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1927/28 - 2007 Гг
© Роман ТАРАСЕНКО. г. Мариуполь 2008г. Украина. [email protected] Лауреаты премии Американской Академии Киноискусства «ОСКАР». 1927/28 - 2007 гг. 1 Содержание Наменование стр Кратко о премии………………………………………………………. 6 1927/28г……………………………………………………………………………. 8 1928/29г……………………………………………………………………………. 9 1929/30г……………………………………………………………………………. 10 1930/31г……………………………………………………………………………. 11 1931/32г……………………………………………………………………………. 12 1932/33г……………………………………………………………………………. 13 1934г……………………………………………………………………………….. 14 1935г……………………………………………………………………………….. 15 1936г……………………………………………………………………………….. 16 1937г……………………………………………………………………………….. 17 1938г……………………………………………………………………………….. 18 1939г……………………………………………………………………………….. 19 1940г……………………………………………………………………………….. 20 1941г……………………………………………………………………………….. 21 1942г……………………………………………………………………………….. 23 1943г……………………………………………………………………………….. 25 1944г……………………………………………………………………………….. 27 1945г……………………………………………………………………………….. 29 1946г……………………………………………………………………………….. 31 1947г……………………………………………………………………………….. 33 1948г……………………………………………………………………………….. 35 1949г……………………………………………………………………………….. 37 1950г……………………………………………………………………………….. 39 1951г……………………………………………………………………………….. 41 2 1952г……………………………………………………………………………….. 43 1953г……………………………………………………………………………….. 45 1954г……………………………………………………………………………….. 47 1955г……………………………………………………………………………….. 49 1956г……………………………………………………………………………….. 51 1957г……………………………………………………………………………….. 53 1958г……………………………………………………………………………….. 54 1959г……………………………………………………………………………….. 55 1960г………………………………………………………………………………. -
CAT JEUNESSE BIEF 2013 BASSE DEF.Pdf
CHILDREN’S BOOKS JEUNESSE A SELECTION OF FRENCH TITLES UNE SÉLECTION DE TITRES FRANÇAIS 2013 LES CATALOGUES DU BIEF Illustration de couverture: Mon ballon de Mario Ramos © 2012, Pastel, l’école des loisirs, Paris BIEF – Bureau international de l’édition française Promoting French publishing all over the world For almost 14 0 years, BIEF has been promoting French publishers’ creations on the international scene with the vocation of facilitating and developing exchange between French and foreign professionals in the publishing industry. This catalogue presents 30 publishing houses and more than 200 titles. It is intended as both a working and reference tool for all those interested in children’s books published in France, especially foreign publishers keen to build their list of translations and/or adaptations in this sector, as well as booksellers and librarians. We hope this catalogue will encourage them to discover the variety and high quality of children’s publishing in France, so fortifying existing links with their French counterparts. Promouvoir l’édition française dans le monde Depuis près de 14 0 ans, le BIEF est l’outil de promotion de l’édition française à l’étranger. Son action s’inscrit dans la volonté de développer les échanges entre professionnels français et étrangers. Ce catalogue présente 30 maisons d’édition de jeunesse et plus de 200 titres. Cet outil de travail, également outil de référence, s’adresse à tous ceux qui s’intéressent aux livres de jeunesse publiés par des éditeurs français et en particulier aux éditeurs étrangers qui souhaitent développer des traductions et/ou adaptations dans ce domaine, comme aux libraires et aux bibliothécaires. -
Movie Time Descriptive Video Service
DO NOT DISCARD THIS CATALOG. All titles may not be available at this time. Check the Illinois catalog under the subject “Descriptive Videos or DVD” for an updated list. This catalog is available in large print, e-mail and braille. If you need a different format, please let us know. Illinois State Library Talking Book & Braille Service 300 S. Second Street Springfield, IL 62701 217-782-9260 or 800-665-5576, ext. 1 (in Illinois) Illinois Talking Book Outreach Center 125 Tower Drive Burr Ridge, IL 60527 800-426-0709 A service of the Illinois State Library Talking Book & Braille Service and Illinois Talking Book Centers Jesse White • Secretary of State and State Librarian DESCRIPTIVE VIDEO SERVICE Borrow blockbuster movies from the Illinois Talking Book Centers! These movies are especially for the enjoyment of people who are blind or visually impaired. The movies carefully describe the visual elements of a movie — action, characters, locations, costumes and sets — without interfering with the movie’s dialogue or sound effects, so you can follow all the action! To enjoy these movies and hear the descriptions, all you need is a regular VCR or DVD player and a television! Listings beginning with the letters DV play on a VHS videocassette recorder (VCR). Listings beginning with the letters DVD play on a DVD Player. Mail in the order form in the back of this catalog or call your local Talking Book Center to request movies today. Guidelines 1. To borrow a video you must be a registered Talking Book patron. 2. You may borrow one or two videos at a time and put others on your request list. -
Spectator 1936-04-23 Editors of the Ps Ectator
Seattle nivU ersity ScholarWorks @ SeattleU The peS ctator 4-23-1936 Spectator 1936-04-23 Editors of The pS ectator Follow this and additional works at: http://scholarworks.seattleu.edu/spectator Recommended Citation Editors of The peS ctator, "Spectator 1936-04-23" (1936). The Spectator. 60. http://scholarworks.seattleu.edu/spectator/60 This Newspaper is brought to you for free and open access by ScholarWorks @ SeattleU. It has been accepted for inclusion in The peS ctator by an authorized administrator of ScholarWorks @ SeattleU. Nominations Informal Mayl SPECTATOR May 2 | OFFICIAL ORGAN OF THE ASSOCIATED STUDENTS OF SEATTLE COLLEGE M Vol. IV.— No. 14. Seattle, Washington, Wednesday, April 22, 1936 Rate on Dance Program Committee Completes In Effect 3 More Days Students To Nominate STUDENT Friday,May1 SpringInformalPlans Jack Gallagher- and Marion Officers OBSERVER Mi< 'iillihikli. CO chairmen of (lie coming Spring Informal, to Steele Asks Cooperation By Bernard L. Pearce Conduct Final Drive For be held .May 11, at the Sand Attendance of Alumni DEANTOPARTICIPATE Point <;<>lf and Country Club, MOTHERS ANTICIPATE in Selection of Most announced last evening that Likely at Dance, May 2 Candidates Taxation INMODERNPAGANISM for only three more clays will RECORD ATTENDANCE students !><" able to sreure pro- of constitu- Members of committee dur- For complete text the grama for the affair at the regarding nomination- and ing the last ten days before the ATDANCE SATURDAY tion In which the Observer present* DISCUSSION JUNE 2 special student rate of 91.2A. elections, see page. 4.) the fourth in agroup of studies Spring Informal of May 2 at the "After this time," said tba Sand Point Golf and Country Club chairmen, of facts gravely affecting the "Against-Glorification of War," "tho programs can Celebrating their twelfth anni- Nominations for the officers are contacting alumni and friends only College prosperity of the United States. -
Black Representation in American Short Films, 1928-1954
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2002 Black representation in American short films, 1928-1954 Christopher P. Lehman University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Lehman, Christopher P., "Black representation in American short films, 1928-1954 " (2002). Doctoral Dissertations 1896 - February 2014. 914. https://scholarworks.umass.edu/dissertations_1/914 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. m UMASS. DATE DUE UNIVERSITY LIBRARY UNIVERSITY OF MASSACHUSETTS AMHERST BLACK REPRESENTATION IN AMERICAN ANIMATED SHORT FILMS, 1928-1954 A Dissertation Presented by CHRISTOPHER P. LEHMAN Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2002 W. E. B. DuBois Department of Afro-American Studies © Copyright by Christopher P. Lehman 2002 All Rights Reserved BLACK REPRESENTATION IN AMERICAN ANIMATED SHORT FILMS, 1928-1954 A Dissertation Presented by CHRISTOPHER P. LEHMAN Approved as to style and content by: Ernest Allen, Chair Johnl|L Bracey, Jr., Member Robert P. Wolff, Member Lynda Morgan, Member Esther Terry, Department Head Afro-American Studies W. E. B. DuBois Department of ACKNOWLEDGMENTS Several archivists have enabled me to find sources for my research. I thank Tom Featherstone of Wayne State University's Walter Reuther Library for providing a copy of the film Brotherhood ofMan for me. -
Annie and WWII………..28-39 (Includes Handout Tests)
J e f f e r s o n P e r f o r m I n g A r t s S o c I e t y Presents A S t u d y C o m p a n I o n JEFFERSON PERFORMING ARTS SOCIETY 1118 Clearview Parkway Metairie, Louisiana 70001 Phone: 504 885 2000..Fax: 504 885 [email protected] 1 Table of Contents Teacher notes………………………………………………………………..……….3 Educational Overview………………………………………….………………..4 History………………………………………………………………………………..5-15 Lesson Plans Cartoon Scavenger Hunt……………...16-19 (includes handout) Forming Opinions………………………………………….………….. 20-21 'Toon Tic Tac Toe.…………………..……….22-24 (includes handout) Cartoon Symbol Bingo…………………..25-27 (includes handout) Little Orphan Annie and WWII………..28-39 (includes handout tests) Standards and Benchmarks: English…………………….………….40-41 Annie: The Play……………………………………………………………….…..42-44 Annie: the Songs………………………………………………..………………..45-51 NACAE Lesson Plan: Little Orphan Annie: Leapin' Through the Depression……………………………………………………………...…………..52-62 Standards and Benchmarks: English Language Arts……….…63 Annie: the History of the Production………………………………64-67 A n n i e: the Films 1982 & 2014…………………………….....………….…..68-86 Trivia, Bloopers and Quotes Standards and Benchmarks: theatre Arts………….……………87-89 Standards and Benchmarks: Music……………………………………90 Additional resources………………………………………………………..92 Image Retrieved From: http://cgi.ebay.com/Little-Orphan-Annie- BROADWAY-Orphans- 12_W0QQitemZ260058976576QQihZ016QQcategoryZ778QQrdZ1QQcmdZViewItem 2 Teacher notes Welcome to the JPAS production of Annie, directed by Lynne L. Bordelon. Annie is a spunky Depression-era orphan determined to find her parents. Annie’s parents abandoned her years ago on the doorstep of a New York City Orphanage run by the cruel, embittered Miss Hannigan. In adventure after fun-filled adventure, Annie foils Miss Hannigan and her evil helpers, befriends President Franklin Delano Roosevelt and finds a new family and home with billionaire Oliver Warbucks, his personal secretary, Grace Farrell, and a lovable mutt named Sandy. -
Racist Stereotypes in Tom and Jerry Bachelor’S Diploma Thesis
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Martin Ondryáš Racist Stereotypes in Tom and Jerry Bachelor’s Diploma Thesis Supervisor: doc. PhDr. Tomáš Pospíšil, Ph.D. 2015 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Martin Ondryáš I would like to thank doc. PhDr. Tomáš Pospíšil, Ph.D. for supervising my work, my parents for their support, Anna for being patient with my slow writing process and Zuzana for the faith she put in me. Table of Contents Introduction ............................................................................................................................. 6 1 Periodization and the Change of the Portrayal of African Americans in the Media ...... 8 2 Mammy ......................................................................................................................... 10 2.1 Origins of the Mammy Archetype ......................................................................... 11 2.2 Breaking the Archetype .......................................................................................... 13 2.3 Mammy Two Shoes ............................................................................................... 16 2.3.1 Mammy Two Shoes – A Maid or a House-owner? ........................................ 20 2.4 Jerry’s Disguise as a Mammy Stereotype (The Milky Waif) .................................. 21 2.5 Tom’s and Butch’s Disguises -
Book Reviews
Children's Book and Media Review Volume 18 Issue 4 Article 4 1997 Book Reviews Lanell Rabner Jan Staheli Caroline M. Maxwell Sandra L. Tidwell Lillian H. Heil See next page for additional authors Follow this and additional works at: https://scholarsarchive.byu.edu/cbmr BYU ScholarsArchive Citation Rabner, Lanell; Staheli, Jan; Maxwell, Caroline M.; Tidwell, Sandra L.; Heil, Lillian H.; Barainca, Denice; Galvez, Rachel W.; Hoopes, Helen; Maxwell, Robert L.; Homer, Kathe C.; Broadway, Marsha D.; Francis, Janet O.; Evensen, Nancy C.; Wadham, Rachel L.; Wise, Janna; Kupitz, Gabi; Jorgensen, Donna J.; and Bishop, Wendy (1997) "Book Reviews," Children's Book and Media Review: Vol. 18 : Iss. 4 , Article 4. Available at: https://scholarsarchive.byu.edu/cbmr/vol18/iss4/4 This Book Review is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Children's Book and Media Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Book Reviews Authors Lanell Rabner, Jan Staheli, Caroline M. Maxwell, Sandra L. Tidwell, Lillian H. Heil, Denice Barainca, Rachel W. Galvez, Helen Hoopes, Robert L. Maxwell, Kathe C. Homer, Marsha D. Broadway, Janet O. Francis, Nancy C. Evensen, Rachel L. Wadham, Janna Wise, Gabi Kupitz, Donna J. Jorgensen, and Wendy Bishop This book review is available in Children's Book and Media Review: https://scholarsarchive.byu.edu/cbmr/vol18/iss4/ 4 Rabner et al.: Book Reviews 8 Brigham Young University Book Reviews Adler, David A. Hiding.from the Nazis. Illustrated Alcock, Vivien. -
ND/NF 2010 Series Dates Release Draft
THE FILM SOCIETY OF LINCOLN CENTER AND THE MUSEUM OF MODERN ART ANNOUNCE THE LINE-UP FOR THE 39th ANNUAL NEW DIRECTORS/NEW FILMS Tickets for Annual Festival of New Films Go on Sale March 14 New Directors/New Films, 2010 March 24—April 4, 2010 Walter Reade Theater at Lincoln Center The Roy and Niuta Titus Theaters at MoMA NEW YORK, February 25, 2010—The 39th annual edition of New Directors/New Films, the longstanding collaboration between The Film Society of Lincoln Center and The Museum of Modern Art dedicated to the discovery of new work by emerging filmmakers, will screen 38 films, at both venues, from March 24 through April 4, 2010. The 2010 slate includes a wide variety of films from 20 countries, including 27 feature films and 11 shorts, with numerous appearances and introductions by filmmakers. The opening night feature of this year’s New Directors/New Films is the world premiere of Bill Cunningham New York (USA, 2010) on Wednesday, March 24, at 7:00 p.m. at MoMA. Director Richard Press’ documentary is a heartfelt and honest film about the inimitable New York Times photographer, who has for decades lovingly captured the unexpected trends, events, and people of Manhattan for the Styles section of the newspaper. The film shows Cunningham, an octogenarian, riding his Schwinn bicycle to cover benefits, galas, and fashion shows around Manhattan, and illustrates how his camera has captured the looks that have defined generations. The closing night feature on Sunday, April 4, at 7:00 p.m. at MoMA, will be the New York premiere of the drama I Killed My Mother (J’ai tué ma mère) (Canada, 2009) by acclaimed Canadian writer and director Xavier Dolan, whose cri de coeur bracingly exposes the limits of love. -
Thinking Animation: Bridging the Gap Between 2D and CG the Magic of Animation
TEAM LinG ©2007 Angie Jones and Jamie Oliff. All rights reserved. No part of Publisher and General Manager, this book may be reproduced or transmitted in any form or by any Thomson Course Technology PTR: means, electronic or mechanical, including photocopying, recording, Stacy L. Hiquet or by any information storage or retrieval system without written Associate Director of Marketing: permission from Thomson Course Technology PTR, except for the Sarah O’Donnell inclusion of brief quotations in a review. Manager of Editorial Services: The Thomson Course Technology PTR logo and related trade dress are Heather Talbot trademarks of Thomson Course Technology, a division of Thomson Learning Inc., and may not be used without written permission. Marketing Manager: Heather Hurley “OSCAR®,” “OSCARS®,” “ACADEMY AWARD®,” “ACADEMY AWARDS®,” Executive Editor: “OSCAR NIGHT®,” “A.M.P.A.S.®” and the “Oscar” design mark are trade- Kevin Harreld marks and service marks of the Academy of Motion Picture Arts and Marketing Coordinator: Sciences. All other trademarks are the property of their respective owners. Meg Dunkerly Important: Thomson Course Technology PTR cannot provide software Project Editor/Copy Editor: support. Please contact the appropriate software manufacturer’s Cathleen D. Snyder technical support line or Web site for assistance. Technical Reviewer: Thomson Course Technology PTR and the authors have attempted Scott Holmes throughout this book to distinguish proprietary trademarks from PTR Editorial Services Coordinator: descriptive terms by following the capitalization style used by the Elizabeth Furbish manufacturer. Interior Layout Tech: Information contained in this book has been obtained by Thomson Bill Hartman Course Technology PTR from sources believed to be reliable. -
Do Four Holiday Shopping Early Only IS Days Until Christmas
Do Four Holiday Shopping Early Only IS Days Until Christmas FIKL A bo racnA. METAL MARKJCTaV RI Paao Morning Tinea ea ales periodic dlario que eg totfo l Copper 1I4014.M Stiroeste el mlsmo dia an qu aa publl cdo. alando rial au tech carta dfa Silver, par et t dal alio. La paging I eontlen laa bMkfj pai 100 1Mb I4.0IO4.1I flltlmaa not Ida dal dla an esruatiol V Largest Bees no rant (Trr alalia L Zinc, per 100 lb I lOOl.t la Ik Se.ibwe. ' ib 4TH YEAR EL PASO. TEXAS. SUNDAY. DECEMBER 7, 1813. FORTY PAGES PR1CF F1VF CENTS BULLION TRAIN REACHES BORDER WITH MILLION OUNCES SILVER IS AT LAGUNA HEAVY SNOW MR.ESCUDERO FOREIGN MEN BILL PASSES NO SPEECHES SAFE fN U.S. A. PROVISION GENERAL VILLA EXPECTED TO CREATED COAL AND HAS BEEN RETIRED FROM POSI- ARE NOT WANTED IN THE AR- THE SAN FRANCISCO WATER SUP- PROcnKssiVF.K WERE TOO BUSY ALL HANDS . IM) TO BE OCCUPY OF CHTHUA-HC- FAMINE IN THE CITY TION AS MEMBER OF MIES OF GENERAL PLY BILL Cin NOW GOES TO TO INDULGE IN ORATORY OF RESI"ON8IDILITY TODAY. OF DENVER. CABINET. CARRANZA. THE PRESIDENT. IN CALIFORNIA. OF CARE OF TREASURE. WILL BE ESCORTED TO CITY WAS THREE FEET IN DEPTH F0REI6N RELATIONS OFFICIAL MANY LETTERS RECEIVED IRE FIGHT IN SENATE WAS HOT HOLDING PARTY CARGO WORTH j-- CONFERENCE KING'S RANSOM By Delivery Committor of CI tiara Expected at Desperate Efforts Made Was Generally Regarded aa One of the Offering Services to Bclp Constitu- Agreement Reached In the Honso to Gov. -
The Little Bear Who Ran Away from Bruintown
Glass JPZl Q Book - V 5%^ Copvriglrtlf ^ % b. COPYRIGHT DEPOSIT THE LITTLE BEAR WHO RAN AWAY FROM BRUINTOWN THE LITTLE BEAR WHO RAN AWAY FROM BRUINTOWN BY FRANK VER BECK BOSTON SMALL, MAYNARD AND COMPANY PUBLISHERS t Copyright 1923 By SMALL, MAYNARD AND COMPANY (Incorporated) PRINTED IN THE UNITED STATES OF AMERICA THE MURRAY PRINTING COMPANY CAMBRIDGE, MASS. BOUND BY THE BOSTON BOOKBINDING COMPANY CAMBRIDGE, MASS., U. S. A. THE LITTLE BEAR WHO RAN AWAY FROM BRUINTOWN THE LITTLE BEAR WHO RAN AWAY FROM BRUINTOWN I In a deep green wood, once upon a time there lived a Little Bear. The poor little fellow was an orphan and lived with a lot of big bears, some medium-sized bears and a great many small bears. They all dwelt together in a place called Bruintown. Now this particular Little Bear was not at all happy. One reason he was not happy was be¬ cause both the medium-sized bears and the other little bears teased and abused him. They called him “Booby-cry-baby” and he, being an orphan, had no one to take his part against his cruel tormentors. Sometimes the little fellow showed pluck and tried to defend himself. He would bite, and 1 2 THE LITTLE BEAR WHO RAN AWAY kick, and scratch, until the bullies cried for help. Then the medium-sized bears would pitch into him, and the poor Little Bear hadn’t a chance in the world. But what he hated worst of all was when some big she-bear—mother of one of the cubs—would add to his other troubles by pull¬ ing his ears.