Read Book Wheel of Misfortune Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Read Book Wheel of Misfortune Ebook WHEEL OF MISFORTUNE PDF, EPUB, EBOOK Kate McMullan,Bill Basso | 109 pages | 03 Sep 2008 | Penguin Putnam Inc | 9780448435077 | English | New York, United States Wheel of Misfortune | Game Guide | External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Forensic Files — Rate This. Season 12 Episode 4. All Episodes She was never seen again, but through the evidence she left behind, she was able to tell Added to Watchlist. The Best Horror Movies on Netflix. Seen List Shows, Episodes. Forensic files. Forensic Files. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Photos Add Image. Edit Cast Episode credited cast: Peter Thomas Narrator voice Rest of cast listed alphabetically: Patrick Boyd Self archive footage Ricci Cooksey Self - Judge archive footage Mario Garcia Self archive footage Garen Horst Self - Prosecutor Shawn Kacer Self - Lead Detective Christie Wilson Edit Storyline Security cameras in a casino tracked a young woman's movements until shortly before she disappeared. Add the first question. For instance, in most romances, Arthur's greatest military achievement — the conquest of the Roman Empire — is placed late on in the overall story. However, in Malory's work the Roman conquest and high point of King Arthur 's reign is established very early on. Thus, everything that follows is something of a decline. Arthur, Lancelot and the other Knights of the Round Table are meant to be the paragons of chivalry , yet in Malory's telling of the story they are doomed to failure. In medieval thinking, only God was perfect, and even a great figure like King Arthur had to be brought low. For the noble reader of the tale in the Middle Ages, this moral could serve as a warning, but also as something to aspire to. Malory could be using the concept of Fortune's Wheel to imply that if even the greatest of chivalric knights made mistakes, then a normal fifteenth-century noble didn't have to be a paragon of virtue in order to be a good knight. The Wheel of Fortune motif appears significantly in the Carmina Burana or Burana Codex , albeit with a postclassical phonetic spelling of the genitive form Fortunae. Fortune and her Wheel have remained an enduring image throughout history. Fortune's wheel can also be found in Thomas More's Utopia. William Shakespeare in Hamlet wrote of the "slings and arrows of outrageous fortune" and, of fortune personified, to "break all the spokes and fellies from her wheel. Shakespeare also references this Wheel in King Lear. The Earl of Kent, who was once held dear by the King, has been banished, only to return in disguise. This disguised character is placed in the stocks for an overnight and laments this turn of events at the end of Act II, Scene 2: [9]. Selections from the Carmina Burana , including the two poems quoted above, were set to new music by twentieth-century classical composer Carl Orff , whose well-known " O Fortuna " is based on the poem Fortuna Imperatrix Mundi. Fortuna does occasionally turn up in modern literature, although these days she has become more or less synonymous with Lady Luck. Her Wheel is less widely used as a symbol, and has been replaced largely by a reputation for fickleness. She is often associated with gamblers, and dice could also be said to have replaced the Wheel as the primary metaphor for uncertain fortune. Ignatius J. Reilly, the central protagonist of John Kennedy Toole 's novel A Confederacy of Dunces , states that he believes the Rota Fortunae to be the source of all men's fate. Jerry Garcia recorded a song entitled "The Wheel" co-written with Robert Hunter and Bill Kreutzmann for his solo album Garcia , and performed the song regularly with the Grateful Dead from onward. Various games of chance involve spinning a wheel marked with preset outcomes, mirroring the "wheel of fortune" concept. This is notably done on the long-running, internationally syndicated game show Wheel of Fortune , where contestants win or lose money determined by the spin of the wheel. In the film Mad Max Beyond Thunderdome , such a wheel was used to determine punishments for criminals. The film The Hudsucker Proxy refers often to the Rota Fortunae concept, especially in its use of circles as a visual motif. In the science fiction TV series Farscape , the third-season episode "Self-Inflicted Wounds Part 2 : Wait for the Wheel" has main character Crichton mention that his grandmother told him that fate was like a wheel, alternately bringing fortunes up and down. In the episode The Bitter Suite of the television show Xena: Warrior Princess , Xena spins the wheel of fortune at the start of her journey