BA English Model II Journalism
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Sl No: Name and Address Contact No: District Photo 1. Toms a Bethelil
Sl Name and Address Contact No: District Photo No: Toms A Bethelil House Karalakom Ward, 1. Thathampally P O 9447232512 Alappuzha 688013 [email protected] Anoop K P Sreenarayana college ,S.N Puaram (PO) 2. Cherthala , Alappuzha 7736643800 Alappuzha Pin :688582 [email protected] Sijo Kurian Sreenarayana college ,S.N Puaram (PO) 3. Cherthala , Alappuzha 8086379190 Alappuzha Pin :688582 [email protected] N.Vijayakumar Snehanikethan Charitable Society Reg. No. 246/03 4. Pathiyoor East P.O 9495310388 Alappuzha Alappuzha -690508 directorsnehaniketan@gmail. com Adv.M.Jayakumar Thamara(H),Kappil west Kappil east (PO) krishnapuram, 5. Alappuzha 8388726591 Alappuzha Pin :680533 P Sureshkumar Guruprasadam Punnapra north 6. (PO),paravoor Alappuzha 9645148777 Alappuzha [email protected] om Shamsudheen kayippuram Aratu puzha north(PO) Alappuzha -5 Alappuzha 7. Pin:690515 9605008462 shamsudeenkayippuram@g mail.com Sl Name and Address Contact No: District Photo No: R .V Edavana Kakkazham (PO) Alappuzha 8. Alappuzha -5 9846778508 Pin:688561 Anandu G Babu Sanathana Dharma College Sanathanapuram 9. Kalarkode P.O, 8593829019 Alappuzha Alappuzha -688 003 Akhil.R Sanathana Dharma College Sanathanapuram 10. Kalarkode P.O, 8943394110 Alappuzha Alappuzha 688003 Biju B Charuvil veed 11. 9447246529 Alappuzha Mavelikkara , Alappuzha Pin :690101 Johnson K.U Karukappillil Cheladu (PO) Kothamangalam 12. 9446720182 Alappuzha Pin:686681 [email protected] m Shaji George Cherappuathu, 13. Thipparumthi (PO) 9605617006 Alappuzha Chennithala PIN:690105 Viswath satheesh Athikkattu veliyil Ponnadu (PO) Alappuzha 14. Pin:688538, 9497637710 Alappuzha [email protected] D.Kannan Kurunghattu (H) 15. Thathampally (PO) 9249890160 Alappuzha Alappuzha ,pin:688013 [email protected] Manu M Pillai HSA Aravukad HSS 16. Punnapra 9447515445 Alappuzha [email protected] Sl Name and Address Contact No: District Photo No: Dr.Varghese Mathew Associate Professor Head of the Dept 17. -
Reinventing Identity: Theatre of Roots and Ratan Thiyam
ISSN. 0972 - 8406 105 The NEHU Journal, Vol XIV, No. 1, January - June 2016, pp. 105-116 Reinventing Identity: Theatre of Roots and Ratan Thiyam SUBHASH CHANDRA DAS* Abstract The essay attempts to see how Ratan Thiyam, a major exponent of the theatre of roots movement, constructs a new theatrical form using rich and varied traditions of performance of his native land Manipur, and asserts his socio-political and cultural identity. Thiyam experiments with Natyasastra tradition, Western realistic tradition and Manipuri theatre tradition and amalgamates them with rich Manipuri traditions of performing arts. In so doing, he in a way not only challenges the very notion of a national theatre, but also showcases cultural richness of Manipur as distinct from the main land and asserts his identity. Keywords: Performance, Culture, Tradition, Myth, Identity, Nationalism. odern Indian theatre, which is ‘a product of colonial culture’ (Awasthi, 1989: 48), arose during the middle of Mthe nineteenth century. The first proscenium theatres were built in Bombay (Mumbai) and Calcutta (Kolkata) in 1860s. The plays staged in these theatres and in some other urban locations during this period were mainly Western plays or Indian plays which followed the Elizabethan model. Staging of such plays in proscenium theatres not only changed the concept of traditional theatre and theatre space with all its song, dance, music and mime, but also affected a separation between the cast and the audience * Subash Chandra Das is an Associate Professor in the Department of English, B. H. College, Howly, Assam. He is a Research Scholar at the Department of English, NEHU, Tura Campus. -
Mahabharata in Visual and Performing Arts: Texts, Contexts and Images
