Lost Worlds of Ancient and Modern Greece
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Courtenay Arthur Ralegh Radford
Courtenay Arthur Ralegh Radford Book or Report Section Published Version Creative Commons: Attribution 3.0 (CC-BY) Open Access Gilchrist, R. (2013) Courtenay Arthur Ralegh Radford. In: Biographical Memoirs of Fellows of the British Academy, XII. British Academy, pp. 341-358. ISBN 9780197265512 Available at http://centaur.reading.ac.uk/35690/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://www.britac.ac.uk/memoirs/12.cfm Publisher: British Academy All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online RALEGH RADFORD Pictured in 1957, in front of the ruins of the church at Glastonbury Abbey (Somerset). Reproduced with permission of English Heritage: NMR GLA/Pub/1/2. Courtenay Arthur Ralegh Radford 1900–1998 C. A. RALEGH RADFORD was one of the major figures of archaeology in the mid-twentieth century: his intellectual contribution to the discipline is rated by some as being comparable to giants such as Mortimer Wheeler, Christopher Hawkes and Gordon Childe.1 Radford is credited with help- ing to shape the field of medieval archaeology and in particular with inaug- urating study of the ‘Early Christian’ archaeology of western Britain. -
Thomas Ashby E La Topografia Della Campagna Romana
estratto autore Dalla camera oscura alla prima fotografia. Architetti e archeologi a Segni da Dodwell ad Ashby e Mackey Segni 2017 – Museo Archeologico Comunale di Segni Progetto scientifico F.M. Cifarelli, F. Colaiacomo Testi D. Baldassarre, F.M. Cifarelli, F. Colaiacomo, A. Giovenco, S. Kay, A. Salustri, C. Smith (traduzione in italiano del testo di C. Smith a cura di R. Cascino) Allestimento mostra M. Bedini Redazione Associazione “Amici del Museo di Segni” In copertina: P.P. Mackey, Segni Saracinesca from within (1896) © Roma 2017, Edizioni Quasar di Severino Tognon S.r.l. via Ajaccio 41-43 - 00198 Roma Tel. 0685358444 - Fax 0685833591 [email protected] ISBN 978-88-7140-819-4 estratto autore DALLA CAMERA OSCURA ALLA PRIMA FOTOGRAFIA ARCHITETTI E ARCHEOLOGI A SEGNI DA DODWELL AD ASHBY E MACKEY A CURA DI FRANCESCO MARIA CIFARELLI E FEDERICA COLAIACOMO EDIZIONI QUASAR estratto autore Thomas Ashby e la topografia della Campagna Romana ChristoPhER SMITh ThomasA shby (1874 - 1931) è stato direttore della Bri- lia centrale6. L’osservazione diretta di iscrizioni e mo- tish School at Rome dal 1906 al 1925, periodo durante numenti andava trasformando la conoscenza casuale in il quale avvenne il trasloco da Palazzo Odescalchi, la collezioni sistematiche. L’identificazionedi corpora di nostra prima sede, a quella attuale, dietro la monu- classi di materiale che necessitavano di edizione siste- mentale facciata di Edwin Lutyens. Ashby ebbe molti matica ha guidato in qualche modo le storie istituzio- amici e alla sua morte grande fu il rimpianto di tanti nali delle accademie straniere. Il catalogo delle sculture studiosi italiani – ‘quel caro Ashby’ scrissero Gilber- dei Musei Capitolini di Stuart-Jones fu uno dei pri- to Bagnani e Giuseppe Lugli sul Times del 26 maggio mi progetti della BSR7, ma ci furono altri importanti 19311. -
Annual Review 2014–15 British School at Rome
2014–15 Annual Review 2014–15 British School at Rome Patron: HM The Queen President: HRH Princess Alexandra, the Hon. Lady Ogilvy, KG GCVO The BSR is a centre of interdisciplinary research excellence in the Mediterranean supporting the full range of arts, humanities and social sciences. We create an environment for work of international standing and impact from Britain and the Commonwealth, and a bridge into the intellectual and cultural heart of Rome and Italy. The BSR supports: • residential awards for visual artists and architects • residential awards for research in the archaeology, history, art history, society and culture of Italy and the Mediterranean • exhibitions, especially in contemporary art and architecture • a multidisciplinary programme of lectures and conferences • internationally collaborative research projects, including archaeological fieldwork • a specialist research library • monograph publications of research and our highly rated journal, Papers of the