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Contemporary Art Society Annual Report 1993
THE CONTEMPORARY ART SOCIETY The Annual General Meeting of the Contemporary Art Society will be held on Wednesday 7 September, 1994 at ITN, 200 Gray's Inn Road, London wcix 8xz, at 6.30pm. Agenda 1. To receive and adopt the report of the committee and the accounts for the year ended 31 December 1993, together with the auditors' report. 2. To reappoint Neville Russell as auditors of the Society in accordance with section 384 (1) of the Companies Act 1985 and to authorise the committee to determine their remunera tion for the coming year. 3. To elect to the committee Robert Hopper and Jim Moyes who have been duly nominated. The retiring members are Penelope Govett and Christina Smith. In addition Marina Vaizey and Julian Treuherz have tendered their resignation. 4. Any other business. By order of the committee GEORGE YATES-MERCER Company Secretary 15 August 1994 Company Limited by Guarantee, Registered in London N0.255486, Charities Registration No.2081 y8 The Contemporary Art Society Annual Report & Accounts 1993 PATRON I • REPORT OF THE COMMITTEE Her Majesty Queen Elizabeth The Queen Mother PRESIDENT Nancy Balfour OBE The Committee present their report and the financial of activities and the year end financial position were VICE PRESIDENTS statements for the year ended 31 December 1993. satisfactory and the Committee expect that the present The Lord Croft level of activity will be sustained for the foreseeable future. Edward Dawe STATEMENT OF COMMITTEE'S RESPONSIBILITIES Caryl Hubbard CBE Company law requires the committee to prepare financial RESULTS The Lord McAlpine of West Green statements for each financial year which give a true and The results of the Society for the year ended The Lord Sainsbury of Preston Candover KG fair view of the state of affairs of the company and of the 31 December 1993 are set out in the financial statements on Pauline Vogelpoel MBE profit or loss of the company for that period. -
Programme: 2014-2015
Programme: 2014-2015 Exhibitions David Tremlett 3 Drawing Rooms 4 December 2013 – 21 April 2014 David Tremlett (b. 1945) is best known for his large-scale site-specific wall drawings of geometric arrangements: abstract compositions of arcs, circles, trapezoids, text and line. Using pastel pigment applied by hand, Tremlett makes these compositions directly on architectural surfaces. They are orchestrated to shift the viewer’s comprehension of a built environment, opening out, expanding and reducing, creating new vistas, geometric rhythms and pauses. While at once being formally constructed compositions of purely abstract elements which emanate the sensual joy of colour, and illustrate relationships between straight and curved lines, they speak too of things experienced, seen and done by the artist. Jamal Penjweny 19 February – 21 April 2014 An exhibition of work by emerging artist Jamal Penjweny from Iraqi Kursdistan, including a number of photographic series that are as poignant and smart as they are formally straightforward. Saddam is Here consists of twelve images of Iraqi people in familiar surroundings, each holding a life-size picture of Saddam Hussein’s face in front of their own. Saddam’s likeness becomes a mask obscuring any expression of emotion, any gaze, or possibility of sure identification and individuality. It is ludicrous, hilarious and at the same time absolutely ominous, pointing up the insidious influence of a dictator. Another Life, a short film by Penjweny, follows some days in the lives of Iraqis smuggling alcohol from Iraq into Iran. It has the grainy appeal of covert cell phone footage, and is very matter-of-fact in its editing. -
Courtenay Arthur Ralegh Radford
Courtenay Arthur Ralegh Radford Book or Report Section Published Version Creative Commons: Attribution 3.0 (CC-BY) Open Access Gilchrist, R. (2013) Courtenay Arthur Ralegh Radford. In: Biographical Memoirs of Fellows of the British Academy, XII. British Academy, pp. 341-358. ISBN 9780197265512 Available at http://centaur.reading.ac.uk/35690/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://www.britac.ac.uk/memoirs/12.cfm Publisher: British Academy All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online RALEGH RADFORD Pictured in 1957, in front of the ruins of the church at Glastonbury Abbey (Somerset). Reproduced with permission of English Heritage: NMR GLA/Pub/1/2. Courtenay Arthur Ralegh Radford 1900–1998 C. A. RALEGH RADFORD was one of the major figures of archaeology in the mid-twentieth century: his intellectual contribution to the discipline is rated by some as being comparable to giants such as Mortimer Wheeler, Christopher Hawkes and Gordon Childe.1 Radford is credited with help- ing to shape the field of medieval archaeology and in particular with inaug- urating study of the ‘Early Christian’ archaeology of western Britain. -
Fundraiser Catalogue As a Pdf Click Here
