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{PDF EPUB} Rejected Addresses: and Other Poems by James Smith
Read Ebook {PDF EPUB} Rejected addresses: and other poems by James Smith Jun 25, 2010 · Rejected addresses, and other poems Paperback – June 25, 2010 by Epes Sargent (Author), Horace Smith (Author), James Smith (Author) › Visit Amazon's James Smith Page. Find all the books, read about the author, and more. See search results for this author. Are you an author?Author: Epes Sargent, Horace Smith, James SmithFormat: PaperbackRejected Addresses, and other poems. ... With portraits ...https://www.amazon.com/Rejected-Addresses...Rejected Addresses, and other poems. ... With portraits and a biographical sketch. Edited by E. Sargent. [Smith, James, Sargent, Epes, Smith, Horatio] on Amazon.com. *FREE* shipping on qualifying offers. Rejected Addresses, and other poems. ... With portraits and a biographical sketch. Edited by E. Sargent. Jun 22, 2008 · Rejected Addresses: And Other Poems by James Smith, Horace Smith. Publication date 1871 Publisher G. P. Putnam & sons Collection americana Digitizing sponsor Google Book from the collections of University of Michigan Language English.Pages: 441Rejected Addresses, and other poems. ... With portraits ...https://books.apple.com/us/book/rejected-addresses...The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collectio… Rejected addresses, and other poems Item Preview remove-circle Share or Embed This Item. EMBED. EMBED (for wordpress.com hosted blogs and archive.org item <description> tags) Want more? Advanced embedding details, examples, and help! ...Pages: 460Rejected addresses, and other poems. -
Horace Smith - Poems
Classic Poetry Series Horace Smith - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Horace Smith(31 December 1779 - 12 July 1849) Horace (born Horatio) Smith was an English poet and novelist, perhaps best known for his participation in a sonnet-writing competition with <a href="http://www.poemhunter.com/percy-bysshe-shelley/">Percy Bysshe Shelley</a>. It was of him that Shelley said: "Is it not odd that the only truly generous person I ever knew who had money enough to be generous with should be a stockbroker? He writes poetry and pastoral dramas and yet knows how to make money, and does make it, and is still generous." <b>Biography</b> Smith was born in London, the son of a London solicitor, and the fifth of eight children. He was educated at Chigwell School with his elder brother James Smith, also a writer. Horace first came to public attention in 1812 when he and his brother James (four years older than he) produced a popular literary parody connected to the rebuilding of the Drury Lane Theatre, after a fire in which it had been burnt down. The managers offered a prize of £50 for an address to be recited at the Theatre's reopening in October. The Smith brothers hit on the idea of pretending that the most popular poets of the day had entered the competition and writing a book of addresses rejected from the competition in parody of their various styles. James wrote the parodies of Wordsworth, Southey, Coleridge and Crabbe, and Horace took on Byron, Moore, Scott and Bowles. -
Enlightenment and Dissent No.29 Sept
ENLIGHTENMENT AND DISSENT No.29 CONTENTS Articles 1 Lesser British Jacobin and Anti-Jacobin Writers during the French Revolution H T Dickinson 42 Concepts of modesty and humility: the eighteenth-century British discourses William Stafford 79 The Invention of Female Biography Gina Luria Walker Reviews 137 Scott Mandelbrote and Michael Ledger-Lomas eds., Dissent and the Bible in Britain, c. 1650-1950 David Bebbington 140 W A Speck, A Political Biography of Thomas Paine H T Dickinson 143 H B Nisbet, Gottfried Ephraim Lessing: His Life, Works & Thought J C Lees 147 Lisa Curtis-Wendlandt, Paul Gibbard and Karen Green eds., Political Ideas of Enlightenment Women Emma Macleod 150 Jon Parkin and Timothy Stanton eds., Natural Law and Toleration in the Early Enlightenment Alan P F Sell 155 Alan P F Sell, The Theological Education of the Ministry: Soundings in the British Reformed and Dissenting Traditions Leonard Smith 158 David Sekers, A Lady of Cotton. Hannah Greg, Mistress of Quarry Bank Mill Ruth Watts Short Notice 161 William Godwin. An Enquiry Concerning Political Justice ed. with intro. Mark Philp Martin Fitzpatrick Documents 163 The Diary of Hannah Lightbody: errata and addenda David Sekers Lesser British Jacobin and Anti-Jacobin Writers during the French Revolution H T Dickinson In the late eighteenth century Britain possessed the freest, most wide-ranging and best circulating press in Europe. 