Julie Hutton-Attenborough

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Julie Hutton-Attenborough Key Heritage Experience Julie has many years of varied experience within the design and construction industry, with an extensive knowledge of historic landscape restoration projects as well as experience of various building project types in both the private and public sectors, including industrial, health, commercial and educational. Projects have been both new build and refurbishment from inception to completion with contract values up to £60 million. Having qualified in both Architecture and Landscape Architecture Julie is experienced in both large scale corporate and small scale projects. Before joining Lockhart Garratt in February 2020 Julie worked on a number of projects which used both her architectural and landscape experience. Recent design schemes for various clients included the following. Proposed new South Cheshire Growth Village Housing scheme for Bloor Homes which involved a heritage sensitive site incorporating a listed Humphrey Repton landscape. Work for Anglesey County Council Including the design of a new visitors centre and landscaped park at Breakwater Park AONB . JULIE HUTTON-ATTENBOROUGH KEY HERITAGE EXPERIENCE V1 VS 230320 Page 1 of 5 Julie Hutton-Attenborough Napton Brickworks An environmental assessment and development of landscape proposals for the historic site to include a new lake and lakeside recreational facilities with holiday accommodation, conservation of native wildlife areas resulting from the sites history and landscape design for mixed work/live units within this canal side site. Julie spent several years working as a landscape architect for Parklands Consortium, a small Historic Landscape practice specialising in Landscapes by Humphrey Repton and Capability Brown. During her time at Parklands Consortium Julie worked on the following projects. Pavilion Gardens, Buxton A 4 year redevelopment of Pavilion Gardens at Buxton (designed by Joseph Paxton and Edward Milner), Heritage Lottery Funded on site restoration of public park including lake, promenade, bandstand, play area, adventure play area and general parkland. JULIE HUTTON-ATTENBOROUGH KEY HERITAGE EXPERIENCE V1 VS 230320 Page 2 of 5 Julie Hutton-Attenborough Arnot Hill Park, Arnold Nottingham HLF design and construction of the restoration of early C20th public park including lake, play area, walled rose garden and general parkland. Arnot Hill Masterplan Rose Garden at Arnot Hill Park Tatton Park for the National Trust (designed by Joseph Paxton and Edward Milner) Landscape assessment and strategic Masterplan development for whole site. Early C20th Private domestic garden in Dorridge Design restoration and implementation of private garden. Landscape assessment and strategic Masterplan development also for : Hewell Grange near Bromsgrove (designed by Humphry Repton and Capability Brown); Stoneleigh Abbey in Warwickshire (designed by Humphry Repton); Attingham Park in Shropshire (designed by Humphry Repton); and Catton Park, Norfolk. Humphrey Repton’s first major commission in 1788. Sketches for landscape restoration at Catton Park JULIE HUTTON-ATTENBOROUGH KEY HERITAGE EXPERIENCE V1 VS 230320 Page 3 of 5 Julie Hutton-Attenborough Sketches for landscape Sketch of restored south gate at Catton Park restoration at Catton Park The Vale for Birmingham University (C20th designed by Hugh Casson); Broome park in Kent (Lord Kitcheners C20 gardens designed by Detmar Blow); Tottenham Park in Wiltshire (designed by Capability Brown); River Gardens in Belper, Derbeyshire (Masterplan for George Herbert Strutt’s C20th pleasure garden); and Hershel Park, Slough, (Sir Joseph Paxton). Masterplan for Hershel Park JULIE HUTTON-ATTENBOROUGH KEY HERITAGE EXPERIENCE V1 VS 230320 Page 4 of 5 Julie Hutton-Attenborough Skecthes for the Elizabethan Garden at Kenilworth Castle JULIE HUTTON-ATTENBOROUGH KEY HERITAGE EXPERIENCE V1 VS 230320 Page 5 of 5 .

