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055 AMERICAN RUSE - Return Of The X...... CD (1994) +319 RECORDINGS Records 056 V/A - Hodge Podge & Barrage From Japan Vol.3 CD (Iowa City, IA, USA) Hardcore 058 JACKIE & THE CEDRICS - Great 9 Stomps Set Do7” (1995) 059 JACK O'FIRE - Beware The Souless Cool CD (1996) #1 SONG OF ZARATHUSTRA - same EP 7“(1998) 060 DEVIL DOGS - ...stereodrive! CD (1994) #2 SONG OF ZARATHUSTRA / JOHNNY ANGEL - Split-7“ (1998) 061 AFFECTED - Mind 7” (1995) 062 NOMADS - Dig Up That Hatchet 7” (1995) 063 HUMPERS - Sarcasmatron 7” (1994) 007 Records 064 SCRARTCH BONGOWAX - Zero Conformity Intuition CD (1995) (New York, NY, USA) Punk, Garage, Rock´n´Roll 065 SCRARTCH BONGOWAX - Zero Conformity Intuition LP (1995) 066 FIREWORKS - Prime Mover 7” (1995) 067 69 EYES - The Deuce 7” (1994) 068 ANTISEEN - It All Breaks Down 7” (1995) 069 PHANTOM RATS - See You Tonight 7” (1994) 070 GAMMA MEN - Less Is More CD (1995) 071 LUNKHEADS - Gore, Gore-A-Go! Go! 7” 001 DUMMIES - same EP 7” 072 JAIME PINA - Bad Latino CD (1995) 002 Sgt 6 ASSAULT - same EP 7” (1996) 073 JAIME PINA - Astro Boy / Astro Girl 7” (1995) 003 SHORT FUSES - Ride Me! 7” (1997) 074 KWYET KINGS - Somebody Like You 7” (1995) 004 Sgt 6 ASSAULT - Bullshit Job 7” (1997) 075 FIFI AND THE MACH III - 1976 CD (1995) 005 JAKKPOT - End Of My Rope 7” (1997) 076 FIFI AND THE MACH III - 1976 (Arizona Mix) 7” (1994) 006 NITWITZ - Landmine Heart 7” (1998) 077 CAMPUS TRAMPS / PHANTOM RATS - Punk Rock Explosion! 7” (1997) 007 GLUECIFER - Lard Ass Hagan 7” (1998) 078 SMUGGLERS - Whiplash ! 7” (1995) 008 SPOILERS - Pump Action 7” (1998) 079 JIMMY KEITH & HIS SHOCKY HORRORS - Hooker Or King 7” (1995) 009 PUFFBALL - Full Throttle Rock N' Roll 7” (1998) 080 16 FOREVER - Too Much Too Late CD (1995) 010 ROCKETS - Voltage Demons 7” (1998) 081 GREAT MONGOOSE - Hong Kong Baby 7” (1995) 011 HOMEWRECKERS - I Want More 7” (1998) 082 69 EYES - Motor City Resurrection CD (1995) 012 PEEPSHOWS - Go To Hell 7” (1999) 083 ADZ - Tetsuo 7” (1994) 013 MUD CITY MANGLERS - Gonna Die Tonight 7” (1999) 084 BASEMENT BRATS - Curse Of The Brats CD (1996) 014 YES-MEN - Fratricide 7” (1999) 085 PHANTOM RATS - Shake Shake Shake CD (1995) 015 JOHN BERENZY GROUP - Vice Verses 7” (1999) 086 NOMADS - Made in Japan (Recorded in Sweden) CD (1995) 016 SKELETT - City Life 7” (1999) 087 SHAMBLES - Reviving Spark CD (1996) 017 GLUECIFER - Lord Of The Dusk 7” (1998) 088 JACKIE & THE CEDRICS - Great 9 Stomps Set CD 018 BLACK MARKET BABY - Blood Street Boys 7” (2000) 089 SCRATCH BONGOWAX - Let Me Be CD (1998) 019 TOMAHAWK - Push 7” (1999) 090 VIKINGS - Go Berserk! CD 020 HELLACOPTERS - It's Not A Long Way Down 7” (2000) 091 FIFI AND THE MACH III - Mach A