British School at Rome • specialist taught courses. Illustration acknowledgements British School at Rome Page 6: Sophie Hay. Pages 8 & 9: Antonio Palmieri. Page 10: Via Gramsci 61 Guido Petruccioli. Page 11: Roberto Apa. Page 12: Daniela 00197 Rome, Italy Pellegrini. Page 14: Leandro Cucinotta and Dimosthenis T +39 06 3264939 Kosmopoulos. Page 15: Sophie Hay. Pages 17 & 18: BSR F +39 06 3221201 Photographic Archive. Pages 20 & 21: Guido Petruccioli. Page 22: E [email protected] Sky Emery. Page 25: Antonio Palmieri. Page 26: Adam Nathaniel Furman (top), Roberto Apa (bottom). Pages 28 & 29: BSR BSR London Office (for awards, committees, Photographic Archive. Page 31: Sophie Hay. Page 32: Daniela development and publications enquiries) Pellegrini (top), Sophie Hay (bottom). Page 33: Sophie Hay. -
Antiquarian Prints1
Antiquarian Topographical Prints 1550-1850 (As they relate to castle studies) Bibliography Antiquarianism - General Peter N. Miller, (2017). History and Its Objects: antiquarianism and material culture since 1500. NY: Cornell Univ Press. David Gaimster, Bernard Nurse, Julia Steele (eds.), (2007), Making History: Antiquaries in Britain 1707-2007 (London, the Royal Academy of Arts & the Society of Antiquaries, Exhibition Catalogue).* Susan Pearce, (ed) (2007). Visions of Antiquity: The Society of Antiquaries of London 1707–2007. (Society of Antiquaries).* Jan Broadway (2006). "No Historie So Meete": gentry culture and the development of local history in Elizabethan and early Stuart England. Manchester: Manchester University Press. R. Sweet, (2004). Antiquaries: the discovery of the past in eighteenth-century Britain. (London: Hambledon Continuum). Daniel Woolf (2003). The Social Circulation of the Past: English historical culture 1500–1730. Oxford: Oxford University Press. Anthony Griffiths, (1998) The Print in Stuart Britain: 1603-1689,[Exhibition Cat.] British Museum Press.* Philippa Levine, (1986). The Amateur and the Professional: antiquarians, historians and archaeologists in Victorian England, 1838–1886. (Cambridge: Cambridge University Press). J. Evans, (1956), A history of the Society of Antiquaries, (Oxford University Press for the Society of Antiquaries) D. J. H Clifford (2003), The Diaries of Lady Anne Clifford (The History Press Ltd). Topographical Prints and Painting - General Ronald Russell, (2001), Discovering Antique Prints (Shire Books)* Julius Bryant, (1996), Painting the Nation - English Heritage properties as seen by Turner, (English Heritage, London)* Peter Humphries, (1995), On the Trail of Turner in North and South Wales, (Cadw, Cardiff). Andrew Wilton & Anne Lyles (1993), The Great Age of British Watercolours, (Prestel - Exhibition catalogue)* Lindsay Stainton, (1991) Nature into Art: English Landscape Watercolours, (British Museum Press)* Especially Section II ‘Man in the Landscape’ pp. -
Bibliographical Index
Bibliographical Index BIBLIOGRAPHICAL ACCESS TO THIS VOLUME Bacon, Roger. Opus Majus. 305, 322, 345 Basil, Saint. Homilies. 328 Three modes of access to bibliographical information are used Bede, the Venerable. De natura rerum. 137 in this volume: the footnotes; the bibliographies; and the Bib ---. De temporum ratione. 321 liographical Index. The footnotes provide the full form of a reference the first Cassiodorus. Institutiones divinarum et saecularium time it is cited in each chapter with short-title versions in litterarum. 172, 255, 259, 261 subsequent citations. In each of the short-title references, the Cato the Elder. Origines. 205 note number of the fully cited work is given in parentheses. Censorinus. De die natalie 255 The bibliographies following each chapter provide a selec Chaucer, Geoffrey. Prologue to the Canterbury Tales. 387 tive list of major books and articles relevant to its subject Cicero. Arataea (translation of Aratus's versification of matter. Eudoxus's Phaenomena). 143 The Bibliographical Index comprises a complete list, ar ---. Letters to Atticus. 255 ranged alphabetically by author's name, of all works cited in ---. De natura deorum. 160,168 the footnotes. Numbers in bold type indicate the pages on --. The Republic. 159, 160, 255 which references to these works can be found. This index is ---. Tusculan Disputations. 160 divided into two parts. The first part identifies the texts of Cleomedes. De motu circulari. 152, 154, 169 classical and medieval authors. The second part lists the mod Cosmas Indicopleustes. Christian Topography. 143, 144, ern literature. 261 Ctesias of Cnidus. Indica. 149 TEXTS OF CLASSICAL AND MEDIEVAL ---. Persica. 149 AUTHORS Dicuil. -
