greek households under Roman hegemony’. In A. Leslie (ed.) Theoretical Roman Archaeology and Architecture: the third conference proceedings. Glasgow, Cruithne Press, 1999. 99-110. ‘Abandoned but not forgotten: Gerritsen on the domestic life-cycle’, commentary in Archaeological Dialogues 6, 1999. 102-104. With Philip P. Perkins: ‘Urbanism and urbanisation in the Early Empire’. In J. Huskinson (ed.) Experiencing Rome. London, Routledge, 1999. 213-244. REVIEWS M.-C. Hellmann 2010. L’Architecture grecque 3: Habitat, urbanisme et fortifications. Paris, Picard. American Journal of Archaeology 115.3, 2011. In press. J. Morgan The Classical Greek House. (Exeter, Bristol Phoenix Press, 2010). The Anglo-Hellenic Review for March 2011. In press. D. Andrianou The Furniture and Furnishings of Ancient Greek Houses and Tombs, (Cambridge, Cambridge University Press, 2009). American Journal of Archaeology 115.1, (2011). http://www.ajaonline.org/pdfs/book_reviews/115.1/14_Nevett.pdf C. Gallazzi and G. Hadji-Minaglou Tebtynis I: la reprise des fouilles et le quartier de la chapelle d’Isis- Thermouthis. (Cairo, IFAO, 2001); and G. Hadji-Minaglou Tebtynis IV: les habitations à l’est du temple de Soknebtynis. (Cairo, IFAO, 2007). Bulletin of the American Society of Papyrologists 47 (2010), 299-301. S. Lippert and M. Schentuleit (eds.) Graeco-Roman Fayum – Texts and Archaeology. (Wiesbaden, Harrasowitz Verlag, 2008). Journal of the American Oriental Society 129.3 (2009), 14-15. P. Bonini La casa nella Grecia romana: forme e funzioni dello spazio privato fra I e VI secolo. (Perugia, Quasar, 2006). Journal of Roman Studies 99, (2009), 284-285. 3 Curriculum Vitae Lisa C. Nevett S. Hales The Roman House and Social Identity. (Cambridge University Press, 2003). Journal of the Society of Architectural Historians 64.2 (2005), 238-239. N.D. Cahill Household and City Organization at Olynthus. (Yale University Press, 2002). International Journal of the Classical Tradition 11.2 (2004), 303-306. I. Nielsen (ed.) The Royal Palace Institution in the First Millennium BC. (Monographs of the Danish Institute at Athens 4, 2001). American Journal of Archaeology 108 (2004), 653. M. Trümper Wohnen in Delos. Eine baugeschichtliche Untersuchung zum Wandel der Wohnkultur in hellenistischer Zeit (Verlag Marie Leidorf GmbH, 1998). American Journal of Archaeology 105 (2001), 364-365. F. D’Andria et al. (eds.) Ricerche sulla casa in Magna Grecia e in Sicilia (Galatina, Congedo Editore, 1996). American Journal of Archaeology 105 (2001), 636-637. I. Barton (ed.) Roman Domestic Buildings (Exeter, Exeter University Press, 1996). Classical Review 48
Load more

Recommended publications
  • Courtenay Arthur Ralegh Radford
    Courtenay Arthur Ralegh Radford Book or Report Section Published Version Creative Commons: Attribution 3.0 (CC-BY) Open Access Gilchrist, R. (2013) Courtenay Arthur Ralegh Radford. In: Biographical Memoirs of Fellows of the British Academy, XII. British Academy, pp. 341-358. ISBN 9780197265512 Available at http://centaur.reading.ac.uk/35690/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://www.britac.ac.uk/memoirs/12.cfm Publisher: British Academy All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online RALEGH RADFORD Pictured in 1957, in front of the ruins of the church at Glastonbury Abbey (Somerset). Reproduced with permission of English Heritage: NMR GLA/Pub/1/2. Courtenay Arthur Ralegh Radford 1900–1998 C. A. RALEGH RADFORD was one of the major figures of archaeology in the mid-twentieth century: his intellectual contribution to the discipline is rated by some as being comparable to giants such as Mortimer Wheeler, Christopher Hawkes and Gordon Childe.1 Radford is credited with help- ing to shape the field of medieval archaeology and in particular with inaug- urating study of the ‘Early Christian’ archaeology of western Britain.
