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On Common Ground® Strengthening Teaching Through School-University Partnership
On Common Ground® Strengthening Teaching through School-University Partnership YALE-NEW HAVEN TEACHERS INSTITUTE® SPECIAL EDITION NUMBER 15, FALL 2015 JACOB LAWRENCE, DREAM SERIES #5: THE LIBRARY, 1967 Supporting Teachers in High-Need Schools By Peter Salovey the poor performance of students in our to partner universities with high-need public schools, especially our high-need public school districts to this end. Our henever I talk to teachers, I public schools, at every level, K-12. own faculty participants as seminar lead- find myself reminiscing about These teachers, who have unbelievably ers both in New Haven and in our nation- W my own education in public difficult jobs in overcrowded classrooms, al work are a "Who's Who" among our top schools, where I had many great teachers, should be respected as heroes. The best professors, more than a hundred of whom two of whom were especially inspiring. I way to help them live up to that image, in have taught seminars; and as the work was later to discover, when reunited with their own minds and in the mind of the spreads, this is also true nationally. classmates, how many of those teachers' public, is to improve their professional As part of our "Who's Who," four Deans students had been influenced by them to self-confidence by empowering them col- of Yale College and many of our most become elementary, secondary, and col- legially and improving their command of acclaimed professors have taught Institute lege teachers themselves. the subject matter they teach. The Yale and National Initiative seminars over the As a university teacher, I very much National Initiative, with its roots in the years. -
Black Panther Party “We Want Freedom” - Mumia Abu-Jamal Black Church Model
Women Who Lead Black Panther Party “We Want Freedom” - Mumia Abu-Jamal Black Church model: ● “A predominantly female membership with a predominantly male clergy” (159) Competition: ● “Black Panther Party...gave the women of the BPP far more opportunities to lead...than any of its contemporaries” (161) “We Want Freedom” (pt. 2) Invisibility does not mean non existent: ● “Virtually invisible within the hierarchy of the organization” (159) Sexism does not exist in vacuum: ● “Gender politics, power dynamics, color consciousness, and sexual dominance” (167) “Remembering the Black Panther Party, This Time with Women” Tanya Hamilton, writer and director of NIght Catches Us “A lot of the women I think were kind of the backbone [of the movement],” she said in an interview with Michel Martin. Patti remains the backbone of her community by bailing young men out of jail and raising money for their defense. “Patricia had gone on to become a lawyer but that she was still bailing these guys out… she was still their advocate… showing up when they had their various arraignments.” (NPR) “Although Night Catches Us, like most “war” films, focuses a great deal on male characters, it doesn’t share the genre’s usual macho trappings–big explosions, fast pace, male bonding. Hamilton’s keen attention to minutia and everydayness provides a strong example of how women directors can produce feminist films out of presumably masculine subject matter.” “In stark contrast, Hamilton brings emotional depth and acuity to an era usually fetishized with depictions of overblown, tough-guy black masculinity.” In what ways is the Black Panther Party fetishized? What was the Black Panther Party for Self Defense? The Beginnings ● Founded in October 1966 in Oakland, Cali. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
5Bfbeeac3776649f9b212fdfb326
5 Foreword raymond Walravens 9 opening and Closing Ceremony / awards 10 world Cinema Amsterdam Competition 20 mexiCan landsCapes Features 22 new mexiCan Cinema presentation paula Astorga riestra 24 postCards From a new mexiCan Cinema Carlos BonFil 42 mexiCan landsCapes shorts 46 speCial sCreenings (out oF Competition) 51 speCials 55 world Cinema Amsterdam open Air 62 world Cinema Amsterdam on Tour 63 we would like to thank 67 index Filmmakers A – Z 69 index Films A – Z 70 sponsors and partners Foreword From 12 through 22 August, the best independently world Cinema Amsterdam Competition produced films from Latin America, Asia and Africa The World Cinema Amsterdam competition programme will be brought together in one festival: World Cinema features nine truly exceptional