Seminar on Text and Variation of the Mahabarata Session III: Mahabharata in visual and performing Arts: Texts, Contexts and Images MAHABHARATA AS REPRESENTED IN THE CLASSICAL AND CONTEMPORARY THEATRE OF KERALA Dr. K.G. Paulose Three ancient texts – Ramayana, Mahabharata and Bhagavata has moulded the mindset of Indians for centuries. Ramayana is the model for intra-domestic affairs, Mahabharata for interaction with society and Bhagavata for spiritual purity. Mahabharata, unlike the other two, is not permitted to be used for regular chanting for fear of creating quarrel in the household.1 Mahabharata presents man as he is where as the other two depicts a sophisticated and idealized levels of living. It is precisely because of this that theatre likes Mahabharata more than anything else. The influence of Mahabharata on theatre is tremendous. Bhasa and Kalidasa Mahabharata has been a veritable source for Sanskrit dramatists to develop their themes. Bhasa and Kalidasa were the earliest playwrights who were inspired by the great epic. Of the two, Bhasa revolted, often amending Vyasa by suitable substitutes and filling his silence with own interpretations. Kalidasa, on the other hand, often compromised to the epic narrative. Bhasa was sympathetic towards the characters who were marginalized, neglected and condemned - Karna, Duryodhana, Gatotkacha, etc.. He made them heroes. Krishna, Dharmaputra or even Arjuna became pale in their presence. In Pancharatra Bhasa goes to the extent of suggesting an alternative to Vyasa.2 Vyasa tells us that there is no alternative to bloodshed to solve the Kuru-Pandhava feud. It is an indirect approval for warfare. But Bhasa amends and corrects that there are alternatives, the way of negotiations, peaceful settlements. -
Caricaturing Culture in India: Cartoons and History in the Modern World Ritu Gairola Khanduri Frontmatter More Information
Cambridge University Press 978-1-107-04332-9 - Caricaturing Culture in India: Cartoons and History in the Modern World Ritu Gairola Khanduri Frontmatter More information Caricaturing Culture in India Caricaturing Culture in India is a highly original history of political car- toons in India. Drawing on the analysis of newspaper cartoons since the 1870s, archival research, and interviews with prominent Indian cartoon- ists, this ambitious study combines historical narrative with ethnographic testimony to give a pioneering account of the role that cartoons have played over time in political communication, public discourse, and the refraction of ideals central to the creation of the Indian postcolonial state. Maintaining that cartoons are more than illustrative representations of news, Ritu Gairola Khanduri uncovers the true potential of cartoons as a visual medium where memories jostle, history is imagined, and lines of empathy are demarcated. Placing the argument within a wider context, this thought-provoking book highlights the history and power of print media in debates on free speech and democratic processes around the world, revealing why cartoons still matter today. Ritu Gairola Khanduri is a cultural anthropologist and historian of India. She is Assistant Professor of Cultural Anthropology at the University of Texas at Arlington. In addition to her research on media, she is currently completing a book on Gandhi and material culture. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-04332-9 -
Kottayam District Disaster Management Plan
District Disaster Management Plan, 2015 Kottayam District Disaster Management Plan Published under Section 30 (2) (i) of the Disaster Management Act, 2005 (Central Act 53 of 2005) District Disaster Management Plan 2015 30th July 2016; Pages: 136 District This document is for official purposes only. All reasonable precautions have been taken by the District Disaster Management Authority to verify the information and ensure stakeholder consultation and inputs prior to publication of this document. The publisher welcomes suggestions for improved future editions. District Disaster Management Plan – KOTTAYAM 2015 CONTENTS INTRODUCTION ......................................................................................................................................................................... 4 1.1 VISION ............................................................................................................................................................................................ 4 1.2 MISSION ........................................................................................................................................................................................ 4 1.3 POLICY ........................................................................................................................................................................................... 4 1.4 OBJECTIVES OF THE PLAN ................................................................................................................................................ -