    [Show full text]
  • Annual Review 2014–15 British School at Rome
    2014–15 Annual Review 2014–15 British School at Rome Patron: HM The Queen President: HRH Princess Alexandra, the Hon. Lady Ogilvy, KG GCVO The BSR is a centre of interdisciplinary research excellence in the Mediterranean supporting the full range of arts, humanities and social sciences. We create an environment for work of international standing and impact from Britain and the Commonwealth, and a bridge into the intellectual and cultural heart of Rome and Italy. The BSR supports: • residential awards for visual artists and architects • residential awards for research in the archaeology, history, art history, society and culture of Italy and the Mediterranean • exhibitions, especially in contemporary art and architecture • a multidisciplinary programme of lectures and conferences • internationally collaborative research projects, including archaeological fieldwork • a specialist research library • monograph publications of research and our highly rated journal, Papers of the British School at Rome • specialist taught courses. Illustration acknowledgements British School at Rome Page 6: Sophie Hay. Pages 8 & 9: Antonio Palmieri. Page 10: Via Gramsci 61 Guido Petruccioli. Page 11: Roberto Apa. Page 12: Daniela 00197 Rome, Italy Pellegrini. Page 14: Leandro Cucinotta and Dimosthenis T +39 06 3264939 Kosmopoulos. Page 15: Sophie Hay. Pages 17 & 18: BSR F +39 06 3221201 Photographic Archive. Pages 20 & 21: Guido Petruccioli. Page 22: E [email protected] Sky Emery. Page 25: Antonio Palmieri. Page 26: Adam Nathaniel Furman (top), Roberto Apa (bottom). Pages 28 & 29: BSR BSR London Office (for awards, committees, Photographic Archive. Page 31: Sophie Hay. Page 32: Daniela development and publications enquiries) Pellegrini (top), Sophie Hay (bottom). Page 33: Sophie Hay.
    [Show full text]
  • Lost Worlds of Ancient and Modern Greece
    Lost Worlds of Ancient and Modern Greece Gilbert Bagnani: The Adventures of a Young Italo-Canadian Archaeologist in Greece, 1921-1924 D. J. Ian Begg Archaeopress Archaeological Lives Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG ISBN 978-1-78969-452-9 ISBN 978-1-78969-453-6 (e-Pdf) © Archaeopress and D. J. Ian Begg 2020 Cover illustration: The burning of Smyrna as seen from a ship out in the bay, design by D. J. Ian Begg, drawn by Duncan Irvine All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by Severn, Gloucester This book is available direct from Archaeopress or from our website www.archaeopress.com To Prof. Thomas H. B. Symons, for his steadfast support and humanist par excellence Contents Foreword ����������������������������������������������������������������������������������������������������������������������iii Preface �������������������������������������������������������������������������������������������������������������������������vii Acknowledgements ����������������������������������������������������������������������������������������������������ix Introduction ���������������������������������������������������������������������������������������������������������������xiii Timeline ����������������������������������������������������������������������������������������������������������������������xix
    [Show full text]
  • The British School at Rome, 2009–2017
    BRITISH INTERNATIONAL RESEARCH INSTITUTES SUMMER 2017 BRITISH ACADEMY REVIEW Moving ideas: The British School at Rome, 2009–2017 Christopher Smith reveals how the movement of people and ideas across the centuries has been studied through the work of the BSR The British School at Rome (BSR) was French academies at Rome, and the Consiglio Nazionale founded in 1901 to support UK and delle Ricerche, we have been looking at the transmission Commonwealth research on Italy and the of ideas from and about the East to the western Mediter- western Mediterranean. We host a world- ranean in the 8th to 6th centuries BC. The culmination class specialist library of 110,000 volumes, was a conference which focused on Italy. The painstaking and make a substantial annual investment work of tracing artistic influence in everything from from our own and British Academy funds decorative motifs that spread almost virally, to highly Christopher Smith is to support residencies for over 30 artists wrought gilt silver Ugaritic plates with royal imagery Professor of Ancient and scholars a year, in subjects ranging that are found in a handful of Italian tombs, has to be History at the University from antiquity to contemporary art understood within a broader paradigm of the movement of St Andrews, and practice, prehistoric archaeology to the of people and the movement of ideas, in which the Director of the British post-colonial novel, medieval manuscripts East was as much conceptual as geographic. Highlights School at Rome (2009– 2017). In 2017 he was to postmodern architecture, and most included Stéphane Verger’s brilliant reconstruction of the awarded the Premio stops in between.
