ND/NF 2010 Series Dates Release Draft

Total Page:16

File Type:pdf, Size:1020Kb

ND/NF 2010 Series Dates Release Draft THE FILM SOCIETY OF LINCOLN CENTER AND THE MUSEUM OF MODERN ART ANNOUNCE THE LINE-UP FOR THE 39th ANNUAL NEW DIRECTORS/NEW FILMS Tickets for Annual Festival of New Films Go on Sale March 14 New Directors/New Films, 2010 March 24—April 4, 2010 Walter Reade Theater at Lincoln Center The Roy and Niuta Titus Theaters at MoMA NEW YORK, February 25, 2010—The 39th annual edition of New Directors/New Films, the longstanding collaboration between The Film Society of Lincoln Center and The Museum of Modern Art dedicated to the discovery of new work by emerging filmmakers, will screen 38 films, at both venues, from March 24 through April 4, 2010. The 2010 slate includes a wide variety of films from 20 countries, including 27 feature films and 11 shorts, with numerous appearances and introductions by filmmakers. The opening night feature of this year’s New Directors/New Films is the world premiere of Bill Cunningham New York (USA, 2010) on Wednesday, March 24, at 7:00 p.m. at MoMA. Director Richard Press’ documentary is a heartfelt and honest film about the inimitable New York Times photographer, who has for decades lovingly captured the unexpected trends, events, and people of Manhattan for the Styles section of the newspaper. The film shows Cunningham, an octogenarian, riding his Schwinn bicycle to cover benefits, galas, and fashion shows around Manhattan, and illustrates how his camera has captured the looks that have defined generations. The closing night feature on Sunday, April 4, at 7:00 p.m. at MoMA, will be the New York premiere of the drama I Killed My Mother (J’ai tué ma mère) (Canada, 2009) by acclaimed Canadian writer and director Xavier Dolan, whose cri de coeur bracingly exposes the limits of love. Dolan himself plays the title character Hubert, a creature full of lust and venom, in this emotional film. Hubert’s burgeoning homosexuality is at odds with his aggravatingly conventional mother (Anne Dorval), in a relationship that is situated within an exquisite filmic structure, allowing the humor and the pathos of his tale to emerge. Among the 27 standout features is How I Ended This Summer (Russia, 2010) by Alexei Popogrebsky, a film about man’s extraordinary ability to cope with harsh nature and extreme isolation, set in a remote research station in the frozen wilds of the Russian Arctic, which won three awards at the 2010 Berlin International Film Festival. The Father of My Children (France/Germany, 2009), by Mia Hansen-Løve, which won the Jury Special Prize in the Un Certain Regard section at the 2009 Cannes Film Festival, is inspired by the life and death of the late, 1 legendary French film producer Humbert Balsam. The documentary Last Train Home (Canada/China, 2009) by Lixin Fan, follows the largest migration of people in human history, which happens over New Year’s in China when city workers leave en masse for their homes in the countryside, often traveling for days by train. Visual artist Shirin Neshat’s Women Without Men (Germany/Austria/France, 2009) is her feature debut, a departure from her gallery-based work that tells the story of four women in early 1950s Iran, and which garnered the Silver Lion for best director at the 2009 Venice Film Festival. Also screening at this year’s New Directors/New Films is director Warwick Thornton’s Samson and Delilah (Australia, 2009), set in the aboriginal communities of Australia, where traditions both nourish and entrap the boy and girl at the center of the story, and which won the Caméra d’Or for best debut feature at the 2009 Cannes Film Festival. Eleven short films will be screened this year, including the current Academy Award- nominated animated short Logorama (France, 2009); the comedic short Rob and Valentyna In Scotland (USA/UK, 2009), which received a 2010 Sundance Film Festival Short Filmmaking Honorable Mention; and the documentary short Quadrangle (USA, 2010), an inside look at two ―conventional‖ couples that swapped partners and lived in a group marriage in the early 1970s. NEW DIRECTORS/NEW FILMS CLASSICS—IN THE FRENCH STYLE: For the fifth consecutive year, New Directors/New Films presents a matinee series of past festival highlights, from March 29 through April 2, 2010. This year’s focus is on France, a country whose emerging filmmakers have been an integral part of the New Directors/New Films program since its inception, including such masters of world cinema as André Téchiné, François Ozon, and Laurent Cantet. The following five (re)discoveries from the past two decades—none of them currently available on DVD in the U.S.