Go! Go! CD (1996) 021 BLACK MARKET BABY - Crimes Of Passion 7” (2000) 093 SCRATCH BONGOWAX - Human Bean 7” (1996) 022 MUSTANG - Full Moon Crazy 7” (2001) 094 CREAMERS - He Needed Killin 7” (1996) 023 MUD CITY MANGLERS - Tired Of Losing 7” (2001) 096 ANTISEEN - Thanks A Lot 7” (1996) 097 HIGHLANDER TWO - High Sheriff 7” (1997) 098 ALTER EGOS - Why Don't You Give It 7” (1995) 1+2 Records 099 HENTCHMEN - Gravel-Bite 7” (1995) (Tokyo, Japan) Garage / Punk 100 V/A - Eternally Ours: A Tribute To The Saints CD (1999) 101 CAMPUS TRAMPS - T.F.F.T. CD (1997) 102 SPENT IDOLS - Spent City Rockers CD (1996) 103 PEARL SCHWARTZ - Stars In The Street 7”(1996) 104 SATOR - I'm Gone 7” (1996) 105 SPACEHITS - Showdown On 3rd ! 7” (1997) 106 GREY SPIKES - Year Zero CD (1996) 107 MULLENS - Step On The Gas 7” (1997) 005 AMERICAN SOUL SPIDERS - Spanish Doll 7” (1990) 108 ONYAS - London...Paris...Bracken Ridge! 7” (1997) 007 RAUNCH HANDS - same CD (1990) 109 BOYZ NEX’ DOOR - Radio Honolulu! CD (1998) 008 DEVIL DOGS - Devil's Hits CD (1991) 110 YUM YUMS - Sweet As Candy CD (1997) 010 BLOOMIN' BROS. - Feel Cool CD (1991) 111 ALTER EGOS - Ego Mania! CD (1994) 012 LONG GONE DADDY-O's - Move To Dixie CD 112 SPLASH FOUR - Do The Earthquake Shake! CD (1997) 013 JEFF JAHL GROUP - Scratch Up Some Action CD (1991) 116 SMUGGLERS - Growing Up Smuggler DoLP (1998) 014 RAUNCH HANDS - Million Dollar Movie CD (1991) 118 V/A - School Is Out CD 015 CYNICS - Cynicism CD (1990) 119 DOORSLAMMER - same CD (1999) 016 PRAY TV - Flux CD (1991) 123 DAS BOOT - Talk Dirty CD (1999) 017 MONO MEN - Back To Mono CD (1992) 124 V/A - Where The Action Is CD (2000) 021 V/A - Hodge Podge & Barrage From Japan Vol.1 CD 125 TV IDOLS - 17, Desperate And All Messed Up CD 022 DEVIL DOGS - We Three Kings CD (1992) 126 CHALLENGER 7 - Payola CD (2000) 023 JEFF DAHL & AMERICAN SOUL SPIDERS - Livin' In The Shadows Do7” 127 TEENIE CHEETAHS - Come Dance! CD (1992) 129 V/A - Expression Vol. 1 CD 024 JOHN SPENCER BLUES EXPLOSION - Crypt Style CD (1992) 131 DAS BOOT - Hell Baby, Yeah! CD (2000) 025 HOSS - You Got Nothing CD 134 V/A - Wild Weekend CD 027 LAZY COWGIRLS - Tapping The Source CD (1992) 133 FASTCARS - Fastest Car Around CD (2000) 028 YOUNG FRESH FELLOWS - Gleich Jetzt CD (1993) 135 MACH PELICAN - same CD 029 RAUNCH HANDS - Fuck Me Stupid CD (1992) 138 BACKWOOD CREATURES - Kings Of Beach Boulevard CD (2000) 030 MONO MEN - Shut Up! CD (1993) 139 PAY CHANNEL - same CD 033 JEFF DAHL - The Best Of CD (1993) 140 EVIL HOODOO - same CD (2001) 034 CAMPUS TRAMPS - Va - Va - Voom ! 7” (1992) 143 V/A - My Summer Love CD (2002) 035 MUTANT MONSTER BEACH PARTY / YOUNG FRESH FELLOWS - Split-7” 144 YUM YUMS - Blame It On The Boogie CD 036 MONO MEN - Wrecker! 