“Data Is Nice:” Theoretical and Pedagogical Implications of an Eastern Cherokee Corpus
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Runes Free Download
RUNES FREE DOWNLOAD Martin Findell | 112 pages | 24 Mar 2014 | BRITISH MUSEUM PRESS | 9780714180298 | English | London, United Kingdom Runic alphabet Main article: Younger Futhark. He Runes rune magic to Freya and learned Seidr from her. The runes were in use among the Germanic peoples from the 1st or 2nd century AD. BCE Proto-Sinaitic 19 c. They Runes found in Scandinavia and Viking Age settlements abroad, probably in use from the 9th century onward. From the "golden age of philology " in the 19th century, runology formed a specialized branch of Runes linguistics. There are no horizontal strokes: when carving a message on a flat staff or stick, it would be along the grain, thus both less legible and more likely to split the Runes. BCE Phoenician 12 c. Little is known about the origins of Runes Runic alphabet, which is traditionally known as futhark after the Runes six letters. That is now proved, what you asked of the runes, of the potent famous ones, which the great gods made, and the mighty sage stained, that it is best for him if he stays silent. It was the main alphabet in Norway, Sweden Runes Denmark throughout the Viking Age, but was largely though not completely replaced by the Latin alphabet by about as a result of the Runes of Runes of Scandinavia to Christianity. It was probably used Runes the 5th century Runes. Incessantly plagued by maleficence, doomed to insidious death is he who breaks this monument. These inscriptions are generally Runes Elder Futharkbut the set of Runes shapes and bindrunes employed is far from standardized. -
Writing Systems Reading and Spelling
Writing systems Reading and spelling Writing systems LING 200: Introduction to the Study of Language Hadas Kotek February 2016 Hadas Kotek Writing systems Writing systems Reading and spelling Outline 1 Writing systems 2 Reading and spelling Spelling How we read Slides credit: David Pesetsky, Richard Sproat, Janice Fon Hadas Kotek Writing systems Writing systems Reading and spelling Writing systems What is writing? Writing is not language, but merely a way of recording language by visible marks. –Leonard Bloomfield, Language (1933) Hadas Kotek Writing systems Writing systems Reading and spelling Writing systems Writing and speech Until the 1800s, writing, not spoken language, was what linguists studied. Speech was often ignored. However, writing is secondary to spoken language in at least 3 ways: Children naturally acquire language without being taught, independently of intelligence or education levels. µ Many people struggle to learn to read. All human groups ever encountered possess spoken language. All are equal; no language is more “sophisticated” or “expressive” than others. µ Many languages have no written form. Humans have probably been speaking for as long as there have been anatomically modern Homo Sapiens in the world. µ Writing is a much younger phenomenon. Hadas Kotek Writing systems Writing systems Reading and spelling Writing systems (Possibly) Independent Inventions of Writing Sumeria: ca. 3,200 BC Egypt: ca. 3,200 BC Indus Valley: ca. 2,500 BC China: ca. 1,500 BC Central America: ca. 250 BC (Olmecs, Mayans, Zapotecs) Hadas Kotek Writing systems Writing systems Reading and spelling Writing systems Writing and pictures Let’s define the distinction between pictures and true writing. -
1Cljqpgni 843713.Pdf
© 2013 University of Oklahoma School of Art All rights reserved. Published 2013. First Edition. Published in America on acid free paper. University of Oklahoma School of Art Fred Jones Center 540 Parrington Oval, Suite 122 Norman, OK 73019-3021 http://www.ou.edu/finearts/art_arthistory.html Cover: Ganiyegi Equoni-Ehi (Danger in the River), America Meredith. Pages iv-v: Silent Screaming, Roy Boney, Jr. Page vi: Top to bottom, Whirlwind; Claflin Sun-Circle; Thunder,America Meredith. Page viii: Ayvdaqualosgv Adasegogisdi (Thunder’s Victory),America Meredith. Traditional Themes in Contemporary Cherokee Art Traditional Themes in Contemporary Cherokee Art xi Foreword MARY JO WATSON xiii Introduction HEATHER AHTONE 1 Chapter 1 CHEROKEE COSMOLOGY, HISTORY, AND CULTURE 11 Chapter 2 TRANSFORMATION OF TRADITIONAL CRAFTS AND UTILITARIAN ITEMS INTO ART 