films, taking us on a Amsterdam. fascinating odyssey around the world in Chad, South Africa, Thailand, Malaysia, Turkey, the Philippines, World Cinema Amsterdam is a new initiative by Argentina, Mexico and Nicaragua, and presenting work independent art cinema Rialto, which for many years both by filmmakers who have more than earned their has been promoting the presentation of films and spurs and debut films by young, talented directors. filmmakers from Africa, Asia and Latin America. Award winners from renowned foreign festivals such as Cannes or Berlin, and films that have captured our In 2006, Rialto started working towards the realization attention elsewhere will have their Dutch or Amsterdam of its long-cherished dream: to set up a festival of its premieres during the festival. own dedicated to presenting the many pearls of world The most recent productions by the following cinema. -
Directed by Claudia Llosa Official Selection Sundance Film Festival
ALOFT Directed by Claudia Llosa Official Selection Sundance Film Festival 2015 Tribeca Film Festival 2015 Berlinale (In Competition) 2014 (115 min., Spain, Canada, France, 2014) Language: English Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com 1 SYNOPSIS As we follow a mother (Jennifer Connelly) and her son (Cillian Murphy), we delve into a past marred by an accident that tears them apart. She will become a renowned artist and healer, and he will grow into his own and a peculiar falconer who bears the marks of a double absence. In the present, a young journalist (Mélanie Laurent) will bring about an encounter between the two that puts the very meaning of life and art into question, so that we may contemplate the possibility of living life to its fullest, despite the uncertainties littering our paths. 2 CAST Nana Jennifer Connelly Ivan Cillian Murphy Ressmore Mélanie Laurent Newman William Shimell Young Ivan Zen McGrath Gully Winta McGrath CREW Writer/Director Claudia Llosa Producers Jose María Morales Ibon Cormenzana Phyllis Laing Executive Producer Mark Johnson Cinematographer Nicolas Bolduc Production Designer Eugenio Caballero Editor Guille De La Cal Sound Designer Fabiola Ordoyo Production Manager Sandra Hermida 3 DIRECTOR’S NOTE A mother who abandons her child for the common good; a son who abandons himself and his own ability to feel in order to bear the weight of tragedy; and a woman who abandons her life to follow her one obsession of curing herself. -
Khorana Peepli Live FINAL
Peepli Live and No One Killed Jessica 66 Peepli Live and No One Killed Jessica: Remediating the “Bollywoodization” of Indian TV News Sukhmani Khorana Lecturer University of Wollongong Wollongong, Australia [email protected] Introduction: Evolution of “Bollywoodization” in Indian TV news In the third edition of her pioneering book on the Indian media business, Vanita Kohli-Khandekar makes the following observation: There are two media segments that define the contour, body and tastes of the Indian market. Television is one of them, the other being film. Both have a mesmerising hold over Indian audiences―and even over investors and advertisers.1 This article begins with this note because of the increasingly central place occupied by television in the Indian media sphere and the uniquely Indian context of the mutual interdependence of the television and film industries. While television has appropriated Hollywood film genres since its inception,2 in India, popular film culture is increasingly drawing on the pre-eminence of satellite television. A grasp of these facets of the subcontinent’s television story is essential before examining how TV news has taken on discursive and practice-based elements of the nation’s popular film culture, Bollywood. This will be undertaken through a close textual analysis of two recent Bollywood films, Peepli Live (2010) and No One Killed Jessica (2011). Both feature television journalism as an important narrative catalyst, or a remediator for the socio-political issues faced by the protagonist(s). In doing this, the films themselves turn into a remediation device for the Bollywoodization of news on Peepli Live and No One Killed Jessica 67 Indian television. -
Alex Gibney Film
