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Totalex® Registrant Name Ready-To-Use
19-SEP-2006 18-DEC-2007 Notification - Change in Registrant Address 14-FEB-2008 Notification - Change in TotalEx® Registrant Name Ready-To-Use Brush, Grass & Weed Killer Home Gardener® Brush, Grass & Broadleaf Weed Control Liquid Controls Entire Plant, Burns Off Leaves And Stem And Kills Roots NON-SELECTIVE HERBICIDE NO RESIDUAL ACTIVITY IN SOIL READ THE LABEL BEFORE USING KEEP OUT OF REACH OF CHILDREN DOMESTIC REG. NO. 28470 P.C.P. ACT GUARANTEE: glyphosate 7 g/L (present as isopropylamine salt) Contains 1,2-benzisothiazolin-3-one at 0.039% as a preservative Net Contents: 1 L (2 L) (4L) Teragro Inc. Virterra Products Corporation RR#7, Site 11 - Box 16 P.O. Box 137 Calgary, Alberta Chestermere AB T1X 1K8 T2P 2G7 www.virterraproducts.com ®TotalEx is a registered trademark of Virterra Products Corporation TotalEx® Ready-To-Use Brush, Grass & Weed Killer Home Gardener In case of a medical emergency, call toll free day or night 1-866-303-6950 GENERAL PRODUCT INFORMATION TotalEx® Ready-to-Use Brush, Grass & Weed Killer Home Gardener is a non-selective herbicide. It controls most annual and perennial grasses, including lawn grasses, broadleaf weeds such as chickweed, ragweed, knotweed, poison ivy, Canada thistle, milkweed, bindweed and most brush such as poplar, alder, maple and raspberry. (i.e. virtually anything that is green and growing). It is absorbed by the leaves and moves throughout the stem and roots to control the entire plant. Mature perennial weeds should be treated after seed heads, flowers or fruit appear. All plants are most easily controlled in the young, actively growing, seedling stage. -
Livret Visiteur
Bienvenue à l’Institut de France 1 L’Institut de France 3 MISSIONS Créé en 1795, l’Institut de France a pour L’Institut de France est également mission de proposer aux cinq Académies le gardien d’un important patrimoine, — l'excellence dans le cadre des travaux académiques, préserver un cadre harmonieux pour perfectionner à commencer par le Palais du quai de Perpétuer et garantir l'accès à un patrimoine exceptionnel. les lettres, les sciences et les arts à titre Conti, bâti au XVIIe siècle, situé en plein non lucratif. cœur du Paris historique, sur les rives de la Seine, elles-mêmes inscrites Mécène, il encourage la recherche, au patrimoine mondial de l’Unesco. soutient la création et finance de Il a également la responsabilité de — et défendre les lettres, les sciences et les arts, mais aussi la recherche nombreux projets humanitaires à travers quatre bibliothèques majeures, dont Soutenir et l'engagement envers la société à travers l'action philanthropique des la remise de prix, de bourses et de la bibliothèque Mazarine, et de fondations abritées. subventions (près de 25 millions d’euros nombreuses demeures et collections distribués chaque année par le biais de qui lui ont été confiées depuis la fin du ses fondations abritées). Les appels à XIXe siècle : le château de Chantilly, candidatures sont régulièrement mis le musée Jacquemart-André, le château — en proposant, par la rencontre et la transmission des savoirs, un en ligne sur les sites de l’Institut et des de Langeais, le manoir de Kerazan, regard sur le monde au service de tous et une expertise auprès des Académies. -
Museum of Contemporary Art Joins the Great Heritage Sites of the Loire Valley
Press release Montsoreau, December 29, 2020 The Château de Montsoreau - Museum of Contemporary Art joins the Great Heritage Sites of the Loire Valley. Five years after its opening to the public, the Château de Montsoreau- Museum of contemporary art has become the 23rd site to join the network of the UNESCO Great Heritage Sites of the Loire Valley, alongside the châteaux of Chenonceau, Chambord, Cheverny and Blois, Chaumont-sur-Loire, Villandry, Langeais, Chinon, Sully-sur-Loire, Brissac, Brézé, Valençay, Loches, Saumur, Angers, Amboise, Azay-le-Rideau, Dukes of Brittany, Rivau, Clos Lucé, the Royal Abbey of Fontevraud and the Cadre Noir of Saumur. Founded in 2016 by the collector