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The Crystal Palace
The Crystal Palace The Crystal Palace was a cast-iron and plate-glass structure originally The Crystal Palace built in Hyde Park, London, to house the Great Exhibition of 1851. More than 14,000 exhibitors from around the world gathered in its 990,000-square-foot (92,000 m2) exhibition space to display examples of technology developed in the Industrial Revolution. Designed by Joseph Paxton, the Great Exhibition building was 1,851 feet (564 m) long, with an interior height of 128 feet (39 m).[1] The invention of the cast plate glass method in 1848 made possible the production of large sheets of cheap but strong glass, and its use in the Crystal Palace created a structure with the greatest area of glass ever seen in a building and astonished visitors with its clear walls and ceilings that did not require interior lights. It has been suggested that the name of the building resulted from a The Crystal Palace at Sydenham (1854) piece penned by the playwright Douglas Jerrold, who in July 1850 General information wrote in the satirical magazine Punch about the forthcoming Great Status Destroyed Exhibition, referring to a "palace of very crystal".[2] Type Exhibition palace After the exhibition, it was decided to relocate the Palace to an area of Architectural style Victorian South London known as Penge Common. It was rebuilt at the top of Town or city London Penge Peak next to Sydenham Hill, an affluent suburb of large villas. It stood there from 1854 until its destruction by fire in 1936. The nearby Country United Kingdom residential area was renamed Crystal Palace after the famous landmark Coordinates 51.4226°N 0.0756°W including the park that surrounds the site, home of the Crystal Palace Destroyed 30 November 1936 National Sports Centre, which had previously been a football stadium Cost £2 million that hosted the FA Cup Final between 1895 and 1914.
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Cht Highbury Landscape History 1878-Present and Restoration Proposals
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Vicarage Cottage Cover.Indd
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Preface: Will the Real Edward Kemp Step Forward? History Has Not Been Kind to Edward Kemp
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'In This Book-Making Age': Edward Kemp As Writer and Communicator
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Durability Guaranteed
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Edward Kemp (1817–91) in a Nineteenth-Century Professional Context
jan woudstra ‘one of the ablest landscape gardeners’: edward kemp (1817–91) in a nineteenth-century professional context When Edward Kemp was born in 1817, the world of landscape gardening was still dominated by Humphry Repton, who had written the key works, which had also popularized the term ‘landscape gardening’ and provided a theoretical basis. In the years that followed, John Claudius Loudon provided some standard works for landscape gardening, including the suburban gardener (London, 1838), which translated the design principles into a wider range of properties, and catered for the middle as well as upper classes. The emerging profession also saw a considerable widening of its feld of work in which designers were engaged not only in the design of country seats but also with public parks, cemeteries, housing, schools and other institutions. Kemp was very much part of this movement and he participated in the increasing number of design competitions, but not all his entries were successful. One instance when he contributed a design – the competition for Queen’s Park, Manchester – became a celebrated case that focused the debate around public park design. The debate clearly set out some of the parameters of the profession, which from this point onward was divided into two camps: the Paxton School (in which Kemp played a prominent role) and the Marnock School. This paper explores the contemporary debates and design principles that distinguished these schools and looks at how this debate played a critical role in the development of the landscape profession. when edward kemp was born in 1817 the world of landscape gardening was still dominated by humphry repton, who had written the key works, which had also popularized the term ‘landscape gardening’ and provided it with a theoretical basis.
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Edward Kemp (1817–91): ‘An Able and Useful Man’
elizabeth davey edward kemp (1817–91): ‘an able and useful man’ Edward Kemp was one of the mid-Victorian period’s most infuential landscape gardeners and a respected author of several gardening publications. Despite this, details of his early life are sparse. Born in 1817 in Streatham, then Surrey, he was the son and grandson of Nonconformist tailors. Growing up in an area still essentially rural, his interest in plants led him to train as a landscape gardener at the London Horticultural Society Gardens in Chiswick, Middlesex, before moving to Chatsworth, Derbyshire, to work under Joseph Paxton. When Paxton was commissioned to design a park for Birkenhead, Wirral, the frst publicly funded park in the world, Kemp was appointed to oversee its laying out, eventually being appointed its permanent superintendant. His writing combined with the growing reputation of Birkenhead Park brought him numerous private commissions. Despite this, Kemp remained frmly rooted in Birkenhead, remaining in the town for the rest of his life. In 1863, an assistant park superintendent was appointed and his role became that of ‘Consulting Superintendent’. He never, however, severed his connection with the park, advising the authorities on park-related matters when well into his seventies and living in his house on its periphery until he died and was buried in Flaybrick, the cemetery he had laid out for the Birkenhead Commissioners some thirty years previously. This paper seeks to reconstruct kemp’s life in order to provide a proper context within which to evaluate his professional career and achievements as a landscape gardener and author.
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