    [Show full text]
  • TAO DUFOUR Ph.D. RIBA Assistant Professor Department Of
    TAO DUFOUR Ph.D. RIBA Assistant Professor Department of Architecture Cornell University College of Architecture, Art, and Planning E: [email protected] / P: 1 414 736 1047 ACADEMIC POSITIONS 2018-present Assistant Professor Department of Architecture, College of Architecture, Art, and Planning, Cornell University 2016-2018 Visiting Assistant Professor Department of Architecture, College of Architecture, Art, and Planning, Cornell University 2014-2016 Visiting Critic Department of Architecture, College of Architecture, Art, and Planning, Cornell University POST-DOCTORAL FELLOWSHIPS 2013-14 Architecture Fellow & Distinguished Visiting Design Critic School of Architecture & Urban Planning, University of Wisconsin-Milwaukee 2012-13 Rome Prize in Architecture British Academy, British School at Rome PROFESSIONAL AFFILIATION 2015 Chartered Architect, Royal Institute of British Architects (RIBA), UK 2007 Registered Architect, Architects Registration Board (ARB), UK / Registration Number: 072991D EDUCATION 2006-12 Doctor of Philosophy. Department of Architecture, University of Cambridge, UK Dissertation title: The Sense of Architecture in Husserlian Phenomenology: The Example of a Candomblé-Caboclo Ritual of Tupinikim, supervised by Professor Peter Carl 2007 Postgraduate Certificate in Professional Practice in Architecture, University of Cambridge, UK 2003-04 Master of Philosophy, Department of Architecture, University of Cambridge, UK History and Philosophy of Architecture, dissertation title: The Living Stone of Rome: The Praxis Implicated by
    [Show full text]
  • Fine Arts 2016–17
    2016–17 1 Fine Arts 2016–17 Acknowledgements All works © the artists and architect Antonella Salvatore and Inge Lyse Hansen, John Cabot University, Rome Editor: Marco Palmieri Graphic design: Praline Juliet Franks, The Ruskin School of Art, Oxford Printed in Belgium by Graphius Sarah Linford, Accademia di Belle Arti di Roma, Rome Published in 2017 by the British School at Rome Ilaria Bozzi, Adriana Caneva, Martina Caruso, Eleonora 10 Carlton House Terrace Castagna, Clelia Colantonio, Marina Dacci, Adrienne Drake, London SW1Y 5AH Niccolò Fano, Marta Federici, Flavio Ferri, Bryony Harris, Jahan Khajavi, Ansel Krut, Shiro Nishimoto, Pier Paolo Pancotto, British School at Rome Marta Pellerini, Giulia Ruberti, Donatella Saroli Via Gramsci 61, 00197 Rome Claudia Canovai, Marie-Claire Desjardin, Valeria Frezza, A charity registered in England and Wales (no. 314176) Elaine Robertson www.bsr.ac.uk Photography courtesy of the artists and architect, except: Roberto Apa (pages 5, 6, 8–11, 14–17, 22–7, 29–36, 38–41) ISSN 1475-8733 ISBN 978-0-904152-78-4 The Bridget Riley Art Foundation The Derek Hill Foundation The Incorporated Edwin Austin Abbey with David and Pam McKee, Memorial Scholarships and The Wood Foundation Nicholas Berwin Charitable Trust with Ms Jennifer Dowling The donors to the Scholars’ Prize in Architecture Contents 4 Preface: Christopher Smith 7 Introduction: Marco Palmieri Exhibitors 14 Kelly Best 16 Chris Browne 18 Caroline Cloutier 20 Gary Deirmendjian 22 Maria de Lima 24 Maria Farrar 26 Grant Foster 28 Morgan Gostwyck-Lewis 30 Peter McDonald 32 Neil McNally 34 Catherine Parsonage 36 Kate Power 38 Sinta Tantra 40 Vivien Zhang 43 Biographies 51 BSR Faculty of the Fine Arts and Staff Preface This is my eighth and last preface to the British School National Art School, Sydney (with Jennifer Dowling); at Rome Fine Arts Catalogue, and gives me a chance the Nicholas Berwin Charitable Trust; and the William to look back, and forwards.
    [Show full text]
  • Strategic and Research Plan 2020-25
    Strategic and Research Plan 2020-25 The British School at Rome is a centre of interdisciplinary research excellence, supporting the full range of arts, humanities and social sciences. We have built up an environment for work of international standing and impact from Britain and the Commonwealth, a bridge into the intellectual and cultural heart of Rome and Italy, and a key vantage-point for the understanding of the Mediterranean as a whole. The BSR promotes: • residential awards for artists, both visual and creative, and architects • residential awards for research in the archaeology, history, art history, society and culture of Italy and the Mediterranean • a multidisciplinary programme of lectures and conferences • internationally collaborative research projects, including archaeological excavation and fieldwork • a specialist research library and exceptionally rich archive • monograph publications of research and our highly rated journal, Papers of the British School at Rome • the curation of exhibitions • specialist taught courses. The BSR’s vision is: • The inspiration and generation of creative research and practice • A transformative intellectual experience • World-class and socially engaged practice and research, both within the context of Rome and beyond • Interdisciplinary, supportive, welcoming, accessible, challenging values, which promote equality, inclusion and diversity • The exploration of new avenues and directions, in ways that remain coherent with our mission, resources, and networks. 1 The BSR is the UK’s largest-scale research institution located inside the EU which is independent of an HEI. It is therefore of even greater importance now that Brexit has happened: it is the UK’s front door in Europe for Fine Arts, Humanities, and Social Science (AHSS).