—are no exception. They are: Jean-Claude Brisseau’s Sound and Fury (De bruit et de fureur) (1989), Cedric Klapisch’s When the Cat’s Away (Chacun cherche son chat) (1997), Sandrine Veysset’s Victor (Victor…pendant qu’il est trop tard) (1999), Stéphane Brizé’s Hometown Blues (Le Bleu des villes) (2000), and Abdel Kechiche’s It’s Voltaire’s Fault (La Faute à Voltaire) (2001). For screening times and ticket information please visit: www.newdirectors.org. NEW DIRECTORS/NEW FILMS WEBSITE: New Directors/New Films is proud to announce the launch of the Festival’s new website: www.newdirectors.org. Here you can find additional details on the Festival, including a complete list of the films screening at New Directors/New Films, 2010, trailers, theater locations, ticket prices, and purchase information. TICKETS: Tickets go on sale to the general public on Sunday, March 14, 2010. New Directors/New Films tickets can be purchased online at www.newdirectors.org, or at the box offices at The Film Society of Lincoln Center (Walter Reade Theater, 165 W. 65th St., near Amsterdam Avenue) and The Museum of Modern Art (11 W. 53rd Street). There are two advance ticketing opportunities: Film Society Patrons and MoMA FilmPlus Members may purchase tickets starting Tuesday, March 2. 2 Film Society and MoMA Members may purchase tickets starting Tuesday, March 9. To become a Member of the Film Society and MoMA please visit: www.filmlinc.com and www.moma.org The New Directors/New Films Series Pass allows a moviegoer access to any five screenings (excluding Opening and Closing Night Films) for $60; $40 for Film Society and MoMA members; $40 for students; and $50 for seniors. Tickets to the New Directors/New Films Opening and Closing Night Films are $20 for the general public; $15 for Film Society and MoMA members; $15 for affiliates; $20 for students; and $20 for seniors (no rush tickets available). Single screening tickets for New Directors/New Films are $14; $10 for Film Society and MoMA members; $10 for students; $12 for seniors; and $7.50 day-of rush (available at venue box office only and subject to availability). SPONSORSHIP: New Directors/New Films is presented by The Film Society of Lincoln Center and The Museum of Modern Art and is supported by Kenneth Kuchin, The Junior Associates of The Museum of Modern Art, The Film Society of Lincoln Center’s NEW WAVE group, and Eastman Kodak Company. The Film Society of Lincoln Center receives major, year-round support from: 42BELOW; American Airlines; GRAFF; Stella Artois; The New York State Council on the Arts, a State Agency; and the National Endowment for the Arts. ABOUT NEW DIRECTORS/NEW FILMS: Dedicated to the discovery and support of emerging artists, New Directors/New Films has earned an international reputation as the premier festival for works that break or re-cast the cinematic mold. The New Directors/New Films selection committee is made up of members from both presenting organizations: from The Film Society of Lincoln Center, Marian Masone, Richard Peña, and, the newest committee member, Gavin Smith; and from The Museum of Modern Art, Jytte Jensen, Laurence Kardish, and Rajendra Roy. MEDIA CONTACTS: The Film Society of Lincoln Center Irika Slavin, [email protected], 212/875-5281 The Museum of Modern Art Meg Blackburn, [email protected], 212/708-9757 Zipline Entertainment LLC Marian Koltai-Levine, [email protected], 212/257-6916 Nina Baron, [email protected], 212/257-6919 George Nicholis, [email protected], 212/257-6914 ONLINE PRESS OFFICE: Press materials including high-res images and press releases are available for download at: www.filmlinc.com/press (Password: press2) and www.moma.org/press. No. 16 3 PRESS SCREENING SCHEDULE New Directors/New Films, 2010 Press and Industry Screenings, March 8–22, 2010 Screening Venues: The Film Society of Lincoln Center – Walter Reade Theater 165 West 65 Street, between Broadway & Amsterdam (upper level) The Museum of Modern Art (MoMA) – The Roy and Niuta Titus 1 Theater 11 West 53 Street, between 5th & 6th Avenues For accreditation to attend press/industry screenings please contact: Nina Baron, [email protected], 212/257-6919 Monday, March 8 9:30 a.m. Beautiful Darling: The Life and Times of Candy Darling, Andy Warhol Superstar James Raisin, USA, 2010; 82 min. Venue: FSLC Walter Reade Theater 11:15 a.m. Amer Hélène Cattet/Bruno Forzani, Belgium/France, 2009; 90 min. Venue: FSLC Walter Reade Theater 2:00 p.m. Hunting & Sons Sander Burger, Netherlands, 2010; 93 min. Venue: MoMA Titus 1 Tuesday, March 9 9:30 a.m. The Red Chapel Mads Brügger, Denmark, 2009; 87 min. Venue: FSLC Walter Reade Theater 11:15 a.m. I Killed My Mother (J’ai tué ma mère) Xavier Dolan, Canada, 2009; 96 min. Venue: FSLC Walter Reade Theater 2:00 p.m. The Man Next Door (El hombre de al lado) Mariano Cohn/Gastón Duprat, Argentina; 2009; 100 min. Venue: MoMA Titus 2 3:45 p.m.