Philippe Méaille, the Château de Montsoreau - Museum of Contemporary Art is located in one of the jewels of French architecture: the only Château of the Loire Valley built in the Loire riverbed, made famous by many artists including J.M.W Turner and Alexandre Dumas. The Château de Montsoreau - Museum of Contemporary Art relies on a permanent collection which includes the world’s largest collection of artworks by the artists of Art & Language. "Since its opening, the Château de Montsoreau - Museum of Contemporary Art has taken on the radical nature of its positioning within the Châteaux of the Loire Valley, the polemical and corrosive nature of contemporary art making it a laboratory of modernity from the outset,” declares Marie-Caroline Chaudruc, Vice-President. Attendance at the Museum of Contemporary Art has increased steadily and in 2019 reached 52,000 visitors. Driven by a desire for international development and networking, the Château de Montsoreau - Museum of Contemporary Art shares the approach of excellence that has characterized the network of the Great Heritage Sites of the Loire Valley since 2008. -
Place Saint-Michel the Place Saint-Michel Is
Place Saint-Michel The Place Saint-Michel is simple – a triangle between two streets, uniform buildings along both, designed by the same architect, a walk of smooth cobblestone. The centerpiece is St. Michael defeating a devil; far above them are four statues symbolizing the four cardinal virtues of prudence, fortitude, temperance, and justice. This monument came to be because of the 1848 Revolution and a cholera epidemic in Paris that followed it which killed thousands. This idea of abstract concepts given human form had been popular during the Revolution, the big one, representing the kind of big virtues – like the Four Cardinal Virtues – that everyone could strive for, instead of a single human being whose actions and legacy would turn people against each other. Simultaneous with the creation of Place Saint-Michel, Napoleon III’s renovation brought the Boulevard Saint-Michel into being, and that is the next part of our walk. Facing the fountain with the river at your back, walk on Boulevard Saint-Michel, it’s the street to your left. Walk away from the river along that street. Ultimately, you’ll be turning left on Rue des Écoles, but it’ll be about five minutes to get there, and you can listen to the next track on the way. Boulevard Saint-Michel The character of the street you’re on – wide-open space lined with trees and long, harmonious buildings, plus, often, a view of some landmark in the distance – was a central part of the renovation plan, or the Haussmann plan, as it’s also known. -
Court of Versailles: the Reign of Louis XIV
Court of Versailles: The Reign of Louis XIV BearMUN 2020 Chair: Tarun Sreedhar Crisis Director: Nicole Ru Table of Contents Welcome Letters 2 France before Louis XIV 4 Religious History in France 4 Rise of Calvinism 4 Religious Violence Takes Hold 5 Henry IV and the Edict of Nantes 6 Louis XIII 7 Louis XIII and Huguenot Uprisings 7 Domestic and Foreign Policy before under Louis XIII 9 The Influence of Cardinal Richelieu 9 Early Days of Louis XIV’s Reign (1643-1661) 12 Anne of Austria & Cardinal Jules Mazarin 12 Foreign Policy 12 Internal Unrest 15 Louis XIV Assumes Control 17 Economy 17 Religion 19 Foreign Policy 20 War of Devolution 20 Franco-Dutch War 21 Internal Politics 22 Arts 24 Construction of the Palace of Versailles 24 Current Situation 25 Questions to Consider 26 Character List 31 BearMUN 2020 1 Delegates, My name is Tarun Sreedhar and as your Chair, it's my pleasure to welcome you to the Court of Versailles! Having a great interest in European and political history, I'm eager to observe how the court balances issues regarding the French economy and foreign policy, all the while maintaining a good relationship with the King regardless of in-court politics. About me: I'm double majoring in Computer Science and Business at Cal, with a minor in Public Policy. I've been involved in MUN in both the high school and college circuits for 6 years now. Besides MUN, I'm also involved in tech startup incubation and consulting both on and off-campus. When I'm free, I'm either binging TV (favorite shows are Game of Thrones, House of Cards, and Peaky Blinders) or rooting for the Lakers. -