RE- Auction Catalogue Published by the Contemporary Art Society Tuesday 11 March 2014 Tobacco Dock, 50 Porters Walk Pennington Street E1W 2SF Previewed on 5 March 2014 at the Institute of Contemporary Arts, London The Contemporary Art Society is a national charity that encourages an appreciation and understanding of contemporary art in the UK. With the help of our members and supporters we raise funds to purchase works by new artists Contents which we give to museums and public galleries where they are enjoyed by a national audience; we broker significant and rare works of art by Committee List important artists of the twentieth century for Welcome public collections through our networks of Director’s Introduction patrons and private collectors; we establish relationships to commission artworks and promote contemporary art in public spaces; and we devise programmes of displays, artist Live Auction Lots Silent Auction Lots talks and educational events. Since 1910 we have donated over 8,000 works to museums and public Caroline Achaintre Laure Prouvost – Special Edition galleries – from Bacon, Freud, Hepworth and Alice Channer David Austen Moore in their day through to the influential Roger Hiorns Charles Avery artists of our own times – championing new talent, supporting curators, and encouraging Michael Landy Becky Beasley philanthropy and collecting in the UK. Daniel Silver Marcus Coates Caragh Thuring Claudia Comte All funds raised will benefit the charitable Catherine Yass Angela de la Cruz mission of the Contemporary Art Society to -
High Jinks and Black Jokes: the Art of Sian Bonnell by Mark Haworth-Booth
High Jinks and Black Jokes: the Art of Sian Bonnell by Mark Haworth-Booth Sian Bonnell was born in London in 1956 and attended a Catholic primary school where she learned about guilt and the soul. Sian saw the soul clearly. It was suspended inside her like a white table-cloth or sometimes a doily. Hers urgently needed washing. A plastic glow-in-the-dark Virgin Mary gleamed from her bedside table. Sian studied sculpture at Chelsea School of Art in 1978-81. She opened up to the extraordinary opportunities available in those relatively grant-rich days – when most materials came free - and to the stimulus offered by London’s galleries and theatres. She arrived at Chelsea the term after Helen Chadwick left, met her briefly and saw all of her major installations over the next few years. There are interesting resonances between the two artists – for example in their teasing feminism, their use of domestic items for art-making (both made startling transformations of cleaning materials), the use of high and low technologies and their gleeful interest in bad taste and black jokes. Like many students at the time, Sian found much to admire in the work of Eva Hesse, shown at the Whitechapel Art Gallery in 1979. Hesse demonstrated, among many other things, a simple but useful truth - that the same objects could be used in a variety of separate art works. Although Sian has a broad appreciation of Western art, including a passion for Piero della Francesca, she has a predilection for intimiste, domestic artists such as Chardin, Morandi, Gwen John and Winifred Nicolson. -
The Darkness Needs to Cry
Washington University in St. Louis Washington University Open Scholarship Graduate School of Art Theses Graduate School of Art Spring 5-14-2020 The Darkness Needs to Cry Damaris Dunham [email protected] Follow this and additional works at: https://openscholarship.wustl.edu/samfox_art_etds Part of the Art and Design Commons Recommended Citation Dunham, Damaris, "The Darkness Needs to Cry" (2020). Graduate School of Art Theses. ETD 143. This Thesis is brought to you for free and open access by the Graduate School of Art at Washington University Open Scholarship. It has been accepted for inclusion in Graduate School of Art Theses by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. Dunham 1 The Darkness Needs to Cry By Damaris Dunham A thesis presented to the Sam Fox School of Design and Visual Arts Washington University in St. Louis In partial fulfillment of the requirements for the degree of Master of Fine Arts Director of the Graduate School of Art Patricia Olynyk Thesis Advisor Monika Weiss Primary Advisors Jamie Adams | Cheryl Wassenaar | Monika Weiss Graduate Committee Michael Byron | Richard Krueger Dunham 2 Contents Introduction 3 Painting Transitions, Transformations, and the Terrifying 5 Layering, Touching, Sculpting. Lack and Excess | Void and Grotesque 21 Attraction and Repulsion in my Three-Dimensional Paintings 37 Hiding, Discovering, Darkening. The Affect of the Hidden 45 Naming the Complexity of the Hidden 55 Conclusion 63 Endnotes 64 Bibliography 66 Dunham 3 Introduction I am an artist interested in the subconscious, the uncanny, and the space of dreams. I make large scale, three-dimensional paintings that are both minimalist and baroque, non- representational and yet evoke the body as well as landscape. -
A Brief History of the Arts Catalyst