1 A high proportion of the products of the press were concerned with domestic and foreign politics and with wars which directly involved Britain and affected her economy. Not surprisingly therefore the French Revolution and the French Revolutionary War, impacting as they did on British domestic politics, had a huge influence on what the British press produced in the years between 1789 and 1802. -
Bibliography of Studies of Eighteenth-Century Journalism and the Periodical Press, 1986-2009
Bibliography of Studies of Eighteenth-Century Journalism and the Periodical Press, 1986-2009 This bibliography surveys scholarship published from 1986 to 2009 on journalism, diverse serials (including almanacs), and the periodical press throughout the Europe and the Americas during the "long eighteenth century," approximately 1660-1820. It is most inclusive for the years 1990-2007, in consequence of my compiling studies of that period for Section 1--"Printing and Bibliographical Studies"--of the ECCB: Eighteenth-Century Current Bibliography, until recently known as The Eighteenth Century: A Current Bibliography. It focuses on printed publications, but a few electronic publications have been included. Dissertations and book reviews also are included. For suggestions and corrections, I am indebted to Professor James E. Tierney. In Spring 2003, I learned of many publications, particularly on German periodicals, from Mr. Harold Braem of Hildesheim, who has provided me with titles in his Historische Zeitungen: Privatarchiv der deutschsprachigen Presse des 17.-19. Jahrhunderts. Later, others, such as Marie Mercier-Faivre, Eric Francalanza, Rudj Gorian, and Charles A. Knight, have called attention to errors and overlooked studies. Of course, I am also indebted to many published bibliographies, most especially those by Diana Dixon published in inter-related annual serials: Journal of Newspaper and Periodical History (London, 1984-1994), Studies in Newspaper and Periodical History (Westport, CT: Greenwood, 1994-1997), Media History (1999-2002). I have also drawn upon Kim Martin Long's checklists in issues of American Periodicals, and various annual bibliographies dedicated to literature in specific languages, the most useful being MHRA's Annual Bibliography of English Language and Literature, with its inclusive chapter on periodicals. -
SPECIAL ARTICLE OPEN ACCESS P.B. Shelley's Poem Ozymandias In
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Space and Culture, India Zhatkin and Ryabova. Space and Culture, India 2019, 7:1 Page | 56 https://doi.org/10.20896/saci.v7i1.420 SPECIAL ARTICLE OPEN ACCESS P.B. Shelley’s Poem Ozymandias in Russian Translations Dmitry Nikolayevich Zhatkin †*and Anna Anatolyevna RyabovaÌ Abstract The article presents a comparative analysis of Russian translations of P.B.Shelley’s poem Ozymandias (1817), carried out by Ch. Vetrinsky, A.P. Barykova, K.D. Balmont, N. Minsky, V.Ya. Bryusov in 1890 – 1916. These translations fully reflect the peculiarities of the social and political, cultural and literary life in Russia of the late 19th – early 20th Centuries, namely weakening of the political system, growing of interest to the culture of Ancient Egypt, and strengthening of Neoromanticism in opposition to Naturalism in literature. In the process of the analysis, we used H. Smith’s sonnet Ozymandias, P.B. Shelley’s sonnet Ozymandias and its five Russian translations. The methods of historical poetics of A.N. Veselovsky, V.M. Zhirmunsky and provisions of the linguistic theory of translation of A.V. Fedorov were used. The article will be interesting for those studying literature, languages, philology. Keywords: P.B. Shelley, Ozymandias, Poetry, Literary Translation, Russian-English Literary Relations † Penza State Technological University, Penza, Russia * Corresponding Author, Email: [email protected], [email protected] Ì Email: [email protected] © 2019 Zhatkin and Ryabova. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/2.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. -