Approved References for Pest Management Recommendations
Approved References for Pest Management Recommendations Non-Chemical Management Options Non-chemical management options include cultural, physical, mechanical, and biological strategies. These strategies include, but are not limited to traps, physical barriers, beneficial insects, nematodes, and handpicking. WSU Master Gardener Volunteers may recommend non-chemical management options from the following resources: . Gardening in Washington State (all publications) . WSU Extension Bulletins (EB) (latest versions) . WSU Extension Memos (EM) (latest versions) . PNW Insect Management Handbook (Home Landscape section only) (WSU-MISC0047) . PNW Plant Disease Management Handbook (Listings with “H” next to them indicate homeowner products) (WSU-MISC0048) . PNW Weed Management Handbook (Lawn Section only) (WSU-MISC0049) . WSU Pest Leaflet Series (PLS) . Pacific NW Landscape Integrated Pest Management Manual (WSU-MISC0201) . WSU Hortsense Fact Sheets or web site . Orchard Pest Management: A Resource Guide for the Pacific Northwest . (Good Fruit Grower Publication, ISBN 0-9630659-3-9) . Pests of Landscape Trees and Shrubs: An Integrated Pest Management Guide (University of California, Publication #3359, ISBN 1-879906-18-X) . Pests of Garden and Small Farm: A Grower’s Guide to Using Less Pesticide . (University of California, publication #3332, ISBN 0-931876-89-3) . Common-Sense Pest Control: Least-Toxic Solutions for Your Home, Garden, Pets and Community (Taunton Press, ISBN 978-0942391633) . Christmas Tree Diseases, Insects and Disorders in the Pacific Northwest: Identification and Management (WSU MISC0186) . Garden Insects of North America: The Ultimate Guide to Backyard Bugs . (Princeton University Press, ISBN 0-691-09560-4) . Ortho Home Gardener’s Problem Solver . (Ortho Books, San Ramon, CA) . Rodale’s Garden Problem Solver: Vegetables, Fruits and Herbs . -
Hikes Along the Loire UNESCO’S Loire from Tours to Saumur
Vineyard walks Hikes along the Loire UNESCO’S Loire from Tours to Saumur Tour Explore the finest section of France’s largest river. Highlights 3-star hotel accommodation throughout Visit four chateaux, the 16th Century gardens of Villandry, the Abbey at Fontevraud [resting place of Richard the Lion Heart] and Tours, the region’s most important city. Hike two tributaries of the Loire and marvel at their troglodyte dwellings Immerse yourself in the ‘Garden of France’ and a renowned wine-growing region – let us be your guide! Fact File ✓ 6-night, self-guided, inn-to-inn walking tour, with optional seventh to take in a fifth castle. ✓ Graded as a light challenge, averaging 10 miles/ 16 kms a day. ✓ Convenient access by train from Paris in approx. 2 hrs. ✓ Tour starts in Tours and finishes in Saumur. ✓ Start any day from 15th April to 15th October. ✓ Luggage transfers throughout, plus two morning transfers to shorten the day’s walking. T h e m e Hikes along the Loire is a short walking tour that introduces you to the essence of the life and times of UNESCO’s world heritage central Loire Valley. You delight in five days of gentle walking, along a variety of trails that comprise the region’s quintessential hiking route, the GR3. Hikes along the Loire starts in Tours, the capital of the department of Indre- et-Loire, considered the home of ‘neutral‘ French pronunciation. It boasts a fine Musée des Beaux-Arts and one of the best river-side guinguettes in France – get there early for either lunch or dinner. -
The Petite Commande of 1664: Burlesque in the Gardens of Versailles Thomasf
The Petite Commande of 1664: Burlesque in the Gardens of Versailles ThomasF. Hedin It was Pierre Francastel who christened the most famous the west (Figs. 1, 2, both showing the expanded zone four program of sculpture in the history of Versailles: the Grande years later). We know the northern end of the axis as the Commande of 1674.1 The program consisted of twenty-four Allee d'Eau. The upper half of the zone, which is divided into statues and was planned for the Parterre d'Eau, a square two identical halves, is known to us today as the Parterre du puzzle of basins that lay on the terrace in front of the main Nord (Fig. 2). The axis terminates in a round pool, known in western facade for about ten years. The puzzle itself was the sources as "le rondeau" and sometimes "le grand ron- designed by Andre Le N6tre or Charles Le Brun, or by the deau."2 The wall in back of it takes a series of ninety-degree two artists working together, but the two dozen statues were turns as it travels along, leaving two niches in the middle and designed by Le Brun alone. They break down into six quar- another to either side (Fig. 1). The woods on the pool's tets: the Elements, the Seasons, the Parts of the Day, the Parts of southern side have four right-angled niches of their own, the World, the Temperamentsof Man, and the Poems. The balancing those in the wall. On July 17, 1664, during the Grande Commande of 1674 was not the first program of construction of the wall, Le Notre informed the king by statues in the gardens of Versailles, although it certainly was memo that he was erecting an iron gate, some seventy feet the largest and most elaborate from an iconographic point of long, in the middle of it.3 Along with his text he sent a view. -
OF Versailles
THE CHÂTEAU DE VErSAILLES PrESENTS science & CUrIOSITIES AT THE COUrT OF versailles AN EXHIBITION FrOM 26 OCTOBEr 2010 TO 27 FEBrUArY 2011 3 Science and Curiosities at the Court of Versailles CONTENTS IT HAPPENED AT VErSAILLES... 5 FOrEWOrD BY JEAN-JACqUES AILLAGON 7 FOrEWOrD BY BÉATrIX SAULE 9 PrESS rELEASE 11 PArT I 1 THE EXHIBITION - Floor plan 3 - Th e exhibition route by Béatrix Saule 5 - Th e exhibition’s design 21 - Multimedia in the exhibition 22 PArT II 1 ArOUND THE EXHIBITION - Online: an Internet site, and TV web, a teachers’ blog platform 3 - Publications 4 - Educational activities 10 - Symposium 12 PArT III 1 THE EXHIBITION’S PArTNErS - Sponsors 3 - Th e royal foundations’ institutional heirs 7 - Partners 14 APPENDICES 1 USEFUL INFOrMATION 3 ILLUSTrATIONS AND AUDIOVISUAL rESOUrCES 5 5 Science and Curiosities at the Court of Versailles IT HAPPENED AT VErSAILLES... DISSECTION OF AN Since then he has had a glass globe made that ELEPHANT WITH LOUIS XIV is moved by a big heated wheel warmed by holding IN ATTENDANCE the said globe in his hand... He performed several experiments, all of which were successful, before Th e dissection took place at Versailles in January conducting one in the big gallery here... it was 1681 aft er the death of an elephant from highly successful and very easy to feel... we held the Congo that the king of Portugal had given hands on the parquet fl oor, just having to make Louis XIV as a gift : “Th e Academy was ordered sure our clothes did not touch each other.” to dissect an elephant from the Versailles Mémoires du duc de Luynes Menagerie that had died; Mr. -
Master Gardener PUBLISHED by UNIVERSITY of MISSOURI EXTENSION Extension.Missouri.Edu
Master Gardener PUBLISHED BY UNIVERSITY OF MISSOURI EXTENSION extension.missouri.edu Plants and Their Environment David Trinklein, Division of Plant Sciences lants are living organisms that contain chlorophyll and use it to manufacture Ptheir own food. Their cell walls are more or less rigid and support both the individual cells and the whole structure. Even when plants have reached what we regard as their full, mature size, they continue to expand and develop new leaves, flowers, fruit and shoots. Unlike animals, plants cannot move when the environment changes. They are at the mercy of the climate and the gardener because they are rooted in place. Even though it appears that many plants, especially larger ones, are quite tolerant of change, they sometimes do not show adverse effects until long after the event. For example, tree roots are often damaged or killed by suffocation during building projects or flooding. An established tree may still have strength to leaf out and may appear to thrive for several years. But in its weakened state, the tree is more likely to blow down, become infested or simply decline. To understand why plants respond as they do to natural influences and to cultivation, gardeners must understand something about their structure and how they grow. This publication provides such an introduction. Ways to group plants Uses Gardeners tend to group plants by their horticultural uses: fruits, vegetables, flowers, trees, shrubs, turf and so on. These categories are a convenient way to think and learn about plants. Life cycle Plants can also be categorized by the length of their life cycles. -
The Baroque Era 1. Title 2. Anthony Van Dyke, Charles I Dismounted, Oil on Canvas, 1635 3. Diego Velázquez, King Philip IV Of
The Baroque Era 1. Title 2. Anthony van Dyke, Charles I Dismounted, oil on canvas, 1635 3. Diego Velázquez, King Philip IV of Spain (Fraga Philip), oil on canvas, 1644 4. Charles leBrun, Apotheosis of Louis XIV, oil on canvas, 1677 5. Hyacinthe Rigaud, Portrait of Louis XIV, oil on canvas, 1701; 6. Aerial view, Palace of Versailles, Louis Le Vau and Jules Hardouin-Mansart, architects; interior design Le Vau and Hardouin-Mansart with Charles LeBrun, masonry, stone, wood, iron and gold leaf; sculpture in bronze and marble; original gardens designed by André LeNôtre, Versailles, France, begun 1669 7. Plan of Versailles and gardens 8. “Le Vau envelop,” courtyard 9. alternate view of above 10. Louis Le Vau, Jules Hardouin-Mansart, and Charles LeBrun, Hall of Mirrors, Chateau de Versailles, ca. 1680 11. Louis Le Vau, Jules Hardouin-Mansart, and Charles LeBrun, Hall of Mirrors, Chateau de Versailles, ca. 1680 (after 2007 restoration) 12. Charles LeBrun, The King Governs by Himself, from the ceiling of the Hall of Mirrors 13. Jules Hardouin-Mansart and Charles Le Brun, Salon de la Guerre, Chateau de Versailles, ca. 1680 14. Jules Hardouin-Mansart and Charles Le Brun, detail of bas relief of Louis XIV on Horseback, Salon de la Guerre, Chateau de Versailles, ca. 1680 15. Jules Hardouin-Mansart and Charles Le Brun, Salon de la Paix, Chateau de Versailles, ca. 1681-1686 16. Charles LeBrun, La Salle des Gardes de la Reine 17. Jules Hardouin-Mansart, Royal Chapel, upper level, Chateau de Versailles, 1698 18. Palace of Versailles, gardens originally designed by André LeNôtre 19. -
WHAT Architect WHERE Notes Arrondissement 1: Louvre Built in 1632 As a Masterpiece of Late Gothic Architecture
WHAT Architect WHERE Notes Arrondissement 1: Louvre Built in 1632 as a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also Church of Saint 2 Impasse Saint- chose the sanctuary as the location for his mother’s funeral. Among ** Unknown Eustace Eustache those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. Amazing façade. Mon-Fri (9.30am-7pm), Sat-Sun (9am-7pm) Japanese architect Tadao Ando has revealed his plans to convert Paris' Bourse de Commerce building into a museum that will host one of the world's largest contemporary art collections. Ando was commissioned to create the gallery within the heritage-listed building by French Bourse de Commerce ***** Tadao Ando businessman François Pinault, who will use the space to host his / Collection Pinault collection of contemporary artworks known as the Pinault Collection. A new 300-seat auditorium and foyer will be set beneath the main gallery. The entire cylinder will be encased by nine-metre-tall concrete walls and will span 30 metres in diameter. Opening soon The Jardin du Palais Royal is a perfect spot to sit, contemplate and picnic between boxed hedges, or shop in the trio of beautiful arcades that frame the garden: the Galerie de Valois (east), Galerie de Montpensier (west) and Galerie Beaujolais (north). However, it's the southern end of the complex, polka-dotted with sculptor Daniel Buren's Domaine National du ***** 8 Rue de Montpensier 260 black-and-white striped columns, that has become the garden's Palais-Royal signature feature.