19 Chapter 3 CONTEMPORARY CHEROKEE ART THEMES, METHODS, AND ARTISTS 21 Catalogue of the Exhibition 39 Notes 42 Acknowledgements and Contributors 43 Bibliography Foreword "What About Indian Art?" An Interview with Dr. Mary Jo Watson Director, School of Art and Art History / Regents Professor of Art History KGOU Radio Interview by Brant Morrell • April 17, 2013 Twenty years ago, a degree in Native American Art and Art History was non-existent. Even today, only a few universities offer Native Art programs, but at the University of Oklahoma Mary Jo Watson is responsible for launching a groundbreaking art program with an emphasis on the indigenous perspective. You expect a director of an art program at a major university to have pieces in their office, but entering Watson’s workspace feels like stepping into a Native art museum. -
No Meeting This Month. Instead, the Club Will Host a Fiction Master Class
ATLANTA WRITERS CLUB July 2008 —founded in 1914 We are a social and educational club where eQuill local writers meet to discuss the craft and business of writing. We Agenda for —July 19, 2008 also sponsor contests for our members and No meeting this month. host expert speakers from the worlds of Instead, the club will host a Fiction Master Class with Brian Jay writing, publishing, Corrigan for those who register, at the Holiday Inn‐Select on and entertainment. Chamblee‐Dunwoody Rd. See the full announcement and instructions for registration else‐ where in this issue. Passion for Words by Marty Aftewicz, President ......................................................... 2 Photos ................................................................................................................................................... 3 Scratch .................................................................................................................................................. 4 Accolades ............................................................................................................................................ 4 Charles Frazier at Gwinnett Center ......................................................................................... 5 Master Fiction Class ....................................................................................................................... 6 Picnic details..................................................................................................................................... -
Applications and Innovations in Typeface Design for North American Indigenous Languages Julia Schillo, Mark Turin
Applications and innovations in typeface design for North American Indigenous languages Julia Schillo, Mark Turin To cite this version: Julia Schillo, Mark Turin. Applications and innovations in typeface design for North American Indige- nous languages. Book 2.0, Intellect Ltd, 2020, 10 (1), pp.71-98. 10.1386/btwo_00021_1. halshs- 03083476 HAL Id: halshs-03083476 https://halshs.archives-ouvertes.fr/halshs-03083476 Submitted on 22 Jan 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. BTWO 10 (1) pp. 71–98 Intellect Limited 2020 Book 2.0 Volume 10 Number 1 btwo © 2020 Intellect Ltd Article. English language. https://doi.org/10.1386/btwo_00021_1 Received 15 September 2019; Accepted 7 February 2020 Book 2.0 Intellect https://doi.org/10.1386/btwo_00021_1 10 JULIA SCHILLO AND MARK TURIN University of British Columbia 1 71 Applications and 98 innovations in typeface © 2020 Intellect Ltd design for North American 2020 Indigenous languages ARTICLES ABSTRACT KEYWORDS In this contribution, we draw attention to prevailing issues that many speakers orthography of Indigenous North American languages face when typing their languages, and typeface design identify examples of typefaces that have been developed and harnessed by histor- Indigenous ically marginalized language communities. -
Mountain Monsters Season 6 Episode 1 Free Download Mountain Monsters Season 6 Episode 1 Free Download