THE THEME of BETRA YAL in INDIAN DRAMA in ENGLISH This Chapter Tries to Evaluate the Theme of Betrayal in Indian Drama
THE THEME OF BETRA YAL IN INDIAN DRAMA IN ENGLISH This chapter tries to evaluate the theme of betrayal in Indian Drama. For this purpose five plays written by Indian dramatists representing five different languages have been undertaken for study. Indian theatre could not promote Indian drama in the English language. The foremost factor responsible to harness the growth of Indian drama in English is the non availability of the living theatre. English drama written by Indian playwrights is neither excellent in quality nor greater in quantity. English, being a foreign language, was not intelligible to the masses and the playwrights found it difficult to write crisp, natural, lucid and graceful dialogues in English, which was not the language of their mental make up. Their dialogue was bound to be stilted and artificial. The English language, in India, is confined to the urban elite. R. K. Narayan ( 1999 :22 ) rightly puts it, thus : English has been with us for over a century, but it has remained the language of the intelligentsia, less than ten per cent of the population understands it. Indian dramatists cannot attain mastery to produce eloquent and elegant dialogues in English. At a national seminar on drama Dnyaneshwar Nadkarni (1984:163 ) goes to the extent of saying : Butcher them ( the Indo-AngUcan playwrights ) castrate them, and force them to write in their native Hindi or Urdu or whatever Indian languages their fathers and mothers used to speak. 260 The linguistic barrier created hurdles in the growth of Indian drama in English. Moreover, there was no English culture in India. -
Library Details the Library Has Separate Reference Section/ Journals Section and Reading Room : Yes
ST. JOHN THE BAPTIST’S COLLEGE OF EDUCATION, NEDUMKUNNAM Library Details The Library has separate reference section/ Journals section and reading room : Yes Number of books in the library : 8681 Total number of educational Journals/ periodicals being subscribed : 23 Number of encyclopaedias available in the library : 170 Number of books available in the reference section of the library : 1077 Seating capacity of the reading room of the library : 75 Books added in Last quarter Number of books in the library : 73 Total number of educational Journals/ periodicals being subscribed : 1 Number of books available in the reference section of the library : 9 Library Stock Register ACC_NO BOOK_NAME AUTHOR 1 Freedom At Midnight Collins, Larry & Lapierre, Dominique 2 Culture And Civilisation Of Ancient India In Historical Outline Kosambi,D.D. 3 Teaching Of History: A Practical Approach Aggarwal, J. C. 4 Teaching Of History:a Practical Approach Aggarwal,j.c. 5 School Inspection Ststem:a Modern Approach Singhal, R. P. 6 Teaching Of Social Studies : A Practical Approach Aggarwal, J. C. 7 Teaching Of Social Studies: A Practical Approach Aggarwal, J. C. 8 School Inspection System: A Modern Approach Aggarwal, J. C. 9 Fundamentals Of Classroom Teaching Taiwa, Adedison A. 10 Introduction To Statistical Methods Gupta, C. B. & Gupta, Vijay 11 Textbook Of Botany Vol.2 Pandey, S. N. & Others 12 Textbook Of Botany. Vol 1 Pandey, S. N. & Trivedi, P. S. 13 Textbook Of Botany. Vol.3 Pandey, S. N. & Chadha A. 14 Principles Of Education Venkateswaran, S. 15 National Policy On Education: An Overview Ram, Atma & Sharma, K. D. -
Sixth Sem Ba English University of Calicut World