7” (1993) 145 MACH PELICAN - Pulsate To The Back Beat CD 037 BUM - Wanna Smash Sensation CD 146 SWEET J.A.P. - Virgin Vibe CD 038 VACANT LOT - ... Because They Can CD (1992) 147 WIMPY´S - Do The Wimpy‘s Hop! CD 039 DOG - American Dream CD (1993) 148 STRAWBERRY MUD PIE - You Sing! Me Play! CD (2002) 041 GREY SPIKES - Sex & Hate CD 150 V/A - Gas Food & Lodging - Rock And Roll Roadtrip CD 042 A-BONES - Bamboo Rock 'n' Roll 7” 151 COLOUR SLIDE - same CD 043 PRISONSHAKE - The Roaring Third CD (1993) 153 V/A - Hodge Podge & Barrage From Japan Vol.4 CD 044 FIFI AND THE MACH III - Attack The Zombies CD (1993) 045 REMAINS - Too Much Too Lose CD (1994) 046 GARGOYLES - Inflexable CD (1994) 1 DIMENSIONAL Records 047 CAMPUS TRAMPS - Curves Ahead LP/CD (1994) (Cambridge, MA, USA) Punk (8RA) + Parody-Pop (SE) 048 LONG GONE DADDY O's - Married Woman 7” (1993) 049 BUM / FIFI AND THE MACH III - Split-7” (1994) 050 GARGOYLES / REMAINS - Split-7” (1994) 051 GAMMA MEN - Blinding Love 7” (1994) 052 V/A - Hodge Podge & Barrage From Japan, Volume 2 CD (1994) 053 '68 COMEBACK - Great Million Sellers Vol.1 7” (1994) 1001 8TH ROUTE ARMY - Nihilist Olympics LP (1985) 054 LA SECTA - Black Hair 7” (1995) 1002 8TH ROUTE ARMY - Chernobyl Cockbook LP (1989) 1 8509 8TH ROUTE ARMY - Wanda 7” (1984) 2nd CITY 22292 8TH ROUTE ARMY - No Leaders 7” (Tokyo, Japan) Ska 66666 SWINGING ERUDITES - Pretentious Crapola LP 2C001 MY LOVE - Camp Fires CD 99999 SWINGING ERUDITES - Unchained Parodies LP (1987) 2C002 BLUE BEAT PLAYERS - Torrid Rock CD (1997) 2C003 BLUE BEAT PLAYERS - Torrid Rock 7“ (1997) 2C004 BLUE BEAT PLAYERS - Baby (Remix) CDsi (1997) 1 1/4 YORK Records 2C005 BLUE BEAT PLAYERS - The Cosmic Blue Beat Jammer 12“ (1997) (Chicago, IL, USA) . 2C010 BLUE BEAT PLAYERS - Tokyo Money 7“ (1999) ? BLUE BEAT PLAYERS - Down Beat As Ever LP (2000) 001 GOD'S ACRE - Baby EP 10” (1991) 2 STEPS FORWARD Records 002 FREAKWATER - Your Goddamned Mouth 7” (1991) (Louisville, KY, USA) Hardcore 003 004 WASTE KINGS - Millionth Eye 7” (1993) Run by Big Jim. 005 WASTE KINGS - same CD 006 WASTE KINGS - Mary's Attic Sounds 7” (1994) 001 V/A - Welcome To The x502x 7” (1997) 002 V/A - The x502x Strikes Back 7” (1998) 003 1.2.3. Records 004 V/A - Return Of The X502X CD (1999) (Japan) Punk / Hardcore ? INVICTUS - Demo MC (1997) 1.2.3. R-001 CD.SYNAPSE - Asphyxiation 7” (1986) ? V/A - The 502 Menace CD (2001) 1.2.3. R-002 CD.SYNAPSE - Grave-Yard 7” Flexi (1986) 1.2.3. R-003 CD.SYNAPSE - No. 3 7” (1988) 2T Records (Tokyo, Japan) Ska 1st WOO (USA) 1W-001 SUBURBAN TEEN ALL STARS - same 7“ (1995) 1W-002 HABIT TRAIL - Turning Mid Young 7“ (1995) 1W-003 MEASLES - Crooked Girl 7“ (1997) FAT-001 FATNESS - Give Ya Fatty Fatty Slappin‘ Ska! 7“ (2002) 2” PECKER