Recommended publications
  • On Common Ground® Strengthening Teaching Through School-University Partnership
    On Common Ground® Strengthening Teaching through School-University Partnership YALE-NEW HAVEN TEACHERS INSTITUTE® SPECIAL EDITION NUMBER 15, FALL 2015 JACOB LAWRENCE, DREAM SERIES #5: THE LIBRARY, 1967 Supporting Teachers in High-Need Schools By Peter Salovey the poor performance of students in our to partner universities with high-need public schools, especially our high-need public school districts to this end. Our henever I talk to teachers, I public schools, at every level, K-12. own faculty participants as seminar lead- find myself reminiscing about These teachers, who have unbelievably ers both in New Haven and in our nation- W my own education in public difficult jobs in overcrowded classrooms, al work are a "Who's Who" among our top schools, where I had many great teachers, should be respected as heroes. The best professors, more than a hundred of whom two of whom were especially inspiring. I way to help them live up to that image, in have taught seminars; and as the work was later to discover, when reunited with their own minds and in the mind of the spreads, this is also true nationally. classmates, how many of those teachers' public, is to improve their professional As part of our "Who's Who," four Deans students had been influenced by them to self-confidence by empowering them col- of Yale College and many of our most become elementary, secondary, and col- legially and improving their command of acclaimed professors have taught Institute lege teachers themselves. the subject matter they teach. The Yale and National Initiative seminars over the As a university teacher, I very much National Initiative, with its roots in the years.
    [Show full text]
  • Black Panther Party “We Want Freedom” - Mumia Abu-Jamal Black Church Model
    Women Who Lead Black Panther Party “We Want Freedom” - Mumia Abu-Jamal Black Church model: ● “A predominantly female membership with a predominantly male clergy” (159) Competition: ● “Black Panther Party...gave the women of the BPP far more opportunities to lead...than any of its contemporaries” (161) “We Want Freedom” (pt. 2) Invisibility does not mean non existent: ● “Virtually invisible within the hierarchy of the organization” (159) Sexism does not exist in vacuum: ● “Gender politics, power dynamics, color consciousness, and sexual dominance” (167) “Remembering the Black Panther Party, This Time with Women” Tanya Hamilton, writer and director of NIght Catches Us “A lot of the women I think were kind of the backbone [of the movement],” she said in an interview with Michel Martin. Patti remains the backbone of her community by bailing young men out of jail and raising money for their defense. “Patricia had gone on to become a lawyer but that she was still bailing these guys out… she was still their advocate… showing up when they had their various arraignments.” (NPR) “Although Night Catches Us, like most “war” films, focuses a great deal on male characters, it doesn’t share the genre’s usual macho trappings–big explosions, fast pace, male bonding. Hamilton’s keen attention to minutia and everydayness provides a strong example of how women directors can produce feminist films out of presumably masculine subject matter.” “In stark contrast, Hamilton brings emotional depth and acuity to an era usually fetishized with depictions of overblown, tough-guy black masculinity.” In what ways is the Black Panther Party fetishized? What was the Black Panther Party for Self Defense? The Beginnings ● Founded in October 1966 in Oakland, Cali.