Jane Stabler, “Religious Liberty in the 'Liberal,' 1822-23”
Jane Stabler, Religious Liberty in the Lib... http://www.branchcollective.org/?ps_articles=jane-stabler-religious-liberty-in-the-liberal Jane Stabler, “Religious Liberty in the ‘Liberal,’ 1822-23” Figure 1: Thomas Philipps, Portrait of Lord Byron (1824) To think about the Liberal as an important event is to enter contentious territory. William Hazlitt (who was a contributor) described the journal as “obnoxious” in its day (Complete Works 12. 379), and in the following century, it was usually regarded as a failure or, at least, a disappointment—something that never really came together before it fell apart. In 1910, Barnette Miller described it as “a vague, up-in-the-air scheme, wholly lacking in coordination and common sense” (113). Metaphors of death and still-birth pervade the twentieth-century criticism: according to C. L. Cline “The Liberal died with the fourth number” (247); Leslie P. Pickering summarises the project thus: “in as meteoric a manner as it lived, so did the journal die, bearing with it to its untimely grave the ruined hopes of its progenitors, until now its name conveys but little to the minds of the many” (7-8). The seminal study by William H. Marshall declared, “the real question does not concern the causes of the failure of The Liberal but the reason that any of the participants thought that it could succeed” (212). In Richard Holmes’s biography of Shelley, the journal “folded quietly . after only four issues, the final collapse of Shelley’s original Pisan plan” (731); in Fiona MacCarthy’s biography of Byron, the Liberal was a “critical and financial disaster” and, after Byron’s final contribution, it simply “folded” (456). -
MO Grenby. Writing Revolution: British Literature
The definitive version of this article is published by Blackwell as: M. O. Grenby. Writing Revolution: British Literature and the French Revolution Crisis, a Review of Recent Scholarship. Literature Compass 2006, 3 (6), 1351-1385 http://www3.interscience.wiley.com/journal/118578169/abstract Writing Revolution: British Literature and the French Revolution Crisis, a Review of Recent Scholarship 1 M. O. Grenby Abstract The French Revolution had a profound effect on almost all aspects of British culture. French events and ideas were avidly discussed and disputed in Britain. Long-standing British political and cultural debates were given new life; new socio-political ideologies rapidly emerged. The sense of political, religious and cultural crisis that developed in the 1790s was only slowly to dissipate. Generations afterwards, many British thinkers and writers were still considering and renegotiating their responses. The effect of the Revolution Crisis on British literature was particularly marked, something that was widely recognised at the time and has been the focus of much scholarship since. It has become something of a cliché that British literary Romanticism was born out of the Revolution. The last few decades have produced new waves of powerful criticism which has re-examined the relationship between the Revolution Crisis and the works it shaped. Different strands of radical writing have now received detailed investigation, as have equally complex conservative responses. Writing by and for women is now receiving as much attention as writing by men, and previously neglected forms, such as the popular novel, pamphlets and children's literature, are now the subject of an increasing number of studies. -
Bibliography