    [Show full text]
  • Papers of the British School at Rome Antiquae Statuae Urbis Romae
    Papers of the British School at Rome http://journals.cambridge.org/ROM Additional services for Papers of the British School at Rome: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Antiquae Statuae Urbis Romae Thomas Ashby Papers of the British School at Rome / Volume 9 / January 1920, pp 107 - 158 DOI: 10.1017/S0068246200005596, Published online: 09 August 2013 Link to this article: http://journals.cambridge.org/abstract_S0068246200005596 How to cite this article: Thomas Ashby (1920). Antiquae Statuae Urbis Romae. Papers of the British School at Rome, 9, pp 107-158 doi:10.1017/S0068246200005596 Request Permissions : Click here Downloaded from http://journals.cambridge.org/ROM, IP address: 169.230.243.252 on 09 Apr 2015 PAPERS OF THE BRITISH SCHOOL AT ROME. VOL. IX. No. 5. ANTIQUAE STATUAE URBIS ROMAE. BY THOMAS ASHBY, D.Lrrr., F.S.A. THE history of the monuments and works of art of the classical period, which were in existence in Rome during the Renaissance, is of importance to us for many reasons. We may learn what were the materials which were at the disposal of the great masters in architecture, painting, and sculpture, and see in their drawings and sketches, as well as in the works which they actually executed, what use they made of the models which they had before their eyes, and what interested them in a greater or less degiee. We may trace the growth of that antiquarianism out of which the science of archaeology was in process of time to develop.
    [Show full text]
  • RALEGH RADFORD Pictured in 1957, in Front of the Ruins of the Church at Glastonbury Abbey (Somerset)
    RALEGH RADFORD Pictured in 1957, in front of the ruins of the church at Glastonbury Abbey (Somerset). Reproduced with permission of English Heritage: NMR GLA/Pub/1/2. Courtenay Arthur Ralegh Radford 1900–1998 C. A. RALEGH RADFORD was one of the major figures of archaeology in the mid-twentieth century: his intellectual contribution to the discipline is rated by some as being comparable to giants such as Mortimer Wheeler, Christopher Hawkes and Gordon Childe.1 Radford is credited with help- ing to shape the field of medieval archaeology and in particular with inaug- urating study of the ‘Early Christian’ archaeology of western Britain. He was elected a Fellow of the British Academy in 1956, awarded honorary doctorates from the universities of Wales (1963), Glasgow (1963) and Exeter (1973) and the Gold Medal of the Society of Antiquaries (1972).2 Forty or fifty years ago, his influence on archaeological scholarship and policy was profound; in 1980 and 1990, his eightieth and ninetieth birth- days were affectionately celebrated by Festschriften.3 Yet today, few stu- dents of medieval archaeology are likely to have heard of him.4 By current standards, he published relatively little and many of his theories have been challenged by subsequent generations. What, then, is Radford’s intellectual legacy to archaeology? Why has his influence apparently been short-lived? 1 A. Saunders, ‘Ralegh Radford’, The Independent (8 Jan. 1999). 2 Who’s Who & Who Was Who, 2012: <http://www.ukwhoswho.com>. His nomination paper for election to the British Academy was signed by Cyril Fox, J. G. D.
    [Show full text]
  • Vanessa Jackson | a Light Here…
    VANESSA JACKSON | A LIGHT HERE… 21 July – 2 September 2017 We are delighted to announce that Vanessa Jackson will create a temporary work in Tintype’s window. A Light Here… is our Summer installation – a large-scale work visible from the street while the gallery is closed during August. “Drawing puts thoughts in, painting puts thoughts out; its like breathing.” In her practice and in her teaching, Vanessa Jackson communicates a powerful curiousity about what it is to paint, about visual systems, geometry, architecture, the symbolism of colour, and how an artwork can animate perceptual experience. Geometry is a long-term interest that underpins the form and function of her paintings. “I became interested in geometry because it was a visual system that already existed, carrying its own diverse and multi-layered history; geometry signifies perpetual enquiry and a testing ground.” In her paintings and wall installations Jackson has developed an astounding and passionate dance with line, shape and colour. She explores the properties of space – forming three dimensional scenarios in two dimensional form by manipulating illusionistic space. Intense, saturated colour is a hallmark of her work, as is ambition and scale; her 2008 installation at Sadlers Wells Theatre Vertigo in Three Parts, was 10 metres high and spanned three storeys. There is no figurative representation in Jackson’s paintings yet there is a sense that she leads us into heightened space and time – “the making process is like travelling through until the work becomes the representation of perception.” Her paintings can often suggest a space you can walk into and around – a surreal film set.