Records FAT-003 FATNESS - Yes! I‘m Fatty 7“ (2004) (Los Angeles, CA, USA) Punk FAT-005 FATNESS - Dear Madness CD (2009) 3 ACRE FLOOR (San Francisco, CA, USA) CP 01 CHEMICAL PEOPLE - Black Throat 7” (1988) CP 02 CHEMICAL PEOPLE - Fan Club 7” (1988) CP 03 CHEMICAL PEOPLE - X-Feminist 7” (1989) CP 04 CHEMICAL PEOPLE - Are You Butt Phace 7” (1988) CP 05 CHEMICAL PEOPLE - Live '89 7” (1989) AC 01 KNIT SEPERATES - The Memory Relaxer EP 7” (1997) CP 06 CHEMICAL PEOPLE - Ask The Angels 7” (1990) AC 02 CP 07 CHEMICAL PEOPLE - Cum Blister Bleed 7” (1990) AC 03 KNIT SEPERATES - Maybe In Time I Could Change 7” (1997) AC 04 JASON HONEA - Maybe In Time I Could Change 7” CD 1 CHEMICAL PEOPLE - The Singles CD (1989) AC 05 PETE MILLER - Me 7” (1999) AC 06 AC 07 STEVEN R.
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    THE STROKES FOUR TET NEW MUSIC REPORT ESSENTIAL October 15, 2001 www.cmj.com DILATED PEOPLES LE TIGRE CMJ MUSIC MARATHON ’01 OFFICIALGUIDE FEATURING PERFORMANCES BY: Bis•Clem Snide•Clinic•Firewater•Girls Against Boys•Jonathan Richman•Karl Denson•Karsh Kale•L.A. Symphony•Laura Cantrell•Mink Lungs• Murder City Devils•Peaches•Rustic Overtones•X-ecutioners and hundreds more! GUEST SPEAKER: Billy Martin (Medeski Martin And Wood) COMPLETE D PANEL PANELISTS INCLUDE: BAND AN Lee Ranaldo/Sonic Youth•Gigi•DJ EvilDee/Beatminerz• GS INSIDE! DJ Zeph•Rebecca Rankin/VH-1•Scott Hardkiss/God Within LISTIN ININ STORESSTORES TUESDAY,TUESDAY, SEPTEMBERSEPTEMBER 4.4. SYSTEM OF A DOWN AND SLIPKNOT CO-HEADLINING “THE PLEDGE OF ALLEGIANCE TOUR” BEGINNING SEPTEMBER 14, 2001 SEE WEBSITE FOR DETAILS CONTACT: STEVE THEO COLUMBIA RECORDS 212-833-7329 [email protected] PRODUCED BY RICK RUBIN AND DARON MALAKIAN CO-PRODUCED BY SERJ TANKIAN MANAGEMENT: VELVET HAMMER MANAGEMENT, DAVID BENVENISTE "COLUMBIA" AND W REG. U.S. PAT. & TM. OFF. MARCA REGISTRADA./Ꭿ 2001 SONY MUSIC ENTERTAINMENT INC./ Ꭿ 2001 THE AMERICAN RECORDING COMPANY, LLC. WWW.SYSTEMOFADOWN.COM 10/15/2001 Issue 735 • Vol 69 • No 5 CMJ MUSIC MARATHON 2001 39 Festival Guide Thousands of music professionals, artists and fans converge on New York City every year for CMJ Music Marathon to celebrate today's music and chart its future. In addition to keynote speaker Billy Martin and an exhibition area with a live performance stage, the event features dozens of panels covering topics affecting all corners of the music industry. Here’s our complete guide to all the convention’s featured events, including College Day, listings of panels by 24 topic, day and nighttime performances, guest speakers, exhibitors, Filmfest screenings, hotel and subway maps, venue listings, band descriptions — everything you need to make the most of your time in the Big Apple.