The British School at Rome, 2009–2017
BRITISH INTERNATIONAL RESEARCH INSTITUTES SUMMER 2017 BRITISH ACADEMY REVIEW Moving ideas: The British School at Rome, 2009–2017 Christopher Smith reveals how the movement of people and ideas across the centuries has been studied through the work of the BSR The British School at Rome (BSR) was French academies at Rome, and the Consiglio Nazionale founded in 1901 to support UK and delle Ricerche, we have been looking at the transmission Commonwealth research on Italy and the of ideas from and about the East to the western Mediter- western Mediterranean. We host a world- ranean in the 8th to 6th centuries BC. The culmination class specialist library of 110,000 volumes, was a conference which focused on Italy. The painstaking and make a substantial annual investment work of tracing artistic influence in everything from from our own and British Academy funds decorative motifs that spread almost virally, to highly Christopher Smith is to support residencies for over 30 artists wrought gilt silver Ugaritic plates with royal imagery Professor of Ancient and scholars a year, in subjects ranging that are found in a handful of Italian tombs, has to be History at the University from antiquity to contemporary art understood within a broader paradigm of the movement of St Andrews, and practice, prehistoric archaeology to the of people and the movement of ideas, in which the Director of the British post-colonial novel, medieval manuscripts East was as much conceptual as geographic. Highlights School at Rome (2009– 2017). In 2017 he was to postmodern architecture, and most included Stéphane Verger’s brilliant reconstruction of the awarded the Premio stops in between. -
TAO DUFOUR Ph.D. RIBA Assistant Professor Department Of
TAO DUFOUR Ph.D. RIBA Assistant Professor Department of Architecture Cornell University College of Architecture, Art, and Planning E: [email protected] / P: 1 414 736 1047 ACADEMIC POSITIONS 2018-present Assistant Professor Department of Architecture, College of Architecture, Art, and Planning, Cornell University 2016-2018 Visiting Assistant Professor Department of Architecture, College of Architecture, Art, and Planning, Cornell University 2014-2016 Visiting Critic Department of Architecture, College of Architecture, Art, and Planning, Cornell University POST-DOCTORAL FELLOWSHIPS 2013-14 Architecture Fellow & Distinguished Visiting Design Critic School of Architecture & Urban Planning, University of Wisconsin-Milwaukee 2012-13 Rome Prize in Architecture British Academy, British School at Rome PROFESSIONAL AFFILIATION 2015 Chartered Architect, Royal Institute of British Architects (RIBA), UK 2007 Registered Architect, Architects Registration Board (ARB), UK / Registration Number: 072991D EDUCATION 2006-12 Doctor of Philosophy. Department of Architecture, University of Cambridge, UK Dissertation title: The Sense of Architecture in Husserlian Phenomenology: The Example of a Candomblé-Caboclo Ritual of Tupinikim, supervised by Professor Peter Carl 2007 Postgraduate Certificate in Professional Practice in Architecture, University of Cambridge, UK 2003-04 Master of Philosophy, Department of Architecture, University of Cambridge, UK History and Philosophy of Architecture, dissertation title: The Living Stone of Rome: The Praxis Implicated by -
European Paintings, Watercolors, Drawings and Sculpture 1770 – 1930