    [Show full text]
  • Select Correspondence of Ronald Syme, 1927–1939 Edited by Anthony R
    Select Correspondence of Ronald Syme, ����–���� Edited by Anthony R. Birley HCS History of Classical Scholarship Supplementary Volume 1 History of Classical Scholarship Editors Lorenzo CALVELLI (Venezia) Federico SANTANGELO (Newcastle) Editorial Board Luciano CANFORA Marc MAYER (Bari) (Barcelona) Jo-Marie CLAASSEN Laura MECELLA (Stellenbosch) (Milano) Massimiliano DI FAZIO Leandro POLVERINI (Pavia) (Roma) Patricia FORTINI BROWN Stefan REBENICH (Princeton) (Bern) Helena GIMENO PASCUAL Ronald RIDLEY (Alcalá de Henares) (Melbourne) Anthony GRAFTON Michael SQUIRE (Princeton) (London) Judith P. HALLETT William STENHOUSE (College Park, Maryland) (New York) Katherine HARLOE Christopher STRAY (Reading) (Swansea) Jill KRAYE Daniela SUMMA (London) (Berlin) Arnaldo MARCONE Ginette VAGENHEIM (Roma) (Rouen) Copy-editing & Design Thilo RISING (Newcastle) Select Correspondence of Ronald Syme, 1927–1939 Edited by Anthony R. Birley Published by History of Classical Scholarship Newcastle upon Tyne and Venice Posted online at hcsjournal.org in April 2020 The publication of this volume has been co-funded by the Department of Humanities of the Ca’ Foscari University of Venice and the School of History, Classics and Archaeology of Newcastle University Submissions undergo a double-blind peer-review process This work is licensed under a Creative Commons Attribution 4.0 International Licence Any part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without permission provided that the source is fully credited ISBN 978-1-8380018-0-3 © 2020 Anthony R. Birley History of Classical Scholarship Edited by Lorenzo Calvelli and Federico Santangelo SUPPLEMENTARY VOLUMES 1. Select Correspondence of Ronald Syme, 1927–1939 Edited by Anthony R. Birley (2020) Informal queries and new proposals may be sent to [email protected] or [email protected].
    [Show full text]
  • Carol Robertson Cv
    CAROL ROBERTSON CV 1955 Born Berkshire 1974-78 Cardiff College of Art (BA Fine Art) 1980-81 Chelsea School of Art (MA Fine Art) 1981-82 Boise Scholarship to Italy 1993 Edwin Austin Abbey Memorial Award, British School at Rome, Italy 1996 London Arts Board Awards to Artists 2001 Ballinglen Fellow, Ballinglen Arts Foundation, Co.Mayo, Ireland 2003 Residency, Ballinglen Arts Foundation, Co. Mayo, Ireland Prize Winner - Singer & Friedlander / Sunday Times Watercolour Competition 2003-08 Research Fellowship in Painting, University of Wales Institute, Cardiff 2005 First Prize - Singer & Friedlander / Sunday Times Watercolour Competition 2008 Residency, Alayrac, France 2010 Residency, Alayrac, France 2011 Returning Fellow, Ballinglen Arts Foundation, Co Mayo, Ireland 2012 Artist in Residence, Kunstgarten, Graz, Austria 2013 Artist Residency, Alayrac, France 2014 Artist Residency, Alayrac, France 2015 Returning Fellow, Ballinglen Arts Foundation, Co. Mayo, Ireland 2018 Residency, Alayrac, France Appointed Academician, RWA SOLO EXHIBITIONS 2017 Pointstar, Flowers Gallery, London 2014 Circular Stories, Flower Gallery, London 2013 Carol Robertson Peter Foolen Editions, Eindhoven, The Netherlands Carol Robertson - Circular Stories Gallerie allerArt, Bludenz, Austria 2012 Garden Project - Carol Robertson Kunstgarten, Graz, Austria Colour Stream Flowers New York 2011 Life Lines: Works on Paper The Cold Store, Norwich 2010 Present Past Flowers Central, London 2008 Life Lines Flowers, New York, USA 2007 Dark City Light City Trace Gallery, Weymouth Being
    [Show full text]