SIXTH SEM BA ENGLISH UNIVERSITY OF CALICUT WORLD CLASSICS IN TRANSLATION 2017 ADMISSION Prepared by Deepa.M Assistant professor Department of English CPA College of Global of Studies, Puthanathani WORLD CLASSICS IN TRANSLATIONS COURSE CODE ENG6B05E01 TITLE OF THE COURSE WORLD CLASSICS ITRANSLATIONS SEMESTER IN WHICH THE COURSE IS 6 TO BE TAUGHT NO. OF CREDITS 3 NO. OF CONTACT HOURS 54 (3hrs/wk.) 1. AIM OF THE COURSE To develop sensible response to great classics in translations and find you an analytical skill with a view to achieving a broad, wholesome vision of life. 2. OBJECTIVE OF THE COURSE • To introduce students to the world’s best classics in translations • To generate a broad vision of life by making the students to come to grips with universal problems and varied life situations. • To make the students to have a feel of excel classics in translations various genres – poetry, fiction, short stories and drama- by a judicious selection. It should instil in the students a spirit of enquiry and further exploration. COURSE OUTLINE MODULE 1 – POETRY a) A general introduction to world classics in translation b) Poetry, a brief introduction For Detailed Study Dante – The Devine Comedy – 3 Paradiso Canto XXI (Penguin) Gothe – “The Reunion” A.S. Pushkin: “I Love You” For Non -Detailed Study An introduction to Homer and Virgil touching on The Iliad, The Odyssey and The Aeneid. MODULE 2 – DRAMA A brief introduction to world drama in general For detailed study: Sophocles: Oedipus Rex For non-detailed study: Bhasha: Karnabharam MODULE 3 –FICTION AND SHORT STORIES A brief introduction Fiction: Nondetailed study Dostoevsky: Notes from underground Hermann Hesse: Siddhartha Short Fiction: Detailed study Leo Tolstoy: the repentant sinner MODULE 1- POETRY 1 THE DIVINE COMEDY 3. -
Library Collection Having Serialno Title Author
Library Collection having SerialNo Title Author 1 Radhakrishnan``s Philosophy of Religion Patyaiying, Paitoon. 2 From Early Vedanta to Kashmir Shaivism Isayeva, Natalia. 3 Buddhist Sects in India Dutt, Nalinaksha. 4 Manusmriti (Mool, Kullukabhatt Tika Hindi Anubad avom Pralayankar, Praven. Vyakhya Sahit) 5 Rig-Veda-Samhita Trivedi, Ram Govind. 6 Prachen Bharatiya Samaj Arthvyavastha Avom sharm Mishra, Ramanath. (Vaidik kal se 300 Ad) 7 Aakhiri Jawab Rahi, Mahesh. 8 Bharatiya Sahitya Ke Nirmata : Prabhakar Machave Upadhyaya, Rajendra. 9 Indian Antiquities of Dissertations of Hindostan Maurice, Thomas. 10 Sarasvati Flows on : The Continuity of Indian Culture Lal, B.B. 11 Asia in the Making of Europe A Century of Advance Lach, Donald F. 12 Environmental Pollution : Conservation and Planning Nath, Pashupati. 13 Sakta Contribution to Varanasi Sharma, R. C., Printed On : 03/06/2018 1 Library Collection having SerialNo Title Author 14 Absence of the Buddha Image in Early Buddhist Art: Tanaka, Kanoko. Toward its Significance in Comparative Religion 15 Rasagangadhara Jagannatha, Panditaraja. 16 Dharmvir Bharati Granthawali Bandiwadekar, Chandrakant. 17 Muktibodh Rachanavali-6 Jain, Nemichandra. 18 Illustrated dBase IV Stultz ,Russell A. 19 Loeb Classical Library Seneca Moral Essays - II Founded By Loeb, James , 20 Loeb Classical Library Athenaeus the Deipnosophists Founded By Loeb, James , Books XIII- XIV. 653b 21 Janane Ke Bate Chattopadhyay, Deviprasad . 22 History of Indian Philosophy Dasgupta, Surendranath. 23 Rigveda-Darsana: Vishnu-Suktani Rao, S.K Ramachandra. 24 Aachhe Din Pachhe Gaye ( Memoirs) Singh, Kashinath. 25 Centre And Periphery Comparative Studies In Champion, T. C. Archaeology 26 Jagadesh Chaturvade Rachanavale Kahani Chaturvedi, Jagadesh, Printed On : 03/06/2018 2 Library Collection having SerialNo Title Author 27 Kavya Ka Vaisnav Vyaktitav Mehta, Srinaresh. -
MA-English-2019.Pdf
DEPARTMENT OF ENGLISH Curriculum and Syllabus for Postgraduate Programme in English Under Credit Semester System (with effect from 2019 admissions) ACKNOWLEDGEMENT I place on record my heartfelt gratitude to the members of the Board of Studies, Department of English, for their cooperation and valuable suggestions. I acknowledge their sincere efforts to scrutinize the draft curriculum and make necessary corrections. Dr. Sabu Joseph Chairman Board of Studies BOARD OF STUDIES CHAIRMAN NAME OFFICIAL ADDRESS Dr Sabu Joseph Associate Professor Department of English St Berchmans College Changanacherry - 686101 SUBJECT EXPERTS NOMINATED BY THE COLLEGE ACADEMIC COUNCIL NAME OFFICIAL ADDRESS Dr Vinod V Balakrishnan Professor of English Department of Humanities and Social Sciences National Institute of Technology