mountain monsters season 6 episode 1 free download Mountain monsters season 6 episode 1 free download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67d97e1039bac41f • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Are We Ever Going To See a Mountain Monsters Season 6? Mountain Monsters is a show that has aired for five seasons on Destination America, one of the channels that’s frequently featured on premium packages for satellite and cable television. Typically, the network deals with things that are paranormal and in some cases, they venture into the world of cryptozoology. Mountain Monsters is a show that kind of combines both of these things into a single series, and people that have seen it either love it or hate it. It really is no middle ground with this show, to say the least. The show features the AIMS team and typically, you see them going out into the backwoods of the Appalachian Mountains looking for bigfoot or other storied cryptids that people have reported seeing. -
Young Portrait Explorers: Sequoyah
Young Portrait Explorers: Sequoyah Learning Objective: Learn about Sequoyah (c. 1770 – 1843), creator of the Cherokee syllabary (symbols used like an alphabet), and practice your writing skills. Portrait Discussion: Look at the portrait of Sequoyah. Spend 30 seconds letting your eyes wander from the top of the painting to the bottom. Objects: Notice the objects in this portrait. Can you spot the following: a feather pen, an inkwell (small jar used to hold ink for writing), a pipe, a medal, and something with writing on it? What clues might these objects provide about Sequoyah’s life? Can you read it the writing Sequoyah presents? Some of the symbols might look familiar, but not all. This is the Cherokee syllabary – the symbols Sequoyah created to form a written version of the Cherokee language. Each symbol represents a sound or syllable. Just like the letters in an alphabet, the symbols can be combined to form words. The Cherokee Nation (a North American Indian people or community) has a rich tradition of storytelling but did not use a written language until the 1800s, when Sequoyah introduced his syllabary. Soon after, Cherokee history, traditions, and laws were put down in writing. Pose: Do you think Sequoyah is sitting or standing? Can you try posing like he does? Pay attention to what he is doing with his hands – they help us to understand his story. With one hand, he holds the syllabary. With the other hand, he points at it. We might expect Sequoyah to be reading, but notice how his eyes look out from the painting. -
Cherokee-English Machine Translation for Endangered Language Revitalization
ChrEn: Cherokee-English Machine Translation for Endangered Language Revitalization Shiyue Zhang Benjamin Frey Mohit Bansal UNC Chapel Hill {shiyue, mbansal}@cs.unc.edu; [email protected] Abstract Src. ᎥᏝ ᎡᎶᎯ ᎠᏁᎯ ᏱᎩ, ᎾᏍᎩᏯ ᎠᏴ ᎡᎶᎯ ᎨᎢ ᏂᎨᏒᎾ ᏥᎩ. Ref. They are not of the world, even as I am not of the Cherokee is a highly endangered Native Amer- world. ican language spoken by the Cherokee peo- SMT It was not the things upon the earth, even as I am ple. The Cherokee culture is deeply embed- not of the world. ded in its language. However, there are ap- NMT I am not the world, even as I am not of the world. proximately only 2,000 fluent first language Table 1: An example from the development set of Cherokee speakers remaining in the world, and ChrEn. NMT denotes our RNN-NMT model. the number is declining every year. To help save this endangered language, we introduce people: the Eastern Band of Cherokee Indians ChrEn, a Cherokee-English parallel dataset, to (EBCI), the United Keetoowah Band of Cherokee facilitate machine translation research between Indians (UKB), and the Cherokee Nation (CN). Cherokee and English. Compared to some pop- ular machine translation language pairs, ChrEn The Cherokee language, the language spoken by is extremely low-resource, only containing 14k the Cherokee people, contributed to the survival sentence pairs in total. We split our paral- of the Cherokee people and was historically the ba- lel data in ways that facilitate both in-domain sic medium of transmission of arts, literature, tradi- and out-of-domain evaluation. -
20 Americas 20
The Unicode® Standard Version 12.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2019 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 12.0. Includes index. ISBN 978-1-936213-22-1 (http://www.unicode.org/versions/Unicode12.0.0/) 1. -
The Writing Revolution