A Brief History of The Arts Catalyst 1 Introduction This small publication marks the 20th anniversary year of The Arts Catalyst. It celebrates some of the 120 artists’ projects that we have commissioned over those two decades. Based in London, The Arts Catalyst is one of Our new commissions, exhibitions the UK’s most distinctive arts organisations, and events in 2013 attracted over distinguished by ambitious artists’ projects that engage with the ideas and impact of science. We 57,000 UK visitors. are acknowledged internationally as a pioneer in this field and a leader in experimental art, known In 2013 our previous commissions for our curatorial flair, scale of ambition, and were internationally presented to a critical acuity. For most of our 20 years, the reach of around 30,000 people. programme has been curated and produced by the (founding) director with curator Rob La Frenais, We have facilitated projects and producer Gillean Dickie, and The Arts Catalyst staff presented our commissions in 27 team and associates. countries and all continents, including at major art events such as Our primary focus is new artists’ commissions, Venice Biennale and dOCUMEntA. presented as exhibitions, events and participatory projects, that are accessible, stimulating and artistically relevant. We aim to produce provocative, Our projects receive widespread playful, risk-taking projects that spark dynamic national and international media conversations about our changing world. This is coverage, reaching millions of people. underpinned by research and dialogue between In the last year we had features in The artists and world-class scientists and researchers. Guardian, The Times, Financial Times, Time Out, Wall Street Journal, Wired, The Arts Catalyst has a deep commitment to artists New Scientist, Art Monthly, Blueprint, and artistic process. -
Annual Review 2014–15 British School at Rome
2014–15 Annual Review 2014–15 British School at Rome Patron: HM The Queen President: HRH Princess Alexandra, the Hon. Lady Ogilvy, KG GCVO The BSR is a centre of interdisciplinary research excellence in the Mediterranean supporting the full range of arts, humanities and social sciences. We create an environment for work of international standing and impact from Britain and the Commonwealth, and a bridge into the intellectual and cultural heart of Rome and Italy. The BSR supports: • residential awards for visual artists and architects • residential awards for research in the archaeology, history, art history, society and culture of Italy and the Mediterranean • exhibitions, especially in contemporary art and architecture • a multidisciplinary programme of lectures and conferences • internationally collaborative research projects, including archaeological fieldwork • a specialist research library • monograph publications of research and our highly rated journal, Papers of the British School at Rome • specialist taught courses. Illustration acknowledgements British School at Rome Page 6: Sophie Hay. Pages 8 & 9: Antonio Palmieri. Page 10: Via Gramsci 61 Guido Petruccioli. Page 11: Roberto Apa. Page 12: Daniela 00197 Rome, Italy Pellegrini. Page 14: Leandro Cucinotta and Dimosthenis T +39 06 3264939 Kosmopoulos. Page 15: Sophie Hay. Pages 17 & 18: BSR F +39 06 3221201 Photographic Archive. Pages 20 & 21: Guido Petruccioli. Page 22: E [email protected] Sky Emery. Page 25: Antonio Palmieri. Page 26: Adam Nathaniel Furman (top), Roberto Apa (bottom). Pages 28 & 29: BSR BSR London Office (for awards, committees, Photographic Archive. Page 31: Sophie Hay. Page 32: Daniela development and publications enquiries) Pellegrini (top), Sophie Hay (bottom). Page 33: Sophie Hay. -
Lost Worlds of Ancient and Modern Greece
Lost Worlds of Ancient and Modern Greece Gilbert Bagnani: The Adventures of a Young Italo-Canadian Archaeologist in Greece, 1921-1924 D. J. Ian Begg Archaeopress Archaeological Lives Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG ISBN 978-1-78969-452-9 ISBN 978-1-78969-453-6 (e-Pdf) © Archaeopress and D. J. Ian Begg 2020 Cover illustration: The burning of Smyrna as seen from a ship out in the bay, design by D. J. Ian Begg, drawn by Duncan Irvine All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by Severn, Gloucester This book is available direct from Archaeopress or from our website www.archaeopress.com To Prof. Thomas H. B. Symons, for his steadfast support and humanist par excellence Contents Foreword ����������������������������������������������������������������������������������������������������������������������iii Preface �������������������������������������������������������������������������������������������������������������������������vii Acknowledgements ����������������������������������������������������������������������������������������������������ix Introduction ���������������������������������������������������������������������������������������������������������������xiii Timeline ����������������������������������������������������������������������������������������������������������������������xix -
Fine Arts 2008-2009