Tiruchirappalli- 620015 Dr Babu Rajan P P Assistant Professor Department of English Sree Sankaracharya University of Sanskrit Kalady EXPERT NOMINATED BY THE VICE-CHANCELLOR NAME OFFICIAL ADDRESS Dr K M Krishnan Director, School of Letters M G University, Kottayam ALUMNI REPRESENTATIVE NAME OFFICIAL ADDRESS Dr. Rekha Mathews Associate Professor and Head B K College, Amalagiri MEDIA AND ALLIED AREAS NAME OFFICIAL ADDRESS Dr Paul Manalil Former Director Kerala State Institute of Children’s Literature and Former Assistant Editor, Malayala Manorama TEACHERS FROM THE DEPARTMENT NOMINATED BY THE PRINCIPAL TO THE BOARD OF STUDIES TEACHER’S NAME AREA OF SPECIALISATION Josy Joseph Shakespeare Studies, Literary Theory Dr Benny Mathew Indian Writing -
Most of the Child Characters of Sanskrit Drama Are Heroic
International Journal of Sanskrit Research 2017; 4(2): 07-11 International Journal of Sanskrit Research2015; 1(3):07-12 ISSN: 2394-7519 IJSR 2017; 4(2): 07-11 Most of the child characters of Sanskrit drama are © 2017 IJSR www.anantaajournal.com heroic Received: 03-05-2017 Accepted: 04-06-2017 Dr. Santigopal Das Dr. Santigopal Das Asst. Professor, Buniadpur Mahavidyalaya, D/Dinajpur, Abstract W.B, India Drama is an affluent part of Sanskrit literature. The Centre characters of Sanskrit Drama are basically Hero and Heroine. All the dramatic events are rotate depending upon Hero and Heroine. Usually the other characters remain unimportant and secondary. In the Dramas like Abhijnanasakuntalam, Swapnavasavadattam, Vikramorvosiyam etc. heroines are the main characters.The other characters remain secondary. Sometimes, the other characters play important role to bring motion in Drama. Their short presences make drama dignified and shining. Like such secondary characters an important mentioning character is child character. Sometimes the child characters seem unimportant. But sometimes we find all the events of drama rotate on child characters. For example – Bhasa’s drama ‘Valacharitam’ presents the childish behaviors and heroic activities of Sri Krishna. Again in Kalidasa’s ‘Abhijnanasakuntalam’ the short present of Sarvadamana or Varata plays a very important role and also this child character works as ‘Abhijnana’ to reconcile Dusyanta and Sakuntala. Thereafter, in the drama ‘Vikramorvosiyam’ we see very little presence of Ayu, the son of Pururava. But his sort presence reveals his bravery and childlike activities. As example, we see his deep concern when he utters – ‘if, I find myself happy to hear that he is my father and I am his son, they who brought up by their parents, are so lucky and will feel deep attachment to their parents. -
Malayalam - Short Stories
NEW BOMBAY KERALEEYA SAMAJ , LIBRARY LIBRARY LIST MALAYALAM - SHORT STORIES SR.NO: BOOK'S NAME AUTHOR TYPE 3001 NADAN VAMOZHIKAL A.B.V.KAVILPADU STORIES 3002 THAKAZHIYILE VELLAPOKKATHIL OZHUKI OZHUKI ORU A.M.MOHAMMAD MANASSU 3003 KADAL VEZHUNGIA KUKRI AIR COMMANDOR S.NAIR STORIES 3004 SHESHAM SCREENIL AKBAR KAKKATTIL STORIES 3005 ANTON CHEKKOVU ANTON CHEKKOVU STORIES 3006 GRIMMINDE KADHAKAL( ARAM BHAGAM) ASHAMANNOOR HARIHARAN STORIES 3007 GRIMMINDE KADHAKAL( ESHAM BHAGAM) ASHAMANNOOR HARIHARAN STORIES 3008 THIRANJEDUTHA KADAM KADHAKAL 1001 BALASAHITHI PRAKASHAN STORIES 3009 VIKRAMADITHYA KATHAKAL C.MADHAVAN PILLA STORIES 3010 NERU, ONNAM SAKSHI NAN THANNE C.P.NAIR STORIES 3011 DUKHITHARUDE DHUKKAM C.V.SREERAMAN STORIES 3012 ENDOCY VALLYAMMA C.V.SREERAMAN STORIES 3013 KADHAKAL C.V.SREERAMAN STORIES 3014 ORMA CHEPPU C.V.SREERAMAN STORIES 3015 ALAMARAYIL PAMBU CHELAGATTU GOPALAKRISHNAN STORIES 3016 VENAL CHELLAMMA JOSEPH STORIES 3017 GRIHA THURA KADHAKAL CHEPPAD SOMANATHAN STORIES 3018 MANI MEGHALAYUDE KADHA CHITHALAI CHATHANAAR STORIES 3019 SMRITHIKAL MURIVUKAL DR.MURALI KRISHNA STORIES 3020 THAMARAKULATHE AMMUKUTTY E.V.SREEDHARAN STORIES 3021 ENTE MINIKADHAKAL E.V.SREEDHARAN STORIES 3022 UTHARADHUNIK KADHA EDITOR N.G.BABU STORIES 3023 8.49 FAST EZHIKARA AMBUJAKSHAN STORIES 3024 MUMBAI KADHAKAL F.O.MA MUMBAI STORIES 3025 KALLA KATHANAAR G.THALIAN STORIES 3026 OTTA SNAPPIL ODHUKKANAVILLA ORU JANMA GEETHA HIRANYAN STORIES SATHYAM 3027 NARAKA VATHIL GRACY STORIES 3028 KULASTHRIYUDE KOLAPATHAKAM HAMEED STORIES 3029 SANK PARIVAR INDU MENON STORIES