Mongrel Media Presents A Kennedy/Marshall Production In association with Jigsaw Productions and Matt Tolmach Productions An Alex Gibney Film The ARMSTRONG Lie Official Selection Toronto Film Festival 2013 Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html 2 THE ARMSTRONG LIE Written and Directed by ALEX GIBNEY Produced by FRANK MARSHALL MATT TOLMACH ALEX GIBNEY Director of Photography MARYSE ALBERTI Edited by ANDY GRIEVE TIM SQUYRES, A.C.E. Music by DAVID KAHNE Co-Producers JENNIE AMIAS MARK HIGGINS BETH HOWARD Associate Producers BRETT BANKS NICOLETTA BILLI Music Supervisor JOHN MCCULLOUGH 3 The ARMSTRONG Lie Synopsis In 2008, Academy Award® winning filmmaker Alex Gibney set out to make a documentary about Lance Armstrong’s comeback to the world of competitive cycling. Widely regarded as one of the most prominent figures in the history of sports, Armstrong had brought global attention to cycling as the man who had triumphed over cancer and went on to win bicycling’s greatest race, the Tour de France, a record seven consecutive times. Charting Armstrong’s life-story (and given unprecedented access to both the Tour and the man), Gibney began filming what he initially envisioned as the ultimate comeback story – Armstrong’s return from his 2005 retirement and his attempt to win his eighth Tour. -
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E Highlighting an Special magazine, unforgettable INSIDE TODAY 'HIOWESDH APRIL 11, 2012 • SEAVING KAROIN COUNTY SINCE 1974 • REACH SUBSCAIBIR SfRVIC ES AT (270) 505-1170 50 ~Inll emorial to unveiled Merging progress Saturday Knox with By MARTY FINLEY Saturday morning at Fort Knox. indudes the names of those Tribute honors mf'nl .y~_ n!.rpri". «)m A Hollywood celebrity will from the command and its sub participate in ceremonies plan ordinate units who have died in fallen members A memorial honOring sol ned for familie, serving as guests combal, said Capt. Malisa tradition diers under the 11th Aviation of honor. Hamper, a public affairs officer of II th Aviation Command and its subordinate The memoria1 features a with the 11th Aviation Com units killed during the global bronze battle cross and a graJlite mand, an Anuy Reserve head- Without much time Command war on terror will be unveiled wall surrounding the cross that Twn lv MEMORlAl. AU to plan, new events coordinator expects SHUTTING DOWN DIXIE little to change for Heartland Festival By MARTY FINLEY ./ mfinley@(hrn. "·,,,nlt,-pri ...oo m ElizabethtoWll Eve nts Co· ordinator Sarah Vaughn h8..'l lit tle time to plan the 30th Heartland Festival. She said fes tivalgoe r ~ should not expect drastic changes in the city's first year coordinating the August event. Vaughn said the city plans to retain programs that have worked in the past while remov ing or tweaking elemenlll con sidered detrimental. For instance, Vaughn said the canoe races, parade, Fireworks alld rides for children will re turn this year. -
Phoenix Films 1999-2019/20 Sorted by Film Title 10
Phoenix Films 1999-2019/20 Sorted by Film Title Film Date Rating(%) 2046 1-Feb-2006 68 120BPM (Beats Per Minute) 24-Oct-2018 75 3 Coeurs 14-Jun-2017 64 35 Shots of Rum 13-Jan-2010 65 45 Years 20-Apr-2016 83 5 x 2 3-May-2006 65 A Bout de Souffle 23-May-2001 60 A Clockwork Orange 8-Nov-2000 81 A Fantastic Woman 3-Oct-2018 84 A Farewell to Arms 19-Nov-2014 70 A Highjacking 22-Jan-2014 92 A Late Quartet 15-Jan-2014 86 A Man Called Ove 8-Nov-2017 90 A Matter of Life and Death 7-Mar-2001 80 A One and A Two 23-Oct-2001 79 A Prairie Home Companion 19-Dec-2007 79 A Private War 15-May-2019 94 A Room and a Half 30-Mar-2011 75 A Royal Affair 3-Oct-2012 92 A Separation 21-Mar-2012 85 A Simple Life 8-May-2013 86 A Single Man 6-Oct-2010 79 A United Kingdom 22-Nov-2017 90 A Very Long Engagement 8-Jun-2005 80 A War 15-Feb-2017 91 A White Ribbon 21-Apr-2010 75 Abouna 3-Dec-2003 75 About Elly 26-Mar-2014 78 Accident 22-May-2002 72 After Love 14-Feb-2018 76 After the Storm 25-Oct-2017 77 After the Wedding 31-Oct-2007 86 Alice et Martin 10-May-2000 All About My Mother 11-Oct-2000 84 All the Wild Horses 22-May-2019 88 Almanya: Welcome To Germany 19-Oct-2016 88 Amal 14-Apr-2010 91 American Beauty 18-Oct-2000 83 American Honey 17-May-2017 67 American Splendor 9-Mar-2005 78 Amores Perros 7-Nov-2001 85 Amour 1-May-2013 85 Amy 8-Feb-2017 90 An Autumn Afternoon 2-Mar-2016 66 An Education 5-May-2010 86 Anna Karenina 17-Apr-2013 82 Another Year 2-Mar-2011 86 Apocalypse Now Redux 30-Jan-2002 77 Apollo 11 20-Nov-2019 95 Apostasy 6-Mar-2019 82 Aquarius 31-Jan-2018 73 -
Robert Burns Centre FILM THEATRE BOX OFFICE 01387 264808 MAY to JULY 2011