fine arts 2008-2009 SARA BARKER JOSEPH BEDFORD GABRIELLA BISETTO PENELOPE CAIN DRAGICA JANKETIC CARLIN LUKE CAULFIELD KATIE CUDDON GRAHAM DURWARD PIERRE GENDRON CELIA HEMPTON CATH KEAY REBECCA MADGIN AMANDA MARBURG RUTH MURRAY EDDIE PEAKE LIZ RIDEAL JAMES ROBERTSON DAVID SPERO AMIKAM TOREN fine arts 2008-2009 Sara Barker Joseph Bedford Gabriella Bisetto Penelope Cain Dragica Janketic Carlin Luke Caulfield Katie Cuddon Graham Durward Pierre Gendron Celia Hempton Cath Keay Rebecca Madgin Amanda Marburg Ruth Murray Eddie Peake Liz Rideal James Robertson David Spero Amikam Toren THE BRITISH SCHOOL AT ROME 1 The projects realised by GABRIELLA BISETTO, PENELOPE CAIN, AMANDA MARBURG have been assisted by the Commonwealth Government through the Australia Council, its Arts funding and advisory body. The Arts Council England Helen Chadwick Fellowship is organised and administered by The Ruskin School of Drawing and Fine Art, University of Oxford and The British School at Rome with the support of Arts Council England and St Peter’s College, Oxford. Acknowledgements Edited by Jacopo Benci David Chandler, Photoworks, London Graphic design Silvia Stucky Prof. Mihai Barbulescu, Romanian Academy, Rome Photography courtesy of the artists and architects, except Martin Brody, American Academy in Rome Claudio Abate (pp. 16-17, 47), Serafino Amato (pp. 30-31), Joachim Blüher, Pia Gottschaller, German Academy Villa Luke Caulfield (pp. 13, 46), Fernando Maquieira (pp. 24-25), Massimo, Rome Jacopo Benci (cover image; pp. 6-11, 51, 64) Marianna Di Giansante, Francesca Monari, Timothy Mitchell, Translations Jacopo Benci Æmilia Hotel, Bologna Gianmatteo Nunziante, Nunziante Magrone Studio Legale Associato, Rome Published by THE BRITISH SCHOOL AT ROME Casa dell’Architettura, Ordine degli Architetti P.P.C. -
The British School at Rome, 2009–2017
BRITISH INTERNATIONAL RESEARCH INSTITUTES SUMMER 2017 BRITISH ACADEMY REVIEW Moving ideas: The British School at Rome, 2009–2017 Christopher Smith reveals how the movement of people and ideas across the centuries has been studied through the work of the BSR The British School at Rome (BSR) was French academies at Rome, and the Consiglio Nazionale founded in 1901 to support UK and delle Ricerche, we have been looking at the transmission Commonwealth research on Italy and the of ideas from and about the East to the western Mediter- western Mediterranean. We host a world- ranean in the 8th to 6th centuries BC. The culmination class specialist library of 110,000 volumes, was a conference which focused on Italy. The painstaking and make a substantial annual investment work of tracing artistic influence in everything from from our own and British Academy funds decorative motifs that spread almost virally, to highly Christopher Smith is to support residencies for over 30 artists wrought gilt silver Ugaritic plates with royal imagery Professor of Ancient and scholars a year, in subjects ranging that are found in a handful of Italian tombs, has to be History at the University from antiquity to contemporary art understood within a broader paradigm of the movement of St Andrews, and practice, prehistoric archaeology to the of people and the movement of ideas, in which the Director of the British post-colonial novel, medieval manuscripts East was as much conceptual as geographic. Highlights School at Rome (2009– 2017). In 2017 he was to postmodern architecture, and most included Stéphane Verger’s brilliant reconstruction of the awarded the Premio stops in between. -
TAO DUFOUR Ph.D. RIBA Assistant Professor Department Of
TAO DUFOUR Ph.D. RIBA Assistant Professor Department of Architecture Cornell University College of Architecture, Art, and Planning E: [email protected] / P: 1 414 736 1047 ACADEMIC POSITIONS 2018-present Assistant Professor Department of Architecture, College of Architecture, Art, and Planning, Cornell University 2016-2018 Visiting Assistant Professor Department of Architecture, College of Architecture, Art, and Planning, Cornell University 2014-2016 Visiting Critic Department of Architecture, College of Architecture, Art, and Planning, Cornell University POST-DOCTORAL FELLOWSHIPS 2013-14 Architecture Fellow & Distinguished Visiting Design Critic School of Architecture & Urban Planning, University of Wisconsin-Milwaukee 2012-13 Rome Prize in Architecture British Academy, British School at Rome PROFESSIONAL AFFILIATION 2015 Chartered Architect, Royal Institute of British Architects (RIBA), UK 2007 Registered Architect, Architects Registration Board (ARB), UK / Registration Number: 072991D EDUCATION 2006-12 Doctor of Philosophy. Department of Architecture, University of Cambridge, UK Dissertation title: The Sense of Architecture in Husserlian Phenomenology: The Example of a Candomblé-Caboclo Ritual of Tupinikim, supervised by Professor Peter Carl 2007 Postgraduate Certificate in Professional Practice in Architecture, University of Cambridge, UK 2003-04 Master of Philosophy, Department of Architecture, University of Cambridge, UK History and Philosophy of Architecture, dissertation title: The Living Stone of Rome: The Praxis Implicated by