through Illusia, a mystical land where the main characters Xena and Gabrielle will ultimately have to face both their pasts and their relationship in its current state. Later in the episode a rope of flame appears and starts to drag Gabrielle though the Fortune Wheel, then drags Xena along as well. The video game series character Kain Legacy of Kain used the wheel of fate. It is found in the Temple of Shadows in Rookridge. The Hero can use the wheel to sacrifice followers to the shadows. The Wheel of Fortune is featured in a Magic: The Gathering card by that name that forces all players to discard their hands and draw new ones. From Wikipedia, the free encyclopedia. For The U. Symbol of fate in medieval and ancient philosophy. This article has multiple issues. Please help improve it or discuss these issues on the talk page. Learn how and when to remove these template messages. This article needs additional citations for verification. Relevant discussion may be found on the talk page. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. This article relies too much on references to primary sources. Please improve this by adding secondary or tertiary sources. May Learn how and when to remove this template message. Ribbeck, Sors immanis et inanis, rota tu volubilis , status malus, vana salus semper dissolubilis, obumbrata et velata michi quoque niteris; nunc per ludum dorsum nudum fero tui sceleris. Fortune rota volvitur; descendo minoratus; alter in altum tollitur; nimis exaltatus rex sedet in vertice caveat ruinam! Fate — monstrous and empty, you whirling wheel, status is bad, well-being is vain always may melt away, shadowy and veiled you plague me too; now through the game bare backed I bear your villainy. The wheel of Fortune turns; I go down, demeaned; another is carried to the height; far too high up sits the king at the summit — let him beware ruin! University of Glasgow. Retrieved 13 October Retrieved 12 October Glasgow: T. Retrieved 11 October The Goddess Fortuna in Medieval Literature. Cambridge: Harvard University Press. The Consolation of Philosophy. Oxford: Oxford University Press. Retrieved Archived from the original on Scene VI". Scene II. King Lear. Craig, W. BBC Sounds - Wheel of Misfortune - Available Episodes Fern, Alison and Sindhu are showered in stories about pissing yourself. Fern, Alison and Tony remember humiliating things from school that are now just funny. Fern, Alison and Rose talk about things they've done in pursuit of their idols. Fern, Alison and Phil share their funniest poo-related mishaps. Fern and Alison share absurdly funny stories with Irish podcaster Blindboy. Fern, Alison and Darren swap stories of their worst jobs ever. Fern, Alison and Sara share their funniest most humiliating break-up stories. Fern, Alison and guest Liza tell tales of their funniest, most embarrassing experiences. Fern, Alison and Lou compete to see who had the funniest worst first time. Bandcamp Album of the Day Sep 20, Explore music. The Wheel of misfortune by Suicidal Ideation. Ricky Goldby. Shigeru Rustyhead. TVVR askesis. Len van der Wolf. Paying supporters also get unlimited streaming via the free Bandcamp app. Purchasable with gift card. All songs included. We appreciate your support, and we will ship your order as soon as we can. Empty worms Depressed Dreams If you want to hear all the bands' music, you buy the CD! Tags black metal dsbm depressive black metal depressive suicidal black metal metal post black metal Japan. I have none but desperation…. Bandcamp Album of the Day Mar 31, go to album. Bandcamp Album of the Day Sep 20, go to album. Wheel of Misfortune is a Quirky Las Vegas Discovery At the Youth Center , Kim explains to Ernie what happened to the spinning wheel. Tommy shows up and says he might be able to fix it. The two go to look at it back at school , but Goldar has already taken it. Kim and Tommy ask around to see if anyone's seen the missing wheel. Zordon alerts the Rangers and tells them about Rita's plan and Tommy's ordeal. The main five morph to go face Goldar and Scorpina at the quarry. Rita is also in attendance. Tommy, tied to a tree, has slowly been weakening the rope around his hands against the bark. He pretends to be sick to draw the attention of the Putties guarding him. He breaks free and joins the other Rangers. Back at school, the team finds the spinning wheel back in the classroom, back to normal and in working condition. On the day of the Rumpelstiltskin play, costumed Bulk and Skull are watching their show in the supply closet. Their program is interrupted by a news bulletin about the Power Rangers' recent win. On stage, Kimberly awaits Bulk to come in on his cue. Further Still by Bosse-de-Nage.
Recommended publications
  • “If Music Be the Food of Love, Play On
    As Fate Would Have It Pat Sajak and Vanna White would have been quite at home in New Orleans in January 1828. It was announced back then in L’Abeille de Nouvelle-Orléans (New Orleans Bee) that “Malcolm’s Celebrated Wheel of Fortune” was to “be handsomely illuminated this and to-morrow evenings” on Chartres Street “in honour of the occasion”. The occasion was the “Grand Jackson Celebration” where prizes totaling $121,800 were to be awarded. The “Wheel of Fortune” was known as Rota Fortunae in medieval times, and it captured the concept of Fate’s capricious nature. Chaucer employed it in the “Monk’s Tale”, and Dante used it in the “Inferno”. Shakespeare had many references, including “silly Fortune’s wildly spinning wheel” in “Henry V”. And Hamlet had those “slings and arrows” with which to contend. Dame Fortune could indeed be “outrageous”. Rota Fortunae by the Coëtivy Master, 15th century In New Orleans her fickle wheel caused Ignatius Reilly’s “pyloric valve” to close up. John Kennedy Toole’s fictional protagonist sought comfort in “The Consolation of Philosophy” by Boethius, but found none. Boethius wrote, “Are you trying to stay the force of her turning wheel? Ah! Dull-witted mortal, if Fortune begins to stay still, she is no longer Fortune.” Ignatius Reilly found “Consolation” in the “Philosophy” of Boethius. And Boethius had this to say about Dame Fortune: “I know the manifold deceits of that monstrous lady, Fortune; in particular, her fawning friendship with those whom she intends to cheat, until the moment when she unexpectedly abandons them, and leaves them reeling in agony beyond endurance.” Ignatius jotted down his fateful misfortunes in his lined Big Chief tablet adorned with a most impressive figure in full headdress.
    [Show full text]
  • Representations of the Ocean in Early Modern English Drama
    Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2020 Multitudinous seas: representations of the ocean in early modern English drama https://hdl.handle.net/2144/39858 Boston University BOSTON UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES Dissertation MULTITUDINOUS SEAS: REPRESENTATIONS OF THE OCEAN IN EARLY MODERN ENGLISH DRAMA by JULIA PORTIA MIX BARRINGTON B.A., Barnard College, Columbia University, 2012 M.A., Boston University, 2013 Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2020 © 2020 by Julia Portia Mix Barrington All rights reserved Approved by First Reader James R. Siemon, Ph.D. Professor of English Second Reader William C. Carroll, Ph.D. Professor of English Third Reader Laurence A. Breiner, Ph.D. Professor of English On land, the tuggings of the moons can somewhat safely be ignored by men, and left to the more pliant senses of women and seeds and an occasional warlock. But at sea even males are victims of the rise and fall, the twice-daily surge of the waters they float on, and willy-nilly the planetary rhythm stirs them and all the other voyagers. M.F.K. Fisher, The Gastronomical Me (New York: North Point Press, 1943), 40. iv ACKNOWLEDGEMENTS This project could not exist without the help and support of my graduate student colleagues in the Boston University Department of English, in particular the tireless guidance of Dr. Alex MacConochie and Dr. Emily Keck; the careful attention and feedback from Professors James Siemon and William Carroll, my primary and secondary readers; the inexhaustible encouragement of my partner, William Porter; and the generous financial support of the Alumnae Association of Barnard College, the Boston University Institute for the Study of Muslim Societies and Cultures, and the Shakespeare Association of America.
    [Show full text]
  • Correlations Tennessee
    Tennessee Correlations LEVELS 1 & 2 An Overview of Levels 1 & 2 of Our New 2-Year Latin Series Bolchazy-Carducci Publishers, Inc. THE IMPORTANCE OF POST-ANTIQUE LATIN How Should We Teach the Patrimony of Latin Literature? To say that Latin literature did not end with the Romans would be an understatement. In fact the Roman contribution to Latin, however fundamental, is a mere beginning. Th e amount of surviving Latin literature writt en in Europe since the collapse of the Western Roman Empire in the late fi fth century ce is almost inconceivably larger than the surviving corpus of literature left by the Romans themselves. Th is heritage of post-Roman Latin literature was anything but a sterile idiom reserved for a few reclusive monks. Th e very pulse of western European civilization, as it developed through the Middle Ages and the Renaissance, moved primarily to the rhythms of Latin prose and poetry. Th e language of Caesar and Cicero performed new functions and came to be used in ways unimagined by the ancient Romans. Latin became the vehicle for sciences as refi ned as ballistics and hydrodynamics. Latin exclusively provided the academic and philosophical vocabulary for the expression of Europe’s most sophisticated thoughts. Latin was the language in which fun- damental concepts, such as gravity and the heliocentric solar system, received their fi rst coher- ent expression. Latin, along with some revived terms from ancient Greek, supplied the language of botany and zoology. Latin was the international language of cartography, geography, history, and ethnography, the sciences through which the discoveries of Renaissance explorers gradually became part of the consciousness of European civilization.
    [Show full text]
  • Enews Nostalgia Heading2
    NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard As Fate Would Have It Pat Sajak and Vanna White would have been quite at home in New Orleans in January, 1828. It was announced back then in L’Abeille de Nouvelle-Orléans (New Orleans Bee) that “Malcolm’s Celebrated Wheel of Fortune” was to “be handsomely illuminated this and to- morrow evenings” on Chartres Street “in honour of the occasion”. The occasion was the “Grand Jackson Celebration” where prizes totaling $121,800 were to be awarded. The “Wheel of Fortune” was known as Rota Fortunae in medieval times, and it captured the concept of Fate’s capricious nature. Chaucer employed it in the “Monk’s Tale”, and Dante used it in the “Inferno”. Shakespeare had many references, including “silly Fortune’s wildly spinning wheel” in “Henry V”. And Hamlet had those “slings and arrows” with which to contend. Dame Fortune could indeed be “outrageous”. In New Orleans her fickle wheel caused Ignatius Reilly’s “pyloric valve” to close up. John Kennedy Toole’s fictional protagonist sought comfort in “The Consolation of Philosophy” by Boethius, but found none. Boethius wrote, “Are you trying to stay the force of her turning wheel? Ah! Dull-witted mortal, if Fortune begins to stay still, she is no longer Fortune.” Ignatius jotted down his fateful misfortunes in his lined tablet adorned with a most impressive figure in full headdress. The first copyright for Big Chief went to the Western Tablet Company of Saint Joseph, Missouri, but today the tablets are no longer being produced.
    [Show full text]
  • Music, Myth, and Metaphysics in Twelfth-Century Cosmology
    Music, Myth, and Metaphysics: Harmony in Twelfth-Century Cosmology and Natural Philosophy by Andrew James Hicks A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Medieval Studies University of Toronto c Copyright by Andrew James Hicks (2012) ABSTRACT Music, Myth, and Metaphysics: Harmony in Twelfth-Century Cosmology and Natural Philosophy Andrew James Hicks Doctor of Philosophy, 2012 Centre for Medieval Studies University of Toronto This study engages a network of music, myth, and metaphysics within late-ancient and twelfth- century music theory and cosmology. It traces the development, expansion, and demise of a (natural-) philosophical harmonic speculation that stems largely from an a priori commitment to a harmonic cosmology with its deepest roots in Plato’s Timaeus. It argues that music theory not only allowed twelfth-century thinkers to conceptualize the fabric of the universe, but it also provided a hermeneu- tic tool for interpreting the ancient and late-ancient texts that offered detailed theories of the world’s construction. The twin goals of this study are thus philosophical and musicological: firstly and philosophically, to analyze and re-assert the importance of musical speculation in the writings of the self-styled physici, who probed the physical world and its metaphysical foundations during the ‘Twelfth-Century Renaissance’; secondly and musicologically, to document the sources and scope of this musical speculation and to situate it within the larger tradition of ‘speculative music theory.’ The first part of the thesis (chapters one and two) disentangles the knotty question of sources for and connections between the late-ancient texts (by Calcidius, Macrobius, and Boethius) that form the background of twelfth-century thought, and it sketches the proper domain of musical thought by tracing the expansion of music’s role in quadrivial and natural-philosophical contexts from late- ancient encyclopedism though various twelfth-century divisiones scientiae.
    [Show full text]
  • "The Wheel Weaves As the Wheel Wills" Metaphors of Fate in Robert
    Ghent University Faculty of Arts and Philosophy "The Wheel Weaves as the Wheel Wills" Metaphors of Fate in Robert Jordan's The Eye of the World Supervisor: Paper submitted in partial fulfilment Prof. Dr. Nadia Sels of the requirements for the degree of "Master in de Taal- en Letterkunde: Engels" by Lucas Rabaey May 2016 Acknowledgements First and foremost, I would like to thank my supervisor, Prof. Dr. Nadia Sels, for the help she has provided me with during the writing of this MA dissertation. I was not very sure of where this dissertation was going, but she helped me get on the right track and has always encouraged me in my writing. During the writing process of this dissertation, she has given me useful feedback on all of the pieces of writing I sent her, and she has provided several sources that were necessary for the successful completion of this dissertation. She was always ready to meet up and discuss my progress, and I am sure that without her help, this dissertation would not have become what it is now. I would also like to thank my family and friends for the support they have given me throughout the last couple of months. Special thanks go to my brother Ward, who was always eager to give me tips on how to write a dissertation and has often provided feedback on both content and form of this dissertation. He has also read my thesis and has pointed out several mistakes that I was able to fix before the deadline. Table of contents Introduction ...............................................................................................................................
    [Show full text]
  • Reading Shakespeare's Tragedies Through Cognitive Theory
    A BODY OF SUFFERING: READING SHAKESPEARE’S TRAGEDIES THROUGH COGNITIVE THEORY By NICHOLAS RYAN HELMS A THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Nicholas Ryan Helms 2009 ALL RIGHTS RESERVED ABSTRACT In the following chapters I attempt to build and use a cognitive theory of tragedy. I base this theory upon the work of George Lakoff, Mark Johnson, and Mark Turner, whose studies of embodied metaphor and conceptual blending offer a new linguistic understanding of the way human beings think. When applied to tragedy, these cognitive theories enable a radical rethinking of the tragic hero, catharsis, and suffering itself. My thesis contains three major sections. In the first, I lay out the foundation of my theory, describing the basic processes of embodied metaphor and conceptual blending and linking these processes to theoretical accounts of paradigm shift and pattern, specifically those of Thomas Kuhn and Daniel Dennett. I then describe cognitive theory’s relationship to traditional tragic theorists, including Aristotle, Hegel, Nietzsche, and Terry Eagleton. Finally, I offer a cognitive reading of two plays: Romeo and Juliet and King Lear . Throughout, I hope to illustrate the links between thought, metaphor, and human action. Metaphors are not simply linguistic expressions: they are tools of the mind, and our use of those tools can bring great success or great tragedy. As such, tragedy is not merely an aesthetic genre. It is a cognitive event, a presentation of metaphor and of the consequences of metaphor.
    [Show full text]
  • Returning to the Fire: a Universal Model of Career Development and Cyclical Weltanschauung
    VISTAS Online VISTAS Online is an innovative publication produced for the American Counseling Association by Dr. Garry R. Walz and Dr. Jeanne C. Bleuer of Counseling Outfitters, LLC. Its purpose is to provide a means of capturing the ideas, information and experiences generated by the annual ACA Conference and selected ACA Division Conferences. Papers on a program or practice that has been validated through research or experience may also be submitted. This digital collection of peer-reviewed articles is authored by counselors, for counselors. VISTAS Online contains the full text of over 500 proprietary counseling articles published from 2004 to present. VISTAS articles and ACA Digests are located in the ACA Online Library. To access the ACA Online Library, go to http://www.counseling.org/ and scroll down to the LIBRARY tab on the left of the homepage. n Under the Start Your Search Now box, you may search by author, title and key words. n The ACA Online Library is a member’s only benefit. You can join today via the web: counseling.org and via the phone: 800-347-6647 x222. Vistas™ is commissioned by and is property of the American Counseling Association, 5999 Stevenson Avenue, Alexandria, VA 22304. No part of Vistas™ may be reproduced without express permission of the American Counseling Association. All rights reserved. Join ACA at: http://www.counseling.org/ Suggested APA style reference: Vecchio, C. A., Waller, B., & Zeng, H. (2011). Returning to the fire: A universal model of career development and cyclical Weltanschauung. Retrieved from http://counselingoutfitters.com/ vistas/vistas11/Article_02.pdf Article 2 Returning to the Fire: A Universal Model of Career Development and Cyclical Weltanschauung (Worldview) Paper based on a program presented at the 2010 IAEVG-NCDA-SVP International Symposium, San Francisco, California, June 29, 2010.
    [Show full text]
  • Carmina Burana
    AUDIENCE GUIDE 2018 - 2019 | Our 59th Season | Issue 4 Issue | Our Season 59th 2019 | March 15 – March 31, 2019 Music by Carl Orff Reduced Orchestration by Wilhelm Killmayer Four of Milwaukee’s most dynamic Indeed, it is the moon which has inspired performing arts companies are joining Lisa Schlenker’s haunting scenic design forces to present Carl Orff’s explosive and serves as the production’s predomi- cantata, Carmina Burana. Skylight is elated nant visual metaphor. Illuminated by Jason to work with artists from Danceworks Fassl’s brilliant lighting, the moon serves as Performance Company, Milwaukee Opera a timeless reminder of Fate’s ever- Theatre and Chant Claire Chamber Choir changing whims. In contrast, Shima Orans’ to bring this magnificent work to life for the modern, urban costume design under- first time in our nearly 60-year history. scores the contemporary relevance of the cantata’s themes. Tying the visual and lin- Although Carmina is most often presented guistic elements together are a series of in the concert hall, Orff himself called it a projections which serve to augment and scenic cantata, consisting of “secular songs elucidate the action onstage. for singers and choruses to be sung with instruments and magical images.” Amid this evocative milieu, an intergenerational cast of 62 performers - It is in this spirit of interdisciplinary 17 Skylight artists, seven Danceworks collaboration that the creative team has dancers, four Chant Claire guest approached the production, conceptualiz- artists and 25 Chant Claire Chamber Choir ing the piece as “total theatre” in which members, will fill the Cabot stage.
    [Show full text]
  • The Dynamics of the Medieval Manuscript
    Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2017, V&R unipress GmbH, Göttingen ISBN Print: 9783847107545 – ISBN E-Lib: 9783737007542 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2017, V&R unipress GmbH, Göttingen ISBN Print: 9783847107545 – ISBN E-Lib: 9783737007542 Karen Pratt /Bart Besamusca /Matthias Meyer / Ad Putter (eds) The Dynamics of the Medieval Manuscript Text Collections from aEuropean Perspective Edited with the Assistance of Hannah Morcos With 22 figures V&Runipress Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2017, V&R unipress GmbH, Göttingen ISBN Print: 9783847107545 – ISBN E-Lib: 9783737007542 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available online: http://dnb.d-nb.de. ISBN 978-3-7370-0754-2 You can find alternative editions of this book and additional material on our website: www.v-r.de © 2017, V&R unipress GmbH, Robert-Bosch-Breite 6, 37079 Göttingen, Germany / www.v-r.de This publication is licensed under a Creative Commons Attribution-Non Commercial- No Derivatives 4.0 International license, at DOI 10.14220/9783737007542. For a copy of this license go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Any use in cases other than those permitted by this license requires the prior written permission from the publisher. Cover image: A hermit at work on a manuscript; Estoire del Saint Graal, France, c. 1315±1325, London, British Library, Royal MS 14 E III, fol.
    [Show full text]
  • Commencement 2011
    Nota Bene Vol. 16 No. 2 NEWS FROM THE HARVARD DEPARTMENT OF THE CLASSICS Commencement 2011 Notes from the Chair by John Duffy he end of another busy academic year finds the Department a little weather- beaten, but proud of its successes, and united in spirit to confront the staffing challenges that have piled up at an alarming rate in the last two years. As things stand,T we are in need of new faculty members in the areas of Latin, Greek, Ancient Philoso- phy, and Byzantine Greek will soon be added to the list. The summer is almost upon us and we are still waiting to hear from the administration about search authorizations for next year. Closing the gaps in the Department’s faculty roster will be the major focus of our ef- forts for the foreseeable future. On the positive side we can rejoice that Paul Kosmin will begin his professional career with us in the Fall, as Assistant Professor of Greek History. Brad Inwood (U. of Toronto) ushered in the Spring with a lively and excellent set of four Jackson Lectures on the topic of “Ethics after Aristotle.” It is anticipated that these will be published as a book, in the near future, by Harvard University Press. The Class of 2011, numbering a robust seventeen students, happily includes the first three graduates of the recently installed concentration track in Classical Civilizations. It was also a record- breaking year for senior theses, with thirteen submitted. One of them, by Raquel Begleiter, was deservedly awarded a Hoopes prize, though the tally should have been higher, as there were three other outstanding nominees from the Department.
    [Show full text]
  • The Fair Reward Problem: the Illusion of Success and How to Solve It
    The fair reward problem: the illusion of success and how to solve it Didier Sornette, Spencer Wheatley and Peter Cauwels ETH Zurich Abstract: Humanity has been fascinated by the pursuit of fortune since time immemorial, and many successful outcomes benefit from strokes of luck. But success is subject to complexity, uncertainty, and change – and at times becoming increasingly unequally distributed. This leads to tension and confusion over to what extent people actually get what they deserve (i.e., fairness/meritocracy). Moreover, in many fields, humans are over-confident and pervasively confuse luck for skill (I win, it’s skill; I lose, it’s bad luck). In some fields, there is too much risk- taking; in others, not enough. Where success derives in large part from luck – and especially where bailouts skew the incentives (heads, I win; tails, you lose) – it follows that luck is rewarded too much. This incentivizes a culture of gambling, while downplaying the importance of productive effort. And, short term success is often rewarded, irrespective, and potentially at the detriment, of the long-term system fitness. However, much success is truly meritocratic, and the problem is to discern and reward based on merit. We call this the fair reward problem. To address this, we propose three different measures to assess merit: (i) raw outcome; (ii) risk- adjusted outcome, and (iii) prospective. We emphasize the need, in many cases, for the deductive prospective approach, which considers the potential of a system to adapt and mutate in novel futures. This is formalized within an evolutionary system, comprised of five processes, inter alia handling the exploration-exploitation trade-off.
    [Show full text]