  • The Problematic Westernization of Pussy Riot

    The Problematic Westernization of Pussy Riot

    Macalester College DigitalCommons@Macalester College Gateway Prize for Excellent Writing Academic Programs and Advising 2020 The Riot Continues: The Problematic Westernization of Pussy Riot Adam Clark Macalester College Follow this and additional works at: https://digitalcommons.macalester.edu/studentawards Part of the Music Commons Recommended Citation Clark, Adam, "The Riot Continues: The Problematic Westernization of Pussy Riot" (2020). Gateway Prize for Excellent Writing. 16. https://digitalcommons.macalester.edu/studentawards/16 This Gateway Prize for Excellent Writing is brought to you for free and open access by the Academic Programs and Advising at DigitalCommons@Macalester College. It has been accepted for inclusion in Gateway Prize for Excellent Writing by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Adam Clark Victoria Malawey, Gender & Music The Riot Continues: The Problematic Westernization of Pussy Riot “We’re gonna take over the punk scene for feminists” -Kathleen Hanna Although they share feminist ideals, the Russian art collective Pussy Riot distinguishes themselves from the U.S.-based Riot Grrrl Movement, as exemplified by the band Bikini Kill, because of their location-specific protest work in Moscow. Understanding how Pussy Riot is both similar to and different from Riot Grrrl is important for contextualizing the way we think about diverse, transnational feminisms so that we may develop more inclusive and nuanced ways in conceptualizing these feminisms in the future. While Pussy Riot shares similar ideals championed by Bikini Kill in the Riot Grrrl movement, they have temporal and location-specific activisms and each group has their own ways of protesting injustices against women and achieving their unique goals.
  • Camera 12 Able to Show Blockbusters Forfirst Time in 40 Years, Theater Can Book Any Movies by Elizabeth Nguyen the Kind of Film We Always Played It

    Camera 12 Able to Show Blockbusters Forfirst Time in 40 Years, Theater Can Book Any Movies by Elizabeth Nguyen the Kind of Film We Always Played It

    A ir WOMEN'S VOLLEYBALL: Student intertwines Profiles of Associated Students Board Spartans bit the road to face art with personal Executive University of San Francisco history Meet Rachel Greathouse, Page 9 Jonathan Stoll and Pearl Yuan Page 7 Page 4 CELEBRATING 70 YEARS 1934-2004 SPARTAN DAILY WWW.THESPARTANDAILY.COM VOLUME 123, NUMBER 4 WEDNESDAY, SEPTEMBER 1, 2004 Camera 12 able to show blockbusters Forfirst time in 40 years, theater can book any movies By Elizabeth Nguyen the kind of film we always played it. I Mat Pr odu. non Editor the past." The owners of Camera Cinemas, The 11.,ffie "vvr wins h theaters are the theaters that are usually known ill, irul ti show what IllOVIes Mat for showing more independent and now he finished. The contniveisy rut art films, became very concerned after whine .i theater Wl irks they could not book the high grossing vi all I Myst.. ,i1 studios to restrict blo.ckbuster. NyBloni said. , mon mainstream movies "There are eight or nine major stu- o mt.? s'eti'le, was brought to dios, each release A couple dozen films p . attention att,u the state attorney a year: he said. "Those decisions Ito gei,etal se ii gait examining anti- mipose 'clearance') are usually horuired trust allrgation, lw the owners of by smaller distributors of specialized the lownho.al. 5. ailletaCille111.1S, 'laud .1 and art films. They tend to follow suit. iwnier and When C.1111erd 12 Was built, the ineillaS, Said owners wanted to have half of the 12 - the ite, t.
  • San Miguel Primavera Sound

    San Miguel Primavera Sound

    SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol.