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t’s 10 minutes before the interview begins and I’m a little nervous. My notes are in a jumble, and I’m still I trying to figure out how to use my tape recorder. I am about to talk to the founding member of the outspoken Kronos Quartet, whose gentle yet vibrant chamber has been heard at thousands of concerts and on more than 20 recordings in the past two decades. The minutes turn into seconds. I make the call and am told to wait while violinist David Harrington makes his way to the phone. I wish myself good luck. Artsweek When did the Kronos Quartet first come into being? David Harrington: 1973. How did it start? I heard some music on the radio one night... and then I heard this piece called “Black Angels” by George Crumb, and I had one of those moments when ... sud­ denly the world seemed really clear and what I wanted to do in my life seemed really clear. At that point I was in Seattle.... The group evolved a lot over the first five years. By 1978 Joan [Jeanrenaud, cello], and Hank [Dutt, vio­ la], and John [Sherba, violin], and I started playing together, so it’s been 20 years. So when did you start playing violin? When I was 9 years old. Each of us in Kronos started roughly at that age, so we have been playing for a long time. What got you interested in playing violin? I heard a violinist on television and I wanted to do it Can you describe the hind of music that you play? I would try not to describe it because it might be totally different the next time. 1 have friendships and relation­ ships with different composers from vastly different cul­ so you arrange your songs tn a special oraerv them lead me to the next adventure and new composer tures and backgrounds. ... Some have been writing music Yes, because I feel that what somebody experiences and experience. It’s kind of an inner sense. When you for many, many years and what you have is kind of a body and what they experience next often defines something meet someone and you get a sense of [who they are, it is of music written by people from all over the world. There new. We put a lot of our thought into what we’re intend­ similar to] when I hear a new composer. For me, it’s very are men and women from about 35 different countries ing to perform. No two of our concerts are the same. We personal. [When] the music we play has been written for from all of the major religions writing for us. like to take a lot of chances and experiment with our us, [the composers] know a lot about us personally, so Do you ever compose your own music? work... so the concert that we play in Santa Barbara will the music has a sense of the handmade. What I am look­ We don’t compose our own music. What I am inter­ be a mint-condition experience. Hopefully it will add up ing for is something incredibly personal but also totally ested in is finding the greatest composers of our time, and to something more than the parts. universal. hopefully they will write their best pieces for us. I don’t Does Kronos seek out the composers or is it the other think there is a Stravinsky or a Beethoven in Kronos. way around? The Kronos Quartet performs tonight at 8 in Campbell When there are people that we know of on that level I It works every way, we do commission a lot of new Hall. After the show the quartet will remain for a meet- think we ought to let them do the writing. One of the pieces. the-artists discussion with audience members. For more things that we do is compose evenings of music by as­ How do you decide whether a piece is worthy of the information, please call UCSB Arts & Lectures at sembling our work in a way that is a composition. So I quartet canon? 893-3535. feel very involved compositionally in our work. All I ever have tried to do is follow my ears and let Can't Drive 5 5 O h , G o d Don Bradley / Angels in a Harsh love and her “angel within” at the brink W orld / Heartstrings Press Though my affinity for of World War II. video games usually leans Led by a haunting and mysterious re­ His eyes never left her. She was the curring dream, Haley travels to India, toward such tact-oriented center of any circle and the mark. It and strategically challeng­ where she becomes entangled with a was visible to those who had the eyes Maharajah, an agent of the dark side. ing mind exercises like to see, a heart to feel “Tetris,” “Battleship” andi The Maharajah imprisons Haley, hop­ So begins the latest novel by Don ing to tear her way from David Hamp­ “Electronic Connect Bradley, Angels in a Harsh World. The ton, the man she loves, and thwart her Four,” the arrival of Activi­ book chronicles the adventures of an celestial mission. sion’s “Interstate ’76” pro­ extraordinary young woman named Ha­ As Haley falls into the downward spi­ vided not only a fresh in­ ley Olston, who finds herself waging ral of the Maharajah, she is rescued by J, sight to the art of animated battle against the forces of evil while still who introduces her to a mystical and violence, ,but also for a somehow managing to discover true esoteric branch of Islam known as the brief moment allowed this Sufi ascetics. closet cyber-geek to ven­ ture into a psychedelic J becomes Haley’s spiritual teacher as mid-’70s world some­ cards, or the smooth - Sounds basic, but I had he shows her the beauty of the soul and where between R o a d filled, disco-dominated a hard time just deciding the power of love and joy. With his help, Warrior and Pulp Fiction. world that you, “Groove which of the 25 demoli­ A i t o k * Haley prepares to face the perils and tri­ As the double CD is Champion,” and your tion cars to use. In the end, bulations to come. downloading onto the companion “Taurus” the “school bus o’ death” Although the premise of the book hard drive (you need to shoot and decimate your became my choice. As seems interesting, the writing style and have at least 80 megabytes way through will have the there are times when you character portrayal is immature and of uncompressed space effect of a weak strobe. don’t know who or where naive — reminiscent of a really cheesy available), you are treated The basic premise of the bullets are coming romance novel. Along with weak writ­ this “Spy Hunter”-esque from, and other times ing, everything else is extremely predict­ to a scratchy radio news able and banal. It’s way too wordy and broadcast of the current quest is to avenge the when you do have a spe­ death of your sister Jade, cific taiget (“Shit, get those melodramatic. The characters have no events circa 1976, provid­ depth, ranging from the beautiful and ing a brief prelude to the an ultra-vigilante before Pigst”), confusion, chaos absolutely-perfect-in-every-way Haley, mayhem awaiting you you, who exposed gang and one-liners are all es­ to the utterly diabolical Maharajah. The somewhere in the waste­ leader and terrorist Anto­ sential parts of this chal­ lands of the Southwest. To nio Malochio’s scheme to lenging game. At least you book becomes an overambitious piece ensure uninterrupted ruin the U.S. oil resources. can choose a practice me­ of super-cheese as well as a very tiring bloodsport, make sure to Get revenge and cany on lee before you commit to a read. have good audio and video the family goals. whole adventure. —Davia Gray —Naz Escobar Free Self-Esteem Boost Emerald Video i Cl jin A n Mine lentil with 6545 Partlall Road most every car wash at Isla Vista. CA 93117 M W/iuM M iU U l I with this comic 805.968.6059 Vbld with other offer Good at time of rental only

WELL, YOU'VE KLWKY6 SMD TVWT YoU don't wwrr kny "YE4-MEN," £o i'm going Self-Service Car Washing To TELL You MoW CoRPo&TloJfc WWKT l REKLLY At Its Finest THINK... WEED oUT THE 527 Anacapa St. (at Cota) L.------J young wd gullible Santa Barbara * Open 24 Hours Daily 4-17 ©1997 Wiley M ille r «it. by Washington h i t Writers troop WEI SITE: www.waihingtonpoit.eoin/wiley E-wail: Wileytoonaaol.eow - t _ _•irV ifi 'J. ÍÍ 'U m m m m l'ili'L’J 'J lì'S 2 ,'jÌì'Ìl mm mm, m mm Daily Nexus Thursday, April 17,1997 3 A

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Not since Congo has a film based an animatronic snake that would only somewhere outside the United States fool someone who didn’t know that ani­ been as bad as Anaconda. mation even existed are the film’s most This week’s No. 1 film stars Ice Cube, obvious flaws. Even worse is how the Eric Stoltz and Jennifer Lopez as a do­ filmmakers play upon the audience’s lack cumentary camera crew in the Brazilian of understanding about the “wilderness” rain forest on an expedition to find Shir- (especially the jungles of other countries, ishama Indians. Danger lurks at every where ostensibly “anything can bend of the mighty Amazon River, with happen.”) the most vicious member of the area’s I don’t think that this kind of insensi­ food chain, the Anaconda snake, at the tivity is really all that offensive. It just M A Y 4 * 8 : 3 0 P M helm of a whole lotta bloody trouble. The makes the wnters look ignorant, as if they premise is OK, if you like paint-by- are unaware that anything happens in UNIVERSITY CENTER HUB numbers flicks, but its embarrassingly other places besides violence by murder­ poor execution is unacceptable. ous tribesmen and huge, monstrous Wooden acting, silly plot “twists” and animals. —Jake the Snake Floats Like a Butterfly, But No Sting gr TIX O N SALE NOW ! J] Tickets are available at the A.S.Ticket Office on the UCSB campus, Mominglory For the 99 percent of the population ate the dramatic score. Music in IV, and at all Ticketmaster outlets: The Wherehouse, Blockbuster Music, not interested In opera, French direc- Thematically though, the film has its Robinsons-May, and the Arlington Theater. , , tor Frederic Mitterand has Created a shortcomings, While in Puccini’s time Charge by phone at 893-2064. ^roawjwMaiy^ film version of Puccini’s M adam e his treatment of interracial relation­ For more information please call 893-2833. —■®K"— Butterfly that can be as easily admired ships may have set tire public twitter­ for its breathtaking scenery and its ac­ ing, tiie film’s outdated preaching isn’t j sa g m o m m m tors’ pretty faces as for its more erudite likely to provoke more man a yawn to-f ‘f - qualities. day. Perhaps realizing this, Mitterand Set in thm^of'fheHcCritary Ja p a n , broke with tradition by choosing ac­ Puccini’s work tells the story of the ill- tors whose looks and charisma alone Y. . r é # . , 3 fated marriage between the handsome could cany the film. ^ ^ i n t h e American Lt. B.F. Pinkerton and the “Thlsisnotyour father’s opera” nuty 15-year-old Japanese girl he calls not become Madame Butterfly's new “Butterfly." publicity mantra, but Mitterand has F L u d ç y Visually, the movie is a feast. With nonetheless made significant strides slow, exquisite cinematography, Mit­ toward increasing the accessibility of terand stunningly coordinates the opera to wider audiences, movements of the camera to accented —Emma Bland

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Every week students are able to display their art at Associated Students Program Board the College of Creative Studies Gallery. And every Applications for Program Board positions available now! week Artsweek will probe those studentstainds for 9 Pick up an application in UCcn Rm. 1519 - profound answers to absurd questions. completed applications due May 2. The work of art studio graduating senior Sherin Need a job now? We need SECURITY at events. Guirguis will be featured through Friday. Go see it. Applications available or call Eric (o! 893-3536 for more info. Artsweek: What is trip I don’t know who he is. hop? What is in your fridge? Visit The Associated Student Program Board’s Web Page Sherin Guirguis: A type Feta, artichokes. I live of music. I don’t know... it with six girls, so about ev­ should be like a sound erything you can imagine. lifttp://www.as.uesb.edii/aspb/ effect. " Is New Wave a viable Paper or Plastic? option in die *90s? Hotline: 893-2833. Paper. I thought New Wave .. Who is. Keyset, Sdse? . wafhuixgeL. , , . . . . . 4A Thursday, April 17,1997 Daily Nexus

... techno... deep house. So we all tend to kind of know each other So how didyou develop they way you sing’cos it’s re­ ally unique? I think what helped me a lot was the fact that I couldn’t sing when I started doing the , and I hadn’t been singing and I wasn’t a singer, and so I think Do You Like My ? that helped me in a way. I think a lot of the time singers get tied up in technical Ants week’s Jolie I. Lash gets technocal with JVIoloko aspects of it and in terms of my melodies and my lyrics, they just come from a slightly different angle than anyone then? else’s ’cos I had no training.... Nobody told me what to Having stolen their name from a drink in A Clock­ do, so maybe thaf s why it came^mt a bit strange. I’m a bit No I don’t laugh at them because it affects the way work Orange, and with songs that seem to effortlessly strange. blend the cartoon humour of Fat Albert and Scooby Doo journalists [portray artists]. They have a responsibility with bits of jazz, funk, rock ’n’ roll and ticklings of elec­ toward artists, to give them their jobs by being there to tronic noise, is one creative outfit. write about or to put on television, so it is pretty serious Their album Do You Like My Tight Sweater, which when a whole immensely rich and beautiful thing is took two years to gain a release date in the U.S., is a col­ happening. lection of pulsating, flirtatious and completely addictive [Trip Hop] is a movement in a sense that you can tie it trip hop. The duo combines the lyrics and seductive voc­ all together, but when it all gets lumped into this category als of Roishin Murphy with the clever programming of and also that it kind of has strange connotations to It as . Hie stoiy of how they met is too good not well—as if everybody’s just trying to be weird or just be­ to mention. ing arty or whatever. Ifs like, we’re musicians and we de­ Apparently, if bios are to be believed, Roishin serve a bit more thought to the labels that people put on snuggled up to Mark in a club with the pick-up line “Do music. And I think thaf s across the board. I think you’ll you luce my tight sweater? See how it fits my body.” And find jungle artists feel the same way. as the tale goes, he whisked her away to a studio where Anybody thaf s really trying hard with their music, try­ they made a song of the same name. ing to push it somewhere that nobody else does, trying to Although Tricky seems to get all the attention for be­ represent their personality and their voice and they actu­ ing a trip-hop artist, we looked up Moloko’s Murphy and ally put effort into that, they deserve the effort of the me­ Biydon to find out about their own diverse sound and dia to be explained better than perhaps sometimes why they stand out in this blooming genre of music.; they’re explained. So what’s die appeal of being based in as Artsweek So is it weird talking about the album opposed to London, where a lot of artists seem to flock since it came out two years ago? to? Roishin Murphy: It’s a bit strange yeah. But it’s not a We just ended up here really, both of us. Mark came problem. I still think if s a really fresh album... if s a good here as a student ’cos he was obsessed with climbing. ... album. It’s relevant I think. If s particularly relevant in He was really into rock climbing and we’re right outside America at the moment. the Peak District - just a 10-minute drive, and ifs just a We’ve just been over there and people seem to be re­ really beautiful district for like rock climbing; lots of ca­ ally into it. In a funny way, [Americans seem] more read­ nyons, not by any scale like they have in America... but ily into it than they were here. I think it was a bit too very beautiful nonetheless. ahead of if s time in some ways when it came out, and I I ended up here ’cos I came with a boyfriend and then So what influences you to write songs like "Killa don’t think people really understood what to say about it ended up staying. But, ifs a good place to make music when it came out over here. Bunnies” for example? ’cos there’s so much variety here musically and you don’t They all come from a different angle, influence. ... They were like comparing it to Portishead, and now tend to get as separated by the kind of thing that you’re when you look back on it with bands like Moorcheeba, [With] “Killa Bunnies,” we saw an interaction exhibition into as you would say, in London. with computer animation and it was about bunnies, but Sneaker Pimps, stuff like that, there is somewhere to put I mean if I was in London I might have been a little Moloko and a way of understanding Moloko, whereas they were like communists ... and they all had machine techno freak or a junglist or a this or a that, and in Shef­ guns. Anyway, it was this whole society of rabbits that before there was nothing before us but Portishead. ... field there isn’t the support [for] the clubs like there is in What we do is funky, kind of slightly strange pop [with] London, so we tend to sort of mingle all in together. So wore these Nazi arm bands and had machine guns and jumped around in these amazing kind of pods things and no relation to Tricky or Portishead, or even Massive we know rock bands and we know people who do jungle Attack. worshiped a huge, giant carrot. So we then had this rock Well, I’m sure we owe a Moloko's Mark Brydon and Roishin IVIurphyj track going on and we had no idea where it came from, lot to . why we ended up doing a rock track but we were doing [Their] first album really one and we thought, “Oh we can’t do a serious song, we opened a lot of people’s have to demasculinize it. We have to [make fun of] it a ears. I think it just hadn’t bit.” Ifs kind of enjoyable doing a rock track and taking been done — that kind of away its masculinity. combination of studio and (The phone is now passed to Brydon as the interview songwriting and ideas and continues...) So how important is art to your music? production level. ... But Mark Brydon: I spent six years training as an architect since then there’s been and I know about five architects that are currently work­ people like us, like Tricky, ing in programming music, in contemporary music. So I Portishead and along think there is some kind of parallel between the way comes Moorcheeba, three-dimensional artists work and the way music is Sneaker Pimps.... Ifs be­ made ’cos you’re trying to make some order out of chaos. coming enough of a scene I mean we’re visual people, we enjoy visual arts but we for people to understand don’t kind of look at a painting and are moved to write [a what each different per­ song] about it.... Music, ifs a thing in itself. The mental son’s different outfit does and physical processes in carving a block of stone and and why they do it diffe­ making music are probably pretty similar. You know rently to the others. hey, let’s not get too cultural about it. I mink in a way ifs bet­ So is that little guy on the cover of your album your ter timed to be out in mascot? America now because I We’re gonna kill him soon I think. He’s been around. think ifs the right time for He’s new for America. it. I think it was too early Oh thaf s true. [in Britain}. A lot of people Where did he come from? missed the boat on Mo­ He was like a doodle. We went to these designers loko the first time, and called Designers Republic, who were really kind of pion­ they’re going to be very eering that kind of techno artwork at the beginning... embarrassed about that in years to come. We searched long and hard for some opposite of whal So do you laugft at they normally do and it ended up being some doodles on labels like "trip hop" someone’s telephone pad that made the grade. Daily Nexus Thursday, April 17,1997 5 A

managed to capture the es­ sence and feel of The On the Record Smiths, Gene’s sopho- Rick 6 The Week A little somethin' for all you crrrazy metal fans ... TTelittet 7 aftertaste / Interscope Helmet has never been much interested in the grand­ your own hole is that, like alists who’ll cringe at the iose excesses of heavy metal. Sure, the guitars have al­ He said the best rock ’n’ roll, you duo’s lack of regard for ways been turned up to 11, and their atonal blurbs of can play it really loud in rules, but fens of the unor­ static and feedback generally register somewhere be­ your car stereo, drive ar­ thodox will appreciate tween “annoying” and “demonic” to the Tommy Hilfi- / ound, and it will make you these kids’ ties to the next ger set — but really, Who cares what mall shoppers / cool, no matter who you school. more release sees the band think anyway? are. “Balcony Beach” finds Helmet has stripped down rock to its basic elements, —Keir DuBois attempting to discover its Lyrics Bom dropping a re- freeing the genre from its most deplorable trappings There are a lot of tiny- vealing meditation on ag­ own sound. What this pursuit ends masturbatoiy guitar noodling, pouty press photos, brained people out there She said ... rock-star posings and sloppy, three-chord rock ditties who hate techno. These in is a sort of hodgepodge of British guitar pop mixed in 4/4. people swear techno will Pressure truly is a pow­ Rather than funncling his vision into a watered- never incorporate itself erful thing. In Britain a with some highly emo­ tional vocals. With this down mishmash of pop sensibility, singer// into rock ’n’ roll, simply great weight is levied on guitarist Page Hamilton infects listeners with his over­ because techno doesn’t musical artists to “crack” said, the band’s frontman, Martin Rossiter, manages whelmingly Spartan approach to songwriting — em­ rock. the American market. In bodying the tension and instability of his dig your own hole essence, breaking America to pull it off in a convinc­ ing, while on “Say That” ing fashion. There’s a sort . proves that electronics do is the equivalent of win­ Lateef joins, his partner At tire forefront of the arrangements, Hamilton’s gui­ rock, and rock a hell of a ning really big in the lot­ of tenderness in every note over a sampled series of ro­ alongside Rozzer’s con­ tar is sparse and unpredictable with a deceptively ha- lot more than anything on tery. Many try, but few ac­ botic bleeps. On some ph azard feel—in feet, he strictly adheres to a complex radio right now that calls tually score big. sciousness of the power of other shit, for sure. words. and rhythmic scheme. This allows for unique interplay itself rock. For Britain’s The Chem­ —ERIKSOLO between bassist Henry Bogdan and drummer John Sta- Why? ical Brothers, this pressure Ballad-esque songs Redd Kross / Show W orld have always been a forte of nier, who entangle the listeners' rhythmic, subcon­ Simple as be-bop-a-lu- is beginning to show. / Mercury scious sense of tension and catharsis with polyrhythms la: You hear “bloc rockin’ “Techno’s first super- Gene, “save me, I’m yours,” and “speak to me and syncopated offbeats. Not simply providing Usten- beats” and you want to stars,” as they’ve been Somewhere amidst the ers with a head-bobbing, mind-numbing release, Hel­ move your body. You hear labeled, have really gone someone,” do not disap­ god-awful wasteland se­ point thanks to the deli­ met challenges tire conventional capabilities of rhythm the tide track and it hits Leftfield on this release. If parating Stone Temple Pi­ to disturb and disarm listeners, forcing them to interact your eardrums with such you didn’t catch their last cate and comforting ba­ lots from Bryan Adams lies lance between Steve Ma­ with the music rather than allowing them to simply full-length release, E xit a little power-pop band disconnect. Planet Dust, now might son’s guitar and Rossiter’s known as Redd Kross. vocals. This sense of rhythmic instability puts the listener off be a good time to make an Some of us might recall the guard, allowing space for Hamilton’s suspended voc­ investment in it—//you’re This record highlights jovial melodies of this the passion the members als. Vacillating between emotionless crooning and expecting dig to be a conti­ four-piece from our junior maniacal condemnation, he slips unnoticed into the nuation of the energy of Gene feel for their high days, when they music. While not quite up mind and acts as a connective tissue for the instrumen­ found on the latest single seemed to sound better. tal sections which seem liable to disintegrate into chaos “bloc rockin’ beats.” to par with their debut al­ Others may perceive them bum Olympian, this re­ at any moment. The vocals provide a slightly subdued dig your own hole as a budding indie pop melodic quality to the otherwise blunt, rhythmic nature simply fails to keep your cord’s quest to find the band, but don’t let the band’s own voice is coura­ of Helmet’s music. pulse racing with the fren­ haircuts and tight shirts The resuitis uncomfortable music, music that is diffi force that you know it’s no zied, caffeine overload geous and valiant. fool you—Redd Kross has —Jolie I. Lash cult to anticipate,and music that is all the more satisfy­ wimpy dance pop. It Exit does. It’s not a bad al­ ing once listeners are able to come to terms with the grooves and you can rock mutated into the rock-star bum, but if you’re looking bastard son of STP and ev­ Gene subtleties that define and direct aftertaste’s 13 tracks,] out to it. for the jackpot on excite­ ery 35-year-old crap-rock Ml ,< r - '< -firje e Baer The Chemical Brothers ment you may want to artist on VH-1. If only they don’t mess around; they hold out for Prodigy. C o n te st!!! were that interesting. In support of Gene’s know what rocks. They —Jolie I. Lash Although Show World know that the Beades new aibun, Polygram Lateef & Lyrics Bom / attempts to touch base has provided us with rock; the MTV hit “Setting with the post-Nirvana fens Sun” is a perfect modem Latyrx / Solesides copies of Gene's import update of “Tomorrow searching for a new leader, only n e ITo @ n Tbs Never Knows,” from the With the release of the album plays like a K and Imited R evo lver album. They Latyrx, NorCal’s Sole- pathetic attempt to sound tdmmi totin sides crew drops a 21st- like eveiything else on the <$w® «¡¿I posters. know old-school hip-hop damn radio. rocks; the “” century hip-hop album To win cal 893-2691 with intro by Kool Here is the you’ll either love or hate. —Tony Bogdanovski the answer to this best endorsement they FYI: I’m a lover (’cos the Gene / drawn to the deep question: could get. world needs more of us). e n d / A SM what are the names of I know some tradition­ The best part about dig While their debut effort the members of Gene? Afeyofepto]deoaifcc|q|es«hlol>thepcliti

THE ® PRINCETON DILBERT b y Ô C O V t A d â l î l S presented by REVIEW ti 1 FOUND ANOTHER I DON'T KNOW WHAT c O e O GOT H IM - THE BOREDOM a jf r r LOOKS LIRE J DEAD EMPLOYEE IN CB 5 THE CONFERENCE OR THE HARD WORK. c ( I FOUND 1AY \ 1 <0 E ROOM. BUT HEADCOUNT IS e / “EMPLOYEE OF \ s a c DOWN ONE AND THE e \ THE WEEK.'' r ' j j COMPANY HAS LIFE ™ ^ u c Indeeedie! Ï INSURANCE ON J . 1 9 K a a t The Weekend r-» jfr p Connection. i f In Friday’s G M flT LSftt MCftf THE Daily Nexus. PRINCETON * G e t A n E d g e o n G r a d u a t e S c h o o l REVIEW Mmmm Good! P ersonal A tten tio n * G uaranteed R esults (800) 2 REVIEW www.review.com 6 A Thursday, April 17,1997 Daily Nexus

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Did you miss me? night, too. After the Earth Day p.m. in Abravanel Hall at Well after a long hiatus If, come Friday night event, grab the nearest the Music Academy of the (I went to Barbados and you find yourself sick of sober person to drive you West. Later on, bid yet kicked it in the sun with the I.V. party routine after down to Emerald City for another farewell, this one my homeys for a while), I Ortly three weeks, try Babyland, Assilline, and to the disbanding Lew- am back to let you, the checking out Blink 182,98 Bloat, or walk on over to., itzky Dance Company," A rtsw eek reader know Mute, Slightly Stoopid the feel-good show of the which performs in Camp­ what you can do for excite­ and Mad Caddies at Emer­ year as the Singled Out bell Hall at 8 p.m. ment this week. ald City, or modem folk Monday, Photographic 8.5" X 11 ” white paper If you are one of the few Visions, an exhibit cele­ • no limit • members of the UCSB po­ brating the 150th anniver- offer expires 4-20-97 pulace that has not yet ap­ saiy of film, opens in the Women’s Center; which copying • binding • laminating • computer rentals peared on Singled Out, you can hop on over to the reminds me, I need to get full color print & copy • scanning • typesetting my Barbados film film processing • passport photos • & more... IVBC, which will be host­ ing a Singled Out contest developed. today. If you’ve ever Documentaries Dream dreamed of playing the G irls and Gay Cuba and game that includes making Butterflies screen at the Classified Hotline: 893-7972 outfit Majority Dog at a fool out of yourself in contest once again hits the MCC at noon and 6:30 Phone in your Daily Nexus ad front of a live audience IVBC Upstairs. IVBC. p.m., respectively. with MasterCard or Visa and maybe even winning Saturday’s the day to Sunday, if you can wake On Wednesday, try (since when did Singled enjoy nature, the sun, the up and shake off your han­ checking out the noon­ O ut become selective?) a environment and peace, gover by 8 p.m., Kan Za- time World Music Series chance to go on the show, man, at the third annual man will present an Arabic in the Musk Bowl. Korean Earth Day celebration in ★ this is your big chance. folk music show at the traditional percussion Or if peroxide blondes Anisq’ Oyo’ Park in I.V. Multicultural Center. Or music will be performed. ★ aren’t what you’re after, an From 11 a.m. to 10 p.m. if you’re up a little earlier, Next week I’ll be back ★ S L C W i ; evening of classical music the park will play host to you can venture out to say with more to say. Oh and bluegrass band Cache Val­ ★ will be presented by the your goodbye’s to UCSB hey, if you’re in a band or greens Kronos Quartet today at 8 ley Drifter, Cool Water Ca­ faculty violinist Ronald an artist and are perform­ ★ p.m. in Campbell Hall. nyon, Henchmyn, Point Copes (who will be joining ing, be it at a party or hold­ ★ Toe’s will be hosting Billy Conception, Messengers, the Juliard String Quartet) ing a reception, e-mail me PRESENTS " and The Cloger. ★ Sunshine and Allstar to­ at his farewell concert at 4 at [email protected]. ★ V 0 U 4 DJ)IIVJI(M( 0 I > H ★ 41/ U H M (. 4 HI Oli * ★ To get the advantage, check the day’s rating: 10 is the easiest day, 0 the ★ most challenging. ★ Aries (March 21-April 19) - Today is a $ - From now through Sunday, ★ you’ll need to pay mote attention to other people’s wants and needs. You ★ ★ are heroic, but rather self-centered. You’re not very tuned in to hurt feel­ ★ ings, hr example. H u t’s because your own feelings hardly ever get hurt. ★ Be gentle. ★ ★ Taurus (April 20-May 2 0 ), Today is a 7 - Hie moon's going into Virgo ★ this morning Virgo’s a good match for Taurus. They’re neat and orderly ★ and try to please. They’re also a little inhibited, but duds not a problem ★ ★ for cuddly you. later this evening, you could lose some money. Be play­ ★ ing for pennies. Because ★ Gemini (May 21-June 21) - Today is a 4 - One of the things that maybe ★ annoying your true love is your commitment to foil disclosure. You’ll tell ★ everything you know. That’s OK some of the time, but not in personal ★ ★ matters. Especially not now. Remember, discretion is the better part of valor. ★ Cancer (June 22-July 22) - Today is a 7 - The moon’s going into Virgo ★ today, which is nice. Virgo likes to take care of other people. You’re like ★ that, too. This condition makes it easier for you to remember new infor­ all-nighters ★ ★ mation. Even the most difficult assignment will be doable and fon. ★ Leo (July 23-Aug. 22) - Today is a 4 - You may feel as though you’re on ★ ★ the hot seat today. You’ve got to buy a lot of things with not quite enough ★ money. If you can do this, you might get mote funding. It’s a catch-22: If ★ you can prove you don't need the money, you can get the money you need. ★ ★ Virgo (Aug. 23-Scpt. 42) - Today is an 8 - This morning there’s a dead­ ★ line to m eet Either that or a demanding person gives you a hard time. aren't always ★ Don't take any of it too seriously. You do the best you can with what you ★ have, and that’s enough. It's better than what most people do. ★ Libra (Sept. 23-Oct. 23) - Today is a 5 - Your partner should be in a ★ ★ good mood this morning. If you want anything, ask for it then, later in ★ the day, you'll be busy playing catch-up. Take the time to do the job as ★ dose to perfectly as you can, even if it’s late. The person you’re doing it ★ for is a teal nit-picker. ★ spent in ★ Scorpio (Oct. 24-Nov. 21);- Today is an 8 - Virgos are perfectionists. ★ They go to a lot of trouble to make sure they get things right, and they do ★ a fine job of it. If you have friends like this, treat them like solid gold. Take ★ ★ them out to dinner tonight Just to say thanks. ★ Sagittarius (Nor. 22-D ec 21) - Today is a 6 - Perfectionists will be out ★ in foil force today. They don’t see your carefree attitude as ah attribute. ★ ★ They like predictable routines and everything to be in its place. Unfortu­ the library ★ nately, this sort of person often turns out to be your boss. Do your best ★ and you'll do fine. ★ Capricorn (D ec 22-Jan. 19) - Today is a 7 - Take advantage of this ★ ★ opportunity to dean up a mess at home. H ie deaning may be symbolic. ★ Have you and your roommate been arguing about money lately? Get any ★ problems in your relationship worked out early so you can go play tonight ★ Aquarius (Jan. 20-Feb. 18) - Today is a 5 - For some reason, it’s important ★ ★ for you to figufe out your assets and liabilities. Did you get an extension on ★ your income taxes, or are you just scumbling to get them in as dose to the ★ deadline as possible? You're in a position to make a good investment ★ ★ Pisces (Feb. 19-March 20) - Today is a 7 - You're the creative one. What ★ you need is a person who can help you put those dreams into action. A ★ Vugo would be perfect H ie trouble is, Virgos get rather critical some­ ★ times. Don't take them too seriously and you’ll do fine. ★ ★ Today’s Birthday (April 17). You're almost ready to settle down in ★ April. The feeling gets stronger in May and could come to fruition in Au­ ★ gust. Your workload increases in September. Watch your blood pressure ★ ★ then. An old idea produces amazing results in December. Heed your ★ mentor’s advice in January. You’re more successful working with a group ★ than alone in February. Pull back in March and review recent develop­ ★ ★ ments before moving ahead. ★ ★ ★ ★ Wants Your Feedback ★ ★ ★ ★ Come eat, fill out a ★ ★ [P comment card, and ★ It's every’vv^iere ★ you may win a free ★ ★ A Half and Half meal! ★ ■yOU. "W aTtt tO Ì30. ★ ★ ★ This week’s winner ★ ★ ★ ViJulia Jones ★ ★ © Visa U.S.A. Inc. 1997 valid from 4-17-97 until 4-23-97 ★ ★ I Daily Nexus Thursday, April 17,1997 7 A

Are You Looking for a Fun, Challenging, Exciting Summer Job in Malibu? COTTONTAIL RANCH RESIDENT CAMP is now looking for enthusiastic, motivated UCSB students 19 years+ to A rts w eek’s Laura Zw arun visits the S X S W M usic Festival be camp counselors & instructors for children ages 6—16. Staff will participate in a variety of activities including watersports, horseback Artsweeks Lara Zwarun took a trip to Austin, Texas’ You’re glad they are there, spending their dollars appre­ riding, hiking, and traditional camp activities. Salary & room and board South by Southwest Music Festival in mid-March to ciating the scene, but you wouldn’t want them to really provided Dates of employment: June 15-August 30. find out what these music-conference schmooze-fest know where the locals go for barbecue or breakfast Please call for more information or to schedule an interview things are all about. She discovered that if you can get tacos. beyond publicists’ fashion statements and maintain a Wednesday’s acts were a blur to me. At 2:30 that after­ 1-800-700-CAMP or email: [email protected] low profile, you can have a lot of fun. We now join her noon I’d been in class in Ellison Hall; now, at 10:30,1 adventure... had dumped my suitcase at my brother’s house and was at Stubb’s Barbecue, watching Tab Benoit play blues gui­ SANTA MARIA'S ONLY ADULT CABARIT Austin, Texas’ South by Southwest festival is other­ tar under the Texas sky. We capped off the evening with a wise known as SXSW. It’s such an enormous party that cruise through the drive-thru of Taco Cabana, which is, SPEARMINT RHINO organizers actually wait until the University of Texas’ from what I gathered, to Austinites what Del Taco is to Spring Break, when the town’s 50,000 college students SoCals. ADULT CABARET w on’t be in town, before throwing the yearly event. Thursday night found me at Schultz’s Beer Garden for 505 S. Broadway The festival started 10 a favorite band of mine, «onc^jn Santa Maria years ago as an effort to The Flametrick Subs. Here 349-9535 £'£/Sw give small, unsigned local was a rockabilly band jam­ llK)0am-2.-00anMftji bands exposure. It is now ming out tunes in full ’50s 7 DAYS A WEEK the pre-eminent music fes­ attire with an androgyn­ ALWAYS HIRING DANCERS I tival in the United States, ous lesbian on stand-up attracting hundreds of bass, looking like what 3 THE LEADER IN ADULT CABARETS £ musical acts from all over you’d get if you crossed ^ m TW W TW W W TTTTTTTTW TtTTTm r the world, as well as thou­ David Byrne and k.d. Lang sands of record execs, and put it in a cowboy hat. music journos, publicists, s After their set, we jetted bands and A&R reps from 1 over to the Back Room, Los Angeles, New York, | Austin’s premiere heavy Seattle and the like. | metal club, for two L.A. SXSW is centered ar­ 2 bands. The crowd was ound 6th Street, a long | there to see Fear Factory, strip of bars and clubs E but their set was ruined for along the lines of New Or­ S me when I realized the leans’ Bourbon Street. You could even picture it as a drum beat was canned. much bigger, more happening State Street, if State Street had more live music venues and fewer trendy meat mark­ Antone’s, Austin’s home of the blues, was our only ets with juke boxes. destination Friday night. We got there early for Don Wal- My flight to this year’s SXSW had me connecting ser’s Pure Texas Band, not wanting to miss a minute of through Los Angeles, where I knew I was bound to be the overweight yodeler who’s a local hero and a source of joined by the L.A.-industry folks. Sure enough, dozens much amusement for the out-of-towners smart enough of hipsters loaded onto the plane, all equally astonished to catch his set of country classics. High Noon, another and overjoyed to be running into each other. They ex­ country act, and the Asylum Street Spankers, an all­ changed air kisses while checking out each other’s funky acoustic jug band, followed. Hie Spankers set nearly rectangular eyeglasses to make sure nobody’s were moved the High Times magazine folks to tears, espe­ cooler than their own. cially when they picked and strummed through “Funny Talk filled the cabin: what hotels people were staying Cigarette.” at, what acts they were catching, and which local eateries SXSW is all about there being something for everyone. they knew to be “fabulous.” An Austinite as recently as It was a satisfying thought, and one I held on to as I flew DENNIS BLAIR September, I just smirked as I listened to their oft- back to Santa Barbara and back to school. Special Guest mistaken information on how best to enjoy Austin: —Lara Zwarun Friday, April 18 • 8pm Arlington Theatre All Seats Reserved Tickets Available^ the Arlington Ticket Agency and all Outlets including: The Wherehouse/Blockbuster Music Robinsons • May, Arlington Theatre or Charge by Phone (805) 963-4408

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NOTICE OF IMPENDING DEVELOPMENT

UCSB CAMPUS PARKING STRUCTURE I AND MESA ROAD/UNIVERSITY ROAD REALIGNMENT PROJECT

In accordance with Section 13549 of the California Coastal Com­ mission Administrative Regulations, the University of California, Santa Barbara (UCSB), hereby gives notice of impending devel­ opment to begin on or near June 17,1997.

The proposed project involves the construction of a four-level, approximately 900-space parking structure in Parking Lot 16, and Meet the people of Enterprise Rent-A-Car realignment of Mesa Road/University Road. The proposed park­ and hear what it takes to build a successful career. ing structure will include one level of below-grade parking, and Join us for an open information session have a maximum height of approximately 38 ft. The proposed park­ with refreshments to follow. ing structure will result in a net increase of approximately 800 new parking spaces. The proposed realignment of Mesa Road/Univer­ Information Session sity Road will involve the extension of Mesa Road east, from a point northwest of the northwest comer of Parking Lot 16, along Where to Go: Flying A Studio f UCen the northern perimeter of the Main Campus, until it intersects with When to Go: May 1,1997 4:30PM the current alignment of University Road, adjacent to Building 489. What to Bring: Resume for internships Once the new roadway has been constructed, the old alignment of or a Full-time career. University Road, between Mesa Road and a point adjacent to Sycamore Hall, will be abandoned and incorporated as part of Park­ On Campus Interviews ing Lots 12,13,14,16, and landscaped areas. During construction When: May 6,1997 of the parking structure, replacement parking (approximately 470 spaces), will be provided on Storke Campus, adjacent to Storke For more information or to sign up for an interview: Field and Harder Stadium. contact the Career Center or mail or fax your resume to: 983 E. Easy Street Simi Valley, CA 93065 For additional information, contact: Catriona Gay, (805) 893-8430 FAX (805) 578-1445 or write: UCSB, Office of Budget & Planning, Santa Barbara, CA Attn: Jennifer Currier 93106, Re: CPS1.