9781405154062_1_pre.qxd 8/8/08 4:42 PM Page iii The Writing Revolution Cuneiform to the Internet Amalia E. Gnanadesikan A John Wiley & Sons, Ltd., Publication 9781405154062_1_pre.qxd 8/8/08 4:42 PM Page iv This edition first published 2009 © 2009 Amalia E. Gnanadesikan Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwell’s publishing program has been merged with Wiley’s global Scientific, Technical, and Medical business to form Wiley-Blackwell. Registered Office John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, United Kingdom Editorial Offices 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford, OX4 2DQ, UK The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell. The right of Amalia E. Gnanadesikan to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher. Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. Designations used by companies to distinguish their products are often claimed as trademarks. -
To Download Information Packet
INFORMATION PACKET General Information • Important Dates in Cherokee History • The Eastern Band of Cherokee Indians Tribal Government • Cherokee NC Fact Sheet • Eastern Cherokee Government Since 1870 • The Cherokee Clans • Cherokee Language • The Horse/Indian Names for States • Genealogy Info • Recommended Book List Frequently Asked Questions—Short ResearCh Papers with References • Cherokee Bows and Arrows • Cherokee Clothing • Cherokee Education • Cherokee Marriage Ceremonies • Cherokee Villages and Dwellings in the 1700s • Thanksgiving and Christmas for the Cherokee • Tobacco, Pipes, and the Cherokee Activities • Museum Word Seek • Butterbean Game • Trail of Tears Map ArtiCles • “Let’s Put the Indians Back into American History” William Anderson Museum of the Cherokee Indian Info packet p.1 IMPORTANT DATES IN CHEROKEE HISTORY Recently, Native American artifacts and hearths have been dated to 17,000 B.C. at the Meadowcroft site in Pennsylvania and at Cactus Hill in Virginia. Hearths in caves have been dated to 23,000 B.C. at sites on the coast of Venezuela. Native people say they have always been here. The Cherokee people say that the first man and first woman, Kanati and Selu, lived at Shining Rock, near present-day Waynesville, N.C. The old people also say that the first Cherokee village was Kituwah, located around the Kituwah Mound, which was purchased in 1997 by the Eastern Band of Cherokee Indians to become once again part of tribal lands. 10,000 BC-8,000 BC Paleo-Indian Period: People were present in North Carolina throughout this period, making seasonal rounds for hunting and gathering. Continuous occupation from 12,000 BC has been documented at Williams Island near Chattanooga, Tennessee and at some Cherokee town sites in North Carolina, including Kituhwa and Ravensford. -
Two Related Indigenous Writing Systems: Canada's Syllabic and China's A-Hmao Scripts
TWO RELATED INDIGENOUS WRITING SYSTEMS: CANADA'S SYLLABIC AND CHINA'S A-HMAO SCRIPTS R. Alison Lewis University of Lincoln Lincoln LN6 7TS United Kingdom Louis-Jacques Dorais Departement d'anthropologie Universite Laval Quebec, Quebec Canada, G1 K 7P4 Abstract I Resume Around 1840, a team of Ojibwa and Cree speakers working with Rev. James Evans, a British Wesleyan missionary, developed a syllabic writ ing system which disseminated rapidly among the Cree and other north ern Canadian Aboriginal nations. Some 65 years later, in 1904, another Methodist, Rev. Samuel Pollard, who also worked in close collaboration with local people, supervised the elaboration of a script for transcribing the language of the A-hmao, an Aboriginal minority in south-western China. This article tells the story ofthese two writing systems, discusses the evidence of a connection between them, and describes their similar educational role in terms of social empowerment. Vers 1840, une equipe formee de locuteurs de I'ojibway et du cri travaillant en collaboration avec Ie Reverend James Evans, un missionnaire wesleyen d'origine britannique, developpa un systeme d'ecriture syllabique qui se repandit rapidement chez les Cris et d'autres nations autochtones du Nord canadien. Quelque 65 ans plus tard, en 1904, un autre methodiste, Ie Reverend Samuel Pollard, qui travaillait lui aussi en etroite collaboration avec les populations locales,supervisa l'elaboration d'une ecriture pour transcrire la langue des A-hmao, une minorite autochtone du sud-ouest de la Chine. Cet article raconte l'histoire de ces deux systemes d'ecriture, discute d'une relation probable entre eux, et decrit leur role educatif en termes d'outils de pouvoir social.