Robert Burns Centre FILM THEATRE BOX OFFICE 01387 264808 WWW.RBCFT.CO.UK MAY to JULY 2011 29APRIL 07MAY 2011 INCLUDING DUMFRIES FILM FESTIVAL in local cinemas across the region PIRATES OF THE PROGRAMME CARIBBEAN Submarine Source Code Armadillo Essential Killing The African Queen 13 Assassins The Conspirator Welcome Welcome to the fifth Dumfries Film Festival – an intense week of film across Dumfries and Galloway with local cinema screenings in Dumfries, Moffat, Annan and the Isle of Whithorn. We’ve been on a diet since last year’s bumper food themed festival and have slimmed down a bit (less funding these days). Focussing on quality rather than quantity we have a fantastic array of films, quizzes and events to entertain all ages with a special youth strand running though the week – young programmers, young characters, young production companies and films for young people (and for all of us still young at heart too). We hope that you will you will spring into film and enjoy! Fiona Wilson (Film Officer) and Darren Connor (Guest Programmer) …….filling in for Film Officer Alice Stilgoe who while on maternity leave enjoying quality time with baby girl Bonnie, still managed to do sterling work programming most of this festival for your enjoyment. 29APRIL 07MAY 2011 Young Programmers’ Forum Spring 2011: Alex Bryant • Cameron Forbes • Luke Maloney • Connor McMorran • Ruth Swift-Wood • David Barker • Tom Archer • Lauren Halliday • Beth Ashby • Danielle Welsh • James Pickering Four Young Programmer’s Choice screenings at RBCFT are the culmination of a six-week course for young people aged 16-24 that explored film programming. -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 01/12/2012 A A A place in the sun AAL Aaltra ABB V.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, vol.1 ABB V.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, vol.2 ABB V.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, vol.3 ABB V.4 The best of Bud Abbot and Lou Costello : the Franchise Collection, vol.4 ABE Aberdeen ABO About a boy ABO About Schmidt ABO Above the rim ACC Accepted ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam‟s Rib ADA Adaptation ADJ Adjustment Bureau, The ADV Adventure of Sherlock Holmes‟ smarter brother, The AEO Aeon Flux AFF Affair to remember, An AFR African Queen, The AFT After the sunset AFT After the wedding AGU Aguirre : the wrath of God AIR Air Force One AIR Air I breathe, The AIR Airplane! AIR Airport : Terminal Pack [Original, 1975, 1977 & 1979] ALA Alamar ALE Alexander‟s ragtime band ALI Ali ALI Alice Adams ALI Alice in Wonderland ALI Alien ALI Alien vs. Predator ALI Alien resurrection ALI3 Alien 3 ALI Alive ALL All about Eve ALL All about Steve ALL series 1 All creatures great and small : complete series 1 ALL series 2 All creatures great and small : complete series 2 ALL series 3 All creatures great and small : complete series 3 *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ALL series 4 All creatures great -
Community Exhibitor Survey Report 2013
Page 3 Key points 5 Executive summary 8 1 Introduction 8 1.1 Background 8 1.2 Aims 8 1.3 Timescale 8 1.4 Sector 9 2 Methods 9 2.1 Introduction 9 2.2 Responses 10 3 Results 10 3.1 Year of establishment 10 3.2 Membership 11 3.3 Admissions 13 3.4 Provision 15 3.5 Programming 16 3.6 Administration 18 3.7 The benefits of community exhibition 19 3.8 Using BFFS services and resources 20 3.9 Rating BFFS services and resources 22 Appendix 1: 2012/13 film list 27 Appendix 2: Feedback on BFFS Page 2 of 30 Community exhibition is more dynamic than ever, with greater opportunities for audiences to experience films on the big screen through community cinema events, film society activity and innovative pop-up screenings in non-traditional venues: Responding community exhibitors recorded around 213,000 admissions in 2012/13. Theatrical ticket sales on this scale would have generated box office revenues of £1.4 million. Nearly half of responding community exhibitors saw an increase in their annual admissions (46%), and 40% recorded roughly the same number as in the previous year. Three quarters (76%) of membership organisations saw their membership stay the same or increase over the last year, and average membership stood at 154. Responding community exhibitors hosted 4,175 screenings in 2012/13. Community exhibition is run for the benefit of communities, enhancing the quality of life locally, encouraging participation in cultural and communal activities and providing volunteering opportunities: The majority of responding organisations (89%) are run as not-for-profit, and 20% have charitable status.