CATALOG-17-Summer_CATALOG/04/Summer 5/4/17 10:20 AM Page 1 EUROPEAN PAINTINGS, WATERCOLORS, DRAWINGS AND SCULPTURE 1770 – 1930 May 23 rd through July 28 th 2017 Catalog by Robert Kashey, David Wojciechowski, and Stephanie Hackett Edited by Elisabeth Kashey SHEPHERD W & K GALLERIES 58 East 79th Street New York, N. Y. 10075 Tel: 1 212 861 4050 Fax: 1 212 772 1314 [email protected] www.shepherdgallery.com CATALOG-17-Summer_CATALOG/04/Summer 5/4/17 10:20 AM Page 2 © Copyright: Robert J. F. Kashey for Shepherd Gallery, Associates, 2017 COVER ILLUSTRATION: Felice Giani, Achates and Ascanius Bringing Gifts to the Tyrians , circa 1810, cat. no. 8 GRAPHIC DESIGN: Keith Stout PHOTOGRAPHY: Brian Bald TECHNICAL NOTES: All measurements are in inches and in centimeters; height precedes width. All drawings and paintings are framed. Prices on request. All works subject to prior sale. SHEPHERD GALLERY SERVICES has framed, matted, and restored all of the objects in this exhibition, if required. The Service Department is open to the public by appointment, Tuesday though Saturday from 10:00 a.m. to 6:00 p.m. Tel: (212) 744 3392; fax (212) 744 1525; e-mail: [email protected]. CATALOG-17-Summer_CATALOG/04/Summer 5/4/17 10:20 AM Page 3 CATALOG CATALOG-17-Summer_CATALOG/04/Summer 5/4/17 10:20 AM Page 4 1 LABRUZZI, Carlo 1747/48 - 1818 Italian School EMPEROR GALBA’S TOMB, 1789 Watercolor and pencil with brown ink double framing lines on lightweight, beige, laid paper, indecipherable watermark. 16 1/8” x 21 3/4” (40.9 x 55.2 cm). -
The Descendants of Gabriel Jones of Essex and Culpeper Counties By
THE DESCENDANTS OF GABRIEL JONES OF ESSEX AND CULPEPER COUNTIES, VIRGINIA. by Mildred Conway Jones 1 2 FOREWORD This document has been retyped (using a computer scanner and editor) from a copy of the manuscript that was written by Mildred Conway Jones in about 1949. The purpose of this effort is to provide a document that can be updated easily with corrections and additions to the Gabriel Jones descendant tree. Sarah Carter Jones Rogallo February 1997 Refomatted using OpenOffice March 2011 3 4 ACKNOWLEDGMENTS The author wishes to acknowledge gratefully the valuable assistance of Margaret Jones (Mrs. Frank Westfall) Dearduff, of Parkville, Missouri, who prepared the data on the Illinois branch of the Robert Jones line, assisted in collecting material included in Generations I and II, and so ably typed the manuscript. To Anne Elliott (Mrs. Arthur Lee) Odell, 443 S. Roosevelt Avenue, Pasadena, California, also goes grateful appreciation for collaborating on the sketch of Robert Jones and for the line of Elizabeth Ashby Jones. 5 6 THE DESCENDANTS OF GABRIEL JONES OF ESSEX AND CULPEPER COUNTIES, VIRGINIA. The origins of this particular Jones family are not known, the first definitely identified being Gabriel Jones of Essex County, Virginia, who emigrated to Culpeper County in 1744. The Reverend Clayton Torrence, of the Virginia Historical Society, who did research for Mrs. William Green Poindexter of Greenwood, Mississippi, suggests that the above Gabriel is probably a descendant of Richard Jones of York County, will dated March 28, 1660, (York Records, Book 3, p. 98), who was survived by wife, Elizabeth, sons Gabriel and Richard, and daughters not named. -
Fine Arts 2016–17
2016–17 1 Fine Arts 2016–17 Acknowledgements All works © the artists and architect Antonella Salvatore and Inge Lyse Hansen, John Cabot University, Rome Editor: Marco Palmieri Graphic design: Praline Juliet Franks, The Ruskin School of Art, Oxford Printed in Belgium by Graphius Sarah Linford, Accademia di Belle Arti di Roma, Rome Published in 2017 by the British School at Rome Ilaria Bozzi, Adriana Caneva, Martina Caruso, Eleonora 10 Carlton House Terrace Castagna, Clelia Colantonio, Marina Dacci, Adrienne Drake, London SW1Y 5AH Niccolò Fano, Marta Federici, Flavio Ferri, Bryony Harris, Jahan Khajavi, Ansel Krut, Shiro Nishimoto, Pier Paolo Pancotto, British School at Rome Marta Pellerini, Giulia Ruberti, Donatella Saroli Via Gramsci 61, 00197 Rome Claudia Canovai, Marie-Claire Desjardin, Valeria Frezza, A charity registered in England and Wales (no. 314176) Elaine Robertson www.bsr.ac.uk Photography courtesy of the artists and architect, except: Roberto Apa (pages 5, 6, 8–11, 14–17, 22–7, 29–36, 38–41) ISSN 1475-8733 ISBN 978-0-904152-78-4 The Bridget Riley Art Foundation The Derek Hill Foundation The Incorporated Edwin Austin Abbey with David and Pam McKee, Memorial Scholarships and The Wood Foundation Nicholas Berwin Charitable Trust with Ms Jennifer Dowling The donors to the Scholars’ Prize in Architecture Contents 4 Preface: Christopher Smith 7 Introduction: Marco Palmieri Exhibitors 14 Kelly Best 16 Chris Browne 18 Caroline Cloutier 20 Gary Deirmendjian 22 Maria de Lima 24 Maria Farrar 26 Grant Foster 28 Morgan Gostwyck-Lewis 30 Peter McDonald 32 Neil McNally 34 Catherine Parsonage 36 Kate Power 38 Sinta Tantra 40 Vivien Zhang 43 Biographies 51 BSR Faculty of the Fine Arts and Staff Preface This is my eighth and last preface to the British School National Art School, Sydney (with Jennifer Dowling); at Rome Fine Arts Catalogue, and gives me a chance the Nicholas Berwin Charitable Trust; and the William to look back, and forwards. -
Strategic and Research Plan 2020-25
Strategic and Research Plan 2020-25 The British School at Rome is a centre of interdisciplinary research excellence, supporting the full range of arts, humanities and social sciences. We have built up an environment for work of international standing and impact from Britain and the Commonwealth, a bridge into the intellectual and cultural heart of Rome and Italy, and a key vantage-point for the understanding of the Mediterranean as a whole. The BSR promotes: • residential awards for artists, both visual and creative, and architects • residential awards for research in the archaeology, history, art history, society and culture of Italy and the Mediterranean • a multidisciplinary programme of lectures and conferences • internationally collaborative research projects, including archaeological excavation and fieldwork • a specialist research library and exceptionally rich archive • monograph publications of research and our highly rated journal, Papers of the British School at Rome • the curation of exhibitions • specialist taught courses. The BSR’s vision is: • The inspiration and generation of creative research and practice • A transformative intellectual experience • World-class and socially engaged practice and research, both within the context of Rome and beyond • Interdisciplinary, supportive, welcoming, accessible, challenging values, which promote equality, inclusion and diversity • The exploration of new avenues and directions, in ways that remain coherent with our mission, resources, and networks. 1 The BSR is the UK’s largest-scale research institution located inside the EU which is independent of an HEI. It is therefore of even greater importance now that Brexit has happened: it is the UK’s front door in Europe for Fine Arts, Humanities, and Social Science (AHSS). -
Federico Halbherr and Arthur Evans: an Archaeological Correspondence (1894-1917) ,'
FEDERICO HALBHERR AND ARTHUR EVANS: AN ARCHAEOLOGICAL CORRESPONDENCE (1894-1917) ,', by NICOLETIA MOMIGLIANO INTRODUCTION This article presents the surviving correspondence between Federico Halbherr (1857-1930) and Arthur John Evans (1851-1941), two towering figures in the history of Cretan archaeology I , Halbherr's extensive * I should like to thank the Accademia Roveretana degli Agiati and the Evans Trust for permission to study and publish these letters. I am very grateful to Gianmario Baldi and Paolo Mazzetti (Biblioteca Civica G. Tartarotti di Rovereto); Elena Sorge (Scuola Normale Superiore di Pisa); Alberto G. Benvenuti (Scuola Archeologica Italiana di Atene); Roger Moorey, Sue Sherratt and Michael Vickers (Ashmolean Museum) for facilitating the study of this material. Dr Baldi's kindness and help have been especially appreciated. P. W. Moss, Head Clerk, and Alice Blackford, Assistant Keeper of the Archives, at the University of Oxford kindly provided information on Os man Hamdy Bey's honorary degree. Rachel Pownall (Library of the Royal Institute of British Architects) helped with information on Christian Doll. I am especially grateful to Pietro Militello and Vincenzo La Rosa for providing useful information and interesting discussions on various aspects of Halbherr's life; to Yannis Hamilakis for useful comments and suggestions on a draft of this paper, and for lending me Petrakos's volume on Greek Archaeological legislation; and to Peter Day for information on the site of Galana Kharakia (Tavernes). Last but not least, Roger H. Lonsdale helped me to decipher a few words in Evans's letters and improved my English. 'On Federico Halbherr see Pernier 1930; Della Seta 1931; De Sanctis 1970 esp.