Bibliography Allott , Miriam (ed.) ( 1982 ), Essays on Shelley (Liverpool: Liverpool University Press). Angeli , Helen Rossetti ( 1911 ), Shelley and His Friends in Italy (London: Methuen). Arditi , Neil (2001 ), ‘T. S. Eliot and The Triumph of Life ’, Keats-Shelley Journal 50, pp. 124–43. Arnold , Matthew ( 1960 –77), The Complete Prose Works , ed. R. H. Super, 11 vols (Ann Arbor: University of Michigan Press). Bainbridge , Simon ( 1995 ), Napoleon and English Romanticism (Cambridge: Cambridge University Press). Baker , Carlos ( 1948 ), Shelley’s Major Poetry: The Fabric of a Vision (Princeton: Princeton University Press). Bandiera , Laura ( 2008 ), ‘Shelley’s Afterlife in Italy: From 1922 to the Present’, in Schmid and Rossington ( 2008 ), pp. 74–96. Barker-Benfield , Bruce ( 1991), ‘Hogg-Shelley Papers of 1810–12’, Bodleian Library Record 14, pp. 14–29. Barker-Benfield , Bruce ( 1992 ), Shelley’s Guitar: An Exhibition of Manuscripts, First Editions and Relics to Mark the Bicentenary of the Birth of Percy Bysshe Shelley, 1792– 1992 (Oxford: Bodleian Library). Beatty, Bernard ( 1992 ), ‘Repetition’s Music: The Triumph of Life ’, in Everest ( 1992 a), pp. 99–114. Beavan , Arthur H . ( 1899 ), James and Horace Smith: A Family Narrative (London: Hurst and Blackett). Behrendt , Stephen C . ( 1989 ), Shelley and His Audiences (Lincoln: University of Nebraska Press). Bennett , Betty T ., and Curran, Stuart (eds) ( 1996 ), Shelley: Poet and Legislator of the World (Baltimore: Johns Hopkins University Press). Bennett , Betty T ., and Curran , Stuart (eds) ( 2000), Mary Shelley in Her Times (Baltimore: Johns Hopkins University Press). Bieri, James (1990 ), ‘Shelley’s Older Brother’, Keats-Shelley Journal 39, pp. 29–33. Bindman , David , Hebron , Stephen , and O’Neill , Michael ( 2007 ), Dante Rediscovered: From Blake to Rodin (Grasmere: Wordsworth Trust). -
Notes to Chapter 1: Gender, Class and Cultural Revolution 1. on Cultural Revolution and State Formation, See Philip Corrigan
Notes Notes to Chapter 1: Gender, Class and Cultural Revolution 1. On cultural revolution and state formation, see Philip Corrigan and Derek Sayer, The Great Arch: English State Formation as Cultural Revol ution (Oxford and New York: Basil Blackwell, 1985); on revolutionary elites and state formation, see Theda Skocpol, States and Social Revol utions: A Comparative Analysis of France, Russia, and China (Cambridge: Cambridge University Press, 1979); on culture, domination, and resist ance, see Joan Cocks, The Oppositional Imagination : Feminism, Critique and Political Theory (London and New York: Routledge, 1989) chs 1-3. 2. Philippa Levine, Victorian Feminism , 1850-1900 (London: Hutchinson, 1987) p. 14. 3. See, for example, Anne M. Haselkom and Betty Travitsky (eds), The Renaissance Englishwoman in Print: Counterbalancing theCanon (Amherst, Mass. : University of Massachusetts Press, 1990); Elaine Hobby, Virtue of Necessity: English Women's Writing, 1649-88 (London: Virago Press, 1988); Katharine M. Rogers, Feminism in Eighteenth-Century England (Brighton, Sussex: Harvester Press; Urbana, Ill.: University of Illinois Press, 1982); Alice Browne, The Eighteenth-Century Feminist Mind (De troit, Mich.: Wayne State University Press, 1987). 4. Mary Poovey, The Proper LAdy and theWoman Writer: Ideology as Style in the WorksofMary Wollstonecraft, Mary Shelley, andJane Austen (Chicago, Ill. and London: University of Chicago Press, 1984) ch. 1. 5. For a review of the problems of definition and a survey of accounts of class in this period, see R. J. Morris, Class and Class Consciousness in the Industrial Revolution, 1780-1850 (London : Macmillan, 1979); for a broader treatment, see R. S. Neale, Class in English History, 1680-1850 (Oxford : Basil Blackwell, 1981). -
Women's Textual and Narrative Power