    [Show full text]
  • Download 1 File
    E Highlighting an Special magazine, unforgettable INSIDE TODAY 'HIOWESDH APRIL 11, 2012 • SEAVING KAROIN COUNTY SINCE 1974 • REACH SUBSCAIBIR SfRVIC ES AT (270) 505-1170 50 ~Inll emorial to unveiled Merging progress Saturday Knox with By MARTY FINLEY Saturday morning at Fort Knox. indudes the names of those Tribute honors mf'nl .y~_ n!.rpri". «)m A Hollywood celebrity will from the command and its sub­ participate in ceremonies plan­ ordinate units who have died in fallen members A memorial honOring sol­ ned for familie, serving as guests combal, said Capt. Malisa tradition diers under the 11th Aviation of honor. Hamper, a public affairs officer of II th Aviation Command and its subordinate The memoria1 features a with the 11th Aviation Com­ units killed during the global bronze battle cross and a graJlite mand, an Anuy Reserve head- Without much time Command war on terror will be unveiled wall surrounding the cross that Twn lv MEMORlAl. AU to plan, new events coordinator expects SHUTTING DOWN DIXIE little to change for Heartland Festival By MARTY FINLEY ./ mfinley@(hrn. "·,,,nlt,-pri ...oo m ElizabethtoWll Eve nts Co· ordinator Sarah Vaughn h8..'l lit­ tle time to plan the 30th Heartland Festival. She said fes­ tivalgoe r ~ should not expect drastic changes in the city's first year coordinating the August event. Vaughn said the city plans to retain programs that have worked in the past while remov­ ing or tweaking elemenlll con­ sidered detrimental. For instance, Vaughn said the canoe races, parade, Fireworks alld rides for children will re­ turn this year.
    [Show full text]
  • 2 0 0 9 a U S T R I a N F I L
    A U S T R I A N F I L M S 22 00 01 90 AFC-Katalog10_fin_MaB:AFC-Kat.5/6Kern 29.10.09 13:56 Seite 1 AUSTRIAN FILMS 20 09 2010 Published by the Austrian Film Commission AFC-Katalog10_fin_MaB:AFC-Kat.5/6Kern 29.10.09 13:56 Seite 2 Austrian Films 2009 /10 – Catalogue Owned by: Austrian Film Commission A-1070 Vienna, Stiftgasse 6 tel: +43 1 526 33 23 fax: +43 1 526 68 01 e-mail: [email protected] website: www .AustrianFilm.Com, www.afc.at © 2009 Austrian Film Commission, Vienna Publisher: Martin Schweighofer Editors: Charlotte Rühm, Karin Schiefer Translations: Steve Wilder Graphic design: Catherine Rollier Printed by: REMAprint Printed in: Vienna AFC-Katalog10_fin_MaB:AFC-Kat.5/6Kern 29.10.09 13:56 Seite 3 CONTENTS Introduction ........................................................ 4 Feature Films ....................................................... 7 Documentary Films .............................................. 35 Video Features .................................................... 61 Coproductions .................................................... 73 Short Films ........................................................ 87 TV Features ....................................................... 97 Coming Soon ..................................................... 125 List of Directors ................................................ 167 List of Films ..................................................... 171 Production Companies ........................................ 175 World Sales ...................................................... 182
    [Show full text]
  • Basketball in Hollywood the Benchwarmers Friends Try to Make up for Basketball  an Unfinished (21.2)WPTA CW Nal in the Rockies
    THE HERALD The REPUBLICAN Star THE NEWS SUN April 1 - April 7, 2012 tvweekly tvweeklyT ELEVISION L ISTINGS Kit Harington stars in "Game of Thrones" - Page 2 When “That 7UXVWWKH will never 0LGDV7RXFK happen $ to me” 5 OFF happens. Don Gura, Agent I’m ready to help. ANY OIL CHANGE 633 N. Main St., There’s never a good time for Kendallville an accident to happen. But With coupon only. Cannot be 347-FARM (3276) when it does, you can count combined with any other offer. www.dongura.net on me to be there quickly so you can get your life back to Exp. 4-30-12 normal. GET TO A BETTER STATE.™ /RFDOO\RZQHG CALL ME TODAY. DQGRSHUDWHG Open: M-F 7:30 - 5; Sat. 7:30 - Noon 2401 N. Wayne St. Angola, IN (260) 665-3465 State Farm, Home Office, 1101204 Bloomington, IL 2 • April 1 - April 7, 2012 • THE NEWS SUN • THE HERALD REPUBLICAN • THE STAR Spring is coming 'Game' on: Stark clan returns to fight for the throne in HBO series Season 2, which was announced powerful lords in the realm, who Andrew Warren after only two episodes of the first uses sarcasm and wit as his TV Media season had aired, expands the weapons in a society that looks already epic scope of the first down on him and his dwarfism. he beginning of April may be season. Civil war has erupted in the The actor, who's also had appear- just a couple of weeks into fictional realm of Westeros ances on the hit shows "30 Rock" Tspring, but fans of HBO's hit following the death of King Robert and "Nip/Tuck," certainly wasn't "Game of Thrones" may be thinking Baratheon, and five claimants to the lacking in source material for his that winter is coming.
    [Show full text]
  • 12Th & Delaware
    12th & Delaware DIRECTORS: Rachel Grady, Heidi Ewing U.S.A., 2009, 90 min., color On an unassuming corner in Fort Pierce, Florida, it’s easy to miss the insidious war that’s raging. But on each side of 12th and Delaware, soldiers stand locked in a passionate battle. On one side of the street sits an abortion clinic. On the other, a pro-life outfit often mistaken for the clinic it seeks to shut down. Using skillful cinema-vérité observation that allows us to draw our own conclusions, Rachel Grady and Heidi Ewing, the directors of Jesus Camp, expose the molten core of America’s most intractable conflict. As the pro-life volunteers paint a terrifying portrait of abortion to their clients, across the street, the staff members at the clinic fear for their doctors’ lives and fiercely protect the right of their clients to choose. Shot in the year when abortion provider Dr. George Tiller was murdered in his church, the film makes these FromFrom human rights to popular fears palpable. Meanwhile, women in need cuculture,lt these 16 films become pawns in a vicious ideological war coconfrontnf the subjects that with no end in sight.—CAROLINE LIBRESCO fi dedefine our time. Stylistic ExP: Sheila Nevins AsP: Christina Gonzalez, didiversityv and rigorous Craig Atkinson Ci: Katherine Patterson fifilmmakingl distinguish these Ed: Enat Sidi Mu: David Darling SuP: Sara Bernstein newnew American documentaries. Sunday, January 24, noon - 12DEL24TD Temple Theatre, Park City Wednesday, January 27, noon - 12DEL27YD Yarrow Hotel Theatre, Park City Wednesday, January 27, 9:00 p.m. - 12DEL27BN Broadway Centre Cinemas VI, SLC Thursday, January 28, 9:00 p.m.
    [Show full text]
  • A Film by Tizza Covi and Rainer Frimmel with Patrizia Gerardi, Walter Saabel, Tairo Caroli, Asia Crippa Cannes 2009
    LP_poster_OK1 04.05.2009 19:17 Uhr Seite 1 LaPivellina A FILM BY TIZZA COVI AND RAINER FRIMMEL WITH PATRIZIA GERARDI, WALTER SAABEL, TAIRO CAROLI, ASIA CRIPPA CANNES 2009 La Pivellina A FILM BY TIZZA COVI AND RAINER FRIMMEL WITH PATRIZIA GERARDI, WALTER SAABEL, TAIRO COROLI, ASIA CRIPPA Austria-Italy / 2009 / 100 min / 35mm (S-16mm/Blow up) / 1.66 / colour / Dolby SRD PRESS WORLD SALES RENDEZ-VOUS FILMS DISTRIBUTION Viviana Andriani 34, rue du Louvre | 75001 PARIS Tel/fax: +33 1 42 66 36 35 Tel : +33 1 53 10 33 99 Fax : +33 1 53 10 33 98 In Cannes :+33 (0) 6 80 16 81 39 www.filmsdistribution.com | [email protected] [email protected] In Cannes BOOTH E5/F8 (RIVIERA) Production Vento FILM Tel : +33 4 92 99 32 09 Leitermayergasse 33/20 A-1180 Vienna Tel : +43 1 40 60 392 Fax : +43 1 25 33 03 37 999 www.ventofilm.com | [email protected] www.lapivellina.com Download Photos www.filmsdistribution.com/download/lapivellina SYNOPSIS Asia, an abandoned two-year old girl, is found by Patty, a circus woman living with her husband Walter in a trailer park on the outskirts of Rome, in San Basilio. With the help of Tairo, a 13 year-old boy who lives with his grandmother in an adjacent container, Patty starts to search for the girl’s mother. LA PIVELLINA is a film about a cosmos of outcasts in present day Italy: A tale of courage and discrimination, of loss and sharing together, a look behind the corrugated iron fence of a gated community.
    [Show full text]
  • 2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
    [Show full text]
  • Art Works Grants
    National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops.
    [Show full text]
  • 1927/28 - 2007 Гг
    © Роман ТАРАСЕНКО. г. Мариуполь 2008г. Украина. [email protected] Лауреаты премии Американской Академии Киноискусства «ОСКАР». 1927/28 - 2007 гг. 1 Содержание Наменование стр Кратко о премии………………………………………………………. 6 1927/28г……………………………………………………………………………. 8 1928/29г……………………………………………………………………………. 9 1929/30г……………………………………………………………………………. 10 1930/31г……………………………………………………………………………. 11 1931/32г……………………………………………………………………………. 12 1932/33г……………………………………………………………………………. 13 1934г……………………………………………………………………………….. 14 1935г……………………………………………………………………………….. 15 1936г……………………………………………………………………………….. 16 1937г……………………………………………………………………………….. 17 1938г……………………………………………………………………………….. 18 1939г……………………………………………………………………………….. 19 1940г……………………………………………………………………………….. 20 1941г……………………………………………………………………………….. 21 1942г……………………………………………………………………………….. 23 1943г……………………………………………………………………………….. 25 1944г……………………………………………………………………………….. 27 1945г……………………………………………………………………………….. 29 1946г……………………………………………………………………………….. 31 1947г……………………………………………………………………………….. 33 1948г……………………………………………………………………………….. 35 1949г……………………………………………………………………………….. 37 1950г……………………………………………………………………………….. 39 1951г……………………………………………………………………………….. 41 2 1952г……………………………………………………………………………….. 43 1953г……………………………………………………………………………….. 45 1954г……………………………………………………………………………….. 47 1955г……………………………………………………………………………….. 49 1956г……………………………………………………………………………….. 51 1957г……………………………………………………………………………….. 53 1958г……………………………………………………………………………….. 54 1959г……………………………………………………………………………….. 55 1960г……………………………………………………………………………….
    [Show full text]
  • CAT JEUNESSE BIEF 2013 BASSE DEF.Pdf
    CHILDREN’S BOOKS JEUNESSE A SELECTION OF FRENCH TITLES UNE SÉLECTION DE TITRES FRANÇAIS 2013 LES CATALOGUES DU BIEF Illustration de couverture: Mon ballon de Mario Ramos © 2012, Pastel, l’école des loisirs, Paris BIEF – Bureau international de l’édition française Promoting French publishing all over the world For almost 14 0 years, BIEF has been promoting French publishers’ creations on the international scene with the vocation of facilitating and developing exchange between French and foreign professionals in the publishing industry. This catalogue presents 30 publishing houses and more than 200 titles. It is intended as both a working and reference tool for all those interested in children’s books published in France, especially foreign publishers keen to build their list of translations and/or adaptations in this sector, as well as booksellers and librarians. We hope this catalogue will encourage them to discover the variety and high quality of children’s publishing in France, so fortifying existing links with their French counterparts. Promouvoir l’édition française dans le monde Depuis près de 14 0 ans, le BIEF est l’outil de promotion de l’édition française à l’étranger. Son action s’inscrit dans la volonté de développer les échanges entre professionnels français et étrangers. Ce catalogue présente 30 maisons d’édition de jeunesse et plus de 200 titres. Cet outil de travail, également outil de référence, s’adresse à tous ceux qui s’intéressent aux livres de jeunesse publiés par des éditeurs français et en particulier aux éditeurs étrangers qui souhaitent développer des traductions et/ou adaptations dans ce domaine, comme aux libraires et aux bibliothécaires.
    [Show full text]
  • Movie Time Descriptive Video Service
    DO NOT DISCARD THIS CATALOG. All titles may not be available at this time. Check the Illinois catalog under the subject “Descriptive Videos or DVD” for an updated list. This catalog is available in large print, e-mail and braille. If you need a different format, please let us know. Illinois State Library Talking Book & Braille Service 300 S. Second Street Springfield, IL 62701 217-782-9260 or 800-665-5576, ext. 1 (in Illinois) Illinois Talking Book Outreach Center 125 Tower Drive Burr Ridge, IL 60527 800-426-0709 A service of the Illinois State Library Talking Book & Braille Service and Illinois Talking Book Centers Jesse White • Secretary of State and State Librarian DESCRIPTIVE VIDEO SERVICE Borrow blockbuster movies from the Illinois Talking Book Centers! These movies are especially for the enjoyment of people who are blind or visually impaired. The movies carefully describe the visual elements of a movie — action, characters, locations, costumes and sets — without interfering with the movie’s dialogue or sound effects, so you can follow all the action! To enjoy these movies and hear the descriptions, all you need is a regular VCR or DVD player and a television! Listings beginning with the letters DV play on a VHS videocassette recorder (VCR). Listings beginning with the letters DVD play on a DVD Player. Mail in the order form in the back of this catalog or call your local Talking Book Center to request movies today. Guidelines 1. To borrow a video you must be a registered Talking Book patron. 2. You may borrow one or two videos at a time and put others on your request list.
    [Show full text]