IN HER HANDS: WOMEN’S TEXTUAL AND NARRATIVE POWER IN THE ROMANTIC NOVEL by SARAH PAIGE ELLISOR-CATOE (Under the Direction of Roxanne Eberle) ABSTRACT This project examines the hybridity of the Romantic novel through the twin lenses of feminist and corporeal narratology. Romantic women novelists, in particular, manipulate narrative forms; these innovations often place a woman editor at the heart of the narratives and plots of novels, a role that reflects the increasing status of actual women editors during the period. To this end, Romantic women novelists emphasize the real and tangible nature of embedded texts and often put these embedded texts in women’s hands, a convention that I argue stresses women’s textual and narrative power. I survey how the embedded text legislates power for these women editor figures throughout the sub-genres of the Gothic, historical, and epistolary novels. Though my project is specifically a study of the narrative structure of the Romantic novel, I examine the long-ranging influence of these narrative experiments in the genre by linking these novels to Bram Stoker’s Dracula. INDEX WORDS: Romantic novel, Editor, Narrative structure, Embedded text, Corporeal narratology, Feminist narratology IN HER HANDS: WOMEN’S TEXTUAL AND NARRATIVE POWER IN THE ROMANTIC NOVEL by SARAH PAIGE ELLISOR-CATOE B.A., Presbyterian College, 2003 M.A., University of Georgia, 2005 A Dissertation Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2012 © 2012 Sarah Paige Ellisor-Catoe All Rights Reserved IN HER HANDS: WOMEN’S TEXTUAL AND NARRATIVE POWER IN THE ROMANTIC NOVEL by SARAH PAIGE ELLISOR-CATOE Major Professor: Roxanne Eberle Committee: Tricia Lootens Richard Menke Electronic Version Approved: Maureen Grasso Dean of the Graduate School University of Georgia 2012 iv DEDICATION I dedicate this dissertation to my Mina. -
JBR 54 4 POST-1800-Book Reviews 1032..1067
Book Reviews ▪ 1057 EMMA PEACOCKE. Romanticism and the Museum. Palgrave Studies in the Enlightenment, Romanticism and the Cultures of Print. New York: Palgrave, 2015. Pp. 195. $90.00 (cloth). doi: 10.1017/jbr.2015.164 Emma Peacocke’s Romanticism and the Museum is a well-researched and carefully put together study of the place of the museum in romantic-era Britain. She convincingly argues for the im- portant role played by the museum in shaping the British public sphere and national commu- nity in response to the trauma of war with Revolutionary and Napoleonic France. It does much to synthesize and bring to a wider audience the arguments of other critics about the ways in which the idea of the museum in this era evolved in direct competition with the dominant French paradigm of the Louvre. Its four chapters offer case histories of the museum in British romantic writing—in William Wordsworth, Walter Scott, Maria Edgeworth, and a group of journalists and poets responding to the Elgin marbles controversy, principally Lord Byron and Horace Smith. Collectively these chapters point to the significance of the lit- erary and journalistic representation of the museum as a crucial space for historicizing impulses to emerge, and with them reflections on the state of the nation. Individually, their close read- ings and careful research give to these chapters a fresh view of familiar texts and writers by jux- taposing them with what were, until recently, neglected archives of literary and journalistic writing. Since (unlike its French counterpart) the British idea of the museum and especially the museum of natural science is largely a Victorian invention, this book digs back to unearth a prehistory of the formation of the museum as a recognizably modern institution. -
Mary Wollstonecraft and the Problematic of Slavery Author(S): Moira Ferguson Source: Feminist Review, No
Mary Wollstonecraft and the Problematic of Slavery Author(s): Moira Ferguson Source: Feminist Review, No. 42, Feminist Fictions, (Autumn, 1992), pp. 82-102 Published by: Palgrave Macmillan Journals Stable URL: http://www.jstor.org/stable/1395131 Accessed: 10/04/2008 12:52 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=pal. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org MARY WOLLSTONECRAFT AND THE PROBLEMATIC OF SLAVERY Moira Ferguson A traffic that outrages every suggestion of reason and religion ... [an] inhuman custom. A Vindication of the Rights of Woman I love most people best when they are in adversity, for pity is one of my prevailing passions.